User Manual

Reverb (Green) 210
 High Cut
High Cut is a static filter that gradually smoothens the high frequency content of the reverb, when turned more to the
left. While not implemented in combo amps, this control was available as a “Tone” control on the original Fender®
Reverb Tank.
 Spectral Balance
The Spring Reverb is originally processed by a strong lowcut filter. By moving Spectral Balance away from the
(default) middle setting you can balance the sound of the wet reverb signal more towards low or high frequencies.
Natural Reverb
The Natural Reverb is based on the latest digital reverb science and technology. It allowed us to create early
reflections as an organic part of a room model. We therefore decided to turn away from the academic approach of
having early reflections as a separately controllable set of reflections, in addition to a late reverb generator. We also
liked the ease of control afforded by this approach.
Due to the generic nature of the Natural Reverb, and the wide span of its parameters, it is capable of creating all
kinds of natural sounding rooms -— from ambiences too short to be noticed, to lush and epic spaces. This also
includes plate reverb simulations, and even artificial and synthesizer-like reverb pads -— all with the turn of two or
three knobs.
 Decay Time
Determines how fast the reverb decays. In a way, the Decay Time sets the size of the room, as small rooms decay
faster and large rooms decay slower. But do not confuse it with the parameter Room Size that is described later.