User Manual

Delay (Green) 188
✓ Both the “Freeze” and “Infinity” soft buttons can also be assigned to a foot switch that you plug into one of the
PEDAL inputs of your PROFILER or Remote.
 Cross Feedback
A small number of delay types - namely the Dual Delay and the Quad Delay - feature a "Cross Feedback" control.
Increasing the value beyond zero causes each delay to not only feed its output signal back to its own input, but also
to the other participating delay lines. This creates a more diffuse delay rhythm pattern, adding a reverb-like character
to the delay. To ensure the perceived overall feedback will stay the same, Cross Feedback will automatically reduce
the regular feedback. For this reason, Cross Feedback only works when the regular Feedback is set to a reasonable
amount. To achieve the smoothest diffusion, set the delay times to odd ratios. In contrast, 1:1 or 2:1 ratios will only
have a mediocre effect on the Cross Feedback.
 Reverse Mix
When set fully to the right, the delay is turned into a reverse delay. With intermediate values, you will get a mixture of
the forward and reverse delay, which is quite unique.
 Input Swell
The Input Swell parameter engages an auto-swell effect at the input of the delay that lets the volume of your
instrument rise slowly with every new strike of the strings. At low values, only the pick attack is dampened, creating a
smoother delay signal. With larger values, the onset of the notes is blurred, creating a pad-like delay.
 Smear
The Smear parameter adds a small reverberation unit to the delay, the intensity of which strengthens with every
feedback repetition. Pick attacks become increasingly diffused, or smeared, giving the delay a reverb-like quality. In
combination, Input Swell and Smear are a perfect recipe for ambient and ethereal delays.