User Manual

Delay (Green) 185
 Low Cut & High Cut
These two controls determine changes to the frequency response of progressive delay repeats. When Low Cut is set
to minimum, and High Cut to maximum, then the delay will not undergo any sound degradation.
As you reduce High Cut from its maximum position, the high frequencies will attenuate with every delay repetition,
creating a warm, lush sound.
As you increase Low Cut from its minimum position, the low frequencies will attenuate with every delay repetition,
resulting in a thin, brittle sound. In the lowest quarter of its range the Low Cut controls the resonance character of the
High Cut.
Both controls can be combined to simulate the sound degradation of a tape delay or analog delay:
Set High Cut to a desired value, e.g. 2000 Hz. Now, gradually increase Low Cut from its minimum position. You will
notice a flavor and "peakiness" typical of a tape delay, even at low values of Low Cut. The closer you set Low Cut to
the value of the High Cut, the more the sound will change toward a bandpass sound. Internally, the Low Cut
frequency will never exceed the High Cut frequency.
 Cut More
You might find that the sound degradation of Low Cut and High Cut is not drastic enough, or that the build-up of the
degradation is too slow at long delay times. In this case, press the "Cut More" soft button to double the impact of
Low Cut and High Cut.
 To Tempo
The delay times can be set either as absolute values (milliseconds) or as Note Values, where the absolute times
depend on the current Tempo. Use the soft button labelled "To Tempo" to switch between those two approaches.