User Manual

Delay (Green) 184
Despite all the flexibility of the new delays, there are good reasons to choose the DLY module for the delay effect:
• delay sound (as well as the reverb tail) won’t be cut off when you switch Rigs (“spillover”) if placed in the DLY
module
• delay sound (as well as the reverb) will be directed to separate outputs if Output Source is set to "Del/Rev Wet" in
the Output Section
• DELAY FEEDBACK and MIX knobs are exclusively linked to the DLY module.
Before we describe the delay types in detail, here are the parameters that most delay types have in common:
 Delay Mix
Controls the level of the delay signal. At the middle position, the delay is as loud as the direct signal; beyond this
point it will start to attenuate the dry signal. With “Mix” turned all the way to the right, you will hear only the pure,
delayed signal.
✓ Delay Mix is accessible via the row of knobs in the upper half of the panel, if the effect is placed in the DLY module.
 Mix Location Pre/Post
Determines whether the Mix control is positioned at the input (Pre) or the output (Post) of the delay. This option does
not change the signal immediately, but it becomes relevant when the Mix control is morphed by a switch or pedal.
In the "Post" position, a change of the Mix control changes the output level of the delay, and thus will have an
immediate impact to the delay tail when modified. In the "Pre" position, the delay tail will be unaffected by fast
changes to Mix, which will control only the delay input level.
✓ Mix Location is also relevant if you use the Grit parameter or the Infinity Feedback, as we'll see further below.