User Manual
Table Of Contents
- Legal Notice
- Table of Contents
- About this Main Manual
- Rigs and Signal Chain
- Front Panel Controls Head, PowerHead, Rack, and PowerRack
- Chicken Head Knob (1)
- INPUT Button (2)
- INPUT LED (2)
- Module and Section Buttons (3)
- OUTPUT/MASTER Button (4)
- OUTPUT LED (4)
- NOISE GATE Knob (5)
- Direct Control Knobs (6)
- MASTER VOLUME Knob (7)
- TAP Button (8)
- SYSTEM Button (9)
- RIG Button (10)
- QUICK Button (11)
- TYPE Knob (12)
- BROWSE Knob (13)
- Soft Buttons and Soft Knobs (14)
- ON/OFF Button (15)
- LOCK Button (16)
- COPY and PASTE Buttons (17)
- STORE Button (18)
- UNDO and REDO Buttons (19)
- EXIT Button (20)
Buttons (21) - RIG Navigation Cross (22)
- HEADPHONE Output (23)
- GAIN Knob (24)
- RIG VOLUME Knob (25)
- Front INPUT (26)
- USB (27)
- Back Panel Overview Head, PowerHead, Rack, and PowerRack
- Front Panel Controls Stage
- On/Off Button (1)
- Mode Select Buttons (2)
- INPUT Button (3)
- INPUT LED (3)
- Module and Section Buttons (4)
- OUTPUT/MASTER Button (5)
- OUTPUT LED (5)
- MASTER VOLUME Knob (6)
- SYSTEM Button (7)
- PEDALS Button (8)
- RIG Button (9)
- TYPE Knob (10)
- BROWSE Knob (11)
- Soft Buttons and Soft Knobs (12)
- MORPH Button (13)
- LOCK Button (14)
- EDIT Button (15)
- COPY and PASTE Buttons (N/A)
- STORE Button (16)
- Button (17)
Buttons (18) - GAIN Knob (19)
- Up/Down Buttons (20)
- Rig Buttons 1-5 (21)
- TAP Button (22)
- TUNER Button (23)
- Effect Buttons I-IIII (24)
- Looper (25)
- Back Panel Overview Stage
- Basic Setups
- Using the Tuner
- Rig Settings
- Working with Amplifier PROFILEs, Cabinet PROFILEs, Power Amps and Guitar Cabinets
- Separating Amps and Cabinets: CabDriver
- Browsing Amps or Cabinets
- Direct PROFILEs
- Direct Amp PROFILEs
- Cabinet Impulse Responses
- Merging Studio PROFILEs and Direct Amp PROFILEs
- Running a Guitar Speaker Cabinet from a Power Amplifier, “Monitor Cab Off”
- The Built-in Power Amplifier
- The Sound of Guitar Cabinets versus Mic'ed Speakers
- PURE CABINET
- Output Section
- Instrument Input and Reamping
- Expression Pedals and Foot Switches
- Stack Section
- Effects
- Wah Effects (Orange)
- Distortion (Red)
- Booster (Red)
- Shaper (Red)
- Equalizer (Yellow)
- Compressor (Cyan)
- Noise Gate (Cyan)
- Chorus (Blue)
- Phaser and Flanger (Purple)
- Pitch Shifter (White)
- Delay (Green)
- Delay Mix
- Mix Location Pre/Post
- Low Cut & High Cut
- Cut More
- To Tempo
- Delay Time & Delay Ratio
- Note Value
- Feedback
- Freeze
- Infinity
- Cross Feedback
- Reverse Mix
- Input Swell
- Smear
- Stereo
- Grit
- Stereo Modulation
- Flutter Intensity & Flutter Rate
- Single Delay
- Dual Delay
- Two Tap Delay
- Serial Two Tap Delay
- Rhythm Delay
- Quad Delay
- Legacy Delay
- Pitch Shifter Delay (Light Green)
- Reverb (Green)
- Effect Loop (Pink)
- System Settings
- Bass Players: Special Hints and Features
- Performance Mode
- PROFILER Remote
- MIDI
- Continuous Controllers
- Effect Switches
- Rig Change in Performance Mode
- Rig Change in Browser Mode
- MIDI Global Channel
- MIDI Clock
- Transmitting MIDI Commands to Two External Devices in Performance Mode
- Transmitting Pedal Controllers for Morphing, Wah, Volume, and Pitch to Two External Devices
- Transmitting User Interface to MIDI Global Channel
- NRPN
- Getting Organized
- Updates, Backups and Sharing Sounds
- PROFILING an Amp
- Trouble Shooting
- KEMPER PROFILER Specifications
- Dimensions
- Weight
- Analog Inputs PROFILER Head, PowerHead, Rack, and PowerRack
- Analog Inputs PROFILER Stage
- Analog Outputs PROFILER Head, PowerHead, Rack, and PowerRack
- Analog Outputs PROFILER Stage
- Power Amp PROFILER PowerHead and PROFILER PowerRack
- Control and Data Interfaces
- Digital Inputs and Outputs PROFILER Head, PowerHead, Rack, and PowerRack
- Digital Inputs and Outputs PROFILER Stage
- Electrical Requirements
- Environmental Requirements
- Electrical Approvals
Instrument Input and Reamping 114
To use S/PDIF for reamping, the following must be considered:
• Your audio interface must be set as a clock slave to S/PDIF, since the PROFILER itself is not able to act as slave of
an incoming S/PDIF clock.
• The PROFILER can generate a clock of 44.1, 48, 88.2, or 96 kHz. Your audio interface and DAW will be clocked at
the selected rate and your DAW project should also be set accordingly. PROFILER Head, PowerHead, Rack, and
Power Rack need to be master of the clock. PROFILER Stage can also be used as slave.
• For the DI recording, only one cable is required from the S/PDIF OUTPUT of the PROFILER to the input of your
audio interface.
• For reamping, you will need to connect a cable from the S/PDIF OUTPUT of the audio interface to the S/PDIF
INPUT of the PROFILER. The connection from the S/PDIF OUTPUT of the PROFILER is still required to feed the
S/PDIF clock to your audio interface.
Reamping with S/PDIF