User Manual
Table Of Contents
- Legal Notice
- Table of Contents
- About this Main Manual
- Rigs and Signal Chain
- Front Panel Controls Head, PowerHead, Rack, and PowerRack
- Chicken Head Knob (1)
- INPUT Button (2)
- INPUT LED (2)
- Module and Section Buttons (3)
- OUTPUT/MASTER Button (4)
- OUTPUT LED (4)
- NOISE GATE Knob (5)
- Direct Control Knobs (6)
- MASTER VOLUME Knob (7)
- TAP Button (8)
- SYSTEM Button (9)
- RIG Button (10)
- QUICK Button (11)
- TYPE Knob (12)
- BROWSE Knob (13)
- Soft Buttons and Soft Knobs (14)
- ON/OFF Button (15)
- LOCK Button (16)
- COPY and PASTE Buttons (17)
- STORE Button (18)
- UNDO and REDO Buttons (19)
- EXIT Button (20)
Buttons (21) - RIG Navigation Cross (22)
- HEADPHONE Output (23)
- GAIN Knob (24)
- RIG VOLUME Knob (25)
- Front INPUT (26)
- USB (27)
- Back Panel Overview Head, PowerHead, Rack, and PowerRack
- Front Panel Controls Stage
- On/Off Button (1)
- Mode Select Buttons (2)
- INPUT Button (3)
- INPUT LED (3)
- Module and Section Buttons (4)
- OUTPUT/MASTER Button (5)
- OUTPUT LED (5)
- MASTER VOLUME Knob (6)
- SYSTEM Button (7)
- PEDALS Button (8)
- RIG Button (9)
- TYPE Knob (10)
- BROWSE Knob (11)
- Soft Buttons and Soft Knobs (12)
- MORPH Button (13)
- LOCK Button (14)
- EDIT Button (15)
- COPY and PASTE Buttons (N/A)
- STORE Button (16)
- Button (17)
Buttons (18) - GAIN Knob (19)
- Up/Down Buttons (20)
- Rig Buttons 1-5 (21)
- TAP Button (22)
- TUNER Button (23)
- Effect Buttons I-IIII (24)
- Looper (25)
- Back Panel Overview Stage
- Basic Setups
- Using the Tuner
- Rig Settings
- Working with Amplifier PROFILEs, Cabinet PROFILEs, Power Amps and Guitar Cabinets
- Separating Amps and Cabinets: CabDriver
- Browsing Amps or Cabinets
- Direct PROFILEs
- Direct Amp PROFILEs
- Cabinet Impulse Responses
- Merging Studio PROFILEs and Direct Amp PROFILEs
- Running a Guitar Speaker Cabinet from a Power Amplifier, “Monitor Cab Off”
- The Built-in Power Amplifier
- The Sound of Guitar Cabinets versus Mic'ed Speakers
- PURE CABINET
- Output Section
- Instrument Input and Reamping
- Expression Pedals and Foot Switches
- Stack Section
- Effects
- Wah Effects (Orange)
- Distortion (Red)
- Booster (Red)
- Shaper (Red)
- Equalizer (Yellow)
- Compressor (Cyan)
- Noise Gate (Cyan)
- Chorus (Blue)
- Phaser and Flanger (Purple)
- Pitch Shifter (White)
- Delay (Green)
- Delay Mix
- Mix Location Pre/Post
- Low Cut & High Cut
- Cut More
- To Tempo
- Delay Time & Delay Ratio
- Note Value
- Feedback
- Freeze
- Infinity
- Cross Feedback
- Reverse Mix
- Input Swell
- Smear
- Stereo
- Grit
- Stereo Modulation
- Flutter Intensity & Flutter Rate
- Single Delay
- Dual Delay
- Two Tap Delay
- Serial Two Tap Delay
- Rhythm Delay
- Quad Delay
- Legacy Delay
- Pitch Shifter Delay (Light Green)
- Reverb (Green)
- Effect Loop (Pink)
- System Settings
- Bass Players: Special Hints and Features
- Performance Mode
- PROFILER Remote
- MIDI
- Continuous Controllers
- Effect Switches
- Rig Change in Performance Mode
- Rig Change in Browser Mode
- MIDI Global Channel
- MIDI Clock
- Transmitting MIDI Commands to Two External Devices in Performance Mode
- Transmitting Pedal Controllers for Morphing, Wah, Volume, and Pitch to Two External Devices
- Transmitting User Interface to MIDI Global Channel
- NRPN
- Getting Organized
- Updates, Backups and Sharing Sounds
- PROFILING an Amp
- Trouble Shooting
- KEMPER PROFILER Specifications
- Dimensions
- Weight
- Analog Inputs PROFILER Head, PowerHead, Rack, and PowerRack
- Analog Inputs PROFILER Stage
- Analog Outputs PROFILER Head, PowerHead, Rack, and PowerRack
- Analog Outputs PROFILER Stage
- Power Amp PROFILER PowerHead and PROFILER PowerRack
- Control and Data Interfaces
- Digital Inputs and Outputs PROFILER Head, PowerHead, Rack, and PowerRack
- Digital Inputs and Outputs PROFILER Stage
- Electrical Requirements
- Environmental Requirements
- Electrical Approvals
Instrument Input and Reamping 111
Instrument Input and Reamping
Input Source Select
You have the choice of four different physical inputs: INPUT, ALTERNATIVE INPUT (except PROFILER Stage),
RETURN and S/PDIF INPUT.
Unlike the other parameters of the Input Section, the Input Source is set globally, rather than by Rig. It will therefore
not be saved in an input preset.
All four inputs have different applications, with two being dedicated to reamping purposes.
INPUT
The standard instrument input with high impedance and low noise.
ALTERNATIVE
INPUT
(PROFILER
Head,
PowerHead,
Rack,
PowerRack
only)
The high-impedance ALTERNATIVE INPUT is located on the back panel. You may find it
useful in rack setups, either for connecting the instrument directly, or through a wireless
receiver. It is a bit noisier than the front INPUT, but this is only an issue for guitars with a soft
output level, applied to heavy distortion.
Even when Input Source is set to “Alternative Input”, it won’t work when a cable is still
connected to the front INPUT.
You can still use Loop Mono when using the ALTERNATIVE INPUT but avoid using Loop
Stereo; it uses the ALTERNATIVE INPUT as the right return input for the loop, and the
PROFILER does not automatically compensate for this situation.
RETURN
(Reamp)
The RETURN can be chosen as an analog, studio-level input for reamping purposes. Either
the TRS input or the balanced XLR input are available as the RETURN. For PROFILER Stage
use balanced TRS RETURN 1 input. Read the next chapter carefully to learn more about the
dedicated reamping features.
S/PDIF INPUT
(Reamp)
The S/PDIF INPUT is typically used for reamping from an audio interface. S/PDIF signals are
stereo by definition, however only the left side is taken for reamping. Read the next chapter to
learn more about the dedicated reamping features. If no S/PDIF cable is connected, or no
S/PDIF sync signal is detected, the INPUT is still active.