Owner's Manual
21
. Press the MAIN/MENU knob to accept these changes. Press the BACK button to cancel these
changes.
c. Delay - The FX Processing Delay is designed to be a musically oriented delay, commonly used on rock and
ballad vocals and guitars. It is often set to match the specic “Beats Per Minute” (i.e. “BPM) of the song
currently being performed, plus how many delay returns are desired per beat, how long the delay keeps
returning and if the delay feeds back again multiple times.
i. “On/Off” When set to off, the Delay input is disabled. This allows the current signal to “ring out” until
the current delay signal is completed. To end the delay immediately, turn down the Delay Level to Mix
fader.
ii. “Reset” will set the Delay processing settings to default settings.
iii. “Presets” offers a quick selection of common settings for fast selection in typical use cases. These
delay settings are named as descriptions of the types of common musical uses they simulate. Presets
can assist new users wanting to try quick examples of often-used delay setting combinations. The
user can select “Custom” and adjust all the settings themselves. Or they can start with one of the
location description presets, listen, and then adjust any settings desired. When a user has selected
a preset and then adjusts a setting, all current delay settings are loaded into the Custom preset for
further editing.
. Custom
. Simple Quarters
. Simple Eights
. Simple Triples
. Simple 1:1
. Staggered Echo
. Bounce wall
. Fast Spring
iv. “Beats Per Minute” enters the beats per minute tempo of the song planned or in progress. The
speaker automatically calculates the delay times to match the beats per minute song tempo.
v. “SubDivision” enables the user to enter the number of times the delay returns the signal per beat. For
example, if this is set to “1:2” then for every beat there are two delay returns heard.
vi. “Delay Length” is the setting showing how long, represented in milliseconds (ms), the delays will
continue returning for each beat. The smaller the number, the faster the delay returned signal will fade
out per beat.
vii. “Feedback” is the amount of the delayed signal that is fed back into the Delay processor input, to
give more depth to the delay sounds.
viii. “Low Pass Filter” can be set to reduce the relative level of high frequencies of the delay returned
signal. If the user perceives bright high-frequency harshness resulting from very bright source signals,
this setting can be lowered to compensate.