User manual
Table Of Contents
- 1 Introduction
- 2 Safety
- 3 Lenses
- 4 Functions
- 4.1 Parts, Components, Buttons and Controls
- 4.2 Grip Buttons and Controls
- 4.3 Camera Body Buttons and Controls
- 4.4 Mode Dial
- 4.5 Exposure Program Modes
- 4.6 The X1D II Interaction Displays
- 4.7 Touch Display Navigation
- 4.8 Navigating the Menus
- 4.9 Touch Display Main Menu
- 4.10 Control Screen
- Locked Exposure Parameters on the Control Screen
- Settings on the Control Screen
- Self Timer settings
- Interval settings
- Interval Operation
- Exposure Bracketing settings
- Exposure Bracketing Operation
- Long Exposure Screen
- Focus Bracketing
- Focus Bracketing settings
- Focus Bracketing Operation
- Step Size
- DoF and Step size visualized
- Examples
- Fixed Exposure Compensation Setting
- Exposure Compensation / Quick Adjust
- Light Meter Mode
- 4.11 Video Recording
- 4.12 Connector Ports
- 4.13 Memory Cards
- 4.14 Stop Down Button
- 4.15 Live View indications
- 4.16 Focusing
- 4.17 Move Autofocus Point
- 4.18 Resize Autofocus Point
- 4.19 Move Autofocus Point using Touchpad
- 4.20 Change Settings on the Grip
- 4.21 Browsing, Preview and Histogram
- 4.22 Image Rating
- 5 Settings
- 6 Phocus
- 7 Accessories
- 8 Appendix
X1D II 50C USER GUIDE www.hasselblad.com
64
FUNCTIONS
Contents
A
B
C
FOCUS BRACKETING
Focus Bracketing can be used for different purposes. The
mostobviousistoachievealargerdepth-of-eldbystacking
images with different focus positions together in post-produc-
tion. You can also use it to pick the best image from a batch.
In Focus Bracketing mode, the camera will automatically take
a pre-set number of images with and calculate focus shift
between each capture. The images will be stored on the card
asseparatelesandyoucaneditthemmanuallyorusea3rd
party software (e.g. Helicon Focus™) to merge them together
intoanalstackedimage.
Itisdifculttogivedetailedguidelinesonwhichsettingsto
use, but look at the examples in this section as a starting point
for your own experiments.
The camera offers three different modes in which the images
will be taken.
1
Towards Innity
Set focus manually or by using AF. If AF is used, remember
to deactivate it before starting the sequence. In this
mode, focus should be set on a point (
A
) that is closer to
the camera than the main subject. When the sequence
isstarted,focuswillbeshiftedtowardsinnityuntilthe
sequenceisnishedorthelensreachesinnityposition.
2
Symmetric
In this mode, focus should be set on the main subject (
B
).
Whenthesequenceisstarted,thecamerawillrsttakean
image and then move to a focus point closer to the near
limit and take all the images in the sequence, shifting focus
towardsinnity.Therstimageisanextraexposuremade
to ensure that there is one image of the main subject with
perfect focus.
3
Towards Near Limit
Set focus on a point (
C
) behind the main subject. During
the sequence, the camera will shift focus closer and closer
to the camera. The sequence will stop after the pre-set
number of images has been captured or the lens has
reached near limit.
Stacked from 40 images. XCD 120, f/6.8, Step = Medium
Single image, XCD 120 f/6.8










