User manual
Table Of Contents
- 1 INTRODUCTION
- 2 Lenses
- 3 Quick Start
- 4 Safety
- 5 Parts & Controls
- 6 Using the 907X
- 6.1 Touch display
- 6.2 Touch display main menu
- Main Menu
- Add shortcuts to main menu favourites
- How to add shortcuts to main menu
- How to remove shortcuts on the main menu
- How to move shortcuts on the main menu
- Control screen
- Locked exposure parameters on the control screen
- Settings on the control screen
- Self Timer settings
- Interval settings
- Interval operation
- Exposure bracketing settings
- Exposure bracketing operation
- Long exposure screen
- Focus Bracketing
- Focus Bracketing settings
- Focus Bracketing Operation
- Step Size
- DoF and Step size visualized
- Examples
- Fixed exposure compensation setting
- Light meter mode
- 6.3 Memory cards
- 6.4 Live view indications
- 6.5 Focusing
- 6.6 Move autofocus point
- 6.7 Resize autofocus point
- 6.8 Browsing, preview and histogram
- 6.9 Image Rating
- 6.10 Video Recording
- 7 907X Control Grip
- 8 907X Optical Viewfinder
- 9 Phocus
- 10 Settings
- 11 Accessories
- 12 Appendix
USING THE 907X
www.hasselblad.comCONTENTS
62
907X 50C USER GUIDE
FOCUS BRACKETING
Focus Bracketing can be used for different purposes. The
most obvious is to achieve a larger depth-of-eld by stacking
images with different focus positions together in post-produc-
tion. You can also use it to pick the best image from a batch.
In Focus Bracketing mode, the camera will automatically
take a pre-set number of images and calculate focus shift
between each capture. The images will be stored on the card
as separate les and you can edit them manually or use a 3rd
party software (e.g. Helicon Focus™) to merge them together
into a nal stacked image.
It is difcult to give detailed guidelines on which settings to
use, but look at the examples in this section as a starting point
for your own experiments.
The camera offers three different modes in which the images
will be taken.
1
Towards Innity
Set focus manually or by using AF. If AF is used, remember
to deactivate it before starting the sequence. In this
mode, focus should be set on a point (
A
) that is closer to
the camera than the main subject. When the sequence
is started, focus will be shifted towards innity until the
sequence is nished or the lens reaches innity position.
2
Symmetric
In this mode, focus should be set on the main subject (
B
).
When the sequence is started, the camera will rst take an
image and then move to a focus point closer to the near
limit and take all the images in the sequence, shifting focus
towards innity. The rst image is an extra exposure made
to ensure that there is one image of the main subject with
perfect focus.
3
Towards Near Limit
Set focus on a point (
C
) behind the main subject. During
the sequence, the camera will shift focus closer and closer
to the camera. The sequence will stop after the pre-set
number of images has been captured or the lens has
reached near limit.
Single image, XCD 120 f/6.8
Stacked from 40 images. XCD 120, f/6.8, Step = Medium
A
B
C










