DNAfx GiT Pro multi effects unit user manual
Thomann GmbH Hans-Thomann-Straße 1 96138 Burgebrach Germany Telephone: +49 (0) 9546 9223-0 Internet: www.thomann.de 17.03.
Table of contents Table of contents 1 General information................................................................................................................................. 1.1 Further information........................................................................................................................... 1.2 Notational conventions.................................................................................................................... 1.3 Symbols and signal words.....
Table of contents 6.6 6.7 6.8 6.9 Tuner..................................................................................................................................................... System settings................................................................................................................................. Editor software.................................................................................................................................. Software update...............
General information 1 General information This user manual contains important information on the safe operation of the device. Read and follow all safety notes and all instructions. Save this manual for future reference. Make sure that it is available to all persons using this device. If you sell the device to another user, be sure that they also receive this manual. Our products and user manuals are subject to a process of continuous development.
General information 1.1 Further information On our website (www.thomann.de) you will find lots of further information and details on the following points: Download This manual is also available as PDF file for you to download. Keyword search Use the search function in the electronic version to find the topics of interest for you quickly. Online guides Our online guides provide detailed information on technical basics and terms.
General information 1.2 Notational conventions This manual uses the following notational conventions: Letterings The letterings for connectors and controls are marked by square brackets and italics. Examples: [VOLUME] control, [Mono] button. Displays Texts and values displayed on the device are marked by quotation marks and italics. Examples: ‘24ch’ , ‘OFF’ .
General information Instructions The individual steps of an instruction are numbered consecutively. The result of a step is indented and highlighted by an arrow. Example: 1. Switch on the device. 2. Press [Auto]. ð Automatic operation is started. 3. Cross-references Switch off the device. References to other locations in this manual are identified by an arrow and the specified page number. In the electronic version of the manual, you can click the cross-reference to jump to the specified location.
General information 1.3 Symbols and signal words In this section you will find an overview of the meaning of symbols and signal words that are used in this manual. Signal word Meaning DANGER! This combination of symbol and signal word indicates an immediate dangerous situation that will result in death or serious injury if it is not avoided.
Safety instructions 2 Safety instructions Intended use This device is intended to be used for sound processing of signals from musical instruments with electromagnetic pickups. Any other use or use under other operating conditions is con‐ sidered to be improper and may result in personal injury or property damage. No liability will be assumed for damages resulting from improper use.
Safety instructions NOTICE! Operating conditions This device has been designed for indoor use only. To prevent damage, never expose the device to any liquid or moisture. Avoid direct sunlight, heavy dirt, and strong vibrations. Only operate the device within the ambient conditions specified in the chapter ‘Technical specifications’ of this user manual.
Features 3 Features Special features of the device: n Wide variety of professional Amp Modelings n IR cabinet simulations (Impulse Response) for recording and FOH application (max.
Features n n n n Audio interface for recording and playback via USB Editor software Robust aluminium housing Power adapter supplied DNAfx GiT Pro 13
Installation 4 Installation Unpack and check carefully there is no transportation damage before using the unit. Keep the equipment packaging. To fully protect the product against vibration, dust and moisture during transportation or storage use the original packaging or your own packaging material suitable for transport or storage, respectively. Create all connections while the device is off. Use the shortest possible high-quality cables for all connections.
Installation 4.1 Connection options Connection to the power supply. NOTICE! External power supply The device is powered by an external power supply. Before connecting the external power supply, ensure that the input voltage (AC outlet) matches the voltage rating of the device and that the AC outlet is protected by a residual cur‐ rent circuit breaker. Failure to do so could result in damage to the device and pos‐ sibly the user.
Installation Connection to the amplifier and the power amp This setup can be used on any amplifier with FX LOOP or individual power amp. OUTPUT L AMP CTRL PEDAL 2 INPUT SEND RETURN L RETURN R OUTPUT L OUTPUT R DC IN 9V 1A MIDI IN/ MIDI OUT OUTPUT R USB LIFT AUX IN GND Guitar Amplifier 1. Connect the guitar to the input socket [INPUT] of the unit. 2. Connect the RETURN interface of the amplifier to the output socket (jack) [OUTPUT L] of the unit. 3.
Installation Connection to the input socket of the amplifier This setup can be used, if the amplifier does not have an FX LOOP. The unit is placed in front of the amplifier. The signal from the unit goes to the preamp of an amplifier. OUTPUT L AMP CTRL PEDAL 2 INPUT SEND RETURN L RETURN R OUTPUT L OUTPUT R DC IN 9V 1A MIDI IN/ MIDI OUT OUTPUT R USB LIFT AUX IN GND Guitar Amplifier 1. Connect the guitar to the input socket [INPUT] of the unit. 2.
Installation Connection to the FX LOOP of an amplifier This setup can be used, if the amplifier has an FX LOOP and the unit is to be used with an amplifier as a post effect. The unit is placed between preamp and power am of the amplifier. OUTPUT L AMP CTRL PEDAL 2 INPUT SEND RETURN L RETURN R OUTPUT L OUTPUT R DC IN 9V 1A MIDI IN/ MIDI OUT OUTPUT R USB LIFT AUX IN GND Guitar Amplifier 1. Connect the guitar to the input of an amplifier. 2.
Installation 4. Disable the effect modules ‘AMP’ and ‘CAB’ for best results. Four-cable method This setup can be used to use the unit as Distortion/Overdrive/Boost pedal in front of the preamp of an amplifier and as Modulation/Delay/Reverb pedal between the preamp and power amp of an amplifier. OUTPUT L AMP CTRL PEDAL 2 INPUT SEND RETURN L RETURN R OUTPUT L OUTPUT R DC IN 9V 1A MIDI IN/ MIDI OUT OUTPUT R USB LIFT AUX IN GND Guitar Amplifier 1.
Installation 2. Connect the RETURN interface of the amplifier to the output socket (jack) [OUTPUT L] of the unit. 3. Connect the SEND interface of the amplifier to the input socket [RETURN L] of the unit. 4. Connect the input of the amplifier to the output socket [SEND] of the unit. 5. Place the dynamic effects, Rah effects, EQ and Distortion/Overdrive effects before the preamp. 6. Place the Noise Gate, Modulation, Delay and Reverb effects between the preamp and the power amp. 7.
Installation Connection to FRFR device This setup supports studio monitors, audio interfaces, stage monitors, PA systems, head‐ phones or any other FRFR (full range flat response) devices. OUTPUT L AMP CTRL PEDAL 2 INPUT SEND RETURN L RETURN R OUTPUT L OUTPUT R DC IN 9V 1A MIDI IN/ MIDI OUT OUTPUT R USB LIFT AUX IN GND Guitar Headphones Mixer Audio interface / Studio monitor 1. Connect the guitar to the input socket [INPUT] of the unit. 2.
Installation 4. Connect the headphones to the phones socket. 5. Enable the effect modules ‘AMP’ and ‘CAB’ for best results. Connection to FRFR device and amplifier In this setup, you can connect an FRFR device and an amplifier simultaneously. OUTPUT L AMP CTRL PEDAL 2 INPUT SEND RETURN L RETURN R OUTPUT L Guitar Mixer Amplifier Connect the guitar to the input socket [INPUT] of the unit. multi effects unit 22 DC IN 9V 1A USB GND 1.
Installation 2. Connect the RETURN interface of the amplifier or an individual power amp to the output socket (jack) [OUTPUT L] of the unit. 3. Connect a studio monitor, stage monitor, mixer or other FRFR device to the output socket (jack) [OUTPUT R] or the output socket (XLR) [OUTPUT R] of the unit. 4. For the output with FRFR device, set output mode ‘CAB’ ( ‘CAB’ on). 5. For the output with an amplifier, set output mode ‘THRU’ ( ‘CAB’ off).
Connections and operating elements 5 Connections and operating elements Top side # % $ &' ( ) 1 2 PEDAL ö SELECT OUTPUT STORE MENU EXIT * , + 1 2 3 4 5 HOLD FOR LOOPER A B C multi effects unit 24 HOLD FOR TUNER D
Connections and operating elements 1 [OUTPUT] Rotary volume control 2 Display 3 [STORE] Button to enter save menu 4 [SELECT] Rotary control to switch between preset patches, to select a module in the effects chain, or to navigate in the settings menu 5 [MENU] Button to enter the system settings 6 [EXIT] Button to quit the current page and return to home display 7 Buttons to navigate in the display parameters and the current effect modules / 8 [PEDAL] / [1] / [2] Expression Pedal indicator LED
Connections and operating elements Rear panel OUTPUT L AMP CTRL PEDAL 2 INPUT SEND RETURN L RETURN R OUTPUT L OUTPUT R DC IN 9V 1A MIDI IN/ MIDI OUT OUTPUT R USB LIFT AUX IN GND - . / 0 1 2 3 45 7 8 9: 12 [AUX IN] 1/8" jack socket (stereo) for connecting an audio device (e.g.
Connections and operating elements 19 Headphone socket (1/8" jack socket, stereo) 20 [LFT] / [GND] Ground/Lift switch for XLR output, balanced 21 [OUTPUT L] / [OUTPUT R] XLR output socket, 3-pin, mono, balanced 22 [MIDI IN/] [MIDI OUT] MIDI socket, 5-pin 23 [USB] USB port type B for connecting the unit to a PC or MAC or a suitable audio device You can edit preset patches or update the firmware via editor software.
Connections and operating elements Display ; > < 26 Preset area Display of number of the current preset bank, preset patch ( ‘A’ , ‘B’ , ‘C’ , ‘D’ ) and the preset name 27 ‘IN’ / ‘OUT’ Displays the current volume level 28 Effects chain area Display of the effects chain of the current preset 29 Parameter area Display of the current module type, module name, module number, and detailed parameters = multi effects unit 28
Operating 6 Operating Turn [OUTPUT] counter-clockwise to set the volume to minimum. Switch on the unit and adjust the volume as required.
Operating 6.1 Presets 6.1.1 Selecting presets The unit has 64 preset banks, each with 4 preset patches, for 256 preset patches in total. The currently selected preset border will always be highlighted. 1. When the presets are selected, turn [SELECT] to switch between preset patches. 2. You can also press the footswitches [A]…[D] to switch preset patches in the same bank. ð The LED of the corresponding footswitch lights up blue. 3.
Operating 6.1.2 Editing presets The unit has 11 effect modules ( ‘DYN’ , ‘WAH’ , ‘DS’ , ‘AMP’ , ‘CAB’ , ‘FX LOOP’ , ‘NS’ , ‘EQ’ , ‘MOD’ , ‘DELAY’ , ‘REVERB’ ) for setting up to 153 effects. Every effect module can only be set once in the effects chain. All 11 effect modules can be used simultaneously. Press the [SELECT] rotary control to enter the editing mode. The selected module is high‐ lighted.
Operating Enabling / disabling effect module 1. Turn [SELECT] to select an effect module. ð The icon border of the effect module is highlighted. 2. Press [1] to enable the effect module. ð The effect module is enabled. The relevant icon is coloured. The display shows ‘ON’ in the parameter area. 3. Press [1] to disable the effect module. ð The effect module is disabled. The relevant icon is grey. The display shows ‘OFF’ in the parameter area.
Operating Editing effects 1. Turn [SELECT] to select an effect module. 2. Turn [1] to select the different effect types. 3. Turn [2]…[5] to adjust the relevant parameters shown in the parameter area. 4. Press [2]…[5] to reset the current parameter to the default setting. 5. If an effect module has more than four parameters, use ters. Now even [1] is used for adjusting the parameters.
Operating You must save a modified preset with [STORE]. 6.1.3 Storing presets The unit supports max. 15 characters for preset names. 1. Press [STORE] to enter save menu. 2. Turn [SELECT] to select a save slot. 3. Turn [1] to switch the position. 4. Turn [2] to select a desired letter for the preset name. Press [2] to toggle between upper‐ case and lowercase letters. 5. Turn [3] to select a desired number for the preset name. 6. Turn [4] to select a desired special symbol for the preset name.
Operating 7. After naming is complete, press again [STORE] to confirm saving. ð The display shows the home display. 8. Press or turn a control to cancel saving. 6.2 Footswitch modes The unit has three footswitch modes. 1. Press the relevant footswitch [A], [B] or [C] in the current preset patch to enter the foot‐ switch control menu. 2. Press [1], [2] or [3] to set the mode ‘STOMPBOX’ , ‘TAP TEMPO’ or ‘AMP CTRL’ for the selected footswitch. 3.
Operating Mode ‘STOMPBOX’ This mode allows you to assign an effect module to one of the footswitches [A], [B] or [C], with which you can then enable or disable the effect module. By default, the effect modules are dis‐ abled, the footswitch LED is off. 1. Press [1] to select ‘STOMPBOX’ . 2. Turn [1], [2] or [3] to select the effect modules for the footswitches [A], [B] or [C]. ð In the parameter area is shown the name of the effect module. The background colour is the same as that in the effects chain.
Operating Mode ‘TAP TEMPO’ This mode allows you to set the delay time using one of the footswitches [A], [B] or [C]. 1. Press [2] to select ‘TAP TEMPO’ . ð In the parameter area is shown ‘TAP TEMPO’ . The background colour is red. The foot‐ switch LED flashes red. The default setting for ‘TAP TEMPO’ is 120 bpm. 2. Select a ‘DELAY’ module and enable ‘TEMPO’ . 3. Press repeatedly the relevant footswitch to change the speed. ð The footswitch LED flashes according to the current speed (bpm).
Operating This mode allows you to switch the amplifier channels using one of the footswitches [A], [B] or [C]. Connect the [AMP CTRL] socket of the unit to the footswitch socket of the amplifier using a 1/4" TRS jack cable (stereo). 1. Press [3] to select ‘AMP CTRL’ . ð In the parameter area is shown ‘AMP CTRL’ . The background colour is green. The footswitch LED lights up green. 2. Turn [1], [2] or [3] to select the modes [T+S], [R+S] or [T+R+S]. 3.
Operating 6.3 FX LOOP The unit has an FX LOOP which can be used with the four-cable method. 1. Press [SELECT] to enter the editing mode. 2. Turn [SELECT] and select ‘FX LOOP’ . 3. Turn [1] to toggle between serial and parallel mode ( ‘SERIAL’ / ‘PARALLEL’ ). 4. Turn [2] and [3] to adjust the input and output volume level (default setting 0 dB). The unit supports moving the FX LOOP modules as any others.
Operating 6.4 Expression pedal The unit has a native Expression Pedal ( ‘PEDAL1’ ) and supports an external pedal ( ‘PEDAL2’ ) using a 1/4" TRS jack cable (stereo). The LED [1] lights up blue when the native pedal is ena‐ bled. The LED [2] lights up blue when the external pedal is connected. You need to calibrate the Expression Pedal before using it for the first time (see Ä ‘ ‘PEDAL CALIBRATE’ ’ on page 50).
Operating Adjusting the volume When the native Expression Pedal ( ‘PEDAL1’ ) is disabled (LED off), you can use it for adjusting the volume level. Press the pedal to adjust the master output volume level. External pedals cannot be used for adjusting the volume level. Entering the Expression Pedal settings 1. Press and hold [1], [2] and [3] for more than 2 seconds. ð The menu for setting the Expression Pedal is entered. 2. Press [1] or [2] to select the native or external pedal.
Operating 3. Turn [1] in the submenu ‘PEDAL1’ or ‘PEDAL2’ to enable or disable the relevant Expres‐ sion Pedal. 4. Turn [2] or [3] to set the minimum and maximum position of the pedal (toe down / heel down). ð Now you can use the Expression Pedal to set the selected parameter. On the home display, the relevant parameter lights up red. 5. Press the native Expression Pedal heavily in the toe-down position to disable the pedal. 6. Press [STORE] to save the settings for the current preset patch.
Operating 6.5 Setting ‘LOOPER / RHYTHM’ The FX LOOP of the unit supports loops with a length of max. 52 seconds with 8 built-in drum and metronome styles, each style with 10 different grooves. Press and hold the footswitch [C] to enter the ‘LOOPER/RHYTHM’ menu. ‘LOOPER’ 1. Turn [SELECT] to switch the preset tones. 2. Turn [1] to adjust the recording volume level. Turn [2] to adjust the playback volume level. The default value for both is 50. 3. Press the footswitch [A] to start recording.
Operating 6. Press the footswitch [B] during ‘PLAY’ to stop playback. ð The LED of the footswitch [B] lights up blue. 7. Press and hold the footswitch [B] at any time to clear all the recorded tracks. ð The LED of the footswitch [B] is off. When the looper recorded bar is full (52 seconds), it will stop recording and start play‐ back automatically. Recorded loops will be deleted after switching off the unit.
Operating ‘RHYTHM’ 1. Press the footswitch [C] to enable or disable the drum machine. ð The LED of the footswitch [C] stays white. 2. Press the footswitch [D] repeatedly to adjust the speed of the drum machine via ‘TAP TEMPO’ . ð The LED of the footswitch [D] flashes according to the current speed of the drum machine. 3. Press 4. Turn [1] to select the genre ( ‘GENRE’ ). 5. Turn [2] to select the drum style ( ‘GROOVE’ ). 6. Turn [3] to adjust the speed ( ‘BPM’ ). 7.
Operating Synchronising ‘LOOPER’ with ‘RHYTHM’ For playing and practicing, you can enable simultaneously ‘LOOPER’ and ‘RHYTHM’ . Syn‐ chronise as follows: 1. Press the footswitch [C] to enable the drum machine. 2. Press the footswitch [A] to start recording. ð The drum machine restarts simultaneously. 3. When the recording is finished, press the footswitch [B] to stop recording and to start the playback. ð The drum machine and the looper are synchronised.
Operating If the looper is stopped and then started again, the drum machine and the looper will restart rom the beginning simultaneously. In the following situations, the drum machine will synchronise with the looper: n Recording a track with the looper before the drum machine. n While the looper synchronises with the drum machine, the speed of the drum machine will adapt to the recording.
Operating 6.6 Tuner 1. Press and hold the footswitch [D] for more than 2 seconds. ð The tuner is enabled. 2. Turn [1] to adjust the reference frequency (default value 440 Hz, range: 430 Hz…450 Hz). 3. Turn [2] to select between the modes ‘MUTE’ and ‘BYPASS’ (default setting ‘MUTE’ ). 4. Press any footswitch or [EXIT ] to quit tuner mode. 1. Press [MENU] to enter the system settings. 2. Turn [SELECT] to select the desired submenu. 6.
Operating ‘INPUT LEVEL’ Turn [1] to adjust the input volume level. The range is from ‘–6 dB’ … ‘+6 dB’ (default value 0 dB, no gain or attenuation). ‘OUTPUT MODE’ Turn [1] or [2] to enable or disable the cabinet simulation. This setting will affect the balanced outputs and the unbalanced outputs (default setting On) When the settings for the left and the right output are different, the cabinet simulation is placed at the end of the effects chain.
Operating ‘PREAMP SYNC’ This setting decides, if the cabinet simulation synchronises with the ‘AMP’ module. If the func‐ tion is enables, the cabinet simulation synchronises automatically with the ‘AMP’ module when the ‘AMP’ module is changed in the effects chain. The default setting is Off. ‘PEDAL CALIBRATE’ 1. Turn [1] or [2] to calibrate ‘PEDAL1’ (native pedal) or ‘PEDAL2’ (external pedal). 2. Select ‘HEEL’ and then press the Expression Pedal to the heel-down position to set the minimum value. 3.
Operating 5. Press [1] or [2] to confirm and finish the calibration. ð The display shows ‘PEDAL SETTING COMPLETED’ . 6. Calibrate the pedal again, if the display shows ‘PLEASE SET AGAIN’ . ‘TAP TEMPO’ Turn [1] to enter ‘TAP TEMPO’ mode of the delay effect. PRESET The BPM value is stored in the preset patch. You can set different BPM values for the different preset patches. (default setting) GLOBAL The BPM value affects all preset patches.
Operating ‘MIDI SETTING’ 1. Turn [1] to toggle between ‘MIDI IN’ and ‘MIDI OUT’ . ð In case of ‘MIDI IN’ (default setting), the unit can be controlled by another device via MIDI signals. In case of ‘MIDI OUT’ , the unit can control another device via MIDI-PC#. 2. Turn [2] to select a MIDI channel (default setting channel 1). 3. Turn [3] to enable or disable the ‘OMNI’ mode (default setting Off). ð In case of ‘MIDI OUT’ , this option has no function. 4.
Operating PC Mapping MIDI Bank PC# Preset MIDI Bank PC# Preset MIDI Bank PC# Preset 0 0 1A 0 10 3C 0 20 6A 0 1 1B 0 11 3D 0 21 6B 0 2 1C 0 12 4A 0 22 6C 0 3 1D 0 13 4B 0 23 6D 0 4 2A 0 14 4C 0 24 7A 0 5 2B 0 15 4D 0 25 7B 0 6 2C 0 16 5A 0 26 7C 0 7 2D 0 17 5B 0 27 7D 0 8 3A 0 18 5C 0 28 8A 0 9 3B 0 19 5D 0 29 8B DNAfx GiT Pro 53
Operating MIDI Bank PC# Preset MIDI Bank PC# Preset MIDI Bank PC# Preset 0 30 8C 0 41 11B 0 52 14 A 0 31 8D 0 42 11C 0 53 14B 0 32 9A 0 43 11D 0 54 14C 0 33 9B 0 44 12 A 0 55 14D 0 34 9C 0 45 12B 0 56 15 A 0 35 9D 0 46 12C 0 57 15B 0 36 10 A 0 47 12D 0 58 15C 0 37 10B 0 48 13 A 0 59 15D 0 38 10C 0 49 13B 0 60 16 A 0 39 10D 0 50 13C 0 61 16B 0 40 11 A 0 51 13D 0 62 16C multi effects unit 54
Operating MIDI Bank PC# Preset MIDI Bank PC# Preset MIDI Bank PC# Preset 0 63 16D 0 74 19C 0 85 22B 0 64 17 A 0 75 19D 0 86 22C 0 65 17B 0 76 20 A 0 87 22D 0 66 17C 0 77 20B 0 88 23 A 0 67 17D 0 78 20C 0 89 23B 0 68 18 A 0 79 20D 0 90 23C 0 69 18B 0 80 21 A 0 91 23D 0 70 18C 0 81 21B 0 92 24 A 0 71 18D 0 82 21C 0 93 24B 0 72 19 A 0 83 21D 0 94 24C 0 73 19B 0 84 22 A 0 95 24D DNAfx GiT Pro 55
Operating MIDI Bank PC# Preset MIDI Bank PC# Preset MIDI Bank PC# Preset 0 96 25 A 0 107 27D 0 118 30C 0 97 25B 0 108 28 A 0 119 30D 0 98 25C 0 109 28B 0 120 31 A 0 99 25D 0 110 28C 0 121 31B 0 100 26 A 0 111 28D 0 122 31C 0 101 26B 0 112 29 A 0 123 31D 0 102 26C 0 113 29B 0 124 32 A 0 103 26D 0 114 29C 0 125 32B 0 104 27 A 0 115 29D 0 126 32C 0 105 27B 0 116 30 A 0 127 32D 0 106 27C 0 117 30B multi effect
Operating MIDI Bank PC# Preset MIDI Bank PC# Preset MIDI Bank PC# Preset 1 0 33 A 1 11 35D 1 22 38C 1 1 33B 1 12 36 A 1 23 38D 1 2 33C 1 13 36B 1 24 39 A 1 3 33D 1 14 36C 1 25 39B 1 4 34 A 1 15 36D 1 26 39C 1 5 34B 1 16 37 A 1 27 39D 1 6 34C 1 17 37B 1 28 40 A 1 7 34D 1 18 37C 1 29 40B 1 8 35 A 1 19 37D 1 30 40C 1 9 35B 1 20 38 A 1 31 40D 1 10 35C 1 21 38B 1 32 41 A DNAfx GiT Pro 57
Operating MIDI Bank PC# Preset MIDI Bank PC# Preset MIDI Bank PC# Preset 1 33 41B 1 44 44 A 1 55 46D 1 34 41C 1 45 44B 1 56 47 A 1 35 41D 1 46 44C 1 57 47B 1 36 42 A 1 47 44D 1 58 47C 1 37 42B 1 48 45 A 1 59 47D 1 38 42C 1 49 45B 1 60 48 A 1 39 42D 1 50 45C 1 61 48B 1 40 43 A 1 51 45D 1 62 48C 1 41 43B 1 52 46 A 1 63 48D 1 42 43C 1 53 46B 1 64 49 A 1 43 43D 1 54 46C 1 65 49B multi effects unit 58
Operating MIDI Bank PC# Preset MIDI Bank PC# Preset MIDI Bank PC# Preset 1 66 49C 1 77 52B 1 88 55 A 1 67 49D 1 78 52C 1 89 55B 1 68 50 A 1 79 52D 1 90 55C 1 69 50B 1 80 53 A 1 91 55D 1 70 50C 1 81 53B 1 92 56 A 1 71 50D 1 82 53C 1 93 56B 1 72 51 A 1 83 53D 1 94 56C 1 73 51B 1 84 54 A 1 95 56D 1 74 51C 1 85 54B 1 96 57 A 1 75 51D 1 86 54C 1 97 57B 1 76 52 A 1 87 54D 1 98 57C DNAfx GiT Pro 59
Operating MIDI Bank PC# Preset MIDI Bank PC# Preset MIDI Bank PC# Preset 1 99 57D 1 109 60B 1 119 62D 1 100 58 A 1 110 60C 1 120 63 A 1 101 58B 1 111 60D 1 121 63B 1 102 58C 1 112 61 A 1 122 63C 1 103 58D 1 113 61B 1 123 63D 1 104 59 A 1 114 61C 1 124 64 A 1 105 59B 1 115 61D 1 125 64B 1 106 59C 1 116 62 A 1 126 64C 1 107 59D 1 117 62B 1 127 64D 1 108 60 A 1 118 62C multi effects unit 60
Operating CC Reference CC# Function Value CC# Function Value 0 MIDI BANK 0…1 19 DELAY ON/OFF 0…127 10 DYNAMIC ON/OFF 0…127 20 REVERB ON/OFF 0…127 11 WAH ON/OFF 0…127 21 FOOTSWITCH A 0…127 12 DS ON/OFF 0…127 22 FOOTSWITCH B 0…127 13 AMP ON/OFF 0…127 23 FOOTSWITCH C 0…127 14 CAB ON/OFF 0…127 24 FOOTSWITCH D 0…127 15 FX LOOP ON/OFF 0…127 25 TAP TEMPO 0…127 16 NS ON/OFF 0…127 26 LOOPER ENTER/EXIT 0…127 17 EQ ON/OFF 0…127 27 TUNER ENTER/EXIT 0…127 18
Operating CC# Function Value CC# Function Value 46 PLAY 0…127 50 RHYTHM TAP 0…127 47 STOP 0…127 51 PEDAL 1 ON/OFF 0…127 48 CLEAR 0…127 52 PEDAL 1 0…127 49 RHYTHM ON/OFF 0…127 53 PEDAL 2 0…127 multi effects unit 62
Operating ‘USB AUDIO’ The unit can be used as USB audio interface (24 bit, 44.1 kHz) with support for DAWs in Win‐ dows® and MAC. Windows® users have to install ASIO drivers to achieve low-latency recording and monitoring. 1. Turn [1] and [2] to set the left and the right output to WET (tone with effects) or DRY (bypass the effects). 2. Turn [3] and [4] to adjust the USB recording volume level ( ‘REC VOL’ ) and the playback volume level ( ‘PLAY VOL’ ) (default value 50).
Operating ‘RESET’ Press and hold [1] for more than 2 seconds to confirm the factory reset. When the loading bar finishes, the unit will reboot automatically as the factory reset is completed. The factory reset will delete all user preset patches and loaded IR files. We recommend backing up the presets and IR files before resetting. Do not switch off the unit during the factory reset.
Operating 6.8 Editor software With the dedicated editor software, the unit can be computer-controlled (PC or MAC) for preset editing, preset patch managing, IR files loading, backing up and factory resetting. Refer to www.harleybenton.com or our homepage www.thomann.de to download the free editor software and install it. To do this, connect your computer to the device via the USB port on the device. Make sure that the unit is connected to the power supply via the supplied power adapter.
Operating 6.9 Software update Refer to www.harleybenton.com or our homepage www.thomann.de to download the current software version. 1. Install the current software version on your computer. 2. Press and hold [SELECT] and switch on the device. 3. Connect your computer to the device via the USB socket of the device. 4. Open the software on your computer and start the software update. We recommend uninstalling the outdated software version before installing the cur‐ rent software version.
Effects list 7 Effects list Dynamic Number Name Template/description 1 GEMSTONE COMP Diamond Comp Jr compressor 2 CS COMP BOSS CS-2 compressor 3 SLOW GEAR Slow attack effect DNAfx GiT Pro 67
Effects list WAH Number Name Template/description 1 95 CRY WAH Dunlop GCB95 2 535 CRY WAH Dunlop Cry Baby 535Q 3 AH WAH Talking Wah AH 4 OH WAH Talking Wah OH 5 AUTO WAH Automatic sweeping Wah 6 DYNAMIC WAH Automatic Wah changes according to the touch pressure on the strings multi effects unit 68
Effects list Distortion Number Name Template/description 1 CLEAN BOOST Xotic RC Booster 2 TUBE BOOST Xotic AC Booster 3 808 SCREAMER Ibanez TS808 overdrive 4 BK DRIVE B.K.
Effects list Number Name Template/description 13 FULL DRIVE Fulltone Full-Drive 2 distortion 14 SHREDDER Marshall Shred Master distortion 15 GOLD TONE Klon Centaur Gold overdrive 16 FULL DIST Fulltone GT-500 distortion 17 PURPLE DIST Suhr Riot distortion 18 TIGHTLY DIST Amptweaker TightRock distortion 19 FAZ FACE Dunlop Fuzz Face 20 BIG FAZ EHX Big Muff multi effects unit 70
Effects list AMP Number Name Template/description 1 US 59 BASS Fender 59 Bassman preamp 2 US DELUXE Fender 65 Deluxe Reverb preamp 3 US DOUBLE Fender 65 Twin Reverb preamp 4 COMBO 30 CL Vox AC30 clean channel 5 COMBO 30 OD Vox AC30 overdrive channel 6 MK JAZZ 12 DV Mark DV Jazz 12 preamp 7 GALA COMBO CL Supro Galaxy Combo channel 1 8 GALA COMBO OD A Supro Galaxy Combo channel 2Boost on 9 GALA COMBO OD B Supro Galaxy Combo channel 2Boost off 10 SINGLE STAR CL Mesa Boogie Lone
Effects list Number Name Template/description 13 CITRUS 100 DS Orange TH100 distortion channel 14 ARCHEAN 50 CL Paul Reed Smith Archon 50 clean channel 15 ARCHEAN 50 DS Paul Reed Smith Archon 50 Lead channel 16 BRIT J45 CL Marshall JTM 45 clean tone 17 BRIT J45 OD Marshall JTM 45 overdrive tone 18 BRIT PLEXI Marshall Plexi 100 preamp 19 BRIT 800 Marshall JCM 800 preamp 20 BRIT 900 CL Marshall JCM 900 clean tone 21 BRIT 900 DS Marshall JCM 900 distortion tone 22 BRIT 410 CL M
Effects list Number Name Template/description 26 BRIT PREAMP DS Marshall MGP 9004 rack preamp distortion tone 27 FREEMAN 100 CL Friedman BE100 clean tone 28 FREEMAN 100 OD Friedman BE100 Crunch tone 29 FREEMAN 100 DS Friedman BE100 distortion tone 30 AUDIO 100 CL Custom Audio Amplifiers clean tone 31 AUDIO 100 DS Custom Audio Amplifiers distortion tone 32 HNK MARK2 CL Hughes & Kettner Triamp Mark 2 clean tone 33 HNK MARK2 DS Hughes & Kettner Triamp Mark 2 distortion tone 34 5153
Effects list Number Name Template/description 39 SHIVER CL Bogner Shiva clean channel 40 SHIVER OD Bogner Shiva distortion channel 41 ECSTATIC CL Bogner Ecstasy clean channel 42 ECSTATIC OD Bogner Ecstasy Crunch tone 43 ECSTATIC DS Bogner Ecstasy distortion channel 44 CALI V CR Mesa Boogie Mark V Crunch tone 45 CALI V DS Mesa Boogie Mark V distortion tone 46 CALI RECTIFIER CL Mesa Boogie Triple Rectifier clean channel 47 CALI RECTIFIER DS Mesa Boogie Triple Rectifier distortion
Effects list Number Name Template/description 52 SEVERE DS A Engl Savage 120 MarkCrunch channel 53 SEVERE DS B Engl Savage 120 MarkLead channel 54 DIZZY V4 CL Diezel VH4 clean tone 55 DIZZY V4 CR Diezel VH4 Crunch tone 56 DIZZY V4 DS Diezel VH4 distortion tone 57 PHYSICIST DS A Diezel Einstein channel 1mode2 58 PHYSICIST DS B Diezel Einstein channel 2mode2 DNAfx GiT Pro 75
Effects list CAB Number Name Template/description 1 59 BASS 410 Fender 59 Bassman 410 cabinet 2 DELUXE 112 Fender 65 Deluxe Reverb 112 cabinet 3 DOUBLE 212 Fender 65 Twin Reverb 212 cabinet 4 COMBO 212 Vox AC30 212 cabinet 5 JAZZ 112 DV Mark DV Jazz 12 112 cabinet 6 GALA 112 Supro Galaxy Combo 112 cabinet 7 SINGLE STAR 212 Mesa Boogie Lone Star 212 cabinet 8 CITRUS 112 Orange PPC 112 cabinet 9 CITRUS 212 Orange PPC 212 cabinet 10 CITRUS 412 Orange PPC 412 cabinet 11 ARCHEA
Effects list Number Name Template/description 13 1960 412 A Marshall 1960A 412 cabinet 14 1960 412 B Marshall 1960B 412 cabinet 15 FREEMAN 412 Friedman 412 cabinet 16 FREEMAN 112 Friedman Small Box 112 cabinet 17 AUDIO 412 Custom Audio Amplifiers 412 cabinet 18 HNK 212 Hughes & Kettner TM 212 cabinet 19 HNK 412 Hughes & Kettner TC 412 A60 cabinet 20 5153 412 EVH 5150 412 cabinet 21 PV CLASSIC 212 Peavey Classic 50 212 cabinet 22 BOG 412 A Bogner SL 412 cabinet 23 BOG 412 B
Effects list Number Name Template/description 26 CALI V 412 Mesa Boogie Rectifier Traditional Slant 412 cabinet 27 SOLDIER 412 Soldano Slant Classic 412 cabinet 28 POWERFUL 412 Engl E412XXL 412 cabinet 29 SEVERE 412 Engl E412VSB 412 cabinet 30 DIZZY 412 A Diezel Rear-Loaded G12 412 cabinet 31 DIZZY 412 B Diezel Rear-Loaded V30 412 cabinet 32…61 empty For loading IR-Dateien via editor software Number Name Template/description 1 NOISE GATE Noise gate after the distortion 2 NOIS
Effects list EQ Number Name Template/description 1 5-BAND EQ 1 5 band graphic EQ, each band with 16 dB gain level adjustment 2 5-BAND EQ 2 5 band graphic EQ, each band with 16 dB gain level adjustment 3 6-BAND EQ 6 band graphic EQ, each band with 16 dB gain level adjustment 4 CUSTOM EQ 3 band EQ with adjustable frequency bands, each band with 16 dB gain level adjustment, high cut, low cut DNAfx GiT Pro 79
Effects list MOD Number Name Template/description 1 CLASSIC CHORUS Classic chorus effect 2 ANA-FLANGER Standard flanger effect 3 CLASSIC PHASER Standard sine wave phaser effect 4 STEP PHASER Square wave phaser effect 5 ROTARY Simulates a vintage leslie rotating speaker 6 VIBRATO Pitch shifter vibrato effect 7 TREMOLO Standard tremolo effect 8 DETUNE Fine tune pitch adjustment 9 LOFI Low sample rate filter 10 MONO PITCH Mono pitch shifter effect 11 POLY PITCH Polyphony pit
Effects list Number Name Template/description 12 LP FILTER Static low frequency pass filter 13 HP FILTER Static high frequency pass filter DNAfx GiT Pro 81
Effects list DELAY Number Name Template/description 1 DIGITAL DELAY Recreates the crystal-clear repeats of basic delay units 2 TAPE ECHO Recreates classic 70s tape echo 3 ANALOG DELAY Modelled after classic stompbox delays with BB chips 4 REAL ECHO Realistic and natural echoes 5 DUCKED DELAY Digital dynamic delay 6 MOD DELAY Modulated tone delay 7 REVERSE DELAY Backwards clear delay 8 PING PONG Ping Pong sound stereo delay 9 DUAL DELAY 2 clear delays with independent controls
Effects list REVERB Number Name Template/description 1 ROOM Small room reverb 2 HALL Concert hall reverb 3 PLATE Studio style plate reverb 4 SPRING Classic spring reverb tank 5 CHURCH Large church reverb 6 MODULATE Modulated tone reverb 7 CAVE Large cave reverb All trademarks and product names are the property of their respective owners and are used as reference for the effect types in this user manual.
Technical specifications 8 Technical specifications Input connections Output connections Power supply Input socket for power adapter AUX IN 1/8" jack socket, mono, impedance 10 kΩ PEDAL 2 1 × 1/4" jack socket, stereo, impedance 10 kΩ INPUT 1 × 1/4" jack socket, mono, unbalanced, impedance 1 MΩ RETURN 2 × 1/4" jack socket, mono, unbalanced, impedance 1 MΩ Audio 2 × 1/4" jack socket, mono, unbalanced, impedance 600 Ω 2 × XLR, 3-pin, balanced, impedance 600 Ω AMP CTRL 1 × 1/4" jack socket, st
Technical specifications Impulse Response IR format WAV IR sampling rate 44.1 kHz IR sampling accuracy 24 bit IR sampling points 512 Power supply External power adapter, 100 - 240 V Operating voltage 9V Dimensions (W × H × D) 346 mm × 58 mm × 162 mm Weight 1.
Technical specifications Further information Amp modelling Yes Drum computer No Tuner included Yes Expression pedal Yes USB port Yes Headphone connection Yes MIDI port Yes Line Out Yes Battery operation No Power adapter supplied Yes multi effects unit 86
Plug and pin assignments 9 Plug and pin assignments Introduction This chapter will help you select the right cables and plugs to connect your valuable equip‐ ment in such a way that a perfect sound experience is ensured.
Plug and pin assignments Since the interference affects both cores equally, by subtracting the phase-shifted signals, the interfering signal is completely neutralized. The result is a pure signal without any noise inter‐ ference.
Plug and pin assignments Three-pole 1/8" mini phone jack (stereo, unbalanced) 1 Signal (left) 2 Signal (right) 3 Ground, shielding 1 Ground, shielding 2 Signal (in phase, +) 3 Signal (out of phase, –) 4 Shielding on plug housing (option) XLR plug (balanced) DNAfx GiT Pro 89
Protecting the environment 10 Protecting the environment Disposal of the packaging mate‐ rial For the transport and protective packaging, environmentally friendly materials have been chosen that can be supplied to normal recycling. Ensure that plastic bags, packaging, etc. are properly disposed of. Do not just dispose of these materials with your normal household waste, but make sure that they are collected for recycling. Please follow the notes and markings on the packaging.
Musikhaus Thomann · Hans-Thomann-Straße 1 · 96138 Burgebrach · Germany · www.thomann.
