User manual
Table Of Contents
- 1 Safety Information
- 2 Parts supplied with the GEWA G9
- 3 Assembly Instructions
- 4 Explanation of Hardware Functions
- 5 Starting the Device
- 6 Before you start….
- 7 User Interface - Basics
- 8 Performance
- 9 Kit Editor
- 9.1 Module 1
- 9.2 Module 2
- 9.3 Module 3
- 9.4 Module 4
- 10 Effects
- 11 Trigger Settings
- 11.1 Module 1
- 11.2 Module 2
- 11.3 Module 3
- 11.3.1 Trigger Settings
- 11.3.2 Advanced Settings
- 11.4 Module 4
- 12 General Settings
- 13 Tools
- 13.1 On Stage
- 13.2 PDF Reader
- 13.3 File Manager
- 13.3.1 File Manager vs. Import Tool
- 13.3.2 Screen Layout and General Properties
- 13.3.3 Task Bar
- 13.3.4 Collections – Concept and Overview
- 13.3.5 Compiling Collections
- 13.3.6 Selection Rules and Methods
- 13.3.7 Collection Based Tasks -Move/Copy/Delete
- 13.3.8 Organize – New Folder and Rename
- 13.3.9 History – Undo and Redo
- 13.3.10 Closing the App
- 13.4 Utilities
- 13.5 Import Tool
- 13.6 Shop
- 14 Useful Information
- 15 Troubleshooting and possible Solutions
- 16 Technical Data
Delay
Records a segment of the played sound and plays it back repeatedly (multi-echo).
Parameters
Range
Unit
Dry/Wet
Description
FX Type
Mono, Stereo
Mono creates a mono signal audible on both speakers
simultaneously. In stereo mode the delayed signals
alter between the left and the right speaker. The Mono
signal is moved to the left speaker and the second
signal for the stereo effect is inserted in between the
Mono signal on the opposite speaker. Consequently,
this doubles the feedback frequency (or cuts the Delay
Time into half).
Delay Time
1-1365
ms
Control the time in-between repeats.
Feedback
0-127
Controls the number of repeats until the effect fades
out. Choose low fader positions for less repeats and
high fader positions for lots of repeats.
Pre-Low-Pass
2-8
kHz
Cuts the high frequencies of the dry signal above the
set cut frequency. Only frequencies below the thresh-
old frequency are passed on to generate the effect.
The slope steepness of the filter is 12 dB.
Pre-Low-Pass only works on the delayed sound. The dry
signal itself is not affected.
High Damp
0-100
%
Filter that causes the high reverb frequencies to decay
faster than the rest. The slider ranges from 0% (no
damping) up to 100% (max damping). Choose higher
values to create a delay that runs away into distance,
while low damping values let the delay stay in the
vicinity of the dry sound.