User manual
Table Of Contents
- 1 Safety Information
- 2 Parts supplied with the GEWA G9
- 3 Assembly Instructions
- 4 Explanation of Hardware Functions
- 5 Starting the Device
- 6 Before you start….
- 7 User Interface - Basics
- 8 Performance
- 9 Kit Editor
- 9.1 Module 1
- 9.2 Module 2
- 9.3 Module 3
- 9.4 Module 4
- 10 Effects
- 11 Trigger Settings
- 11.1 Module 1
- 11.2 Module 2
- 11.3 Module 3
- 11.3.1 Trigger Settings
- 11.3.2 Advanced Settings
- 11.4 Module 4
- 12 General Settings
- 13 Tools
- 13.1 On Stage
- 13.2 PDF Reader
- 13.3 File Manager
- 13.3.1 File Manager vs. Import Tool
- 13.3.2 Screen Layout and General Properties
- 13.3.3 Task Bar
- 13.3.4 Collections – Concept and Overview
- 13.3.5 Compiling Collections
- 13.3.6 Selection Rules and Methods
- 13.3.7 Collection Based Tasks -Move/Copy/Delete
- 13.3.8 Organize – New Folder and Rename
- 13.3.9 History – Undo and Redo
- 13.3.10 Closing the App
- 13.4 Utilities
- 13.5 Import Tool
- 13.6 Shop
- 14 Useful Information
- 15 Troubleshooting and possible Solutions
- 16 Technical Data
Flanger
Doubles the dry signal and displaces it within a short delay time, so that dry signal and duplicate are not perceived
as 2 distinct sounds. Compared to similar effects, Flangers delay the duplicate signal slightly more than traditional
Phaser effects and Flangers accept feedback signals to process the modulation, resulting in an effect similar to the
sound of a jet plane. Flangers use cone filtering for the frequency modulation of the duplicate signal. The dynam-
ics of filter movement from high frequencies to low frequencies is controlled by an LFO (sine).
Parameters
Range
Unit
Dry/Wet
Description
Modulation Rate
0-10
Hz
Controls the length of the LFO waveform period and
thus the frequency of the generated sweep.
Modulation Depth
0-127
Controls the intensity of the effect by adjusting the
height of the LFO amplitude. The parameter values
range from 0 (off) to 127 (intense). This parameter
controls how noticeable or settled the effect is.
Starting at high frequencies you specify how far the
underlying LFO driven Comp Filter is allowed to travel
into the low frequency spectrum while it is sweeping
back and forth.
Delay Time
0.125 -10
ms
Specify the delay time for the offset and modulated
duplicate signal.
Feedback
0-127
Controls the number of signal copies feeding back
into the effect unit to enhance the comp filter effect,
until the effect fades out. Choose low fader positions
for less feedback signals and high fader positions for
lots of feedback signals and strong enhancement of
the filtering.
Phaser
The G9 models the effect using a 6-notch filter directly applied to the dry signal. Like Wah-Wah, the effect is gen-
erated by “brushing” with the filter through the frequency spectrum. However, while the dynamics of movement of
Wah-Wah are controlled by the intensity of the stroke, the movement using Phaser is controlled by a sine LFO
waveform. In comparison to Flangers, Phasers allow for filter movement around the notch frequencies, whereas
filters creating the Flanger effect start at high frequencies and travel down to lower frequency spectrums. The
parameters provided for Phasers model the movement of the filter as well as the shape of the filter (Resonance).
Parameters
Range
Unit
Dry/Wet
Description
Modulation Rate
0-10
Hz
Controls the length of the LFO waveform period and
thus the frequency of the generated sweep.
Modulation Depth
0-127
Controls the intensity of the effect by adjusting the
height of the LFO amplitude. The parameter values
range from 0 (off) to 127 (intense).
Resonance
0-127
Emphasizes certain frequencies in a period or sweep.
Corresponds to the Q factor in Equalization. Set the
width of the bell filter shape from 0 (no resonance) in
the lowest slider position up to 127 (max resonance,
wide) in the highest slider position. With this parameter
you control the shape around all peaks of the filter at
the same time.