VM200 DIGITAL RECORDING MIXER USER’S GUIDE INPUT 1 INPUT 2 INPUT 3 INPUT 5 INPUT 4 A A A A B B B B INPUT 6 INPUT 7 INPUT 8 MONITOR PHONES 2TRK IN PAD PAD 26dB PAD 26dB TRIM -60 -16 +10 -34 +10 PAD 26dB 26dB TRIM -16 TRIM -60 -34 -16 +10 TRIM TRIM -60 -16 -10 -60 +10 -34 TRIM -50 -10 TRIM -10 -50 TRIM -10 -50 GAIN -50 MIN -34 GAIN MAX MIN MAX METER OL -3 -6 VM200 -9 -12 -18 DIGITAL RECORDING MIXER -24 -36 -48 L R ST BUSS/SOLO PAGE SELECT 1-
CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT. ATTENTION: CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER - SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. "WARNING" "TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE." SAFETY INSTRUCTIONS 1.
Table of Contents Introducing the VM200. . . . . . . . . . . . . . . . . . . . . 9 CHAPTER 1 About This Chapter. . . . . . . . . . . . . . . . . . . . . Chapter Contents . . . . . . . . . . . . . . . . . . . . . . Welcome to the VM200 . . . . . . . . . . . . . . . . . . Using this Guide . . . . . . . . . . . . . . . . . . . . . . . Installing the VM200. . . . . . . . . . . . . . . . . . . . Feature Summary . . . . . . . . . . . . . . . . . . . . . . Audio Specifications . . . . . . . . . . . . . . . . . .
[ON] key function . . . . . . . . EQ Section Rotary Controls Rear Panel . . . . . . . . . . . . . Block Diagram . . . . . . . . . . CHAPTER 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 36 38 41 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 43 44 45 45 46 46 48 48 49 49 50 51 52 52 53 53 57 57 Input Channels . .
Adjusting the EQ . . . . . . . . . . EQ Enabling Channels . . . . . . Bypassing the EQ . . . . . . . . . . Resetting the EQ . . . . . . . . . . . EQ Library . . . . . . . . . . . . . . . EQ Preset Library List . . . . . . . Recalling EQ Programs . . . . . . Storing EQ Programs . . . . . . . Editing EQ Program Titles . . . . Copying EQ Settings . . . . . . . . EQ Preset Library Parameters . CHAPTER 6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Effect Preset Library List . . . . . . . . . . Applying Effects . . . . . . . . . . . . . . . . . Selecting an Effects Processor . . . . . . Setting Effects Return . . . . . . . . . . . . Sending Signal to Effects Processor . . Routing Effects Returns . . . . . . . . . . . Controlling the Sends Signals. . . . . . . Pre-fader/Post-fader Effect Sends. . . . Viewing and Adjusting the Effect Send Viewing and Adjusting the Effect Send Monitoring Effects Sends . . . . . . . . . . Controlling the Return Signals .
CHAPTER 11 VM200 & MIDI . . . . . . . . . . . . . . . . . . . . . . . . 173 About This Chapter. . . . . . . . . . . . . . . . . . . . . . . . Chapter Contents . . . . . . . . . . . . . . . . . . . . . . . . . Using the VM200 with MIDI . . . . . . . . . . . . . . . . . MIDI Ports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cascading Two VM200s . . . . . . . . . . . . . . . . . . . . MIDI Transmit and Receive Channels . . . . . . . . . . System Exclusive Messages (Fostex Exclusive) . . .
VM200 User’s Guide
X R MA RA RY ST OR E EF FE DI T EF F2 VM 2 DI GI TA LR EC OR DI NG Introducing the VM200 RE CA RE C B SO USS LO LL RE CA US S/S R OL O ST L B -36 -40 -18 -24 12 EQ LIB RA RY ST OR E SE LE CT ED EQ EQ ON LL RE CA LL EF F1 EF FL IB 00 MI XE N MI CHAPTER 1 LO About This Chapter IT ON LO ON ED IT PA N SO FR 17 EQ -20 EF EQ FR ED IT PA N TN EX Q IN GA EQ /H I SO This chapter introduces the VM200 Digital Recording Mixer, explains how to use this guid
Introducing the VM200 Welcome to the VM200 Thank you for purchasing the Fostex VM200 Digital Recording Mixer. The VM200 is an affordable programmable digital audio mixer that can be extremely useful in numerous audio applications, including smaller-scale live sound reinforcement, as well as audio and video post-production.
Installing the VM200 Appendix A. Specifications and Data provides technical specifications and other data, including a MIDI Program Change Assign table, a Control Change Assign table, System Exclusive messages, etc. The Index can help you locate specific information quickly. Installing the VM200 Locate the VM200 on a level, stable surface. You can also mount the VM200 vertically in a rack using the Fostex 9910 optional rack mount adapter.
Introducing the VM200 Feature Summary This section summarizes the main features of the VM200. Audio Specifications ❑ 20-bit 64-times oversampling, delta sigma modulation A/D converters ❑ 20-bit 128-times oversampling, delta sigma modulation D/A converters ❑ 90dB or higher dynamic range ❑ 20Hz to 20kHz, +1dB/-3dB frequency response ❑ industry standard 44.
Mixer Functions Mixer Functions ❑ ❑ ❑ ❑ ❑ ❑ ❑ ❑ ❑ ❑ ❑ ❑ ❑ ❑ ❑ ❑ ❑ ❑ ❑ Scene Memory (up to 100 scenes) 3 Preset Scenes (INIT, RECORDING, MIXDOWN) 60mm continuous motorized faders Stopless rotary controls 4-band parametric EQ for channels 1-16 Dual internal effects processors EQ Library with 50 Presets plus 50 memory locations for customized EQ programs Effect Library featuring 50 Preset effect programs, and memory locations for 50 user-customized effect programs The ADAT DIRECT send function enables you to
Introducing the VM200 Mixer Configuration The VM200 is equipped with a total of 20 analog and digital inputs: eight analog mono input channels (1-8), four internal effects returns, and an eight-channel ADAT digital input. A two-channel S/P DIF digital input signal can be routed to any of 20 channels, and a two-track analog input (2TRK IN) is also provided. External effects signals can be returned to the VM200 via four INSERT phone jacks.
Four-band Parametric EQ & EQ Library Four-band Parametric EQ & EQ Library Channels 1 through 16 feature a four-band parametric equalizer (EQ), with variable Gain, Frequency, and Q controls. The LO-MID and HI-MID bands use parametric EQ. The LO band can function as an HPF, shelving, or parametric EQ; the HI band can function as an LPF, shelving, or parametric EQ. An EQ Library can store up to 100 EQ programs for future recall.
Introducing the VM200 Scene Memory The VM200 enables you to store virtually every mixer parameter setting as part of a group snapshot, or “scene,” in the Scene Memory. The Scene Memory can store up to 100 scenes, which you can later recall by simply pressing a key on the VM200, or by issuing a remote MIDI Program Change command from a connected MIDI device.
X R MA RA RY ST OR E EF FE DI T EF F2 VM 2 DI GI TA LR EC OR DI NG Touring the VM200 RE CA RE C B SO USS LO LL RE CA US S/S R OL O ST L B -36 -40 -18 -24 12 EQ LIB RA RY ST OR E SE LE CT ED EQ EQ ON LL RE CA LL EF F1 EF FL IB 00 MI XE N MI CHAPTER 2 LO About This Chapter -20 EF IT ON EQ FR ED IT PA N TN EX Q IN GA EQ /H I SO This chapter takes you on a guided tour of the VM200, introducing various components of the control surface, including the faders
Touring the VM200 Top Panel Control Surface The following illustration shows the top panel control surface of the VM200. Each section of the mixer is discussed in the following pages.
Analog Control Section Analog Control Section INPUT 1 INPUT 2 A INPUT 3 A INPUT 4 A INPUT 5 INPUT 6 INPUT 7 INPUT 8 MONITOR PHONES A 2TRK IN B B PAD B PAD 26dB -60 -16 +10 -34 +10 PAD 26dB 26dB TRIM -16 B PAD 26dB TRIM TRIM -60 -34 -16 +10 TRIM -60 -34 -16 +10 TRIM -60 -10 -34 TRIM -50 -10 TRIM -50 -10 GAIN TRIM -50 -10 -50 MIN GAIN MAX MIN MAX A/B Input selectors The VM200 features four A/B Input selectors that enable you to select the A or B inp
Touring the VM200 Monitor Gain knob Use the Monitor Gain knob to adjust the Monitor Out level. The Monitor Out jacks output the buss signal you specify on the SETUP SYSTEM 1:CLOCK/MON function page. (The default is ST BUSS OUT.) Phones Gain knob Use the Phones Gain knob to adjust the headphone output level. LCD Display METER OL -3 -6 -9 -12 -18 -24 -36 -48 L R ST BUSS/SOLO Contrast dial Rotate this dial left or right to adjust the contrast of the LCD Display for maximum clarity.
Data Wheel and Neighboring Keys Data Wheel and Neighboring Keys The Data Wheel is located in the lower-right corner of the VM200. It enables you to scroll through lists of programs in the Effect and EQ Libraries. You can also use the Data Wheel to move the cursor left and right when naming a new effect or EQ program. /-1 +1/ EXIT DATA Use your thumb or finger to rotate the Data Wheel ENTER [] Keys These keys can step through scrollable lists, such as the Effect Library or EQ Library.
Touring the VM200 Function Keys This section provides a brief tour of the VM200’s numerous function keys. When you press certain function keys, such as [SYSTEM] or [CURRENT SCENE STATUS], the VM200 displays a “function page” of information on the LCD Display Panel. Each function page contains parameters that you can set to configure and control the VM200. Each time you press the [SYSTEM] key, a subsequent function page is displayed.
Setup Section Setup Section The Setup section features two function keys: [SYSTEM] and [MIDI]. The SYSTEM key displays function pages that enable you to configure the VM200. The [MIDI] key displays function pages that enable you to interface the VM200 to MIDI devices. SETUP SYSTEM MIDI [SYSTEM] Key The [SYSTEM] key enables you to configure the VM200. It displays a sequence of six function pages on the LCD Display if you repeatedly press the key.
Touring the VM200 Current Scene Status The Current Scene Status section features only one key, which shares its name. CURRENT SCENE STATUS When you press the [CURRENT SCENE STATUS] key, the VM200 enters Current Scene Status mode and displays the CURRENT SCENE STATUS function page. The number and name of the scene (e.g., 01:MY_SCENE) appear in the top right of the display. The CURRENT SCENE STATUS function page enables you to: • Enable the EQ for channels 1-8, 9-16, or 1-16 • Turn on the ADD.
[PAIR/GROUP] Key The S/P DIF function page lets you assign the S/P DIF digital two-track input to any odd-even pair of channels (e.g., 1&2, 13&14, etc.). The Ø PHASE function page lets you invert the phase for each of input channels 1 through 20. Press a Page Select key to specify Channels 1-8, 9-16, or 17-20. You can also use the [ROUTING/PHASE] key in conjunction with the [PAIR/GROUP] key to enter MMC mode. (For more information, see “MMC (MIDI Machine Control) Send” on page 192.
Touring the VM200 The CH COPY function page lets you copy channel settings from a source channel to one or more destination channels. The EQ COPY function page lets you copy EQ settings from a source channel to one or more destination channels. CH VIEW Key Function Pages Includes parameters that enable you to... 1:CH VIEW View channel parameter settings. 2:CH COPY Copy channel settings to other channels. 3:EQ COPY Copy EQ settings to other channels.
Fader Mode Section Fader Mode Section FADER MODE AUX1 AUX2 AUX3 AUX4 ADD.AUX EFF1 EFF2 CHANNEL The VM200 features 20 input channels and 18 output channels. However, with only eight faders plus the Master fader, the VM200 must use its faders for multiple tasks to accommodate all those channels. Depending on the Fader Mode, the faders (as well as the [ON], [SOLO], and [EQ EDIT] keys) control different functions. You determine which functions the faders and keys will control by selecting a Fader Mode.
Touring the VM200 Selected EQ Section An equalizer (EQ) enables you to boost or cut specific frequency ranges to “shape” a sound. The VM200 features a four-band parametric equalizer for each input channel. Each band features rotary controls for Gain, Frequency, and Q. The LO-MID and HI-MID bands use parametric EQ. The LO band can function as an HPF, shelving, or parametric EQ; the HI band can function as an LPF, shelving, or parametric EQ.
Eff Edit Section you may wish to store the EQ settings for future recall. Pressing the [STORE] key displays the EQ LIBRARY STORE function page. Use the Data Wheel to scroll through the list to select the location (program number) where you want to store the new EQ program. Press the [ENTER] key to display the EQ LIBRARY NAME EDIT function page, then name the EQ program. Pressing the [ENTER] key again stores the program in the EQ Library for future recall.
Touring the VM200 [RECALL] Key Pressing the [RECALL] key displays the EFFECT LIBRARY RECALL function page, which enables you to select from 50 preset effects programs (00 - 49). Use the Data Wheel or [] keys to scroll through the list or to select a program. Press the [ENTER] key to recall the Effect program. [STORE] Key The [STORE] key enables you to store your own Effect programs in one of 50 user program locations (program numbers 50 -99).
[SOLO] Key [SOLO] Key REC BUSS SOLO The [SOLO] key in the Rec Buss section enables you to solo the Record Buss. Scene Memory Section SCENE MEMORY RECALL STORE The Scene Memory section includes [RECALL] and [STORE] keys that enable you to recall scenes from memory and store new scenes to memory. A “scene” is a collection or “snapshot” of virtually all the parameter settings of the VM200 at a given point in time. [RECALL] Key Pressing the [RECALL] key displays the SCENE MEMORY RECALL function page.
Touring the VM200 Channel Control Section The VM200 features nine 60mm motorized faders. EQ/LO GAIN FREQ Q PAN PAN EQ EDIT EQ EDIT SOLO SOLO ON ON Faders 1 through 8 are associated with separate [ON], [SOLO], and [EQ EDIT] keys. (The Master fader features only [ON] and [SOLO] keys.) Faders 1 - 8 and [ON], [SOLO], and [EQ EDIT] keys 1-8 typically control channels 1 through 8.
Faders The following table describes the function of the channel faders and Master fader in each Fader Mode: Fader function CH Mode Input Channel 1–8 (ANALOG IN) | 9–16 (ADAT IN) | 17–20 (EFF RTN) Master CHANNEL Channel Gain ST BUSS Master Gain AUX1 Channel to AUX1 Send Gain AUX1 Send Master Gain AUX2 Channel to AUX2 Send Gain AUX2 Send Master Gain AUX3 Channel to AUX3 Send Gain AUX3 Send Master Gain AUX4 Channel to AUX4 Send Gain AUX4 Send Master Gain EFF1 Channel to EFF1 Send Gain EFF
Touring the VM200 [ON], [SOLO], & [EQ EDIT] Keys EQ/LO GAIN FREQ Q PAN PAN EQ EDIT EQ EDIT The VM200 features eight sets of [ON], [SOLO], and [EQ EDIT] keys, one set for each channel fader. The Master fader also features a [SOLO] key and an [ON] key. EQ Edit keys SOLO The following paragraphs summarize the functions of these keys. SOLO Solo keys ON [ON] Keys ON On keys The [ON] keys basically turn channels on and off.
[SOLO] Keys [SOLO] Keys The [SOLO] keys enable you to solo channels for monitoring. The Solo Mode parameter on the SETUP:SYSTEM 1:CLOCK/MON function page determines how signals from each channel will solo. They can solo individually (PFL, or pre-fader listen) or after being mixed together post-fader (M-SOLO, or mix solo). In Channel Fader Mode, the [SOLO] keys solo channels 1-20, depending on the channel layer you select using the Page Select keys.
Touring the VM200 [EQ EDIT] Keys The [EQ EDIT] keys enable you to select channels for parameter editing. When you press an [EQ EDIT] key, the VM200 displays the EQ EDIT function page for the selected channel (for example, EQ EDIT CH2). This function page includes parameters that control a four-band parametric equalizer. The bands are LO, LO-MID, HI-MID, and HI. You can adjust the equalization by rotating the [GAIN], [FREQ], and [Q] controls for each band.
Page Select Keys Page Select Keys The VM200 uses a channel-layer format, in which its nine faders perform multiple tasks to accommodate 20 input channels. You can imagine the VM200 as being divided into three layers. Layer 1 provides access to Channels 1 through 8, which primarily handle the analog inputs. Layer 2 provides access to Channels 9 through 16, which are used with ADAT-compatible systems. Layer 3 provides access to Channels 17-20, which are used primarily for effects returns.
Touring the VM200 Rear Panel All inputs and outputs on the VM200 are conveniently located on the rear panel. The following paragraphs briefly describe each input and output. MONITOR OUT PHONES 2TRK IN ST BUSS OUT REC BUSS OUT AUX SEND INPUT A R L R L R L R 4 L 3 2 1 8 7 6 AVIS: DE CHOC 4 A 3 2 1 WARNING: RISK OF ELECTRIC SHOCK DO NOT OPEN RISQUE A 5 ADD.
Rear Panel AUX SEND AUX SEND 1 and 2 are a pair of unbalanced 1/4-inch phone jacks that can output an auxiliary signal to drive external effects, for example. Inputs 1 - 4: XLR or Phone Connectors (A or B) Input channels 1 - 4 accept either balanced XLR inputs (XLR-3-32 type), or balanced/unbalanced (1/4-inch) phone plugs. (Input 1-4 Phones connectors accept either balanced or unbalanced analog input.) If you are inserting a phone plug, press the A/B switch for channels 1 through 4 to select the B inputs.
Touring the VM200 Power Switch Use the power switch to turn the VM200 on and off. S/P DIF IN/OUT These are S/P DIF format optical digital connectors. You can connect any S/P DIF equipped device (such as certain CD players, DAT recorders, or computer soundcards) to these connectors. For more information, see “S/P DIF IN/OUT” on page 168. ADAT IN/OUT These are Alesis ADAT Multichannel Optical Digital Interface connectors.
Block Diagram Block Diagram (+10~-60dBV) INPUT 1(2-4)A INPUT 1(2-4)B (+10~-60dBV) A/B +48V (-10dBV) INSERT +48V PAD 26dB TRIM (-16~-60dB) ADC S/P DIF IN L(R) S/P DIF IN L (R) ADC S/P DIF ASSIGN S/P DIF ASSIGN CH1-4 (ANALOG IN 1-4) INPUT5 (6-8) TRIM (-10~-50dB) EFFECT 1 To CH1-20 S/P DIF IN 4BAND PARA EQ EQ ON EQ ON 4BAND PARA EQ 4BAND PARA EQ S/P DIF ASSIGN S/P DIF IN L (R) S/P DIF ASSIGN CH ON GAIN ADAT OUT 1(2-4) From REC BUSS REC BUSS-L(R) M-SOLO CONTROL EFF2 POST/ PRE
Touring the VM200 42 VM200 User’s Guide
X R MA RA RY ST OR E EF FE DI T EF F2 VM 2 DI GI TA LR EC OR DI NG Getting Started RE CA RE C B SO USS LO LL RE CA US S/S R OL O ST L B -36 -40 -18 -24 12 EQ LIB RA RY ST OR E SE LE CT ED EQ EQ ON LL RE CA LL EF F1 EF FL IB 00 MI XE N MI CHAPTER 3 LO About This Chapter IT EX Q IN FR IT ED TN PA N ON GA EQ /H I SO This chapter is designed to help get you started quickly using your VM200.
Getting Started VM200 System Example The following illustration shows one example of a recording studio based on the VM200.
Connecting the Power Cord Connecting the Power Cord Warning: Turn off the power to all connected electronic equipment before making any connections to the VM200. Use the included power cord to connect the VM200 to an appropriate AC electrical outlet. Insert the female end into the AC input on the rear panel of the VM200. Insert the male end into a wall outlet of an appropriate voltage for your area.
Getting Started A Few Tips on Using the VM200 If you have experience using analog audio mixers, a few things about the VM200 Digital Recording Mixer may be new to you. This section introduces some of the advantages of working with a digital mixer. Channel Layers If a conventional analog mixing console has 16 or 24 input channels, it also likely has16 or 24 faders, the same number of [ON] keys and [SOLO] keys, etc.
Channel Layers The following diagram illustrates the three channel layers of the VM200: The [1–8 ANALOG IN] key is lit. You can control channels 1–8.
Getting Started Keeping It Digital Many home studios or project studios these days record to digital audio tape or hard disk recording systems, but lacking a digital mixer, they are forced to mix tracks using a conventional analog mixer. This can actually add color and warmth to some tracks, but is likely to introduce noise into the signal chain.
Lower and Raise Faders to Initiate Sends Lower and Raise Faders to Initiate Sends If on occasion you think you have configured the VM200 to send a particular signal to a buss, but you unexpectedly cannot hear the output, try bringing the fader down and raising it back up to the desired level to initiate the send. This may seem unusual if you are used to analog mixers, but it is part of the channel layer structure of the VM200.
Getting Started Examples of Other Function Pages The name of the function page appears in the upper-left corner. Note how the fader icons look like little faders on the following CHANNEL VIEW (CH VIEW) function page. Function Page Name Level indicator Fader icons show fader position. You use the [EQ EDIT], [SOLO], and [ON] keys to toggle two-state indicators. These indicators are represented on the display by small rectangles. An empty rectangle indicates that the parameter or option is turned “off.
Lit & Flashing LED Keys EQ/LO EQ/LO-MID GAIN EQ/HI-MID GAIN EQ/HI GAIN GAIN FREQ Q FREQ Q FREQ Q FREQ Q PAN PAN PAN PAN PAN PAN PAN PAN For example, use the EQ/LO Gain rotary control to turn the CH FADER parameter on and off. Use the EQ/HI-MID Freq rotary control to turn the EFF1 parameter on and off. Lit & Flashing LED Keys Many of the keys on the control surface of the VM200 are translucent and fixed in position over an LED light that can provide status information.
Getting Started Finally...Let’s Get Started! The following procedure lets you try out some of the capabilities of your VM200. To simplify the explanation, in this procedure we will connect a microphone to channel 1, adjust the EQ, apply effects, and record the signal. Making Connections This procedure assumes that you have installed and powered on the VM200. (See page 45 for more information.) 1. Connect a microphone, instrument, or other sound source to input channel 1.
Powering On 4. If you prefer, you can connect a DAT to the S/P DIF OUT or an ADAT-compatible recorder to the ADAT OUT connectors. (For more information, see “Digital Connections” on page 159.). If you just want to try out the EQ and some effects, you can skip this step (step 3) altogether. Lower all faders and Gain and Trim knobs on the VM200. Powering On 5. Press the Power button on the rear panel to turn on the power to the VM200.
Getting Started Adjusting the EQ 9. Press the channel 1 [EQ EDIT] key. The [EQ EDIT] key lights up orange, and the [EQ ON] key in the Selected EQ section lights up green. If the [EQ ON] key is not lit, press the key to turn it on. The following EQ EDIT function page appears. 10. Use the EQ Gain, Freq, and Q rotary controls to adjust the channel 1 EQ. Each trio of rotary controls adjusts the EQ in a separate frequency band. Use all 12 rotary controls to adjust the channel 1 EQ in each of the four bands.
Adjusting the EQ If you lower the Freq, the soft bell-shaped curve in Figure B would move to the left, as illustrated in Figure C: C In Figures D and E below, notice how the frequency range changes and the response curve sharpens and narrows as the EQ/HI-MID Q value is raised. D E You can store EQ settings in a program, or you can recall a preset EQ program. Refer to “EQ” on page 75 for more information.
Getting Started Audition Some Effects Let’s apply some effects from the Eff2 effect processor to the signal. Press the [EFF2] key in the Eff Edit section. The [EFF2] key lights up orange and the VM200 displays the EFF EDIT function page. 12. Press the [RECALL] key in the Eff Library section. The VM200 displays the following EFFECT LIBRARY RECALL function page, and the [EFF2] key flashes. 11.
Recording Press the [17–20 EFF RTN] Page Select key. The [1–8 ANALOG IN] key LED turns off and the [17–20 EFF RTN] key lights up red. 17. Make sure that the [ON] keys for channels 19 and 20 are lit, and lower then raise the faders for channels 19 and 20 to set the effects return channel level. You must lower then raise the faders to set the return level. EFF1 is routed to EFF RTN 17 and 18, and EFF2 is routed to EFF RTN 19 and 20. 18.
Getting Started 58 VM200 User’s Guide
X R MA RA RY ST OR E EF FE DI T EF F2 VM 2 DI GI TA LR EC OR DI NG Input Channels RE CA RE C B SO USS LO LL RE CA US S/S R OL O ST L B -36 -40 -18 -24 12 EQ LIB RA RY ST OR E SE LE CT ED EQ EQ ON LL RE CA LL EF F1 EF FL IB 00 MI XE N MI CHAPTER 4 LO About This Chapter IT ON LO ON ED IT PA N SO FR 17 EQ -20 EF EQ FR ED IT PA N TN EX Q IN GA EQ /H I SO This chapter provides an overview of the VM200’s input channels, including phantom power, routi
Input Channels Input Channels 1–4 There are two sets of analog connectors for Input Channels 1 - 4. The “A” set accepts XLR-type inputs (balanced); the “B” set accepts phone jacks (balanced or unbalanced). The XLR connectors are XLR-3-32-type inputs. The phone jacks are 1/4-inch TRS-type. Both XLR and phone jack inputs accept a nominal input range of –60 dB to +10 dB.
Phantom Power for Input Channels 1–4 Phantom Power for Input Channels 1–4 The VM200 supplies optional phantom power (+48 V) to the XLR connectors. You can turn the phantom power on or off using the switches on the rear panel as shown in the figure above. Caution: Turn on the phantom power only after you connect a balanced XLR component (such as a condenser microphone) to the XLR input connector.
Input Channels Insert Channels 1–4 You can use a Y-shaped insert cable to connect the VM200 to an external effects processor. The signal flows out of the VM200 Insert connector, into and out of the effects processor, and back into the VM200 via the insert cable. Tip (Send) from VM200 to Effects processor Ring (Return) from Effects processor to VM200 The Insert connectors allow you to insert a signal into the signal chain after the PAD switches and TRIM knobs.
Pad Switches (Input channels 1–4) Pad Switches (Input channels 1–4) Input channels 1 through 4 feature 26 dB Pad switches that attenuate the input signal by 26 dB. This allows the input preamp to work with hot, high-level signals, such as those from a snare drum microphone. PAD PAD 26dB PAD 26dB PAD 26dB 26dB Note: Pad switch settings are not stored in Scene Memory. TRIM Controls You can adjust the gain of the input channel preamps on input channels 1 through 4 by using the Trim controls.
Input Channels Inverting the Input Phase “Phase” concerns the timing of two different signals. A pair of stereo speakers can operate “in phase” or “out of phase.” If the drivers in the left and right speakers move in and out at the same time, in perfect concert with one another, the speakers are “in phase.” If they are out of sync, they are “out of phase.” Out-of-phase speakers tend to produce a weak stereo image and low bass output. Phase is often represented by this symbol: ∅.
Input Channel EQ Input Channel EQ You can apply EQ to channels 1—16 using the four-band parametric equalizer. For more information on using the equalizer, see “EQ” on page 75. Muting Channels To mute a channel, use the Page Select keys to select the desired channel layer, then make sure the channel’s [ON] key is turned off. If channels are linked as a stereo pair (see “Pairing Channels” on page 68) you can use either channel’s [ON] key to turn the pair off (or on).
Input Channels The VM200 displays the CHANNEL EDIT function page. panpot icon 2. 3. numeric pan value hard left hard right Use the Page Select keys to select the target channel layer. Use the panpot rotary controls to make the pan settings. The display shows a dial icon for each channel that visually indicates the pan position. The display also includes numerical values—such as L2.0 or R3.7—that provide precise pan position data.
Monitoring and Soloing Input Channels 2. 3. 4. Use the Page Select keys to select the target channel layer. Press the [EQ EDIT], [SOLO], or [ON] key that represents the desired routing for the target channel. See the following table: KEY TARGET ROUTING EQ EDIT ADAT DIRECT OUT SOLO REC BUS ON STEREO BUS When you press an [EQ EDIT], [SOLO], or [ON] key, the key lights up and the corresponding indicator on the display turns dark (highlighted).
Input Channels Digital Outs You can select input channels 1–20 as sources for the digital outs. See “Digital Connections” on page 159 for more information. Pairing Channels You can create up to ten pairs of channels from input channels 1–20 to facilitate stereo signal processing. You can pair only adjacent odd/even channels, such as 1 and 2, 5 and 6, etc. (You cannot pair non-adjacent channels, such as 2 and 7, or even/odd pairs such as 4 and 5.
Grouping Faders rus or drum kit on and off simultaneously during mixdown. You can group these channels into a mute group. Three groups are available: Mute Groups A, B, and C. 1. Press the [PAIR/GROUP] key twice to display the 2:MUTE GROUP function page. THE [PAIR/GROUP] key and all [EQ EDIT], [SOLO], and [ON] keys flash. 2. Press the [EQ EDIT] keys for the channels you wish to add to Mute Group A. The [EQ EDIT] keys light up and the corresponding indicators on the display turn on (highlight).
Input Channels THE [PAIR/GROUP] key and all [EQ EDIT], [SOLO], and [ON] keys start to flash. In the following example, channels 2, 6, and 7 are assigned to Fader Group A. (No other channels are assigned to Fader Groups.) 2. Press the [EQ EDIT] keys for the faders you wish to add to Fader Group A. The [EQ EDIT] keys light up and the corresponding indicators on the display turn on (highlight). 3. Press the [SOLO] keys for the faders you wish to add to Fader Group B.
Viewing Input Channel Settings 2. Press the appropriate Page Select key to select the desired channel layer. The selected Page Select key lights up; unselected Page Select keys continue to flash. 3. Press the [EQ EDIT] key for the target channel. The selected [EQ EDIT] key lights up. The number of the selected channel appears in the upper left portion of the CHANNEL VIEW function page. The following illustration describes the components of the CHANNEL VIEW function page.
Input Channels Copying Channel Settings You can use the Channel Copy function to copy input channel settings from one channel to another. The CHANNEL COPY function page features a 1-by-20 matrix that enables you to select one source channel, and enable or disable the other channels as copy destinations. The selected source channel is marked by an “S.” A highlighted indicator marks the channels targeted as copy destinations.
Copying Channel Settings The selected [EQ EDIT] key(s) light up. The CHANNEL COPY function page highlights (enables) the selected destination channel(s) as follows. 5. 6. Press the [ENTER] key to execute the copy operation. The CHANNEL COPY function page flashes the word “COMPLETE!” on the display for a few seconds, and the VM200 displays the first CH COPY function page. Press the [EXIT] key or the [CHANNEL/METER] key to return to Channel Edit mode.
Input Channels 74 VM200 User’s Guide
X R MA RA RY ST OR E EF FE DI T EF F2 VM 2 DI GI TA LR EC OR DI NG EQ RE CA RE C B SO USS LO LL RE CA US S/S R OL O ST L B -36 -40 -18 -24 12 EQ LIB RA RY ST OR E SE LE CT ED EQ EQ ON LL RE CA LL EF F1 EF FL IB 00 MI XE N MI CHAPTER 5 LO About This Chapter IT EX Q IN IT LO SO FR 17 EQ -20 EF EQ FR ED TN PA N ON GA EQ /H I SO This chapter explains how to use the VM200 four-band parametric equalizer (EQ) and how to edit, recall, and store EQ settings.
EQ Equalizers (EQ) The VM200 features a four-band parametric equalizer for input channels 1–16. The four-band equalizer subdivides the audio spectrum into LO, LO-MID, HI-MID, and HI frequency ranges. Each of the four bands includes rotary controls for Gain, Frequency, and Q. The LO-MID and HI-MID bands use parametric EQ. The LO band can function as an HPF, shelving, or parametric EQ; the HI band can function as an LPF, shelving, or parametric EQ.
Adjusting the EQ 16 appear on the EQ EDIT function page, as shown below: EQ On indicator Adjusting the EQ You can adjust the EQ for each of the four bands using three rotary controls: Gain, Freq, and Q. These three EQ controls form a triangular shape on the top panel of the VM200. The LCD display also features four sets of three circular knob icons. Each set of three is arranged in a triangle that corresponds to the hardware EQ rotary controls.
EQ The selected [EQ EDIT] key lights up and the VM200 displays the EQ EDIT function page. 4. Press the [EQ ON] key in the Selected EQ section to turn it on. The [EQ ON] key lights up, and the VM200 turns on the EQ for the selected channel. The EQ On/Off indicator in the lower-right corner of the display shows “On” to indicate that the EQ is turned on for the specified channel. Note: Be aware that the EQ may not turn on for certain channels if the EQ Enable parameter setting is incorrect.
Adjusting the EQ If you lower the Freq, the soft bell-shaped curve in Figure B would move to the left, as illustrated in Figure C: bell moves left C In Figures D and E below, notice how the frequency range is reduced and the response curve sharpens and narrows as the EQ/HI-MID Q value is raised. D E If you select HPF or LPF for LO band Q or HI band Q respectively, the Gain rotary control for LO EQ or HI EQ functions as the On/Off switch. The following table shows the VM200 EQ specifications.
EQ EQ Enabling Channels You can enable the EQ for three groups of channels: 1–8, 9–16, or 1–16. (The default setting enables the EQs for channels 1–8.) 1. Press the [CURRENT SCENE STATUS] key. The CURRENT SCENE STATUS function page appears. Notice the EQ Enable parameter in the upper-left corner. 2. Turn the channel 1/2 Gain rotary control to select 1–8, 9–16, or 1–16 for the EQ Enable parameter. The selected value flashes. Press the [ENTER] key to confirm your selection.
Resetting the EQ 4. The EQ On/Off indicator in the lower-right corner of the display displays “On” to indicate that the EQ is turned on for the specified channel. To turn the EQ off for the channel, press the [EQ ON] key again. The [EQ ON] key turns off (goes dark), and the VM200 turns off the EQ for the selected channel. The EQ On/Off indicator in the lower-right corner of the display displays “Off” to indicate that the EQ is turned off for the specified channel. EQ On/Off indicator.
EQ 4. 82 If you have pressed the [ENTER] key, all EQ parameters for the channel will be reset to the initial values. Press the [EXIT] key or the [CHANNEL/METER] key to return to Channel Edit mode.
EQ Library EQ Library You can store EQ settings as programs in the EQ Library. The EQ Library contains 50 preset programs (Preset Library: 0–49) and 50 user programs (User Library: 50–99). For information on recalling EQ programs, see “Recalling EQ Programs” on page 84. For information on storing a new or modified EQ program, see “Storing EQ Programs” on page 86. EQ Preset Library List VM200 User’s Guide # Name # Name 00 01 Flat_EQ 25 Real_Pf LightKick 26 E.
EQ Recalling EQ Programs You can recall EQ programs from the EQ Library, which includes 50 Preset programs and 50 User programs. 1. Press the [1–8 ANALOG IN] or [9–16 ADAT IN] Page Select key to select the desired channel layer. The selected Page Select key lights up. Note: Make sure you select the “EQ Enabled” channel layer. For more information, see “EQ Enabling Channels” on page 75. 2. Press the [EQ EDIT] key for the channel to which you want to recall an EQ setting.
Recalling EQ Programs 7. 8. VM200 User’s Guide To recall an EQ program for another channel, press the [EQ EDIT] key of the destination channel, then repeat Steps 2 through 5. Press the [EXIT] key at any time to exit the EQ Library Recall page and return to the CHANNEL EDIT function page.
EQ Storing EQ Programs You can store new EQ settings as EQ programs in the EQ Library. You can store EQ settings as User programs 50 through 99. (Programs 0 through 49 are read-only Presets.) 1. Press the EQ Library [STORE] key to display the EQ LIBRARY STORE function page. The [EQ EDIT] key of the selected channel flashes. 2. Rotate the Data Wheel or use the [] keys to select an EQ program location (from 50 to 99, inclusive).
Storing EQ Programs 4. 5. Use the Freq and Q controls to select a character, then turn the Gain control one notch to the right to move the cursor to the next space in the name, and repeat the process. The very useful “Space to End” option in the character selector box will fill-in the remainder of your title with blank spaces. When you’ve finished naming the program, press the [ENTER] key to store the EQ program.
EQ Editing EQ Program Titles You can edit EQ program titles, just in case you want to change its name for some reason. To do so, you recall the target EQ program to a channel, then store it again with a different title. 1. 2. 3. 4. 5. 88 Select a channel to which you wish to recall the EQ program you are going to rename by pressing the channel [EQ EDIT] key. The VM200 displays the EQ EDIT function page. Press the EQ Library [RECALL] key to display the EQ LIBRARY RECALL function page.
Editing EQ Program Titles 6. Press the [ENTER] key. The VM200 displays the EQ LIBRARY NAME EDIT function page. The title box shows the program number, but the name is now blank. character-selector 7. cursor character selector box title box Use any Gain, Freq, and Q rotary controls to re-assign a name to the EQ program. Refer to “Storing EQ Programs” on page 86 for more information on controlling the cursor and character selector.
EQ Copying EQ Settings You can use the EQ Copy function to copy EQ settings from one channel to another. The EQ COPY function page features a 1-by-20 matrix that enables you to select one source channel EQ, and enable or disable the other channels as copy destinations. The selected source channel EQ is marked by an “S.” A highlighted indicator marks the channels targeted as copy destinations. A dark indicator means the channel is not selected (disabled) as a copy destination. 1.
Copying EQ Settings 4. Press the appropriate Page Select key to specify the channel layer, then press the [EQ EDIT] key of the copy destination channel(s). You can select multiple channels as EQ copy destinations. The selected [EQ EDIT] key(s) light up. The EQ COPY function page highlights (enables) the selected destination channel(s) as follows. source channel 5. 6. oneof four destination channels Press the [ENTER] key to execute the copy operation.
EQ EQ Preset Library Parameters # 00 Flat_EQ 01 LightKick 02 TightKick 03 Loud_Kick 04 Ana.Kick 05 Snappy_SD 06 Power_SD 07 Deep_SD 08 Talk_Tom 09 Melo.Tom 10 W.GongTom 11 Brill.Cym 12 Lo-Fi_Cym 92 Parameter Name Lo Lo-Mid Hi-Mid Hi Gain 0.0dB 0.0dB 0.0dB 0.0dB Freq. .125 500 2.00K 8.00K Q L-S 1.0 1.0 H-S Gain +4.0 -12.0 +4.0 0.0 Freq. 105 324 4.12K 8.00K Q 1.6 11 0.40 HS Gain +8.0 -7.5 +6.5 ON Freq. 70.2 364 2.83K 13.5K Q 1.1 5.0 2.
EQ Preset Library Parameters # 13 Vivid_HH 14 Sharp_HH 15 Lo-Fi_HH 16 Perc. 17 Tamb. 18 Fat_Bass 19 Norm.Bass 20 Loud_Bass 21 PowerBass 22 Bright_Pf 23 Loud_Pf 24 Power_Pf 25 Real_Pf VM200 User’s Guide Parameter Name Lo Lo-Mid Hi-Mid Hi Gain -7.5 -2.5 +4.0 +4.0 Freq. 93.6 472 2.31K 8.00K Q L-S 0.79 1.0 H-S Gain -9.0 -6.5 +4.5 +3.5 Freq. 68.2 771 7.13K 16.0K Q L-S 5.6 10 0.10 Gain -2.5 0.0 +4.5 -18.0 Freq. 93.6 472 2.31K 8.00K Q L-S 0.79 0.
EQ # 26 E.Pf 27 Clean_EG 28 Crunch_EG 29 OverDrvEG 30 Dist.EG 31 Metal_EG 32 Stroke_AG 33 StrokeEAG 34 Arpeg.GG 35 Arpeg.EAG 36 Arpeg.AG 37 Brass_Sec 38 W.WingSec 94 Parameter Name Lo Lo-Mid Hi-Mid Hi Gain -6.5 +5.5 +3.5 +10.5 Freq. 22.1 243 3.56K 20.2K Q L-S 5.0 16 H-S Gain +3.0 -6.5 +1.0 +3.5 Freq. 216 386 1.46K 5.34K Q 0.22 10 6.3 H-S Gain +3.0 0.0 +3.5 +3.0 Freq. 140 500 2.00K 5.19K Q 7.9 1.0 0.89 7.1 Gain +3.5 +2.0 +3.0 0.0 Freq.
EQ Preset Library Parameters # 39 Male_Vo1 40 Male_Vo2 41 FemaleVo1 42 FemaleVo2 43 Chorus 44 Speech_1 45 Speech_2 46 Digi.Mix 47 AnalogMix 48 Telephone 49 Husky VM200 User’s Guide Parameter Name Lo Lo-Mid Hi-Mid Hi Gain -1.0 0.0 +2.0 +3.0 Freq. 157 1.00K 2.00K 6.17K Q L-S 4.5 0.56 H-S Gain +2.5 -4.0 -2.0 +4.5 Freq. 140 243 2.59 6.73K Q L-S 7.9 3.2 H-S Gain -2.0 +1.5 +2.0 +3.0 Freq. 121 408 2.59K 8.72K Q L-S 0.45 0.63 H-S Gain -7.0 +2.0 +2.
EQ 96 VM200 User’s Guide
R MA X 0 IN G Monitoring Signals RE CA LL RE CA LL ST OR E L IB RA RY SE LE CT ED EQ EQ ON RE C B SO USS LO SO LO EX IT EQ /H I GA IN 7 ON15 EQ-30 E -40DIT PA N ON SO LO ED IT PA N 17 FR EQ -20 EF F RT N ON ON This chapter explains how to monitor signals on the VM200, including selecting a monitor output, soloing, using the two-track input, as well as viewing meters and send levels.
Monitoring Signals Monitoring and Soloing The flexible monitoring and soloing capabilities of the VM200 enable you to use the mixer in a wide range of applications. The monitoring functions enable you to listen to input channel signals or buss signals through connected monitor speakers or headphones. The soloing function enables you to select the channels you want to hear while excluding all other channels. This lets you focus your attention on certain tracks in the mix.
Monitor Outs and Phones pressing the [SOLO] key for the desired channel. Two Solo modes are available: PFL (Pre-Fader Listen) and M–SOLO (Mix Solo). See “Soloing” on page 101 for more information. Monitor Outs and Phones You can output Monitor and Solo signals via the MONITOR OUT and PHONES jacks. Make sure the 2TRK IN switch is not pressed in for monitoring (unless you want to confidence monitor), or you will not hear a signal. (See 2TRK IN, below, for more information.
Monitoring Signals Monitoring You can monitor the following sources: Stereo Buss, Rec Buss, Aux1, Aux2, Aux3, Aux4, Eff1, Eff2, Aux 1&2, or Aux 3&4. (AUX 3 and 4 are available only when the ADD. AUX parameter is turned on. For more information, see page 115.) You can select a monitor source using the monitor select (Mon Sel) parameter on the first SYSTEM function page. Follow these steps: 1.
Soloing Soloing A Solo function is available for input channels 1 through 20 that enables you to monitor specific channels. Two solo modes are available: PFL and M-Solo. PFL is an abbreviation for Pre-Fader Listen, in which you can monitor a signal that appears before it is adjusted by the fader. M-Solo means “mix solo,” which enables you to momentarily monitor the stereo buss signal (i.e., the mix). You can select a solo mode by using the Solo Mode parameter on the first SETUP:SYSTEM function page.
Monitoring Signals PFL: In PFL (Pre-Fader Listen) mode, the VM200 feeds a soloed channel’s pre-fader signal to the Solo buss and then outputs it only to the MONITOR OUT and PHONES. Pressing the appropriate [SOLO] key enables you to solo the stereo master or Rec Buss signal before it is adjusted by the Master Fader or Rec Buss Gain parameter. You can use this mode to monitor individual input signals during a recording session to make isolated EQ adjustments or to ensure that the signals are not clipping.
Soloing 7. When you’re ready, press the [SOLO] key for the channel(s) you wish to solo. The selected [SOLO] keys light up. Note: Solo channels take priority over the sources you select using the Mon Sel parameter. Note: When channels are configured as stereo pairs (“Pairing Channels” on page 68), their [SOLO] keys are linked. Note: If Solo Mode is set to M-SOLO, you must raise the fader for the soloed channel and the Master fader or you will not hear any output.
Monitoring Signals Solo Safe Function The VM200 features a Solo Safe function that enables you to designate specific channels as “solo safe.” You can monitor solo safe channel signals that are sent to the stereo buss regardless of the channel’s [SOLO] key status. This function is available when Solo Mode is set to M-Solo (see page 98). 1. Press the Setup [SYSTEM] key four times (from start of cycle). The VM200 displays the SETUP:SYSTEM 4:SOLO SAFE function page. All [EQ EDIT] keys flash. 2.
Metering Signal Levels Metering Signal Levels You can view signal level meters for input Channels 1 through 20 on the CHANNEL EDIT/INPUTS function page. You can display this function page by pressing the [CHANNEL/METER] key. Press the [CHANNEL/METER] key again to display the CHANNEL EDIT/OUTPUTS function page. This page includes meters for ADAT Outs, Stereo Buss Out, Rec Buss Out, Aux Sends, and the Effect Sends.
Monitoring Signals LED Display Meter (L/R or ST BUSS/SOLO) The VM200 features two LED meters to the right of the LCD Display that enable you to view stereo output levels. These nine-segment LED meters display levels for the left and right channels (L/R) or the Stereo Buss and soloing channels (St Buss/Solo). The meters range from –48 dB to OL (overload). The overload indicator lights when the signal clips.
X R MA RA RY ST OR E EF FE DI T EF F2 VM 2 DI GI TA LR EC OR DI NG Outputs RE CA RE C B SO USS LO LL RE CA US S/S R OL O ST L B -36 -40 -18 -24 12 EQ LIB RA RY ST OR E SE LE CT ED EQ EQ ON LL RE CA LL EF F1 EF FL IB 00 MI XE N MI CHAPTER 7 LO About This Chapter IT ON LO ON ED IT PA N SO FR 17 EQ -20 EF EQ FR ED IT PA N TN EX Q IN GA EQ /H I SO This chapter describes the output configurations of the VM200, including the stereo buss output, the r
Outputs Overview The VM200 features several types of outputs, including the stereo buss output, the recording buss output, the ADAT and S/P DIF digital outputs, and auxiliary (AUX) and effect (EFF) sends. You can control much of the signal routing by setting parameters on the ROUTING function page. You can display the ROUTING function page by pressing the [ROUTING/PHASE] key. The Effect Send capabilities of the VM200 are explained in more detail in the “Effects” chapter page 123.
ADAT OUT & S/P DIF OUT Note: If the ADD. AUX parameter is turned on, the REC BUSS is disabled. Fore more information, see “Enabling AUX Sends 3 & 4 (ADD. AUX Parameter)” on page 115. ADAT OUT & S/P DIF OUT You can output digital stereo signals from the ADAT OUT and S/P DIF OUT connectors. You can connect any ADAT-compatible recording device to the ADAT OUT optical connector, including a Fostex VR800 recorder, Alesis® ADAT, Alesis ADAT-XT, or other digital multitrack recorders.
Outputs Using the ST BUSS OUT The VM200 converts the ST BUSS stereo digital signal to analog using 20-bit 128-times oversampling D/A converters. The analog signal is then output from the ST BUSS OUT connectors on the rear panel. These connectors are unbalanced phone jacks with a –10 dB nominal output level. The same ST BUSS stereo digital signal is also converted to an S/P DIF signal via the S/P DIF encoder and output from the S/P DIF OUT connector on the rear panel.
Soloing the ST BUSS OUT Soloing the ST BUSS OUT You can solo the signal output from the ST BUSS by pressing the [SOLO] key on the Master channel. The Master [SOLO] key lights up. The Master [SOLO] key works only when Solo mode is set to PFL, which is the default setting. If Solo mode is set to M-Solo, the Master [SOLO] key is disabled. For more information on Solo mode, see page 101.
Outputs Using the REC BUSS OUT The VM200 converts the REC BUSS stereo signal to analog using 20-bit 128-times oversampling D/A converters. The analog signal is then output from the REC BUSS OUT connectors on the rear panel. These connectors are unbalanced phone jacks with a –10 dB nominal output level. The REC BUSS also sends the left signal to channels 1, 3, 5, and 7, and the right signal to channels 2, 4, 6, and 8 so that you can route them to ADAT OUT 1–8 directly.
Soloing the REC BUSS OUT Soloing the REC BUSS OUT You can solo the signal output from the REC BUSS by pressing the REC BUSS [SOLO] key (located next to the Master [SOLO] key). The Rec Buss [SOLO] key lights up. The Rec Buss [SOLO] key works only when Solo mode is set to PFL, which is the default setting. If Solo mode is set to M-Solo, the Rec Buss [SOLO] key is disabled. For more information on Solo mode, see page 101.
Outputs You can adjust the level (-∞, -90 to 0dB) in 128 increments. The default setting is 0dB. EQ/LO EQ/LO-MID GAIN EQ/HI-MID GAIN EQ/HI GAIN GAIN FREQ Q FREQ Q FREQ Q FREQ Q PAN PAN PAN PAN PAN PAN PAN PAN Note: If you try to operate the Gain rotary control while the ADD.AUX parameter is turned ON, the VM200 displays a warning message and you will be unable to adjust the REC-B Gain. Use the EQ/LO-MID Gain rotary control (channels 3/4) to turn off the ADD.
Using the AUX Sends Using the AUX Sends The VM200 features four auxiliary (AUX) sends, which enable you to send a signals to various destinations. You can send signals from input channels 1 through 20 to AUX Sends 1 through 4. You can use the four AUX Sends individually or in stereo pairs. REC BUSS OUT AUX SEND AUX Sends 1–4 R 4 L 3 2 1 ADD.AUX SEND You can configure each channel AUX Send as a pre-fader or post-fader send.
Outputs Monitoring AUX Sends You can monitor the REC BUSS OUT signal by connecting the MONITOR OUT jacks to an amplifier and speakers. Set the Mon Sel (Monitor Select) parameter on the 1:CLOCK/MON page to AUX1, AUX2, AUX3, or AUX4 (see page 98). You can also monitor the REC BUSS OUT signal through a pair of stereo headphones connected to the PHONES jack. For more information, see “Monitoring Signals” on page 97.
Sending Channel Signals to AUX Sends Sending Channel Signals to AUX Sends You can send signals from input channels 1 through 20 to AUX Sends 1 through 4. If the AUX Send is configured post-fader (see “Pre-fader/Post-fader AUX Sends” below), first raise the channel’s regular fader l prior to step 1 by pressing the [CHANNEL] button, and then raising the fader. 1. In the Fader Mode section, press the [AUX1], [AUX2], [AUX3], or [AUX4] key to select an AUX Send.
Outputs 2. 3. Use the Freq and Q rotary controls for channels 1–4 to select PRE or POST for AUX1, AUX2, AUX3, and AUX4. The default setting is POST. When you change the setting, the selected value flashes. Press the [EXIT] key to display the CHANNEL EDIT function page. Muting AUX Sends You can mute the AUX Send Masters by turning off the [ON] key for the Master channel.
Pairing AUX Sends Pairing AUX Sends You can pair AUX Sends 1 and 2 and AUX Sends 3 and 4 for stereo signal processing. When paired, the Master Faders, [ON] keys, and monitors of each AUX Send are set the same and linked for simultaneous control. Follow these steps to pair AUX Sends: 1. Press the [CURRENT SCENE STATUS] key. The VM200 displays the CURRENT SCENE STATUS function page. AUX PAIR parameters 2. 3.
Outputs Smoothing Function Depending on the sound you are mixing, you may hear a slight stepping noise when you slide the faders. This indicates an overloaded CPU. To resolve this problem, the VM200 features a Smoothing function that reduces CPU load to achieve smoother fader adjustment. When the Smoothing function is set to Level 2, AUX1 and EFF1 are linked and AUX2 and EFF2 are linked.
Viewing Buss Routing for Each Channel Viewing Buss Routing for Each Channel The CH VIEW function page includes a ROUT display that indicates whether the specified channel is routed to the ADAT Direct Outs, the Stereo Buss, or the Record Buss. 1. 2. Press the [CH VIEW] key. Press the [EQ EDIT] key for the desired channel. The VM200 displays the 1:CH VIEW function page, which includes the ROUT indicator in the top center of the display.
Outputs 122 VM200 User’s Guide
X R MA RA RY ST OR E EF FE DI T EF F2 VM 2 DI GI TA LR EC OR DI NG Effects RE CA RE C B SO USS LO LL RE CA US S/S R OL O ST L B -36 -40 -18 -24 12 EQ LIB RA RY ST OR E SE LE CT ED EQ EQ ON LL RE CA LL EF F1 EF FL IB 00 MI XE N MI CHAPTER 8 LO About This Chapter -20 EF IT ON EQ FR ED IT PA N TN EX Q IN GA EQ /H I SO This chapter describes how to apply the VM200 internal effects to the signals, and how to recall, store, and edit the programs in the Effec
Effects VM200 Effects The VM200 features two on-board stereo multi-effects processors (EFF1, EFF2) that provide a wide range of high-quality effects, including reverbs, delays, choruses, flangers, and more. These internal effect processors use A.S.P. (Fostex Advanced Signal Processing Technology, developed exclusively by Fostex). This technology extracts maximum efficiency from limited DSP power.
Effects Library Effects Library The VM200 also includes an Effects Library that contains 50 Preset programs and 50 User programs. Effect Preset Library List The following table lists the Preset effect programs. See “Effects Parameters” on page 139 for detailed parameter information. Reverb effects # Name Display Description 00 Normal Large Hall NomL.Hall Conventional large hall, with sonic detail, clarity, and an appropriate amount of early reflections. 01 Lo-Freq Large Hall LowL.
Effects # Display Description PVo.BOOTH The early reflections of an ideal vocal booth plus short reverberation with extended high range. This adds sparkle to the sound, and is effective when you want to make the vocal stand out in the ensemble. Natural Vocal 21 Booth NVo.BOOTH The early reflections of an ideal vocal booth plus gentle short reverberation. This adds a natural feeling of air, and is effective with simple arrangements with an unhurried vocal. 22 Vocal Reverb Vo.
Effect Preset Library List Pitch Changer # Name Display Description 40 Mono PitCh MonoPITCH Standard pitch shifter. 41 Dual PitCh DualPITCH Stereo pitch shift with two channels pitch-shifted independently. Multi-effects VM200 User’s Guide # Name Display Description 42 Mono Delay -Normal Hall MnDL-NmHL Combination of mono delay and hall reverb. 43 Mono Delay -Normal Plate MnDL-NmPL Combination of mono delay and plate reverb.
Effects Applying Effects To apply an effect, you must do two things: ❑ route the signal to one of two effects processors, and ❑ return the processed signal back to the mix. The following sections explain these tasks. Note: When EQ Enable parameter is set to “EQ1–16,” both effects processors are disabled. For more information, see “EQ Enabling Channels” on page 80. Selecting an Effects Processor 1. 2. 3. 4. Press the [CHANNEL/METER] key. The VM200 displays the CHANNEL EDIT function page.
Sending Signal to Effects Processor 6. 7. Lower then raise the faders that correspond to the effect you are using for return signals. Make sure the corresponding channel [ON] key is turned on. (Channels 17 & 18 faders control the EFF1 processor; channels 19 & 20 faders control EFF2.) You must lower then raise the fader to set the initial return level. (See “Faders” on page 32 for more information.) Adjust the PAN control for the effects return channel if you desire.
Effects Controlling the Sends Signals Pre-fader/Post-fader Effect Sends You can configure each Effect Send on input channels 1 through 20 as “pre-fader” or “post-fader” by adjusting parameters on the CURRENT SCENE STATUS function page. Pre-fader signals do not pass through the channel faders and are therefore unaffected by channel fader settings. Post-fader signals pass through the channel faders and are affected by channel fader settings.
Viewing and Adjusting the Effect Send Master Level The VM200 displays the 1:CH VIEW function page, which includes graphic and numeric indicators of the effect send levels for EFF1 and EFF2. channel number effect send fader level 2. 3. 4. If you wish to adjust the effect send level, specify a channel whose fader you wish to use by pressing a Page Select key and the [EQ EDIT] key for the channel. The VM200 displays a new channel number in the CH section, near the upper-left corner of the display.
Effects Muting Effect Sends You can mute Effect Send masters using the Master [ON] key. The function of this key depends on the selected Fader mode. See “[ON] Keys” on page 34 for more information. 1. 2. Press the [EFF1] or [EFF2] key in the Fader Mode section to select Effect Send 1 or 2. Press the Master [ON] key to turn the Effect Send on or off. Monitoring Effects Sends You can monitor the EFF send signal by connecting the MONITOR OUT jacks to an amplifier and speakers.
Effects Library Effects Library The VM200 stores effects settings as programs in the Effects Library, which contains 50 Preset programs (0–49) and 50 User programs (50–99). The Preset effects programs are designed for specific applications and instruments, and include numerous reverbs, delays, choruses, flangers, and combinations. See “Effect Preset Library List” on page 125 for a table of Preset effects programs.
Effects Recalling Effects Programs You can recall Effects programs 0 through 99. 1. 2. Press the [EFF1] or [EFF2] key in the Eff Edit section to specify the effects processor to which you want to recall the effect. The VM200 displays the function page for the effect currently loaded to the effects processor. The [EFF1] or [EFF2] key you selected lights up. Press the [RECALL] key in the Eff Library section. The VM200 displays the EFF LIBRARY RECALL function page, and the [EFF1] or [EFF2] key flashes.
Storing Effects Programs Storing Effects Programs You can store effect settings in User programs 50 through 99. 1. 2. 3. 4. Press the [EFF1] or [EFF2] key in the Eff Edit section to specify the effects processor to which you want to store the effect. The VM200 displays the function page for the effect currently loaded to the effects processor, and the [EFF1] or [EFF2] key you selected lights up. You can modify any Preset program or previously-stored User program.
Effects 5. 6. The Gain control moves the cursor position left and right in the title box. The Freq control moves the character-selector up and down the matrix; the Q control moves the character-selector left and right. You can also press the [] keys to move the cursor and rotate the Data Wheel to select characters or numbers.
Editing Effect Program Titles Editing Effect Program Titles You can edit Effect program titles, just in case you want to change their name for some reason. To do so, you recall the target Effect program to a channel, then re-store it with a different title. 1. 2. 3. 4. 5. VM200 User’s Guide Press the [EFF1] or [EFF2] key in the Eff Edit section to specify the effects processor to which you want to recall the effect.
Effects 6. Press the [ENTER] key. The VM200 displays the EFF LIBRARY NAME EDIT function page. The title box shows the program number and the current name. character-selector character set box title box cursor 7. Use any Gain, Freq, and Q rotary controls to re-assign a name to the Effect program. You can also press the [] keys to move the cursor and rotate the Data Wheel to select characters or numbers.
Effects Parameters Effects Parameters The following tables list the parameters of each effect type. The numbers in parentheses indicate the preset effects that belong to the effect types. Reverb-type Effects (00–24) Parameter REV TIME Value Description 0.1–30.0 [s] (0.1 step) Length of the reverberation. PRE DLY 0–160 [ms] (1 step) Delay time from the early reflections until the reverb. DENSITY 0–10, AUTO 1 Density of the reverb.
Effects Parameter Value Description DENSITY 0–10 (1 step) Density of the reverb. PRESENCE -10–0–+10 (1 step)2 Brightness in the high range of the reverb. LPF 1.00kHz–20.2kHz, THRU (step: same as EQ) Cut-off frequency of the low pass filter. 1. 0: dead, 10: live 2. Brightness increases with a positive setting, and decreases with a negative setting. MONO_DELAY (33) Parameter Value Description time. 1 DELAY TIME 0.1–1360.0 [ms] (0.
Effects Parameters Parameter Value Description HPF THRU, Same as EQ value [Hz] PAN1 L10.0–0.0–R100 (0.5 step) Pan position of the first delay. PAN2 L10.0–0.0–R100 (0.5 step) Pan position of the second delay. LPF Same as EQ value [Hz], THRU Cut-off frequency of the high pass filter. Cut-off frequency of the low pass filter. 1. If you adjust DELAY TIME, NOTE will be automatically changed. 2. If you adjust TEMPO, DELAY TIME will be automatically changed. 3.
Effects Parameter HI RATIO Value 0.1–1.0 (0.1 step) Description High frequency amount of the feedback. CHORUS (37) Parameter DEPTH Value 0–100 [%] (1 step) step)1 PRESENCE -10–0–+10 (1 LPF 1.00kHz–20.2kHz, THRU (step: same as EQ) Description Modulation depth Brightness in the high range of the reverb. Cut-off frequency of the low pass filter. 1. Brightness increases with a positive setting, and decreases with a negative setting.
Effects Parameters Parameter LPF Value 1.00kHz–20.2kHz, THRU (step: same as EQ) Description Cut-off frequency of the low pass filter. 1. Brightness increases with a positive setting, and decreases with a negative setting. MONO_PITCH (40) Parameter Value Description PITCH -24–0–+24 (1 step) (+/-2 octave) Amount of pitch shift. ADJUST -100–0–+100 (1 step) (+/- semitone) Fine adjustment to the pitch shift. PITCH DLY 0–340 [ms] (1 step) Delay time of the pitch shift.
Effects Delay->Reverb-type Effects (42–45) Parameter Value Description DELAY TIME 1–500 [ms] (1 step) Delay time. DELAY FB 0–100 [%] (1 step) Amount of delay feedback. DELAY BAL 0–100 [%] (1 step) Delay sound level. REV TIME 0.1–30.0 [s] (0.1 step) Length of the reverberation. PRE DLY 0–160 [ms] (1 step) Delay time from the early reflections until the reverb. DENSITY 0–10, AUTO 1 Density of the reverb. DIFFUSION 0–100 [%] (1 step) Left/right spread of the reverb effects.
Effects Parameters REVERB-CHORUS (47) Parameter Value Description REV TIME 0.1–30.0 [s] (0.1 step) Length of the reverberation. PRE DLY 0–160 [ms] (1 step) Delay time from the early reflections until the reverb. HI RATIO 0.1–1.0 (0.1 step) Length of the high frequency reverberation, expressed as a ratio relative to REV.TIME. PRESENCE -10–0–+10 (1 step)1 Brightness in the high range of the reverb. 2 DENSITY 0–10, AUTO LPF 1.00kHz–20.2kHz, THRU (step: same as EQ) Density of the reverb.
Effects REVERB-FLANGE (49) Parameter Value Description REV TIME 0.1–30.0 [s] (0.1 step) Length of the reverberation. PRE DLY 0–160 [ms] (1 step) Delay time from the early reflections until the reverb. HI RATIO 0.1–1.0 (0.1 step) Length of the high frequency reverberation, expressed as a ratio relative to REV.TIME. PRESENCE -10–0–+10 (1 step)1 Brightness in the high range of the reverb. 2 DENSITY 0–10, AUTO LPF 1.00kHz–20.
X R MA RA RY ST OR E EF FE DI T EF F2 VM 2 DI GI TA LR EC OR DI NG Scene Memory RE CA RE C B SO USS LO LL RE CA US S/S R OL O ST L B -36 -40 -18 -24 12 EQ LIB RA RY ST OR E SE LE CT ED EQ EQ ON LL RE CA LL EF F1 EF FL IB 00 MI XE N MI CHAPTER 9 LO About This Chapter IT ON LO ON ED IT PA N SO FR 17 EQ -20 EF EQ FR ED IT PA N TN EX Q IN GA EQ /H I SO This chapter describes Scene Memory and explains how to store and recall scenes and how to preven
Scene Memory What is Scene Memory? “Scene Memory” refers to specific locations in the flash memory of the VM200 in which you can store mix scenes. A mix scene is a snapshot of settings for virtually all VM200 parameters (i.e., EQ, fader positions, effects, and so on) at a given point in time. Say you have finally arrived at the perfect mix setting for recording a particular instrumentalist in your studio. It sounds great, but next week you want to be able to recall the same settings.
Scene Edit Indicator The bottom half of the function page is identical to the CHANNEL EDIT function page, displaying PAN controls for each channel in the current layer.
Scene Memory Preset Scene Memory The VM200 includes three preset scenes: P0, P1, and P2. These presets were designed as scenes you can quickly recall for three common purposes: ❑ Init Mix: For initial mixing ❑ Recording: For a typical recording situation ❑ Mix Down: For mixing down You can recall a preset scene, edit its parameters, and store it again under a new name. However, you cannot overwrite the pre-programmed settings of a preset scene.
Recalling Mix Scenes Recalling Mix Scenes You can recall scenes from Scene Memory in three ways: ❑ manually ❑ automatically, when the power is turned on to the VM200 ❑ remotely using MIDI Program Change messages. You can recall preset scenes P0, P1, or P2, or any scene that has been saved to Scene Memory location 00 to 99. Recalling a Scene Manually 1. Press the Scene Memory [RECALL] key. The VM200 displays the SCENE MEMORY RECALL function page. 2.
Scene Memory You can select one of the following options: LAST-STORED, P0, P1, P2, 0–99. The default setting is “LAST-STORED,” which causes the most-recently stored scene to be recalled. 1. Press the [SYSTEM] key five times. The VM200 displays the 5:PWR ON RCL function page. Use the Data Wheel or the [] keys to select a scene.
Motorized Faders If you have set the Program Change/Tx parameter to On, the VM200 transmits a Program Change message each time you recall a scene. (The Program Change/Tx parameter appears on the Setup: MIDI 1:MIDI TX&RX function page. See “Program Change Messages” on page 177 for more information.) Using this capability, you can recall programs on other MIDI equipment, such as a tone program on a synthesizer.
Scene Memory Storing Mix Scenes You can store mix scenes in Scene memory locations 0–99. 1. Press the Scene Memory [STORE] key. The VM200 displays the SCENE MEMORY STORE function page. 2. Use the Data Wheel or the [] keys to select a scene memory location to which you wish to store the current scene. Press the [ENTER] key. The VM200 displays the SCENE MEMORY NAME EDIT function page. 3. character-selector cursor 4.
Storing Mix Scenes 5. When you’ve finished naming the scene, press the [ENTER] key. The following warning message appears on the display. The VM200 stores the scene into the selected Scene Memory location and returns to the previous mode. Warning: Do not power off the VM200 while it is writing to the flash memory or you may damage the system.
Scene Memory Editing Scene Memory Titles You can edit scene names by recalling a scene and re-naming it. Refer to the “Recalling Mix Scenes” on page 151 and “Storing Mix Scenes” on page 154 for more information. Recall Safe Function When you recall a scene, all parameters are updated with settings from the new scene. However, in some cases you may wish to retain the settings for specific channels or parameters.
Specifying Recall Safe Parameters 3. 4. Press the [EQ EDIT] keys of target channels to designate them “safe” from being overwritten by recalled parameters. The [EQ EDIT] indicators of the recall safe channels light up, and the [EQ EDIT] indicators of the non-safe channels continue to flash. The box indicators of the recall safe channels are highlighted. Press the [CHANNEL/METER] key to return to Channel Edit mode.
Scene Memory 158 VM200 User’s Guide
X R MA RA RY ST OR E EF FE DI T EF F2 VM 2 DI GI TA LR EC OR DI NG Digital Connections RE CA RE C B SO USS LO LL RE CA US S/S R OL O ST L B -36 -40 -18 -24 12 EQ LIB RA RY ST OR E SE LE CT ED EQ EQ ON LL RE CA LL EF F1 EF FL IB 00 MI XE N MI CHAPTER 10 LO About This Chapter IT ON LO ON ED IT PA N SO FR 17 EQ -20 EF EQ FR ED IT PA N TN EX Q IN GA EQ /H I SO This chapter describes the VM200’s digital inputs and outputs, including the ADAT and S/P
Digital Connections Digital Connections, Word Clocks, and Sample Rates The VM200 is equipped with two types of digital connectors: an ADAT interface and S/P DIF In and Out connectors. These connectors enable you to interface the VM200 to other digital components in your recording studio. You can use the ADAT interface to connect to any ADAT-compatible recorder, such as the FOSTEX VR800 or an Alesis ADAT. For more information “ADAT IN/OUT” on page 165 and “S/P DIF IN/OUT” on page 168.
Digital Connections, Word Clocks, and Sample Rates system, noise or glitches may creep into your mixes. Each device in a digital system may utilize a different word length, because most digital devices are capable of interpreting words and truncating or protracting their length. However, it is important that every component in your digital audio system do two things: ❑ utilize the same sample rate (44.1 or 48kHz) ❑ synchronize with a designated word clock master.
Digital Connections Word Clock Setup The VM200’s internal word clock generator supports a sampling frequency of 44.1kHz, the audio standard for music CDs. You may also synchronize the VM200 to an external word clock. WORD IN/OUT Connectors These BNC connectors receive/transmit the word clock. You can connect a device that has a WORD IN/OUT connector, such as the Fostex VR800 digital multitrack recorder, to these connectors.
Setting the VM200 as Master or Slave WORD44 Select this option to use the VM200 as a word clock slave, syncing to the clock from a connected FOSTEX VR800 digital multitrack recorder, or a digital device equipped with a WORD OUT connector, running at 44.1kHz. WORD48 Select this option to use the VM200 as a word clock slave, syncing to the clock coming from a connected digital device equipped with a WORD OUT connector that is running at 48kHz.
Digital Connections Mixing a CD Source and Recording to a Digital Multitrack Recorder In this example, a signal from a CD player is mixed with a signal from an ADAT-compatible digital multitrack recorder, such as the Fostex VR800, and recorded to the digital multitrack recorder. The CD player serves as the word clock master, and uses a sampling frequency of 44.1kHz. The VM200 and the digital multitrack recorder are word clock slaves, both syncing to the CD player word clock.
Digital I/Os Digital I/Os The VM200 features two types of digital ins and outs: ADAT IN/OUT and S/PDIF IN/OUT. ADAT IN/OUT ADAT IN OUT ADAT is a digital audio format developed by the Alesis Corporation that enables eight channels of digital audio to flow through a single optical cable. It includes eight digital inputs and eight assignable digital outputs and can be directly connected to digital multitrack recorders.
Digital Connections Using ADAT OUT You can use an optical cable to connect the ADAT OUT connector on the VM200 to an ADAT-compatible recorder, such as the Fostex VR800 digital multitrack recorder. The ADAT OUT connector outputs the same information as the REC BUSS, but in digital form. The left channel of the REC BUSS stereo signal is output to tracks 1, 3, 5, and 7, and the right channel to tracks 2, 4, 6, and 8. You can send channel 1–8 signals to ADAT DIRECT using the ROUTING function page.
Assigning Channels to ADAT DIRECT SENDs 3. 4. Use the [EQ EDIT] keys to turn on the channels you wish to send to the ADAT OUT. Selected [EQ EDIT] keys light up. On the display, the “DIRECT” indicators highlight (darken). In the example above, channels 1–8 are sent directly to the corresponding ADAT channels. Press the [CHANNEL/METER] key. The VM200 displays the CHANNEL EDIT function page.
Digital Connections S/P DIF IN/OUT S/P DIF IN OUT The VM200 features S/P DIF digital in and out connectors on the rear panel. “S/PDIF” is an abbreviation for the Sony/Philips Digital InterFace, a digital format that enables two channels of digital audio to flow through an RCA connector (coaxial) or an optical cable. The VM200 requires an optical S/P DIF connection. Using S/P DIF OUT The VM200 outputs the ST BUSS signal in digital S/P DIF format from the S/P DIF Out optical connector on the rear panel.
Using S/P DIF IN Note: Make sure that signals are routed to ST Buss so that they are also output to the S/P DIF OUT. (See “Routing Input Channels” on page 66 for more information.) Using S/P DIF IN You can connect the S/P DIF output from a CD player, DAT, or MiniDisc player to the S/P DIF IN optical connector on the rear panel of the VM200. You can also connect the S/P DIF output from a second VM200 to the S/P DIF IN optical connector in a cascade configuration.
Digital Connections 2. Press the [EQ EDIT] keys for channels to which you wish to send the S/P DIF signal. You can assign multiple channels. Note: Since S/P DIF carries a two-channel signal, you must always set the channels in pairs. For example, if you select channel 1 to assign S/P DIF signal, channel 2 will be also selected and paired. You do not need to pair the channels using the Pairing function in this case. 3.
Cascading the VM200 Cascading the VM200 You can connect up to three VM200s together in a cascade configuration to enable 36-plus channels of digital mixing. A two-mixer cascade is illustrated below.
Digital Connections The VM200 exits Setup mode and displays the CHANNEL EDIT function page. Note: When you attempt to cascade multiple VM200s, be certain not to assign S/P DIF IN to any channels, or the cascade operation will fail. (You can check assignments by pressing the [ROUTING/PHASE] key twice to display the S/P DIF IN function page.) Refer to “Assigning S/P DIF Signals to Channels” on page 169.
X R MA RA RY ST OR E EF FE DI T EF F2 VM 2 DI GI TA LR EC OR DI NG VM200 & MIDI RE CA RE C B SO USS LO LL RE CA US S/S R OL O ST L B -36 -40 -18 -24 12 EQ LIB RA RY ST OR E SE LE CT ED EQ EQ ON LL RE CA LL EF F1 EF FL IB 00 MI XE N MI CHAPTER 11 LO About This Chapter -20 EF IT ON EQ FR ED IT PA N TN EX Q IN GA EQ /H I SO MIDI is an acronym for Musical Instrument Digital Interface, which is an international technology standard that facilitates the excha
VM200 & MIDI Using the VM200 with MIDI Using MIDI with the VM200 enables you to take fullest advantage of all the VM200’s capabilities. You can send MIDI Program Change messages to recall scenes from Scene Memory, or send MIDI Control Change messages to enable real-time parameter control. Fostex System Exclusive messages similarly enable additional parameter control. To backup and transfer data between two VM200s, you can use System Exclusive Bulk Dump commands.
Connecting MIDI devices Connecting MIDI devices The system illustrated below uses a standard MIDI interface to connect the VM200, a MIDI keyboard, and a MIDI sampler to a computer. MIDI IN serial port MIDI sequencer MIDI MIDI OUT MIDI IN interface MIDI keyboard MIDI IN VM200 MIDI sampler Cascading Two VM200s In the configuration illustrated below, two VM200s are cascaded (linked) together via MIDI.
VM200 & MIDI MIDI Transmit and Receive Channels This section explains the MIDI Transmit and Receive Channels. Press the [MIDI] key to display the 1:MIDI TX&RX function page. This page enables you to set the transmit (TX) and Receive (RX) channels for the VM200. TX CH (Transmit Channel) This parameter specifies the MIDI Transmit Channel. This is the channel the VM200 will use to transmit MIDI messages. Select a channel from 1 through 16.
Program Change Messages Program Change Messages You can send a Program Change message to the VM200 to recall a scene from the VM200’s Scene Memory. (For more information, see “Using Program Change Messages to Recall Scenes” on page 180.) Inversely, by recalling a scene on the VM200, you can transmit Program Change messages to connected MIDI devices or instruments.
VM200 & MIDI Control Change Messages You can send Control Change messages to the VM200 to control VM200 parameters in real time. (For more information, see “Using Control Change Messages” on page 184.) Inversely, when you adjust parameters on the VM200, the VM200 can transmit Control Change messages to remotely control the parameters of connected MIDI devices or instruments.
System Exclusive Messages (Fostex Exclusive) System Exclusive Messages (Fostex Exclusive) You can control VM200 parameters in real time using System Exclusive messages. For more information, see System Exclusive Parameter Control on page 188. If you want the VM200 to receive System Exclusive messages, turn on the “System Exclusive TX & RX” parameter (described below). The “DevID” (device ID) should match the number selected on the external MIDI device.
VM200 & MIDI Using Program Change Messages to Recall Scenes When the VM200 receives a MIDI Program Change, it can recall a scene from Scene Memory. (Which scene it recalls is determined by the Program Change Assignment Table. For more information, see page 210.) Similarly, when you recall a scene on the VM200, it can transmit a Program Change message that will recall a scene on another VM200.
Editing the User Program Change Assign Table Editing the User Program Change Assign Table The VM200 features two Program Change Assign Tables. The first is the User Table, which appears on the 2:PGM TABLE1 function page. You can edit the assignments in this table. The second table is the Preset Table, which appears on the 3:PGM TABLE2 function page. You can view the assignments in the Preset table, but not edit them. Follow the steps below to assign a Scene Memory to a Program Change number. 1.
VM200 & MIDI Viewing the Preset Program Change Assign Table The Preset Program Change Assign Table appears on the 3:PGM TABLE2 function page. Follow these steps to view the Preset assignments: 1. Press the [MIDI] key three times. The VM200 displays the 3:PGM TABLE2 function page. 2. Select a Program Change number. Rotate the EQ/LO GAIN rotary control to select a number from 001 through 128. As you turn the control, the PGM CHG No. parameter changes, and the Assign Table scrolls to reflect the change.
Examples: Using Program Change Messages Examples: Using Program Change Messages The following figures illustrate typical ways in which to utilize MIDI Program Change messages with the VM200. In the following example, if you are using the Preset Program Change Table (which appears on function page 3:PGM TABLE2), when you send Program Change 10 from the MIDI keyboard, the VM200 will recall Scene 10, due to preset assignment.
VM200 & MIDI Using Control Change Messages When the VM200 receives a MIDI Control Change message, it can adjust a mix parameter specified by the Control Change Assign Table. (For more information, see page 211.) Similarly, when a mix parameter is adjusted on the VM200, the VM200 can transmit a Control Change message to control another VM200. Alternatively, you can record Control Change messages to a MIDI sequencer and use them later to automate parameter control.
Editing the Control Change Assign Table Editing the Control Change Assign Table The VM200 features two Control Change Assign Tables. The first is the User Table, which appears on the 4:CTL TABLE1 function page. You can edit the assignments in this table. The second table is the Preset Table, which appears on the 5:CTL TABLE2 function page. You can view the assignments in the Preset table, but not edit them. Follow the steps below to assign a control parameter to a Control Change number. 1.
VM200 & MIDI Viewing the Preset Control Change Assign Table The Preset Control Change Assign Table appears on the 5:CTL TABLE2 function page. Follow these steps to view the Preset assignments: 1. Press the [MIDI] key five times. The VM200 displays the 5:CTL TABLE2 function page. 2. Select a Control Change number. Rotate the EQ/LO GAIN rotary control to select from 0 through 95 or 102–119. As you turn the control, the CTL CHG No. parameter changes, and the Assign Table scrolls to reflect the change.
Examples: Using Control Change Messages Examples: Using Control Change Messages The following figures illustrate typical ways in which to utilize MIDI Control Change messages with the VM200. The following example assumes you are using the Preset Control Change Table (which appears on function page 5:CTL TABLE2) and that an assignable MIDI controller on the MIDI keyboard has been assigned Control Change 83.
VM200 & MIDI Controlling Parameters Using Fostex Exclusive Messages You can also control VM200 parameters in real time using MIDI System Exclusive messages. When you adjust a mix parameter, the VM200 transmits a System Exclusive Parameter Change message. To transmit and receive System Exclusive messages on the VM200, set the SYSTEM EX. TX&RX parameter on the 1:MIDI TX&RX function page to “On” and set the DevID (Device ID) parameter to match the device ID assigned to the external MIDI device.
Bulk Dump Bulk Dump The VM200 can transfer Setup data, Scene Memories, Effect and EQ Libraries, and Program and Control Change Assign Tables to another MIDI device using the System Exclusive Bulk Dump function. This function enables you to back up important VM200 data to a MIDI data filer or computer, or to transfer data between multiple VM200s. The VM200 can also receive Bulk Dump requests from other MIDI devices.
VM200 & MIDI Manual transmission of Bulk Dump Messages 1. Press the [MIDI] key six times (from start of cycle). The VM200 displays the 6:BULK DUMP function page. 2. Press the [ENTER] key. The VM200 starts transmitting Bulk Dump Data to the connected MIDI device and displays the following message: “WARNING! Transmit Bulk Dump Data Now...” Warning: Do not power off the VM200 while it is transmitting data or you may damage the system or the connected MIDI device.
Receiving Bulk Dump Requests Item 5. Contents Block EQ LIB EQ library user programs ALL, 50–99 PGM TBL1 Program Change Assign Table 1 (user-definable table) N/A CTL TBL1 Control Change Assign Table 1 (user-definable table) N/A If you send too much data at once, you may overload MIDI devices that have small data buffers. Setting a longer interval will allow slower devices to process received MIDI data. You can use an interval setting of 0 when you Bulk Dump between multiple VM200s.
VM200 & MIDI MMC (MIDI Machine Control) Send MMC is an abbreviation for MIDI Machine Control. You can control MMC-compatible recorders from the VM200 by sending MIDI Machine Control (MMC) commands. In MMC Send mode, the VM200’s [ON] keys 1 through 8 function as the transport keys, store, recall keys for locate memories. You can use the [EQ EDIT] keys and [SOLO] keys to locate sixteen definable locate points (LOCATE 1–16).
Entering MMC Send Mode The two keys flash and the VM200 displays the MMC SEND function page. Note: Press the [EXIT] key at any time to cancel MMC Send mode and return to Channel Edit mode. Refer to the table below for an explanation of the functions and controls on the MMC SEND function page. Key 4. VM200 UserÕs Guide Function MMC Command Value ON 1 Record 06 ON 2 Stop 01 ON 3 Play 02 ON 4 Rewind 05 ON 5 Fast Forward 04 ON 6 ----- ON 7 Recalls a locate memory.
VM200 & MIDI MMC Send and Timecode When sending Locate Time in MMC Send mode, the VM200 refers to the frame rate set by the Frame Mode parameter found on the SETUP:SYSTEM 1: CLOCK/MON function page. Before you can correctly set a locate time on the VM200 to locate a position on a connected external digital recorder via MMC Send commands, you need to set the correct frame rate for the timecode. The VM200 supports four frame rates: 24, 25, 30D (drop-frame), and 30fps.
Storing Locate Points Storing Locate Points Follow the steps below to store a locate point to the desired Locate key. 1. While the MMC SEND function page is displayed, rotate the [GAIN] rotary controls to set the locate times in hours, minutes, seconds, and frames. The EQ/LO GAIN rotary control adjusts the hours (MTC-[h]). The EQ/LO-MID GAIN rotary control adjusts the minutes (MTC-[m]). The EQ/HI-MID GAIN rotary control adjusts the seconds (MTC-[s]). The EQ/HI GAIN rotary control the frames (MTC-[f]).
VM200 & MIDI 196 VM200 User’s Guide
10 VM200 User’s Guide - C MM 3 -20 11 19 -30 0 +1 CH A ME NNE TE L/ R ND -10 - 0 -20 4 12 20 -30 -40 0 +1 -10 - ON -20 5 13 0 -30 -40 0 +1 LO SO - ON -20 6 14 0 +1 LO SO -30 -40 0 PA N IT ED -10 EQ - ON IT ED -10 EQ -30 0 +1 -20 LO SO -40 0 PA N Q - ON -30 0 +1 -20 SO LO -40 0 PA N ED IT -10 EQ FR EQ - ON IT ED -10 EQ -30 -20 LO 0 +1 SO -40 0 PA N ID -M Q N GA I /LO EQ - ON IT ED -10 EQ -40 0 +1 -30 L
Initializing the VM200 Initializing the VM200 You can initialize the VM200 to its factory default settings by using the Initialization function. You can specify the items you wish to initialize, choosing from the following options: ❑ ALL (all parameters) ❑ SCENE MEM. (Scene Memory) ❑ EQ LIBRARY ❑ EFF LIBRARY ❑ PGM C. TABLE (Program Change Table) ❑ CTRL C.
Initializing the VM200 3. Press the [ENTER] key. The selected item lights up continuously, and a “YES/ENTER” dialog appears. 4. Press the [ENTER] key to initialize the specified settings, or press the [EXIT] key to return to the previous screen. If you press the [ENTER] key, a warning message appears and the VM200 starts initializing its settings. Warning: Do not power off the VM200 while it is writing to the flash memory or you may damage the VM200.
Initializing the VM200 Default Setup Parameters System Parameters Value CLOCK SEL INT44 MON SEL ST-B SOLO MODE PFL SOLO KEY LATCH CASCADE OFF MOTOR ON FRAME MODE 24 RECALL SAFE CH. FADER OFF CH. PAN OFF CH.
X R MA RA RY ST OR E EF FE DI T EF F2 VM 2 DI GI TA LR EC OR DI NG Specifications and Data RE CA RE C B SO USS LO LL RE CA US S/S R OL O ST L B -36 -40 -18 -24 12 EQ LIB RA RY ST OR E SE LE CT ED EQ EQ ON LL RE CA LL EF F1 EF FL IB 00 MI XE N MI APPENDIX LO Chapter Contents IT ON LO ON LO -10 0 -20 0 +1 -30 0 LO SO ON IT -40 - -60 - 6 14 -30 -40 - 5 13 -40 3 -40 -30 0 11 19 -20 0 +1 CH A ME NNE TE L/ R 10 - MM C SE ND -10 - PA I GR R/
Display Warning Messages Warning Messages Meaning EQ 1–8 Invalid! (EQ Enable 9–16) The EQ ENABLE setting of the channel you are operating is not turned ON, thus the EQ is not available for that channel. The EQ ENABLE setting of the channel you are operating is EQ 9–16 Invalid! (EQ Enable 1–8) not turned ON, thus the EQ is not available for that channel. You have tried to operate channels 21–24, which are not Channel Invalid! available.
Specifications Specifications Inputs ANALOG IN (ch1-ch4) ANALOG IN (ch5-ch8) INSERT IN (ch1-ch4) ADAT IN EFFECT RTN1 (ch17–ch20) S/P DIF IN2 2TRACK IN WORD IN Connector A/B switch Input impedance PAD switch PHANTOM switch Connector Input impedance Nominal input level Connector Input impedance Nominal input level Connector Format XLR3-31 (1: Ground, 2: Hot, 3: Cold), 1/4-inch phone jack A: XLR3-31 (mics), B: 1/4-inch phone jack (lines) 3kΩ or higher (mics), 10kΩ or higher (lines) 26dB (+2dB, –1dB) +48
MIDI IN/OUT/THRU Connector Format DIN 5-pin (x3) MIDI standards 1. The default setting is REC BUSS. However, with the ADD.AUX parameter turned on, AUX3/4 are available, and these connectors function as AUX OUT 3/4, providing four AUX SENDs. General Frequency response Dynamic range 20Hz–20kHz, +1dB/-3dB (phones: 50Hz–20kHz, +1dB/-3dB) 90dB or higher (LINE IN CH IN –> ST OUT) CH IN–>ST OUT: 0.08% or less (at 0dBV output) Total harmonic LINE IN–>ST OUT: 0.
Maintenance Dimensions Weight Power source Power consumption 16 13/16(W) X 4 5/8(H) X 17 7/8(D) inches (428(W) X 118(H) X 454(D) mm) Approx. 15.4 pounds (7kg) 90V–250V (50Hz/60Hz): 120VAC 60Hz(US, Canada), 230V– 50/60Hz(Europe) 100VAC 50/60Hz(JPN) 30W ❑ Specifications and appearance are subject to change without notice for product improvement. ❑ “Adat” and the OPTICAL symbol are trademarks of Alesis Corporation. Maintenance For normal cleaning, use a soft dry cloth.
Tables & Data Channel Fader Gain Table No. 0 Calculated Gain (dB) Displayed Gain (dB) -∞ -∞ No. 43 Calculated Gain (dB) Displayed Gain (dB) -18.70 -18.7 Calculated Gain (dB) Displayed Gain (dB) 86 -5.90 -5.9 No. 1 -72.30 -72.0 44 -18.30 -18.3 87 -5.60 -5.6 2 -66.20 -66.0 45 -17.90 -17.9 88 -5.30 -5.3 3 -60.20 -60.0 46 -17.50 -17.5 89 -5.00 -5.0 4 -57.40 -57.5 47 -17.10 -17.1 90 -4.65 -4.7 5 -55.30 -55.0 48 -16.75 -16.8 91 -4.30 -4.3 6 -53.
Master Fader Gain Master Fader Gain Calculated Gain (dB) Displayed Gain (dB) Calculated Gain (dB) Displayed Gain (dB) Calculated Gain (dB) Displayed Gain (dB) 0 -∞ -∞ 1 -90.00 -90.0 43 -35.80 -35.8 44 -35.10 -35.1 86 -15.18 -15.2 87 -14.81 -14.8 2 -84.00 3 -80.00 -84.0 45 -34.40 -80.0 46 -33.70 -34.4 88 -14.44 -14.4 -33.7 89 -14.07 -14.1 4 5 -78.00 -78.0 47 -76.00 -76.0 48 -33.00 -33.0 90 -13.70 -13.7 -32.40 -32.4 91 -13.33 -13.3 6 -74.00 -74.
Pan Gain No. 0 Gain Left (dB) Gain Right (dB) -∞ 0.0 Displayed Pan No. <–L 14 Gain Left (dB) -1.8 Gain Right (dB) -7.1 Displayed No. Pan L3.0 28 Gain Left (dB) -9.0 Gain Right (dB) -1.4 Displayed Pan R4.0 1 -0.1 -32.0 L9.5 15 -2.0 -6.3 L2.5 29 -10.2 -1.2 R4.5 2 -0.2 -27.0 L9.0 16 -2.2 -5.5 L2.0 30 -11.6 -1.0 R5.0 3 -0.25 -23.5 L8.5 17 -2.4 -4.8 L1.5 31 -13.2 -0.8 R5.5 4 -0.3 -21.0 L8.0 18 -2.6 -4.2 L1.0 32 -15.0 -0.6 R6.0 5 -0.35 -19.0 L7.
EQ Frequency EQ Frequency Range: 20.3Hz – 20.2kHz (240 steps per 1/24 octave) No. Freq (display) No. Freq (display) No. Freq (display) No. Freq (display) No. Freq (display) No. Freq (display) 0 20.3 40 64.3 80 204 120 648 160 2.06K 200 6.54K 1 20.9 41 66.2 81 210 121 667 161 2.12K 201 6.73K 2 21.5 42 68.2 82 216 122 687 162 2.18K 202 6.92K 3 22.1 43 70.2 83 223 123 707 163 2.24K 203 7.13K 4 22.7 44 72.2 84 229 124 728 164 2.31K 204 7.
Program Change To Scene Memory Assignment Tables Program Change Assign Table 1 (User) PGM CHG # Scene PGM CHG # Scene PGM CHG # Scene Program Change Assign Table 2 (Preset) PGM CHG # Scene PGM CHG # Scene PGM CHG # Scene 1 44 87 1 00 44 43 87 86 2 45 88 2 01 45 44 88 87 3 46 89 3 02 46 45 89 88 4 47 90 4 03 47 46 90 89 5 48 91 5 04 48 47 91 90 6 49 92 6 05 49 48 92 91 7 50 93 7 06 50 49 93 92 8 51 94 8 07 51 50 94 93 9 52
Control Change To Control Parameters Assignment Tables Control Change To Control Parameters Assignment Tables Control Change Assign Table 1 (User) CTL CHG Section 1 Section 2 # Item CTL CHG Section 1 Section 2 # Item CTL CHG Section 1 Section 2 # 0 40 80 1 41 81 2 42 82 3 43 83 4 44 84 5 45 85 6 46 86 7 47 87 8 48 88 9 49 89 10 50 90 11 51 91 12 52 92 13 53 93 14 54 94 15 55 95 16 56 96 17 57 97 18 58 98 19 59 99 20 60 100 21 61 101 22
Control Change Assign Table 2 (Preset) CTL CHG Section 1 # Section 2 Item CTL CHG Section 1 Section 2 # Item CTL CHG Section 1 # Section 2 80 Channel 19 Item 0 No Assign ---- ---- 40 Channel 19 1 Channel 1 FADER 41 Channel 20 CH ON 81 Channel 20 EFF1 SND 2 Channel 2 FADER 42 Channel 1 PAN 82 Channel 1 EFF2 SND 3 Channel 3 FADER 43 Channel 2 PAN 83 Channel 2 EFF2 SND 4 Channel 4 FADER 44 Channel 3 PAN 84 Channel 3 EFF2 SND 5 Channel 5 FADER
Preset Scene Parameters Preset Scene Parameters P0 (Init_Mix) Category CH PAN AUX1 SEND AUX2 SEND AUX3 SEND AUX4 SEND EFF1 SEND EFF2 SEND AUX1&2 PAN AUX3&4 PAN EQ/LO Gain EQ/LO Freq EQ/LO Q EQ/LO-MID Gain EQ/LO-MID Freq EQ/LO-MID Q Channels EQ/HI-MID Gain 1–20 EQ/HI-MID Freq EQ/HI-MID Q EQ/HI Gain EQ/HI Freq EQ/HI Q EQ ON ROUTING ST-BUSS VM200 UserÕs Guide Value Parameter CH FADER CH ON –∞ ON Ch1–16:Center Ch17,19:L10.0 Ch18,20:R10.0 –∞ –∞ –∞ –∞ –∞ –∞ Center Center 0 125 L-S 0 500 1.0 0 2.00K 1.0 0 8.
P1 (Recording) Category CH FADER CH ON CH PAN AUX1 SEND AUX2 SEND AUX3 SEND AUX4 SEND EFF1 SEND EFF2 SEND AUX1&2 PAN AUX3&4 PAN EQ/LO Gain EQ/LO Freq EQ/LO Q EQ/LO-MID Gain EQ/LO-MID Freq EQ/LO-MID Q Channels EQ/HI-MID Gain 1–20 EQ/HI-MID Freq EQ/HI-MID Q EQ/HI Gain EQ/HI Freq EQ/HI Q EQ ON ROUTING ST-BUSS 214 Value Parameter –∞ ON Ch1–16:Center Ch17,19:L10.0 Ch18,20:R10.0 –∞ –∞ –∞ –∞ –∞ –∞ Center Center 0 125 L-S 0 500 1.0 0 2.00K 1.0 0 8.
Preset Scene Parameters P2 (Mix_Down) Category CH FADER CH ON CH PAN AUX1 SEND AUX2 SEND AUX3 SEND AUX4 SEND EFF1 SEND EFF2 SEND AUX1&2 PAN AUX3&4 PAN EQ/LO Gain EQ/LO Freq EQ/LO Q EQ/LO-MID Gain EQ/LO-MID Freq EQ/LO-MID Q Channels EQ/HI-MID Gain 1–20 EQ/HI-MID Freq EQ/HI-MID Q EQ/HI Gain EQ/HI Freq EQ/HI Q EQ ON ROUTING ST-BUSS VM200 UserÕs Guide Value Parameter –∞ ON Ch1–16:Center Ch17,19:L10.0 Ch18,20:R10.0 –∞ –∞ –∞ –∞ –∞ –∞ Center Center 0 125 L-S 0 500 1.0 0 2.00K 1.0 0 8.
MIDI In/Out Data Format 1. CHANGE MESSAGE 1-1.NOTE OFF (8n) NOTE OFF messages are not received or transmitted. Program Change messages are transmitted on the channel set by [TX CH] when you recall a scene assigned in the table selected by [PROGRAM CHANGE TABLE] and when [PROGRAM CHANGE TX] is set to ON. If the same scene is assigned to multiple Program numbers, the smallest Program number will be transmitted. 1-2.
MIDI In/Out Data Format 3. FOSTEX EXCLUSIVE MESSAGE Fostex Exclusive messages are received when [SYSTEM EX. Tx&Rx] is set to ON and the Rx channel matches the channel of [Dev ID]. When the VM200 receives the System Exclusive message, the specified parameter will be changed immediately. When the VM200 receives the Parameter Request message, the corresponding parameter setting will be transmitted immediately.
Command EFF Buss – Ch On Request Status 19,06 10 29,06 10 39,06 10 EFF Buss – Master Fader 19,06 11 29,06 11 39,06 11 EFF Buss – Solo 19,06 19 29,06 19 39,06 19 CH1-20 – Ch On 19,10 10 29,10 10 39,10 10 CH1-20 – Ch Fader 19,10 11 29,10 11 39,10 11 CH1-20 – Ch Pan 19,10 12 29,10 12 39,10 12 <
MIDI In/Out Data Format Command Details Setup Commands 0:off 1:on. << Rcl Safe – Eq On >> command: f0 51 18 28 50 7f f7. << Master Clock>> command: F0 51 18 10 F7. request: F0 51 28 10 F7. status: request: f0 51 28 28 50 7f f7. status: f0 51 38 28 50 7f f7. 0:off 1:on. F0 51 38 10 F7. 0:int 1:adat 2:spdif 3:word << Rcl Safe – Eq >> command: f0 51 18 28 5f f7.
<< Power On Recall >> request: f0 51 29 05 11 f7. command: f0 51 18 51 f7. status: request: f0 51 28 51 f7. 1:aux1 2:aux2 3:aux3 4:aux4 0x7f:all_aux status: 0 to 127 f0 51 38 51 f7. 00–99:User scene, 100–102:Preset scene. 103:Last store secene. f0 51 39 05 11 f7. << AUX Buss – Solo >> command: f0 51 19 05 19 f7.
MIDI In/Out Data Format 1-20:Ch 0x7f:All request: f0 51 29 10 49 f7. 0:off 1:on status: f0 51 39 10 49 f7. 1-20:Ch 0x7f:all_Ch << CH1-20 – Phase >> 1:eff1 2:eff2 0x7f:all_eff command: f0 51 19 10 21 f7. 0-127:Volume request: f0 51 29 10 21 f7. status: f0 51 39 10 21 f7. 1-20:Ch 0x7f:all_Ch 0:Nor. 1:Inv.
<< CH1-20 – Eq Lib Store >> << Eff Name >> command: f0 51 19 10 5f f7 command: f0 51 1a 70 f7 1-16:Ch 0x7f:All status: 50-99:Eq lib number. 1:eff1 2:eff2 0x7f:all_eff Max 9byte lib Name ascii string. Max 9byte lib Name ascii string. << CH1-20 – Ch Pair >> request: f0 51 2a 70 f7 f0 51 3a 70
MIDI In/Out Data Format 4. Bulk Dump (& Request) Bulk Dump is received when [BLK DMP EQ.] is set to ON and when [RX CH] and DEVICE No. match. The received Bulk Dump is immediately written into the specified memory. When the VM200 receives the Bulk Dump Request, it immediately transmits Bulk Dump. Bulk Dump is transmitted on the channel specified by [TX CH] when you operate the key in the [BULK DUMP] page.
5. MIDI Device Inquiry Message The VM200 transmits Identity Reply when it receives Identity Request, if the Setup: System EX. Tx&Rx has been turned on.
MIDI Implementation Chart FOSTEX (Digital Recording Mixer – Internal Parameters) MIDI Implementation Chart Model: VM200 Version:1.0 Function...
Declaration of EC Directive This equipment is compatible with the EMC Directive (89/336/EEC) - Directive on approximation of member nation's ordinance concerning the electromagnetic compatibility and with the Low Voltage Directive (73/23/EEC) - Directive on approximation of member nation's ordinance concerning electric equipment designed to be used within the specified voltage range.
Fostex Distributors List In Europe Name: Bon Studio S. A. Address: 6 Zaimi Street, Exarchia, 106.83 Athens, Greece Tel: (+30) 1-3809605-8, 3302059, Fax: (+30) 1-3845755 Name: I. D. elrf. electronic Ltd. Address: ARMULA 38 108 REYKJAVIK, ICELAND Tel: (+354) 588 5010, Fax: (+354) 588 5011 Name: Recoton Italia Srl. Address:V. 1 Maggio, N 18, 40050 Quarto Inferiore, (BO) Italy Tel: (+39) 051-768576, Fax: (+39) 051-768336 Name: IEMKE ROOS AUDIO B. V.
VM200 User’s Guide
Index A A inputs 19, 39 A.S.P. 124 A/B Input selectors 19 A/D converters 12, 48 AC power 39, 45 ADAT 15, 40 ADAT interface 160 ADAT OUT 24, 109, 166 ADAT-compatible 40 ADD.
EQ Edit function page 36, 54, 76 EQ EDIT keys 34, 36 EQ Frequency 209 EQ Library 15, 28, 76, 83, 86 EQ Library Name Edit function page 29, 86 EQ Library Recall function page 28, 84 EQ Library Store function page 29 EQ ON key 28 EQ Preset Library List 83 EQ Preset Library Parameters 92 EQ program titles 88 equalizer 14, 28, 36, 76 EXIT Key 21 LED Display Meter 106 LED meters 20 LED-lighted keys 51 level, stereo output 111 line-level sources 39 locate points 195 low-pass filter 76 LPF 76 K key 24 Key Mode s
naming programs 86 naming scenes 154 noise 14 O OL LED lights 106 ON keys 34 optical digital connectors 40 output level 111 outputs 12, 14 Outputs, Channel Edit 26 overload 106 oversampling 12 P Pad switches 19, 63 Page Select keys 37, 46, 65 PAIR/GROUP key 24, 25, 68 pairing AUX Sends 119 pairing channels 68 Pan Gain 208 PAN_DELAY 140 panning 65 panning effects returns 132 parameters 22 default values 200 effect 139 EQ Library Presets 92 parametric equalizer 28, 36, 76 PFL 35, 99, 101, 102 PGM TABLE1 funct
Stereo Buss Out 38 stereo output level 111 stereo pairs 68 STORE key 28-31 storing effects 135 studio ADAT 10 MIDI 10 synchronizing word clocks 48 synthesizer 52 SYSTEM EX.
FOSTEX CORPORATION 3-2-35 Musashino, Akishima-shi, Tokyo 196-0021, Japan FOSTEX CORPORATION OF AMERICA 15431, Blackburn Ave., Norwalk, CA 90650, U. S. A. C PRINTED IN JAPAN OCT.
