User Manual
17
Trytakingafeedfromtheinsertsendjackandreturninga
processed version of the signal (such as a distorted or heavily
compressed version) into another channel line input, or for
simplicity the alternative input on each channel (depending upon
DAWchannelipstatusthiscouldeitherbethelineinputor
DAW input.
The diagram above illustrates how to connect such a path – in
this example the main channel path input is taken from the DAW
input (typical mixing scenario) by depressing the DAW switch.
This leaves the line input free for the return path from your
outboard device – which can be returned to the mix bus via the
cue section alternative input and bus assign.
Cue Pan
The cue section pan control can be used to position sources
intothestereoeldofeithertheCUEbusorthemainMIX
bus depending upon the state of the global ‘assign to mix cue’
button found above the master fader. The pan control provides
a smooth taper with an approximate pan law of -4dB, providing
a decent compromise between constant power and constant
voltage pan law design ideals.
Cue Post Fader Assign
Engaging this switch feeds the cue section with a post fader signal.
With the switch in the UP position a pre fader signal is used.
Primarily it is expected this will be used during mixdown where the
cue section may be sent to feed a reverb, in which case you will
want the reverb level to drop relative to the main fader position.
During tracking, it is likely you will use the send as a pre-fade
feed, so that control room fader balances do not alter cue
balances for performers being recorded. In this case the switch
should be in the UP position.
This switch has no effect if the alternative input (14) is engaged
(as it overrides the send functionality).