User Manual

88
f e n d e r . c o m
INPUT
AMP TYPE
TREBLE BASSMIDDLE TREBLEAMP TYPE
FX TYPE
MIDDL
E
F EN D E R M U S IC A L I N S T R U M E N T S
CH 1
GAIN
CH 1
VOLUME
FX LEVEL
CH SELECT
CH 2
GAIN
CH 2
VOLUME
BASS
FX TYPE FX LEVEL PHONE
S
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E
       


      




 

     

Los amplifi cadores de instrumentos más famosos
Los amplifi cadores de instrumentos más famosos
Los amplifi cadores de instrumentos más famosos
 

NOTA: Los elementos {B–G} se aplican a ambos canales.
  
 
 
     
        
         
        

        

  
 

     

  
       
        

        



     
  

  
       

  
      
        

  
      
          



 
       
       

  
    

Panel trasero
  
 

   

      
        
     
      

  
    

    
    
       
        
    
        

 
     

         




Amplificador Amplificador
FM212 DSPFM212 DSP
Panel frontalPanel frontal
INPUT
AMP TYPE
TREBLE BASSMIDDLE TREBLEAMP TYPE
FX TYPE
MIDDL
E
F EN D E R M U S IC A L I N S T R U M E N T S
CH 1
GAIN
CH 1
VOLUME
FX LEVEL
CH SELECT
CH 2
GAIN
CH 2
VOLUME
BASS
FX TYPE FX LEVEL PHONE
S
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E
INPUT
AMP TYPE
TREBLE BASSMIDDLE TREBLEAMP TYPE
FX TYPE
MIDDL
E
F EN D E R M U S IC A L I N S T R U M E N T S
CH 1
GAIN
CH 1
VOLUME
FX LEVEL
CH SELECT
CH 2
GAIN
CH 2
VOLUME
BASS
FX TYPE FX LEVEL PHONE
S
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E