User Manual

1212
f e n d e r . c o m
INPUT
AMP TYPE
TREBLE BASSMIDDLE TREBLEAMP TYPE
FX TYPE
MIDDL
E
F EN D E R M U S IC A L I N S T R U M E N T S
CH 1
GAIN
CH 1
VOLUME
FX LEVEL
CH SELECT
CH 2
GAIN
CH 2
VOLUME
BASS
FX TYPE FX LEVEL PHONE
S
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
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+
D
L
Y
+
D
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R
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O
L
O
F
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N
G
E
A
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U
S
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I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
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V
E
R
B
C
H
O
R
U
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+
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L
Y
+
D
L
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R
E
V
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B
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A
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R
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M
O
L
O
F
L
A
N
G
E
       


       




     

      

Gli amplifi catori per strumenti più famosi al mondo... dal 1946.
Gli amplifi catori per strumenti più famosi al mondo... dal 1946.
Gli amplifi catori per strumenti più famosi al mondo... dal 1946.
 

NOTA: i controlli {B–G} sono disponibili su entrambi i Canali.
 



         





   
 
 
   
      

  
     

       
        




     
   

 
      

 
 
        
       

 





 
    
       

 

Pannello Posteriore
 


   
      
       
   
      
     

     
  
       
         
        

     
    
  

 
   
       

   

     
          

  
AA
mplificatore
mplificatore
FM212 DSPFM212 DSP
Pannello FrontalePannello Frontale
INPUT
AMP TYPE
TREBLE BASSMIDDLE TREBLEAMP TYPE
FX TYPE
MIDDL
E
F EN D E R M U S IC A L I N S T R U M E N T S
CH 1
GAIN
CH 1
VOLUME
FX LEVEL
CH SELECT
CH 2
GAIN
CH 2
VOLUME
BASS
FX TYPE FX LEVEL PHONE
S
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E
INPUT
AMP TYPE
TREBLE BASSMIDDLE TREBLEAMP TYPE
FX TYPE
MIDDL
E
F EN D E R M U S IC A L I N S T R U M E N T S
CH 1
GAIN
CH 1
VOLUME
FX LEVEL
CH SELECT
CH 2
GAIN
CH 2
VOLUME
BASS
FX TYPE FX LEVEL PHONE
S
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E