with a triple built-in effect Manuale di istruzioni Operating manual Mode d’emploi Benutzer Handbuch FBT ELETTRONICA S.p.A. - ZONA IND.LE SQUARTABUE - 62019 RECANATI (MC) - ITALY tel. 071750591 r.a. - fax 0717505920 - P.O. BOX 104 - e-mail : info@fbt.it - www.fbt.
CARATTERISTICHE 1 CHARACTERISTICS 1 IMPORTANTI ISTRUZIONI DI SICUREZZA 2 IMPORTANT SAFETY INSTRUCTIONS 2 Precautions Precauzioni PANNELLO FRONTALE & POSTERIORE 3 FRONT PANEL / REAR PANEL 3 CONNESSIONI 4 CONNECTIONS 4 SEZIONE CANALI MONO 5 MONO CHANNELS SECTION 5 1-6 1-6 SEZIONE CANALI STEREO 6 7-21 EFFECTS SECTION Dettagli del software Software details Programmi e Algoritmi Programs & Algorithms Tabella comandi MIDI Table of MIDI controls SEZIONE MASTER 22-23 MASTER SECTION
FORMULA 143FXA è un mixer amplificato con sei canali microfonici dedicati, più quattro canali stereo dotati anch’essi di preamplificatori microfonicimono. FORMULA 143FXA is an amplified mixer with six dedicated microphone channels and four stereo channels equipped withmonomicrophone preamplifiers.
ATTENZIONE RISCHIO DI SHOCK ELETTRICO NON APRIRE WARNING ! RISK OF ELECTRIC SHOCK DO NOT OPEN ! PER EVITARE IL RISCHIO DI SHOCK ELETTRICO NON APRIRE IL COPERCHIO NON USARE UTENSILI MECCANICI ALL'INTERNO CONTATTARE UN CENTRO DI ASSISTENZA QUALIFICATO TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER (OR BACK) NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL PER EVITARE IL RISCHIO DI INCENDIO O DI SHOCK ELETTRICO NON ESPORRE L'APPARECCHIATURA ALLA PIOGGIA O ALL'UMI
1 2 3 4 5 6 7/8 9 / 10 11 / 12 13 / 14 3 4 1 2 AUX SND A MIC MIC MIC MIC MIC MIC MIC MIC L C B LINE LINE LINE LINE LINE L mono STEREO L mono STEREO INS INS 1 INS 2 INS 3 INS R 5 4 6 SND L mono STEREO GAIN GAIN GAIN GAIN GAIN GAIN mic 10 dB 60 line -20 +30 mic 10 dB 60 line -20 +30 mic 10 dB 60 line -20 +30 mic 10 dB 60 line -20 +30 mic 10 dB 60 line -20 +30 mic 10 dB 60 line -20 +30 mic 10 HPF HPF 100 Hz HF 100 Hz HF 0 -15 +15 300 100
XLR female plug TS jack plug Tip 2 3 1 Sleeve RCA phono jack XLR male plug 1 3 2 TRS jack plug Tip plug in and rotate before locking SPEAKON Sleeve Ring RCA PHONO JACKS PHONO CABLE I connettori XLR hanno tre poli e vengono utilizzati quasi sempre per condurre segnali mono bilanciati; i tre poli corrispondono rispettivamente allamassa(1),alsegnale positivo (2) e al segnale negativo (3).
MIC Presa di ingresso Neutrik bilanciata elettronicamente per connettore XLR; consente di collegare sorgenti di segnale a bassa impedenza, come i microfoni o altri dispositivi a basso livello. LINE Presa di ingresso bilanciata per connettore a jack stereo da ¼“ di diametro (6,3mm). Bilanciata elettronicamente, consente di collegare sorgenti di segnale ad alto livello, come tastiere, chitarre elettriche, strumenti musicali elettronici, riproduttori audio.
MIC Presa di ingresso Neutrik bilanciata elettronicamente per connettore XLR; consente di collegare sorgenti di segnale a bassa impedenza, come i microfoni o altri dispositivi a basso livello. STEREO - L mono/R Ogni canale stereo dispone di due ingressi bilanciati su prese jack per il canale sinistro e quello destro. Se viene utilizzata solamente la presa L/mono il canale lavora inmono.
Il mixer FORMULA 143FXA è dotato di una sezione con triplo effetto interno in grado di offrire svariati tipi di effetto. Le sezioni EFFETTO “A” e EFFETTO “B” sono disponibili in tutti i canali con 15 banchi di effetto e 16 variazioni programmabili dall’utente anche A attraverso connessione Midi.
Gli effetti A e B hanno 16 banchi (A-O) con 16 presets (256). Effects A and B have 16 racks (A-O) with 16 presets (256). L’effetto C ha 20 banchi (A-T) con 16 presets (320); i primi 16 banchi sono uguali ad A e B; i banchi dal 17 al 20 sono dedicati agli strumenti (in particolare alla chitarra) in quanto viene simulata una grande quantità di amplificatori ( JC Clean, Metal, Crunch, ecc..).
F BT P r o c e s s o r E F F EC T A E F F EC T B E F F EC T C A B C TRIPLE DIGITAL STEREO EFFECTS PRESET EFFECT SELECT TAP / MODIFY push to CONFIRM EFFECT A - B - C BANK A Echo 1 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Delay 01 Delay 02 Delay 03 Delay 04 Delay 05 Delay 06 Delay 07 Delay 08 Delay 09 Delay 10 Delay 11 Delay 12 Delay 13 Delay 14 Delay 15 Delay 16 9 Time (ms) Rep.
EFFECT A - B - C BANK B Echo 2 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Delay 01 Delay 02 Delay 03 Delay 04 Delay 05 Delay 06 Delay 07 Delay 08 Delay 09 Delay 10 Delay 11 Delay 12 Delay 13 Delay 14 Delay 15 Delay 16 Time (ms) Rep. 20 - 1350 1-5 Program Name 3/4 Echo 3/4 Pan Echo 4/4 Echo 1 4/4 Pan Echo 1 4/4 Echo 2 4/4 Pan Echo 2 Triplet Pan Triplet Pan Delay 1 Pan Del 1 + Reg Pan Delay 2 Pan Del 2 + Reg Pan Delay 3 Pan Del 3 + Reg Pan Delay 4 Pan Del 4 + Reg Time (ms) Rep.
EFFECT A - B - C BANK D Regen 1 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Regen 01 Regen 02 Regen 03 Regen 04 Regen 05 Regen 06 Regen 07 Regen 08 Regen 09 Regen 10 Regen 11 Regen 12 Regen 13 Regen 14 Regen 15 Regen 16 Time (ms) Regen (%) 20 - 1350 1 - 99 Program Name Regen 01 Regen 02 Regen 03 Regen 04 Regen 05 Regen 06 Regen 07 Regen 08 Regen 09 Regen 10 Regen 11 Regen 12 Regen 13 Regen 14 Regen 15 Regen 16 Time (ms) Regen (%) 20 - 1350 1 - 99 note EFFECT A - B - C Bank E Reg
EFFECT A - B - C BANK F Short Room Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Short Room 01 Short Room 02 Short Room 03 Short Room 04 Short Room 05 Short Room 06 Short Room 07 Short Room 08 Short Room 09 Short Room 10 Short Room 11 Short Room 12 Short Room 13 Short Room 14 Short Room 15 Short Room 16 Time (ms) HDamp (%) 0 - 12 0 - 100 Program Name Room 01 Room 02 Room 03 Room 04 Room 05 Room 06 Room 07 Room 08 Room 09 Room 10 Room 11 Room 12 Room 13 Room 14 Room 15 Room 16 Time (ms)
EFFECT A - B - C BANK H Hall Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Hall 01 Hall 02 Hall 03 Hall 04 Hall 05 Hall 06 Hall 07 Hall 08 Hall 09 Hall 10 Hall 11 Hall 12 Hall 13 Hall 14 Hall 15 Hall 16 Time (ms) HDamp (%) 30 - 60 0 - 100 Program Name Church 1 Church 2 Church 3 Church 4 Church 5 Church 6 Church 7 Church 8 Cathedral 1 Cathedral 2 Cathedral 3 Cathedral 4 Cathedral 5 Cathedral 6 Cathedral 7 Cathedral 8 Time (ms) HDamp (%) 60 - 250 0 - 100 note EFFECT A - B - C BANK I
EFFECT A - B - C BANK J Plate Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Plate 01 Plate 02 Plate 03 Plate 04 Plate 05 Plate 06 Plate 07 Plate 08 Plate 09 Plate 10 Plate 11 Plate 12 Plate 13 Plate 14 Plate 15 Plate 16 Time (ms) HDamp (%) 0 - 250 NO Program Name Chorus light 1 Chorus light 2 Chorus medium 1 Chorus medium 2 Chorus deep 1 Chorus deep 2 Chorus fast 1 Chorus fast 2 Resonant chorus Long time Fast ch lg dl Quad high fbk Quad ch reso Quad med dep Quad high dep Deep st flang T
EFFECT A - B - C BANK L Chorus 2 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Ch Ft 1 + Shr 9 Ch Ft 1 + Ro 12 Ch Ft 1 + Ro 16 Ch Dp 2 + Ha 12 Ch Dp 2 + Ha 11 Ch Dp 2 + Ha 16 Ch Ft 2 + Chu 4 Ch Ft 2 + Cat 7 Ch Med 1 + Reg 1 Ch Med 1 + Reg 2 Ch Med 1 + Reg 3 Ch Med 1 + Reg 4 Ch Med 1 + Reg 5 Ch Med 1 + Reg 6 Ch Med 1 + Reg 7 Ch Med 1 + Reg 8 Time (ms) HDamp / Regen (%) 0 - 1350 HDamp 1-99 0 - 1350 Regen 1-99 Program Name No Detune Up M 3rd Up m 3rd Up 4th Up 5th Down M 3rd Down m 3rd Do
EFFECT A - B - C BANK N Guitar 1 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Gate Reverb A1 Gate Reverb A2 Gate Reverb A3 Gate Reverb A4 Gate Reverb B1 Gate Reverb B2 Gate Reverb B3 Gate Reverb B4 Gate Plate A1 Gate Plate A2 Gate Plate A3 Gate Plate A4 Gate Plate B1 Gate Plate B2 Gate Plate B3 Gate Plate B4 Threshold (dB) Program Name Flange Light Flange medium Flange slow deep Flange deep Flange L + SR2 Flange M + R5 Flange SD + H9 Phaser Light Phaser medium Phaser slow deep Phaser deep
EFFECT C BANK P Guitar 3 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 Program Name Tube Low 1 Tube Low 2 Tube Medium 1 Tube Medium 2 Tube High 1 Tube High 2 Smooth OD Distortion Crunch Fuzz Grugen Metal Mess note EFFECT C BANK Q Multi FX 1 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Multi FX 01 Multi FX 02 Multi FX 03 Multi FX 04 Multi FX 05 Multi FX 06 Multi FX 07 Multi FX 08 Multi FX 09 Multi FX 10 Multi FX 11 Multi FX 12 Multi FX 13 Multi FX 14 Multi FX 15 Multi FX 16 Program Amp Name 00,
EFFECT C BANK R Multi FX 2 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program name Multi FX 01 Multi FX 02 Multi FX 03 Multi FX 04 Multi FX 05 Multi FX 06 Multi FX 07 Multi FX 08 Multi FX 09 Multi FX 10 Multi FX 11 Multi FX 12 Multi FX 13 Multi FX 14 Multi FX 15 Multi FX 16 Program Amp Name note 00,A01-----O01 00,A05-----O05 00,A10-----O10 00,A15-----O15 00,A05-----O05 00,A10-----O10 00,A15-----O15 00,A05-----O05 00,A08-----O08 00,A01-----O01 00,A16-----O16 00,A04-----O04 00,A08-----O08 00,A12-----
EFFECT C BANK T Multi FX 4 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Program name Multi FX 01 Multi FX 02 Multi FX 03 Multi FX 04 Multi FX 05 Multi FX 06 Multi FX 07 Multi FX 08 Multi FX 09 Multi FX 10 Multi FX 11 Multi FX 12 Multi FX 13 Multi FX 14 Multi FX 15 Multi FX 16 Amp Name note 00,A01-----O01 00,A05-----O05 00,A10-----O10 00,A15-----O15 00,A05-----O05 00,A10-----O10 00,A15-----O15 00,A05-----O05 00,A08-----O08 00,A01-----O01 00,A16-----O16 00,A04-----O04 00,A08-----O08 00,A12-----
JC CLEAN –Emula l’amplificatore combinato di tipo valvolare sviluppato negli anni sessanta da una azienda americana; suono pulito e cristallino. ACOUSTIC –Trasforma il suono di una chitarra elettrica in acustica. BLACK PANEL –Effetto per diversi generi, dal country al blues, jazz o rock, grazie a frequenze basse, corpose e frequenze alte, squillanti. BRIT COMBO –Il tipico suono della Liverpool degli anni sessanta.
PEDALBOARD MIDI ALTRO DISPOSITIVO OTHER DEVICE IN THRU MIDI IN N.C. +5V 1 3 4 2 5 N. C. MIDI DATA GND MIDI THRU N.C. +5V 1 3 4 2 5 N. C.
3 4 1 2 AUX SND L 2 TRK RTN AUX L MAIN R R SND EQ. IN L INSERT R MONO L R CTRL ROOM EQ. OUT L AUX 1-2-3-4 Prese jack stereo in cui sono presenti i segnali degli AUSILIARI 1-2-3-4 provenienti dai controlli generaliAUX. EQIN/OUT Le prese jack EQ IN sono bilanciate elettronicamente e provviste di funzione “breaker”. Inserendo un connettore jack viene interrotto il segnale tra le uscite generali e l’amplificatore interno; questo permette di usare l’equalizzatore a 7-bande inmodoautonomo.
GRAPHIC EQUALIZER Equalizzatore a 7-bande che si attiva attraverso il tasto ON. Il punto di inserimento dell’EQ è post master fader e pre amplificatore di potenza. 7 bande di frequenza che offrono una amplificazione/attenuazione di 15dB, con Q=2, che consente di modificare il suono a seconda delle proprie preferenze e delle condizioni acustiche dell’ambiente in cui si opera.
MIDI 0dB 0dB 6dB USB IN THRU INPUT VOLUME 6dB SPKR OUT MIN. IMP. 4 OHM INPUT RIGHT MIDI IN VOLUME 1+ SPKR OUT MIN. IMP. 4 OHM LEFT 2- 1- N.C. 2- / 2+ 2+ SPKR OUT N.C. +5V 1 3 4 2 5 N. C. MIDI DATA TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER (OR BACK) NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL GND N.C.
RIGHT LEFT 143 FXA AUX 1 AUX 2 MONITOR AMP 25
Collegamento di 3 diffusori con impedenza di 8 Ohm per canale. Maximal connection of three loudspeaker cabinets with an impedance of 8 Ohm per power amp output channel RIGHT LEFT JACK BILANCIATO BALANCED JACK JACK BILANCIATO BALANCED JACK FORMULA 143 FXA 143 FXA XLR FEMMINA FEMALE XLR L’equalizzatore a 7-bande usato per i monitor The 7-band equalizer used for monitors 143 FXA AUX EQ. IN L R EQ.
520 mm 20.5” 570 mm 22.
AMPLIFICATORI INTERNI BUILT IN AMPS Potenza di uscita / Output power 2x850W @230Vac Imp. 4 Ohm Potenza di uscita / Output power 2x550W @230Vac Imp. 8 Ohm sensibilità di ingresso +4dBu con vol. a 0dB input sensitivity +4dBu with vol. at 0dB RISPOSTA IN FREQUENZA FREQUENCY RESPONSE (20Hz - 20kHz) Mic/Line IN (+40dBu gain) main out: -2 / 0.2dB Stereo Line IN (0dB gain) main out: -2 / 0.2dB DISTORSIONE DISTORTION (1kHz, 16dBu main out) (filtro/filter 20Hz-20kHz) THD+rumore/noise (mic +40dB gain): 0.
1 2 3 4 5 6 7/8 9 / 10 11 / 12 13 / 14 MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC 10 10 10 10 10 10 10 10 10 10 5 5 5 5 5 5 5 5 5 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 10 10 10 10 10 10 10 10 10 10 15 15 15 15 15 15 15 15 15 15 20 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 30 29
L MAIN R 10 10 10 10 10 10 5 5 5 5 5 5 0 5 0 5 0 5 0 5 0 5 0 5 10 10 10 10 10 10 15 15 15 15 15 15 20 20 20 20 20 20 30 30 30 30 30 30 30
MONO CHANNEL 1-6 AUX 1-2 +48V HPF 100Hz GAIN 3 BAND EQUALISER PK -30 1 PRE POST PFL MIC AUX1 PRE AUX2 PRE S AUX1 POST AUX2 POST S FEEDBACK REDUCTION 2 3 FREQ.
CTRL MUTE PEAK AUX1 R PFL/AFL (AUX2) L SENSE S R R L CTRL ROOM AUX1-2 L OVL +10 +7 +4 0 -4 -7 -10 -20 -30 MONO FADER MONO S LEFT RIGHT + PFL/AFL PWR R L 2 TRK RIGHT INSERT L/R MUTE 2 1 RIGHT 3 SND RTN FADER 2 S 1 3 USB AFL 2 TRK 7 BAND EQUALIZER AUX1 AUX2 SENSE PFL EQUALIZER IN L PFL EQ.ON L EQUALIZER OUT L EQ.ON R EQUALIZER OUT R + + EQUALIZER IN R RIGHT 7 BAND EQUALIZER MUTE EFFECT PK -30 PK LEFT -30 VOLUME - - EFFECT RTN L AMP IN L + + +15V -15V +5V +3.
CARACTÉRISTIQUES 1 EINLEITUNG 1 INFORMATIONS DE SÉCURITÉ 2 WICHTIGE SICHERHEITSHINWEISE 2 Vorsichtsmaßnahmen Précautions PANNEAU FRONTAL / POSTÉRIEUR 3 VORDERSEITE UND RÜCKSEITE 3 BRANCHEMENTS 4 ANSCHLÜSSE 4 SECTION CANAUXMONO 5 MONOKANÄLESEKTION 5 1-6 1-6 SECTION CANAUX STEREO 6 7-21 EFFEKTESEKTION Details du logiciel Softwaredetails Programmes et Algorithmes Programme und Algorithmen Tableau des commandes MIDI Tabelle der MIDI-Befehle SECTIONMASTER 22-23 MASTERSEKTION So
FORMULA 143FXA est un mélangeur amplifié avec six canaux microphoniques dédiés, et en plus quatre canaux stéréo équipés eux aussi de préamplificateurs microphoniques mono.
RISQUE DE CHOC ÉLECTRIQUE NE PAS OUVRIR STROMSCHLAGGEFAHR NICHT ÖFFNEN POUR ÉVITER LE RISQUE DE CHOC ÉLECTRIQUE NE PAS OUVRIR LE COUVERCLE NE PAS UTILISER D’OUTILS MÉCANIQUES À L’INTÉRIEUR CONTACTER UN CENTRE D’ASSISTANCE QUALIFIÉ STROMSCHLAGGEFAHR NICHT DEN DECKEL ÖFFNEN WENDEN SIE SICH AN EINEN QUALIFIZIERTEN KUNDENDIENST POUR ÉVITER LE RISQUE D’INCENDIE OU DE CHOC ÉLECTRIQUE NE PAS EXPOSER L’APPAREILLAGE À LA PLUIE OU À L’HUMIDIT UM RISIKEN VON STROMSCHLAG UND BRAND AUSZUSCHLIESSEN SETZEN SIE DAS GE
1 2 3 4 5 6 7/8 9 / 10 11 / 12 13 / 14 3 4 1 2 AUX SND A MIC MIC MIC MIC MIC MIC MIC MIC L C B LINE LINE LINE LINE LINE L mono STEREO L mono STEREO INS INS 1 INS 2 INS 3 INS R 5 4 6 SND L mono STEREO GAIN GAIN GAIN GAIN GAIN GAIN mic 10 dB 60 line -20 +30 mic 10 dB 60 line -20 +30 mic 10 dB 60 line -20 +30 mic 10 dB 60 line -20 +30 mic 10 dB 60 line -20 +30 mic 10 dB 60 line -20 +30 mic 10 HPF HPF 100 Hz HF 100 Hz HF 0 -15 +15 300 100
XLR female plug TS jack plug Tip 2 3 1 Sleeve RCA phono jack XLR male plug 1 3 2 TRS jack plug Tip plug in and rotate before locking SPEAKON Sleeve Ring Les connecteurs XLR possèdent trois pôles et servent, en général, à transmettre les signaux mono balancés ; les trois pôles correspondent, dans l'ordre, à la masse (1), au signal positif (2) et au signal négatif (3).
MIC Prise d’entrée Neutrik équilibrée électroniquement pour connecteur XLR; permet de brancher les sources de signal à basse impédance, tels que les micros ou autres appareils à bas niveau. LINE Prise d'entrée équilibrée électroniquement pour prise femelle stéréo de ¼''de diamètre (soit 6,5 mm). Équilibrée électroniquement, elle permet de brancher des sources de signal à haut niveau, tel qu'un clavier, une guitare électrique, un instrument musical électronique ou appareil de reproduction audio.
MIC Prise d'entrée Neutrik équilibrée électroniquement pour connecteur XLR ; permet de brancher les sources de signal à basse impédance, tels que les micros ou autres appareils à bas niveau. STEREO LEFT (mono) / RIGHT Deux instruments stéréophoniques peuvent être connectés sur chaque canal stéréo, on aura donc l'équilibrage du signal d'entrée ; en utilisant seulement la prise LEFT (mono) le canal fonctionnera enmono.
Le mélangeur FORMULA 143FXA est équipé d'une section avec un triple effet interne capable d'offrir plusieurs types d'effet. Les sections EFFET « A » et EFFET « B » sont disponibles dans tous les canaux avec 15 tables d'effet et 16 variations programmables par l'utilisateur même par A le biais de la connexion Midi.
Les effets A et B ont 16 tables (A-O) avec 16 presets (256). Die Effekte A und B haben 16 Pults (A-O) mit 16 Voreinstellungen (256). L'effet C a 20 tables (A-T) avec 16 presets (320) ; les premiers 16 tables sont égales à A et B ; les tables allant de 17 à 20 sont réservées aux instruments (en particulier à la guitare), puisqu'on simule une grande quantité d'amplificateurs (JC Clean, Metal, Crunch, etc..).
F BT P r o c e s s o r E F F EC T A E F F EC T B E F F EC T C A B C TRIPLE DIGITAL STEREO EFFECTS PRESET EFFECT SELECT TAP / MODIFY push to CONFIRM EFFECT A - B - C BANK A Echo 1 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Delay 01 Delay 02 Delay 03 Delay 04 Delay 05 Delay 06 Delay 07 Delay 08 Delay 09 Delay 10 Delay 11 Delay 12 Delay 13 Delay 14 Delay 15 Delay 16 9 Time (ms) Rep.
EFFECT A - B - C BANK B Echo 2 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Delay 01 Delay 02 Delay 03 Delay 04 Delay 05 Delay 06 Delay 07 Delay 08 Delay 09 Delay 10 Delay 11 Delay 12 Delay 13 Delay 14 Delay 15 Delay 16 Time (ms) Rep. 20 - 1350 1-5 Program Name 3/4 Echo 3/4 Pan Echo 4/4 Echo 1 4/4 Pan Echo 1 4/4 Echo 2 4/4 Pan Echo 2 Triplet Pan Triplet Pan Delay 1 Pan Del 1 + Reg Pan Delay 2 Pan Del 2 + Reg Pan Delay 3 Pan Del 3 + Reg Pan Delay 4 Pan Del 4 + Reg Time (ms) Rep.
EFFECT A - B - C BANK D Regen 1 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Regen 01 Regen 02 Regen 03 Regen 04 Regen 05 Regen 06 Regen 07 Regen 08 Regen 09 Regen 10 Regen 11 Regen 12 Regen 13 Regen 14 Regen 15 Regen 16 Time (ms) Regen (%) 20 - 1350 1 - 99 Program Name Regen 01 Regen 02 Regen 03 Regen 04 Regen 05 Regen 06 Regen 07 Regen 08 Regen 09 Regen 10 Regen 11 Regen 12 Regen 13 Regen 14 Regen 15 Regen 16 Time (ms) Regen (%) 20 - 1350 1 - 99 note EFFECT A - B - C Bank E Reg
EFFECT A - B - C BANK F Short Room Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Short Room 01 Short Room 02 Short Room 03 Short Room 04 Short Room 05 Short Room 06 Short Room 07 Short Room 08 Short Room 09 Short Room 10 Short Room 11 Short Room 12 Short Room 13 Short Room 14 Short Room 15 Short Room 16 Time (ms) HDamp (%) 0 - 12 0 - 100 Program Name Room 01 Room 02 Room 03 Room 04 Room 05 Room 06 Room 07 Room 08 Room 09 Room 10 Room 11 Room 12 Room 13 Room 14 Room 15 Room 16 Time (ms)
EFFECT A - B - C BANK H Hall Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Hall 01 Hall 02 Hall 03 Hall 04 Hall 05 Hall 06 Hall 07 Hall 08 Hall 09 Hall 10 Hall 11 Hall 12 Hall 13 Hall 14 Hall 15 Hall 16 Time (ms) HDamp (%) 30 - 60 0 - 100 Program Name Church 1 Church 2 Church 3 Church 4 Church 5 Church 6 Church 7 Church 8 Cathedral 1 Cathedral 2 Cathedral 3 Cathedral 4 Cathedral 5 Cathedral 6 Cathedral 7 Cathedral 8 Time (ms) HDamp (%) 60 - 250 0 - 100 note EFFECT A - B - C BANK I
EFFECT A - B - C BANK J Plate Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Plate 01 Plate 02 Plate 03 Plate 04 Plate 05 Plate 06 Plate 07 Plate 08 Plate 09 Plate 10 Plate 11 Plate 12 Plate 13 Plate 14 Plate 15 Plate 16 Time (ms) HDamp (%) 0 - 250 NO Program Name Chorus light 1 Chorus light 2 Chorus medium 1 Chorus medium 2 Chorus deep 1 Chorus deep 2 Chorus fast 1 Chorus fast 2 Resonant chorus Long time Fast ch lg dl Quad high fbk Quad ch reso Quad med dep Quad high dep Deep st flang T
EFFECT A - B - C BANK L Chorus 2 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Ch Ft 1 + Shr 9 Ch Ft 1 + Ro 12 Ch Ft 1 + Ro 16 Ch Dp 2 + Ha 12 Ch Dp 2 + Ha 11 Ch Dp 2 + Ha 16 Ch Ft 2 + Chu 4 Ch Ft 2 + Cat 7 Ch Med 1 + Reg 1 Ch Med 1 + Reg 2 Ch Med 1 + Reg 3 Ch Med 1 + Reg 4 Ch Med 1 + Reg 5 Ch Med 1 + Reg 6 Ch Med 1 + Reg 7 Ch Med 1 + Reg 8 Time (ms) HDamp / Regen (%) 0 - 1350 HDamp 1-99 0 - 1350 Regen 1-99 Program Name No Detune Up M 3rd Up m 3rd Up 4th Up 5th Down M 3rd Down m 3rd Do
EFFECT A - B - C BANK N Guitar 1 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Gate Reverb A1 Gate Reverb A2 Gate Reverb A3 Gate Reverb A4 Gate Reverb B1 Gate Reverb B2 Gate Reverb B3 Gate Reverb B4 Gate Plate A1 Gate Plate A2 Gate Plate A3 Gate Plate A4 Gate Plate B1 Gate Plate B2 Gate Plate B3 Gate Plate B4 Threshold (dB) Program Name Flange Light Flange medium Flange slow deep Flange deep Flange L + SR2 Flange M + R5 Flange SD + H9 Phaser Light Phaser medium Phaser slow deep Phaser deep
EFFECT C BANK P Guitar 3 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 Program Name Tube Low 1 Tube Low 2 Tube Medium 1 Tube Medium 2 Tube High 1 Tube High 2 Smooth OD Distortion Crunch Fuzz Grugen Metal Mess note EFFECT C BANK Q Multi FX 1 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Name Multi FX 01 Multi FX 02 Multi FX 03 Multi FX 04 Multi FX 05 Multi FX 06 Multi FX 07 Multi FX 08 Multi FX 09 Multi FX 10 Multi FX 11 Multi FX 12 Multi FX 13 Multi FX 14 Multi FX 15 Multi FX 16 Program Amp Name 00,
SECTION EFFETS EFFECT C BANK R Multi FX 2 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program name Multi FX 01 Multi FX 02 Multi FX 03 Multi FX 04 Multi FX 05 Multi FX 06 Multi FX 07 Multi FX 08 Multi FX 09 Multi FX 10 Multi FX 11 Multi FX 12 Multi FX 13 Multi FX 14 Multi FX 15 Multi FX 16 Program Amp Name note 00,A01-----O01 00,A05-----O05 00,A10-----O10 00,A15-----O15 00,A05-----O05 00,A10-----O10 00,A15-----O15 00,A05-----O05 00,A08-----O08 00,A01-----O01 00,A16-----O16 00,A04-----O04 00,A08-----
EFFECT C BANK T Multi FX 4 Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Program Program name Multi FX 01 Multi FX 02 Multi FX 03 Multi FX 04 Multi FX 05 Multi FX 06 Multi FX 07 Multi FX 08 Multi FX 09 Multi FX 10 Multi FX 11 Multi FX 12 Multi FX 13 Multi FX 14 Multi FX 15 Multi FX 16 00,A05-----O05 00,A10-----O10 00,A15-----O15 00,A05-----O05 00,A10-----O10 00,A15-----O15 00,A05-----O05 00,A08-----O08 00,A01-----O01 00,A16-----O16 00,A04-----O04 00,A08-----O08 00,A12-----O12 00,A15-----O15 F BT P r o
JC CLEAN - Il prend pour modèle l'amplificateur combiné de type à tubes conçu dans les années 1960 par une entreprise américaine ; le son est net et cristallin. ACOUSTIC – Il transforme le son d'une guitare électrique en acoustique. BLACK PANEL – Effet pour plusieurs genres, du country au blues, jazz ou rock, grâce aux fréquences basses, denses et aux fréquences hautes, aigues. BRIT COMBO – Le son typique de Liverpool pendant les années 1960.
PEDALBOARD MIDI AUTRE DISPOSITIF WEITERE VORRICHTUNG IN THRU MIDI IN N.C. +5V 1 3 4 2 5 N. C. MIDI DATA GND MIDI THRU N.C. +5V 1 3 4 2 5 N. C.
3 4 1 2 AUX SND L 2 TRK RTN AUX L MAIN R R SND EQ. IN L INSERT R MONO L R CTRL ROOM EQ. OUT L AUX 1-2-3-4 Prises jack stéréo où l'on trouve les signaux des AUXILIAIRES 1-2-3-4 provenant des contrôles générauxAUX. EQIN/OUT Les prises jack EQ IN sont équilibrées électroniquement et équipées d'une fonction « breaker ».
GRAPHIC EQUALIZER Égaliseur à 7-bandes qui s'active par la touche ON. Le point d'insertion de l'EQ est post master fader et pré-amplificateur de puissance. 7 bandes de fréquence qui offrent une amplification/atténuation de 15dB, avec Q=2, qui LEFT permet de modifier le son selon ses propres préférences et les conditions acoustiques de l'environnement où l'on se trouve.
MIDI 0dB 0dB 6dB USB IN THRU INPUT VOLUME 6dB SPKR OUT MIN. IMP. 4 OHM INPUT RIGHT MIDI IN VOLUME 1+ SPKR OUT MIN. IMP. 4 OHM LEFT 2- 1- N.C. 2- / 2+ 2+ SPKR OUT N.C. +5V 1 3 4 2 5 N. C. MIDI DATA MIDI THRU 1 3 4 2 5 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER (OR BACK) NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL GND N.C.
RIGHT LEFT 143 FXA AUX 1 AUX 2 MONITOR AMP 25
Connexion de trois diffuseurs avec impédance de 8 Ohm par canal Anschluss von drei Lautsprechern mit 8 Ohm Impedanz pro Kanal RIGHT LEFT BALANCED JACK BALANCED JACK FORMULA 143 FXA 143 FXA XLR FEMMINA FEMALE XLR L’égaliseur à 7-bandes employé pour les moniteurs 7-Band-Equalizer für die Bildschirme benutzt 143 FXA AUX EQ. IN L R EQ.
520 mm 20.5” 570 mm 22.
AMPLIFICATEURS INTERNES INTERNE VERSTÄRKER Puissance de sortie / Dauerausgangsleistung 2x850W @230Vac Imp. 4 Ohm Puissance de sortie / Dauerausgangsleistung 2x550W @230Vac Imp. 8 Ohm sensibilité +4dBu con vol. a 0dB empfindlichkeit +4dBu with vol. at 0dB RÉPONSE EN FRÉQUENCE FREQUENZGANG (20Hz - 20kHz) Mic/Line IN (+40dBu gain) main out: -2 / 0.2dB Stereo Line IN (0dB gain) main out: -2 / 0.2dB DISTORSION VERZERRUNG (1kHz, 16dBu main out) (filter 20Hz-20kHz) THD+bruit/geräusch (mic +40dB gain): 0.
1 2 3 4 5 6 7/8 9 / 10 11 / 12 13 / 14 MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC 10 10 10 10 10 10 10 10 10 10 5 5 5 5 5 5 5 5 5 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 10 10 10 10 10 10 10 10 10 10 15 15 15 15 15 15 15 15 15 15 20 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 30 29
L MAIN R 10 10 10 10 10 10 5 5 5 5 5 5 0 5 0 5 0 5 0 5 0 5 0 5 10 10 10 10 10 10 15 15 15 15 15 15 20 20 20 20 20 20 30 30 30 30 30 30 30
ATTENZIONE: se il dispositivo è contrassegnato da questo simbolo non deve assolutamente essere smaltito assieme ai normali rifiuti domestici. Si tratta infatti di una apparecchiatura elettrica o elettronica oggetto di Direttive Europee e per il quale la legge prevede un sistema di raccolta differenziato.
