User's Manual Instruction Manual
Table Of Contents
- Copyright
- Disclaimer
- Improvement Requests
- Regional Contacts
- Part 1: General Workspace
- Part 2: Logging
- Part 3: Browsing
- Part 4: Ingest
- Part 5: Playout – Control Panel
- Part 6: Playout – Playlist Panel
- Part 7: Editing
- Part 8: Editing
- 1. Introduction
- 2. Browser
- 3. Player
- 3.1 OVERVIEW OF THE PLAYER PANE
- 3.2 ASSIGNING PLAYER CHANNELS TO IPEDIT
- 3.3 VIDEO DISPLAY
- 3.4 DISPLAY ON THE TIMELINE ENGINE
- 3.5 LOADED MEDIA INFORMATION
- 3.6 TRANSPORT & CREATION FUNCTIONS
- 3.7 TIMELINE EDITING BUTTONS
- 3.8 PLAYER TRACK SELECTION
- 3.9 AUDIO MONITORING
- 3.10 LOADING MEDIA ONTO THE PLAYER
- 4. Timeline
- 4.1 OVERVIEW OF THE TIMELINE ELEMENTS
- 4.1.1 Timeline Name and IDs
- 4.1.2 Timeline Display
- 4.1.3 Edit Command Bar and General Editing Functions
- Overview
- Undo
- Redo
- Insert/Overwrite Global Mode
- Set Timeline Mark IN
- Set Timeline Mark OUT
- Mark Current Element Selection
- Clear Timeline Marks
- Delete Between Mark IN and Mark OUT
- Select Elements From (or to) Nowline
- Add Edit at Nowline Position
- Extend
- Extend Slow/Fast
- Match Frame in Player
- Clear Mark IN
- Clear Mark OUT
- 4.1.4 Transition Effects Bar
- Locator Icons
- 4.1.6 Transport Command Bar and Transport-Related Functions
- 4.1.7 Timecode and Duration Fields
- 4.1.8 Timeline Track Selection Buttons
- 4.1.9 Locator/GPI Selection Buttons
- 4.1.10 Scale Bar and Move Bar
- 4.1.11 Audio Volume Automation, Swap & Mute Buttons
- 4.2 TIMELINE MANAGEMENT
- 4.3 TIMELINE EDITING
- 4.4 MARKING AND SELECTING TECHNIQUES
- 4.5 PLACING MEDIA IN THE TIMELINE
- 4.5.1 Applicable Principles
- 4.5.2 Editing Modes From the Player
- 4.5.3 Adding Media in Insert or Overwrite via the Keyboard, ShuttlePRO or Player Icons
- 4.5.4 Adding Media in Insert or Overwrite Using Drag-and-Drop Actions
- 4.5.5 Adding Media Using the Match Frame Replace
- 4.5.6 Changing the Camera Angle of Timeline Elements
- 4.5.7 Appending a Timeline to the Open Timeline
- 4.6 DELETING ELEMENTS FROM THE TIMELINE
- 4.7 MOVING ELEMENTS WITHIN THE TIMELINE
- 4.8 EXTENDING TIMELINE ELEMENTS
- 4.8.1 Introduction
- 4.8.2 Overview of the Extend Actions
- 4.8.3 Extending in Insert or Overwrite Mode
- 4.8.4 Extending OUT in Insert or Overwrite Mode
- 4.8.5 Extending In or OUT in Insert or Overwrite Mode
- 4.8.6 How to Extend IN or Extend IN Slow/Fast a Timeline Element
- 4.8.7 How to Extend OUT or Extend OUT Slow/Fast a Timeline Element
- 4.9 TRIMMING ELEMENTS IN THE TIMELINE
- 4.10 SLIPPING ELEMENTS IN THE TIMELINE
- 4.11 SLIDING ELEMENTS IN THE TIMELINE
- 4.12 TRANSITION EFFECTS
- 4.12.1 Introduction
- 4.12.2 Selection of Transitions and Tracks on Which to Apply the Effects
- 4.12.3 Effect Types
- 4.12.4 Effect Duration
- 4.12.5 Effect Positions
- 4.12.6 Add/ Modify Transition Effect Window
- 4.12.7 Transition Effect Settings
- 4.12.8 Adding Transition Effects
- 4.12.9 Modifying Transition Effects
- 4.12.10 Deleting Transition Effects
- 4.13 AUDIO SWAPS AND MUTES
- 4.13.1 Introduction to the Swap/Mute Function
- 4.13.2 Overview of the Ways to Define Swaps and Mutes
- 4.13.3 Automatic Swap Definition
- 4.13.4 Automatic Mute Definition
- 4.13.5 Manual Swap Definition in the General Display Mode
- 4.13.6 Manual Swap Definition in the Swap/Mute Zoom Mode
- 4.13.7 Swap/Mute Configuration Window
- 4.13.8 Adding Audio Swaps
- 4.13.9 Modifying Audio Swaps
- 4.13.10 Deleting Audio Swaps
- 4.14 ADJUSTING THE AUDIO VOLUME ON THE TIMELINE
- 4.14.1 Introduction
- 4.14.2 Accessing and Leaving the Volume Automation Mode
- 4.14.3 Overview of the Possible Actions
- 4.14.4 Audio Volume Automation Panel
- 4.14.5 How to Change the Graphic Volume Range
- 4.14.6 Preliminary Actions Before Any Increase or Decrease on the Volume Automation Curve
- 4.14.7 Increasing or Decreasing the Global Volume of a Track
- 4.14.8 Increasing or Decreasing the Volume on Part of a Track
- 4.14.9 Modifying the Volume On a Given Position of a Track
- 4.14.10 Resetting the Volume
- 4.15 CONSOLIDATING A PART OF A TIMELINE
- ‘Replace’ Versus ‘Create Clip From Timeline’
- 4.15.2 Process Overview
- 4.15.3 Assigning a Recorder Channel to IPEdit
- 4.15.4 Replace Settings
- 4.15.5 How To Render Part of a Timeline Using the Replace Function
- How To Consolidate a Part of a Timeline Using the Clip Creation From Timeline Function
- 4.15.7 How To Cancel a Consolidation Process
- USING LOCATORS IN IPEDIT
- 4.17 USING GPIS IN IPEDIT
- 4.18 USING MACRO COMMANDS IN IPEDIT
- 4.19 IPEDIT SETTINGS
- 4.1 OVERVIEW OF THE TIMELINE ELEMENTS

Issue 5.8.B IPDirector V.5.8
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User Manual
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Part 7: Editing -
IPEdit
EVS Broadcast Equipment - July 2010
194
3. To define a GPI on the mark OUT point, perform the operations described in
step 2 for the Mark OUT GPI fields.
4. Click Apply to save the Replace settings.
When the mark IN and mark OUT for the replace function are placed on the
timeline, the Replace GPIs are displayed on the Timecode bar as a green marker
for the mark IN GPI and a red marker for the mark OUT GPI. The GPI number is
mentioned on the marker and the marker position takes the offset into account:
Note
When you define a GPI for the mark IN and for the mark OUT points of
the Replace function, you need to define compatible GPI types, for
example a ‘level high’ GPI for the mark IN GPI and a ‘level low’ GPI for
the mark OUT GPI. The application will not prevent you from defining
incompatible types.
AUDIO SWAP INPUT MATRIX
Introduction
When you use the Replace function, the current track selection in the timeline
determines which track will be replaced.
If you want to route the result of the external mixing to a track other than the
original one, you can use the audio channel input matrix to configure how the
audio channels should be routed in the Replace process.
You need to click the Config. button corresponding to the requested track to open
the Audio Channel Input Matrix for this track:










