Algorithm Manual

H9000 Algorithms Manual, Release 1.2.1[5]
Modulation Depth - [DEPTH] : Sets the modulation sweep range from narrow to wide.
Modulation Speed - [SPEED] : Sets the modulation sweep rate. Note: If Envelope or ADSR is selected for
the Shape parameter, the modulation is driven by the amplitude of the audio input and the Speed control
becomes a Sensitivity control.
Modulation Waveform Shape - [SHAPE] : Selects the shape (or source) of the modulation. The choices are:
[SINE], TRIANGLE [TRIANG], [PEAK], [RANDOM], [SQUARE], [RAMP], Sample and Hold [SMPHLD], Envelope
[ENVLPE], or [ADSR]. In addition, the Expression Pedal [EXPPDL] can be chosen as a source. When EXP PDL
is chosen, the current preset’s pedal mapping is ignored.
Pitch Spread/Feedback - [SPREAD][FEEDBK] : For Pitch select the spread (de-tuning), for Feedback control
the amount of feedback.
Amplitude Modulation - [D-MOD] : Controls the amount of modulation of the Depth parameter. Analogous
to AM (Amplitude Modulation).
Frequency Modulation - [S-MOD] : Controls the amount of modulation of the Speed parameter. Analogous
to FM (Frequency Modulation).
Secondary LFO Rate - [RATE] : Sets the secondary LFO rate – determines how fast the D-Mod and S-Mod
“wiggle” their targets. Ranges from 1/8 to 8X the Speed value. Note: If Envelope or ADSR is selected as
the Mod Source, the modulation is driven by the amplitude of the audio input and the speed modulation
control [S-MOD] becomes a Sensitivity control.
Modulation Source - [MODSRC] : Selects the secondary LFO modulation source. The choices are: [SINE],
TRIANGLE [TRIANG], [PEAK], [RANDOM], [SQUARE], [RAMP], Sample and Hold [SMPHLD], Envelop [ENVLOP],
or [ADSR]. In addition, the Expression Pedal [EXPPDL] can be chosen as a source. When [EXPPDL] is chosen,
the current preset’s pedal mapping is ignored.
Effect Type Suggested Use Max Sample Rate In/Out
{M} ~ 96kHz 2, 2
#9210 RingMod
Ring Modulator is an effect created by multiplying an input signal by an audio frequency waveform; the
result is a waveform containing the sums and differences of those frequencies and their partials. This
creates a waveform with complex (and usually nonharmonic) bell-like overtones. By using the S-Mod control
to modulate this carrier frequency you can create useful and interesting sounds. The D-Mod parameter
slightly detunes the right and left voices creating a stereo field. Two modulation types are supported [RING]
and [STRING].
Intensity - [INTENS] : Effect level.
Effect Type - [TYPE] : Select [RING] or [STRING].
UN-USED - [UNUSED] : Unused control.
Modulation Speed - [SPEED] : Sets the modulation sweep rate. Note: If Envelope or ADSR is selected for
the Shape parameter, the modulation is driven by the amplitude of the audio input and the Speed control
becomes a Sensitivity control.
Modulation Waveform Shape - [SHAPE] : Selects the shape (or source) of the modulation. The choices are:
[SINE], TRIANGLE [TRIANG], [PEAK], [RANDOM], [SQUARE], [RAMP], Sample and Hold [SMPHLD], Envelope
[ENVLPE], or [ADSR]. In addition, the Expression Pedal [EXPPDL] can be chosen as a source. When EXP PDL
is chosen, the current preset’s pedal mapping is ignored.
Tone Control - [TONE] : Just what you’d expect.
374 Chapter 93. 92 - ModFactor