Specifications

PS Amplifier Operation
Dialing in your Sound
9
1
. B
e
fo
r
e
tu
r
n
i
n
g
y
o
u
r
a
m
p
l
i
fi
e
r o
n
a
l
wa
y
s
s
e
t th
e
M
A
S
TE
R
v
o
l
u
m
e
c
o
n
tr
o
l
to
th
e
z
e
r
o
p
o
s
i
ti
o
n
.
Th
i
s
w
i
l
l
p
r
e
v
e
n
t d
a
m
a
g
e
to
y
o
u
r
s
p
e
a
k
e
r
s
i
n
th
e
e
v
e
n
t o
f a
p
r
o
d
u
c
t
fa
i
l
u
re
o
r
fa
u
l
ty
i
n
p
u
t s
i
g
n
a
l
.
2
.
Tu
rn
th
e
a
m
p
l
i
fi
e
r
o
n
u
s
i
n
g
th
e
p
o
we
r s
wi
tc
h
l
o
c
a
te
d
o
n
th
e
ri
g
h
t s
i
d
e
o
f th
e
a
m
p
l
i
fi
e
r
’
s
fr
o
n
t p
a
n
e
l
.
Th
e
P
OW
E
R
i
n
d
i
c
a
to
r
l
i
g
h
t o
n
th
e
fr
o
n
t p
a
n
e
l
w
i
l
l
i
l
l
u
m
i
n
a
te
i
n
g
r
e
e
n
. U
p
o
n
p
o
w
e
r
-u
p
, th
e
M
U
TE
fe
a
tu
r
e
w
i
l
l
e
n
g
a
g
e
a
n
d
i
ts
l
i
g
h
t wi
l
l
b
e
i
l
l
u
m
i
n
a
te
d
r
e
d
.
Y
o
u
w
i
l
l
a
l
s
o
s
e
e
th
e
P
E
A
K
l
i
g
h
t i
l
l
u
m
i
n
a
te
g
r
e
e
n
.
3
.
Tu
r
n
th
e
v
o
l
u
m
e
c
o
n
tro
l
s
o
n
y
o
u
r
i
n
s
tr
u
m
e
n
t to
th
e
i
r fu
l
l
, o
r l
o
u
d
e
s
t p
o
s
i
ti
o
n
s
.
4
. Se
t th
e
PS a
mp
lifie
r
EQ co
n
tro
ls (
b
a
ss, mid
, a
n
d
tr
e
b
le
) to
ze
r
o
(
tw
e
lve
o
’clo
ck
p
o
sitio
n
)
a
n
d
b
e
g
in
p
la
yin
g
a
g
g
re
ssive
ly wh
ile
tu
rn
in
g
u
p
th
e
Ga
in
co
n
tr
o
l. W
h
e
n
th
e
L
ED
lig
h
t is g
r
e
e
n
th
e
re
is still p
o
te
n
tia
l to
in
cr
e
a
se
th
e
Ga
in
. W
h
e
n
th
e
lig
h
t tu
r
n
s
r
e
d
, yo
u
r
in
p
u
t is to
o
h
o
t a
n
d
yo
u
r
sig
n
a
l will d
isto
rt. Fo
r
th
e
cle
a
n
e
st so
u
n
d
, a
llo
w
th
e
L
ED
in
d
ica
to
r to
tu
r
n
re
d
in
te
rmitte
n
tly wh
ile
p
la
yin
g
a
t th
e
mo
st a
g
g
r
e
ssive
ly.
5
. D
ise
n
g
a
g
e
th
e
MU
TE b
u
tto
n
. It’s lig
h
t will tu
rn
o
ff.
6
. Tu
r
n
th
e
MASTER
Vo
lu
me
C
o
n
tr
o
l clo
ckw
ise
to
th
e
d
e
sir
e
d
liste
n
in
g
vo
lu
me
. At
th
is p
o
in
t yo
u
sh
o
u
ld
b
e
h
e
a
r
in
g
yo
u
r
in
str
u
me
n
t th
r
o
u
g
h
th
e
co
n
n
e
cte
d
sp
e
a
ke
r
s.
7
. By a
d
ju
stin
g
th
e
EQ co
n
tr
o
ls a
n
d
u
tilizin
g
th
e
mid
-cu
t fe
a
tu
r
e
s, th
e
so
u
n
d
o
f yo
u
r
in
str
u
me
n
t ca
n
b
e
sh
a
p
e
d
in
ve
r
y su
b
tle
o
r
ve
r
y d
yn
a
mic w
a
ys. Ep
ifa
n
i p
r
e
-
a
mp
s a
r
e
d
e
sig
n
e
d
to
a
ct like
th
e
ch
a
n
n
e
l str
ip
o
f a
p
r
o
fe
ssio
n
a
l mixin
g
co
n
so
le
– a
little
EQ
g
o
e
s a
lo
n
g
w
a
y. In
fa
ct, ma
n
y so
u
n
d
e
n
g
in
e
e
rs sta
r
t w
ith
th
e
EQ in
th
e
fla
t p
o
sitio
n
a
n
d
C
U
T fr
e
q
u
e
n
cie
s to
a
ch
ie
ve
th
e
d
e
sir
e
d
so
u
n
d
. Th
e
y th
e
n
a
d
d
g
a
in
to
ma
ke
u
p
th
e
lo
ss o
f vo
lu
me
d
u
e
to
th
e
r
e
d
u
ctio
n
in
EQ. C
u
ttin
g
b
a
ck is typ
ica
lly p
r
e
fe
r
r
e
d
to
b
o
o
stin
g
. If yo
u
a
r
e
d
r
a
ma
tica
lly b
o
o
stin
g
a
ll o
f yo
u
r
EQ se
ttin
g
s, yo
u
mig
h
t w
a
n
t to
ca
ll yo
u
r
Ep
ifa
n
i D
e
a
le
r o
r u
s d
ir
e
ctly to
d
iscu
ss yo
u
r
se
tu
p
.
8
. Th
e
MID
C
U
T le
ve
l a
d
ju
sts th
e
a
mo
u
n
t o
f mid
-
ra
n
g
e
fr
e
q
u
e
n
cie
s th
a
t will b
e
r
e
d
u
ce
d
w
h
e
n
yo
u
e
n
g
a
g
e
th
e
MID
C
UT switch
e
ith
e
r
b
y p
r
e
ssin
g
th
e
sw
itch
o
n
th
e
f
ront
panel or
activating
t
he
swit
ch via the footswitch. This feature actually gives you
an additional level of control as you change playing styles or when changing your
instrument. It’s almost like having a second channel.
Please consider that different acoustical environments can effect your sound
dramatically. Different positions on stage or whether your speakers are higher or
lower can change the sound you and the audience hear. You have the option to
change your position or use the EQ controls to accommodate different sounding
spaces. The Epifani EQ section is a powerful tool and with a bit of experimenting
you’ll find that almost any sound can be achieved.