Specifications

PS Amp Controls & Features
Rear Panel
7
1
. AC
L
in
e
-
in
-
Fir
mly p
lu
g
th
e
su
p
p
lie
d
AC
p
o
w
e
r
ca
b
le
in
to
th
e
so
cke
t
2
. Fu
se
- r
e
p
la
ce
w
ith
o
n
ly th
e
sa
me
fu
se
a
s in
d
ica
te
d
fo
r yo
u
r
co
u
n
tr
y
3
. 1
2
0
V/2
2
0
V Po
w
e
r
Se
le
ctio
n
Sw
itch
- Se
le
ct 1
2
0
V fo
r u
se
in
th
e
U
SA a
n
d
co
u
n
tr
ie
s w
ith
11
0
V se
rvice
. Se
le
ct 2
2
0
V fo
r
Eu
ro
p
e
a
n
u
se
o
r co
u
n
trie
s w
ith
2
2
0
V
.
N
o
te
, th
e
fu
se
mu
st b
e
ch
a
n
g
e
d
to
ma
tch
yo
u
r e
le
ctr
ica
l se
r
vice
.
4
. Amp
Ou
t w
ith
“
Sp
e
a
ko
n
”
co
n
n
e
cto
r
–
C
o
n
n
e
ct yo
u
r a
mp
lifie
r to
th
e
sp
e
a
ke
r ca
b
-
in
e
t u
sin
g
a
Sp
e
a
ko
n
ca
b
le
. N
EVER
co
n
n
e
ct p
lu
s o
r
min
u
s to
g
r
o
u
n
d
. U
se
Sp
e
a
ko
n
-
to
-Sp
e
a
ko
n
fo
r a
b
e
tte
r co
n
n
e
ctio
n
. If u
sin
g
a
Sp
e
a
ko
n
to
1
⁄4
” co
n
n
e
ctio
n
, tu
rn
a
mp
lifie
r
OFF b
e
fo
re
ma
kin
g
co
n
n
e
ctio
n
s. Th
e
PS 1
0
0
0
h
a
s tw
o
Sp
e
a
ko
n
o
u
tp
u
ts. Th
e
PS 4
0
0
h
a
s o
n
e
Sp
e
a
ko
n
Ou
tp
u
t. U
se
min
imu
m 4
-
o
h
m ca
b
in
e
ts.
5
. Brid
g
in
g
Sw
itch
(
PS1
0
0
0
o
n
ly)
–
To
a
cce
ss a
ll 1
0
0
0
w
a
tts o
f th
e
PS 1
0
0
0
,
sw
itch
th
is b
u
tto
n
to
Brid
g
e
Mo
d
e
, a
n
d
co
n
n
e
ct yo
u
r
ca
b
in
e
t to
th
e
in
d
ica
te
d
‘A’
sp
e
a
ke
r in
p
u
t o
n
ly. Y
o
u
r ca
b
in
e
t(s) mu
st d
e
live
r
a
to
ta
l min
imu
m lo
a
d
o
f 8
-o
h
ms.
6
. Pe
d
a
l C
o
n
tro
l –
Allo
w
s yo
u
to
mu
te
a
n
d
e
n
g
a
g
e
th
e
Mid
-C
u
t fe
a
tu
re
s via
th
e
optional foot switch. Uses a 1/4” TRS plug.
7. Effect Send – Use this jack to send a signal to your effects processing device.
8. Blend – This feature allows you to mix the dry signal with the effected signal.
When using a
processor like a Graphic EQ or a Compressor/Limiter, turn the blend
all the way t
o
right
. This ensures
that 100% of the signal will go to the processor.
When using Reverb, Delay or a Chorus/Flanger-type effect, rotate the knob to the
left to
achieve the
desired
blend
of effect to dry signal.
9.
Return
– Use this
jack from your processor output.
10. T
uner O
ut – Connect a tuner via instrument cable and tune silently in mute mode.
11. Preamp Out – For bypassing the amp stage when using an alternate amplifier.
12. Pre/Post EQ – Selects direct output (DI) signal to come before or after EQ section.
13. Direct Out Level – Adjusts the signal coming from Direct Out. This is usually kept
at the twelve o'clock position. Adjust accordingly in conjunction with different
applications (recording, live, etc).
14. Direct Out (XLR) – Sends a balanced signal to the PA or a recording device.
15. Ground Lift – Disconnects chassis ground to reduce 60 cycle hum.
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