Specifications

11
PS Cabinet Operation
Connections
1
. C
o
n
n
e
c
t th
e
s
p
e
a
k
e
r
c
a
b
i
n
e
t u
s
i
n
g
e
i
th
e
r
o
f th
e
S
p
e
a
k
o
n
c
o
m
b
o
c
o
n
n
e
c
to
r
s
o
n
th
e
r
e
a
r
p
a
n
e
l
. M
a
k
e
s
u
r
e
th
a
t y
o
u
a
r
e
u
s
i
n
g
a
h
i
g
h
-
q
u
a
l
i
ty
"u
n
s
h
i
e
l
d
e
d
" s
p
e
a
k
e
r
c
a
b
l
e
. N
E
V
E
R
c
o
n
n
e
c
t p
l
u
s
o
r
m
i
n
u
s
to
g
r
o
u
n
d
. If u
s
i
n
g
a
S
p
e
a
k
o
n
to
1
⁄4
”
c
o
n
n
e
c
-
ti
o
n
, b
e
s
u
r
e
th
e
a
m
p
l
i
fi
e
r
i
s
OFF w
h
i
l
e
p
l
u
g
g
i
n
g
-
i
n
o
r
u
n
p
l
u
g
g
i
n
g
a
c
o
n
n
e
c
ti
o
n
.
2
.
Th
e
tw
o
In
p
u
t/Ou
tp
u
t c
o
n
n
e
c
to
r
s
a
r
e
wi
r
e
d
i
n
p
a
ra
l
l
e
l
, s
o
y
o
u
m
a
y
p
l
u
g
i
n
to
e
i
th
e
r c
o
n
n
e
c
to
r.
A
d
d
i
ti
o
n
a
l
l
y
, y
o
u
m
a
y
‘
d
a
i
s
y
c
h
a
i
n
’
e
i
th
e
r
c
o
n
n
e
c
to
r to
a
s
e
c
o
n
d
s
p
e
a
k
e
r
c
a
b
i
e
n
t u
s
i
n
g
S
p
e
a
k
o
n
o
r
1
/4
”
j
a
c
k
s
.
T
a
k
e
n
o
te
o
f th
e
ra
te
d
i
m
p
e
d
a
n
c
e
o
f
e
a
c
h
c
a
b
i
n
e
t a
n
d
b
e
s
u
re
to
s
ta
y
w
i
th
i
n
y
o
u
r
a
m
p
l
i
fi
e
r’
s
r
a
te
d
s
p
e
c
i
fi
c
a
ti
o
n
s
.
PS Cabinet Operation
Dialing in your Sound
1
. Afte
r
co
n
n
e
ctin
g
th
e
sp
e
a
ke
r
ca
b
in
e
ts, se
t th
e
MASTER vo
lu
me
co
n
tr
o
l o
n
yo
u
r
a
mp
lifie
r
to
th
e
ze
r
o
p
o
sitio
n
a
n
d
tu
rn
yo
u
r a
mp
lifie
r o
n
. Th
is w
ill p
r
e
ve
n
t d
a
ma
g
e
to
yo
u
r sp
e
a
ke
rs in
th
e
e
ve
n
t o
f a
p
ro
d
u
ct fa
ilu
r
e
o
r fa
u
lty in
p
u
t sig
n
a
l.
2
. Tu
rn
th
e
vo
lu
me
co
n
tro
ls o
n
yo
u
r
in
str
u
me
n
t to
th
e
ir fu
ll o
r lo
u
d
e
st p
o
sitio
n
s.
3
. Se
t yo
u
r a
mp
lifie
r
EQ co
n
tr
o
ls (
b
a
ss, mid
, a
n
d
tr
e
b
le
)
to
ze
r
o
(tw
e
lve
o
’clo
ck
p
o
sitio
n
) a
n
d
b
e
g
in
tu
r
n
in
g
u
p
th
e
vo
lu
me
o
n
yo
u
r
a
mp
lifie
r
to
yo
u
r d
e
sire
d
le
ve
ls.
4
. W
h
e
n
a
d
ju
stin
g
th
e
EQ co
n
tr
o
ls o
n
yo
u
r a
mp
lifie
r, th
e
so
u
n
d
o
f yo
u
r in
str
u
me
n
t
ca
n
b
e
sh
a
p
e
d
in
su
b
tle
o
r d
yn
a
mic wa
ys. On
a
h
ig
h
-
q
u
a
lity a
mp
lifie
r like
a
n
Ep
ifa
n
i,
a little EQ goes a long way. In fact, many sound engineers start with the EQ in the
flat position and CUT frequencies to achieve the desired sound. They then add gain
to make up the loss of volume due to the reduction in EQ. Cutting back is typically
preferred to boosting. If you are dramatically boosting all of your EQ settings, you
might want to call your Epifani Dealer or us directly to discuss your setup.