TM 2 # 4 # . . ' .
fF 5'45 7+&'U :ULWWHQ GHVLJQHG DQG LOOXVWUDWHG E\ 5REE\ %HUPDQ &RS\ULJKW (1621,4 &RUS *UHDW 9DOOH\ 3DUNZD\ %R[ 0DOYHUQ 3$ 86$ 3ULQWHG LQ 8 6 $ $OO 5LJKWV 5HVHUYHG 3OHDVH UHFRUG WKH IROORZLQJ LQIRUPDWLRQ
Problems.’ This booklet is available from the U.S. Government Printing Office, Washington, D.C. 20402. Stock No. 004-000-00345-4.” CAUTION! Danger of explosion if battery is incorrectly replaced. Replace only with the same or equivalent type recommended by the manufacturer. Discard used batteries according to manufacturer’s instructions. In order to fulfill warranty requirements, the DP/2 should be serviced only by an Authorized ENSONIQ Repair Station.
Section 1 Using the DP/2
The Basics 7KH '3 LV D VXSHU HIIHFWV SURFHVVRU ZKLFK FRQWDLQV WZR VHSDUDWH IXOO SRZHUHG VWHUHR HIIHFWV ER[HV LQVLGH :H FDQ WKLQN RI WKHVH LQWHUQDO ER[HV DV (IIHFWV QDPHG $ DQG % 7KH '3 FDQ SURFHVV HLWKHU D VLQJOH VRXQG VRXUFH RU WZR RI WKHP 7KH '3 UHIHUV WR HDFK RI WKHVH LQGLYLGXDO VRXQG VRXUFHV DV D 6RXUFH :KHQ \RX WHOO LW KRZ PDQ\ 6RXUFHV \RX ZDQW LW WR KDQGOH WKH '3 DVVLJQV WKH WZR (IIHFWV DFFRUGLQJO\ :KHQ \RX·YH JRW RQH VRXQG VRXUFH WKH '3 DVVLJQV ERWK (IIHFWV WR WKDW RQH 6
Important: ,I \RX·YH DOUHDG\ FUHDWHG VRPH QHZ '3 HIIHFWV RI \RXU RZQ RU LI \RX·YH SHUVRQDOL]HG LWV VRIWZDUH LQ DQ\ ZD\ \RX·OO QHHG WR VDYH \RXU FKDQJHV WR D 0,', VWRUDJH GHYLFH EHIRUH \RX UHLQLWLDOL]H 5HLQLWLDOL]LQJ FOHDUV WKH '3 ·V PHPRU\ DQG \RXU ZRUN ZLOO EH ORVW 6HH 6HFWLRQ ³6WRUDJH LQ WKH '3 5HIHUHQFH 0DQXDO IRU LQVWUXFWLRQV 2QFH \RX·YH VDIHO\ VWRUHG \RXU GDWD \RX·OO EH UHDG\ WR UHLQLWLDOL]H WKH '3 How to Reinitialize the DP/2 2Q WKH '3 ·V IURQW SDQHO ORFDWH WKH {SYSTEM
3UHVV WKH 5LJKW DUURZ EXWWRQ RQFH 1RZ WKH '3 ZLOO GLVSOD\ Hit To Reinitialize!!!! 3UHVV WKH {WRITE} EXWWRQ RQFH 4+6' #0%'. 12; 0&1 7KH UHLQLWLDOL]DWLRQ FRPPDQG LV H[HFXWHG DQG WKH '3 EULHIO\ IODVKHV LWV VWDUW XS VFUHHQ ENSONIQ * DP/2 OS Version X.
Effect A 3UHVV WKH '3 ·V {EDIT} EXWWRQ '.
A 8 Voice Chorus %HDU LQ PLQG RI FRXUVH WKDW WKH '3 ·V HIIHFWV DUH RI D PXFK KLJKHU TXDOLW\ WKDQ DQ\ DFWXDO IRRW SHGDO FDQ RIIHU /HW·V VHW XS WKH VHFRQG SHGDO Effect B 3UHVV WKH {B} EXWWRQ ,WV \HOORZ /(' OLJKWV 10(+) 7XUQ WKH GDWD HQWU\ NQRE WR GLDO LQ +DOO 5HYHUE B:Hall Reverb Hall Reverb ,Q D PRPHQW WKH GLVSOD\ ZLOO RQFH DJDLQ FKDQJH DV LW GLG WKH ILUVW WLPH³QRZ ZH KDYH WZR SHGDOV RQ WKH IORRU A 8 Voice Chorus B Hall Reverb :LW
10(+) 7KH &RQILJ /(' OLJKWV DQG WKH IROORZLQJ GLVSOD\ DSSHDUV flashing m 1 Source Config 1,2 > AB :KHQ DQ DUHD RQ WKH GLVSOD\ LV IODVKLQJ WKDW PHDQV WKDW LW FDQ EH FKDQJHG E\ WXUQLQJ WKH GDWD HQWU\ NQRE $ 6RXUFH &RQILJ LV H[DFWO\ ZKDW ZH·UH VHWWLQJ XS VR ZH GRQ·W QHHG WR DOWHU WKLV SDUDPHWHU Note: ,Q WKH XSSHU ULJKW KDQG FRUQHU RI WKH '3 ·V IURQW SDQHO DUH WZR GLDJUDPV GHSLFWLQJ KRZ WKH '3 DOORFDWHV LWV (IIHFWV WR WKH 6RXUFHV DW K
,Q WKH '3 ZH PRYH EHWZHHQ SDUDPHWHUV E\ XVLQJ WKH {<} DQG {>} EXWWRQV 3UHVV WKH {>} EXWWRQ RQFH 7KH GLVSOD\ VKRZV AB Input Select= (1) Mono :LWK WKLV SDUDPHWHU ZH WHOO WKH '3 ZKDW NLQG RI 6RXUFH ZH·UH XVLQJ $Q HOHFWULF JXLWDU KDV D VLQJOH JXLWDU FRUG FRPLQJ RXW RI LW VR LW·V D 0RQR 6RXUFH 7KLV LV DOUHDG\ VHW WKH ZD\ ZH ZDQW LW³ZH QHHGQ·W FKDQJH DQ\WKLQJ KHUH 7KH ´ µ RQ WKH ERWWRP OLQH RI WKH GLVSOD\ VKRZV WKDW WKH '3 ZLOO ´OLVWHQµ WR ,QSXW IRU D 0RQR VRXQG
76276 F 76276 E /101 7KLV LV WUXH HYHQ ZKHQ ZH KDYH D PRQR 6RXUFH VLQFH DOO RI WKH '3 ·V (IIHFWV DUH WKHPVHOYHV LQ VWHUHR 7KH '3 KDV D IHDWXUH FDOOHG LQWHOOLJHQW MDFN VZLWFKLQJ³LW NQRZV KRZ PDQ\ FDEOHV DUH SOXJJHG LQWR WKH 2XWSXW MDFNV ,I LW VHQVHV WKDW WKHUH·V QR DXGLR FDEOH SOXJJHG LQWR 2XWSXW MDFN WKH '3 VHQGV HYHU\WKLQJ RXW WKURXJK 2XWSXW LQ PRQR 76276 F 76276 E /101 7KLV LV KDQG\ IRU PXVLFLDQV ZKR XVH WKH '3 ZLWK D FRQYHQWLRQDO JXLWDU EDVV NH\ERDUG
/HW·V VDYH RXU &RQILJ 3UHVHW WR ORFDWLRQ WKH ILUVW PHPRU\ ORFDWLRQ LQ %DQN 7XUQ WKH GDWD HQWU\ NQRE XQWLO WKH GLVSOD\ ORRNV OLNH WKLV Write to Config Mono Vocal Setup ´0RQR 9RFDO 6HWXSµ LV WKH &RQILJ 3UHVHW ZH·OO EH UHSODFLQJ 3UHVV WKH {WRITE} EXWWRQ DJDLQ WR FRQILUP WKH ORFDWLRQ ZH·YH FKRVHQ 7KH GLVSOD\ VKRZV Edit Config Name 1 Src: Mono In :KHQ WKH '3 LV VKRZLQJ WKLV GLVSOD\ ZH FDQ QDPH RXU &RQILJ 3UHVHW Note: 7KH ILUVW ´ µ RQ
*** WRITE *** *** OK **** 7KH '3 KDV VDYHG \RXU VHW XS WKH &RQILJ 3UHVHW FDOOHG ´ *XLWDU ); µ WR PHPRU\ ORFDWLRQ &RQJUDWXODWLRQV
Effect B 3UHVV {B} 'LDO LQ +DOO 5HYHUE A B Flanger Hall Reverb
7XUQ WKH GDWD HQWU\ NQRE FRXQWHU FORFNZLVH VR WKDW WKH GLVSOD\ UHDGV AB Input Select= (1,2) Stereo 7KH '3 ZLOO QRZ ´OLVWHQµ WR ,QSXWV DQG IRU RXU VWHUHR VRXQG VRXUFH :H·UH QRZ UHDG\ WR VDYH RXU NH\ERDUG &RQILJ 3UHVHW 3UHVV {WRITE} 7XUQ WKH GDWD HQWU\ NQRE WR PRYH WR ORFDWLRQ ³ZH·OO SXW LW ULJKW QH[W WR RXU JXLWDU VHW XS IRU FRQYHQLHQFH 7KH GLVSOD\ VKRZV Write to Config Stereo Vox Setup 3UHVV {WRITE} DJDLQ WR FRQILUP WKH ORFDWLRQ
3UHVV WKH {SELECT} EXWWRQ ,WV /(' OLJKWV XS DQG WKH {EDIT} OLJKW JRHV RXW 6LQFH WKH {CONFIG} OLJKW LV DOUHDG\ RQ \RX GRQ·W QHHG WR SUHVV WKH {CONFIG} EXWWRQ 7XUQ WKH GDWD HQWU\ NQRE FORFNZLVH $V \RX VFUROO XSZDUGV WKURXJK WKH &RQILJ 3UHVHWV \RX·OO VHH WKH QXPEHUV LQFUHPHQW IURP WR DQG WKHQ VWDUW DOO RYHU DJDLQ IURP 7KH ILUVW DUH WKH &RQILJ 3UHVHWV LQ %DQN DQG WKH QH[W DUH WKRVH LQ %DQN 7KH SUHVHQFH³RU DEVHQFH³RI D GRW LQ WKH ORZHU ULJKW KDQG FRUQHU RI WKH QXPE
7KHUH·V RXU JXLWDU VHW XS *XLWDU ); 1 Guitar & 2 FX A:cho ~ B:rev 7KH ERWWRP OLQH RI WKH GLVSOD\ LV VKRZLQJ XV DEEUHYLDWLRQV IRU WKH HIIHFWV ZH·UH XVLQJ LQ WKLV &RQILJ 3UHVHW 'LDO LQ LQ %DQN ³LW·V RXU NH\ERDUG &RQILJ 3UHVHW .
1 Source Config 1,2 > AB 7KLV LV DSURSRV³ ZH·YH JRW RQH 6RXUFH D JXLWDU 3UHVV {>} RQFH³ZH·YH JRW WR WHOO WKH '3 ZKDW NLQG RI LQSXW ZH QHHG AB Input Select= (1) Mono 7KLV LV DOVR VHW FRUUHFWO\ IRU RXU JXLWDU ZLWK LWV VLQJOH FDEOH 3UHVV WKH {>} EXWWRQ RQFH PRUH³WKH GLVSOD\ VKRZV AB Unit Routing= [A~B] serial 7KLV GLVSOD\ JLYHV XV WKH RSSRUWXQLW\ WR GHWHUPLQH WKH UHODWLRQVKLS³RU ´URXWLQJµ³ EHWZHHQ (IIHFWV $ DQG % Not
2Q WKH '3 GLVSOD\V ZH XVH D ULJKW SRLQWLQJ DUURZ³´~µ³DV VKRUWKDQG IRU WKH ZRUG ´VHULDOµ ZKHQ VKRZLQJ WKH UHODWLRQVKLS EHWZHHQ (IIHFWV :H FDQ VHH WKLV V\PERO RQ WKH FXUUHQW GLVSOD\ DP/2 the sound travels in stereo out of A and into B A B ~ A and B’s serial relationship is represented by an " ~ .
*** WRITE *** *** OK **** Parallel Effects fF A B 3UHVV {>} WZLFH VR WKDW WKH GLVSOD\ RQFH DJDLQ VKRZV AB Unit Routing= [A~B] serial
7XUQ WKH GDWD HQWU\ NQRE FORFNZLVH VR WKDW WKH GLVSOD\ ORRNV OLNH WKLV AB Unit Routing= [A+B] parallel 7KH ZRUG ´SDUDOOHOµ QRZ DSSHDUV RQ WKH ERWWRP OLQH RI WKH GLVSOD\ :H FDQ DOVR VHH WKDW WKH DUURZ LQ WKH SDUHQWKHVHV EHWZHHQ ´$µ DQG ´%µ KDV FKDQJHG WR D SOXV VLJQ ´+µ 7KLV LV WKH V\PERO ZH XVH WR VKRZ D SDUDOOHO FRQQHFWLRQ EHWZHHQ (IIHFWV ,Q D SDUDOOHO FRQQHFWLRQ EHWZHHQ (IIHFWV ERWK (IIHFWV SURFHVV WKH VRXQG VHSDUDWHO\ DQG DW WKH VDPH WLPH Sound comes into the D
:KHQ ZH GLDOHG LQ ´SDUDOOHOµ D PRPHQW DJR KHUH·V ZKDW ZH VHW XS DP/2 A the sound comes into the DP/4+ the sound goes separately into Effects A and B + B the parallel relationship is represented by a plus sign 7KH '3 GLJLWDOO\ FRSLHV WKH LQFRPLQJ VRXQG DQG WKHQ VHQGV RQH FRS\ WR HDFK (IIHFW 6LQFH WKH FRSLHV DUH GLJLWDO WKH\ ERWK VRXQG HYHU\ ELW DV JRRG DV WKH RULJLQDO 7KLV LV KRZ VRXQG ZLOO QRZ WUDYHO WKURXJK WKH '3 DP/2 A + B Both DP/2 Effects remain in stereo as they s
EffectA+EffectB 3UHVV {WRITE} DJDLQ Edit Config Name *** WRITE *** *** OK **** LV GLVSOD\HG (B)ypass and (K)ill ,Q WKH '3 LW·V HDV\ WR LQVWDQWO\ WXUQ (IIHFWV RII 3UHVV WKH {>} EXWWRQ IRXU WLPHV WR JHW WR (GLW &RQILJ 3DUDPHWHU (b)ypass (k)ill A=b B=b 3UHVV WKH {A} EXWWRQ WZLFH³LWV UHG /(' JRHV RQ
Note: :KHQ DQ (IIHFW·V \HOORZ OLJKW LV RQ \RX RQO\ QHHG WR SUHVV WKH (IIHFW·V EXWWRQ RQFH WR WXUQ WKH UHG /(' RII RU EDFN RQ
1RZ WKDW ZH·YH GHFLGHG ZKDW ZH ZDQW WR GR OHW·V VHW XS RXU (IIHFWV 7KH {EDIT} /(' LV DOUHDG\ OLW VR ZH GRQ·W KDYH WR SUHVV {EDIT} )RU WKH JXLWDU 3UHVV {A} DQG XVH WKH GDWD HQWU\ NQRE WR GLDO LQ LQ %DQN *XLWDU $PS A:Guitar Amp 1 Guitar Amp 1 i The dot tells you you’re in Bank 2 -XVW DV WKHUH DUH WZR %DQNV RI &RQILJ 3UHVHWV WKHUH DUH DOVR WZR EDQNV RI HIIHFW SUHVHWV WKRVH LQ %DQN EHLQJ VLJQLILHG³DV EHIRUH³E\ D GRW LQ WKH ORZHU ULJKW FRUQHU RI WKH QXPEH
DP/2 A Effect A becomes mono and uses Output 1 B Effect B becomes mono and uses Output 2 7XUQ WKH GDWD HQWU\ NQRE FORFNZLVH 2Q WKH GLVSOD\ ZH QRZ VHH AB Output Select 1,2 Mixed Stereo :KHQ WKH $% 2XWSXW 6HOHFW LV VHW WR 0L[HG 6WHUHR WKH $ DQG % (IIHFWV WKRXJK VWLOO VHSDUDWH UHPDLQ LQ VWHUHR DQG VKDUH 2XWSXWV DQG DV VKRZQ LQ WKH IROORZLQJ LOOXVWUDWLRQ DP/2 A the left side of Effect A and the left side of effect B B the right side of Effect A and the rig
$QG DV DOZD\V DIWHU \RX·YH VHW XS D &RQILJ 3UHVHW \RX·OO ZDQW WR VDYH LW³WKLV WLPH DQ\ZKHUH \RX·G OLNH /HW·V QDPH WKLV ILQDO VHW XS ´7KDW·V $OO )RONV µ A Quick Summary :KHQ \RX XVH WKH '3 \RX ZRUN ZLWK VRPHWKLQJ FDOOHG D &RQILJ 3UHVHW &RQILJ 3UHVHWV DUH VLPSO\ '3 VHW XSV 7KHVH VHW XSV LQFOXGH LQIRUPDWLRQ RQ WKLQJV VXFK DV ZKDW NLQG RI VRXQG VRXUFHV \RX ZDQW WKH '3 WR SURFHVV DQG KRZ PDQ\ RI WKHP \RX·OO EH XVLQJ ZKDW (IIHFWV \RX ZDQW WR XVH DQG KRZ \RX ZDQW LW DOO FRQQHFWHG &RQI
Overview ,QVLGH WKH '3 DUH WZR KLJK TXDOLW\ HIIHFWV SURFHVVRUV (DFK RQH RI WKHVH LV FDOOHG D 8QLW ,Q 6HFWLRQ RI WKH 8VHU·V *XLGH ZH UHIHUUHG WR WKHP DV ´(IIHFWV µ Each effects processor is called a "Unit." A B Each Unit has a button on the DP/4+’s front panel.
Setting Up :H·UH JRLQJ WR H[SORUH WKH '3 ·V HIIHFW 3UHVHWV XVLQJ VWHUHR KHDGSKRQHV VR \RX·OO QHHG D SDLU RI WKRVH ,I \RX SUHIHU WR FRQQHFW WKH '3 WR \RXU PL[HU RU KRPH VWHUHR V\VWHP IRU OLVWHQLQJ VHH WKH '3 5HIHUHQFH 0DQXDO·V 3UHIDFH IRU GHWDLOV RQ PDNLQJ WKRVH FRQQHFWLRQV 0DNH VXUH WKH '3 ·V SRZHU EXWWRQ LV LQ WKH ´RIIµ XS SRVLWLRQ ,W·V LQ WKH ORZHU OHIW KDQG FRUQHU RI WKH '3 ·V IURQW SDQHO &RQQHFW WKH LQFOXGHG 36 SRZHU VXSSO\ WR WKH MDFN RQ WKH ULJKW VLGH RI WKH UHDU SDQHO
$V \RX SOD\ \RXU LQVWUXPHQW HWF WXUQ WKH LQSXW NQRE FORFNZLVH XQWLO WKH UHG SHDN /(' MXVW DERYH LW LV IOLFNHULQJ RFFDVLRQDOO\ 7KLV /(' ZDUQV \RX WKDW \RXU LQSXW VLJQDO LV DSSURDFKLQJ WKH SRLQW ZKHUH LW ZLOO EH WRR ORXG The green LED should be on most of the time 5+)0#.
1-Unit Presets Selecting 1-Unit Presets 3UHVV WKH {SELECT} EXWWRQ LI LWV /(' LVQ·W DOUHDG\ OLW '.'%6 &+6 1/2#4' ;56'/ 3UHVV WKH {CONFIG} EXWWRQ LI LWV OLJKW LVQ·W DOUHDG\ RQ #%6+8' $;2#55'& $;2#55 #..
Select 1U Preset A:No Effect 7XUQ WKH GDWD HQWU\ NQRE FRXQWHU FORFNZLVH XQWLO WKH GLVSOD\ UHDGV Vocal Plate 1 A:Large Plate 7KLV LV ´9RFDO 3ODWH µ WKH ILUVW RI WKH 8QLW 3UHVHWV VWRUHG LQ WKH '3 ·V PHPRU\ 1RWH WKDW WKH {SELECT} EXWWRQ LV DJDLQ IODVKLQJ³WKH '3 LV DZDLWLQJ FRQILUPDWLRQ RI \RXU 8QLW 3UHVHW VHOHFWLRQ 3UHVV {SELECT} WR FRQILUP 1RZ \RX FDQ SOD\ \RXU LQVWUXPHQW HWF WR KHDU ZKDW WKH 8QLW 3UHVHW ´9RFDO 3ODWH µ VRXQGV OLNH
dot Note: 6RPHWLPHV \RX PD\ VHH DQRWKHU VPDOO GRW EHWZHHQ WKH WZR QXPHUDOV 7KLV WHOOV \RX WKDW WKH '3 LV UHFHLYLQJ 0,', LQIRUPDWLRQ 6HFWLRQ ³ 6\VWHP 0,', LQ WKH '3 5HIHUHQFH 0DQXDO GLVFXVVHV XVLQJ 0,', ZLWK WKH '3 'LDO LQ DQ\ RI WKH 8QLW 3UHVHWV 3UHVV WKH IODVKLQJ {SELECT} EXWWRQ WR FRQILUP \RXU FKRLFH 6HQG WKH '3 VRPH VRXQG Editing 1-Unit Presets :KHQ \RX·YH ILQLVKHG OLVWHQLQJ WR WKH 8QLW 3UHVHWV JR EDFN WR 3UHVHW LQ %DQN
SLFNHG :KHQ WKLV RFFXUV 7KH ERWWRP OLQH VKRZV WKH QHZ 3UHVHW·V 0L[ DQG 9ROXPH VHWWLQJV
3UHVV WKH {>} EXWWRQ WZLFH 7KLV WDNHV XV WR WKH WKLUG SDUDPHWHU IRU WKLV HIIHFW Large Plate Decay=1.
Edit 1U PsetName Large Plate $W WKLV SRLQW \RX FDQ QDPH WKH QHZ 8QLW 3UHVHW DQ\WKLQJ WKDW \RX ZDQW XS WR FKDUDFWHUV )RU RXU H[HUFLVH ZH·OO QDPH LW ´0\ )LUVW 8 3VHW µ 1RWLFH WKDW WKH ´/µ RQ WKH ERWWRP RI WKH GLVSOD\ LV XQGHUOLQHG :KHQ QDPLQJ 3UHVHWV LQ WKH '3 FKDUDFWHUV ZKLFK DUH XQGHUOLQHG PD\ EH FKDQJHG ZLWK WKH GDWD HQWU\ NQRE 7XUQ WKH GDWD HQWU\ NQRE FORFNZLVH WR FKDQJH WKH ´/µ WR DQ ´0 µ 7KH GLVSOD\ ORRNV OLNH WKLV Edit 1U PsetName Marge Plate
:KHQ \RX·YH ILQLVKHG SUHVV {WRITE} RQFH DJDLQ 7KH GLVSOD\ PRPHQWDULO\ IODVKHV *** WRITE *** *** OK **** DQG \RXU 8QLW 3UHVHW LV VDIHO\ VWRUHG DW WKH ORFDWLRQ \RX·YH FKRVHQ LQ WKH '3 ·V PHPRU\
2-Unit Presets Selecting 2-Unit Presets 3UHVV WKH {SELECT} EXWWRQ LI LWV /(' LVQ·W DOUHDG\ OLW '.'%6 &+6 1/2#4' ;56'/ 3UHVV WKH {CONFIG} EXWWRQ LI LWV OLJKW LVQ·W DOUHDG\ RQ #%6+8' $;2#55'& $;2#55 #..
7XUQ WKH GDWD HQWU\ NQRE FRXQWHU FORFNZLVH XQWLO WKH GLVSOD\ UHDGV Best Small Space A:REV + B:rev 7KLV LV ´%HVW 6PDOO 6SDFH µ WKH ILUVW RI WKH 8QLW 3UHVHWV VWRUHG LQ WKH '3 ·V PHPRU\ 1RWH WKDW WKH {SELECT} EXWWRQ LV DJDLQ IODVKLQJ³WKH '3 LV DZDLWLQJ FRQILUPDWLRQ RI \RXU 8QLW 3UHVHW VHOHFWLRQ 3UHVV {SELECT} WR FRQILUP 1RZ \RX FDQ SOD\ \RXU LQVWUXPHQW HWF WR KHDU ZKDW WKH 8QLW 3UHVHW ´%HVW 6PDOO 6SDFHµ VRXQGV OLNH :KHQ \RX·UH UHDG\ \RX FDQ DFFHVV WKH
'LDO LQ DQ\ RI WKH 8QLW 3UHVHWV 3UHVV WKH IODVKLQJ {SELECT} EXWWRQ WR FRQILUP \RXU FKRLFH 6HQG WKH '3 VRPH VRXQG Editing 2-Unit Presets :KHQ \RX·YH ILQLVKHG OLVWHQLQJ WR WKH 8QLW 3UHVHWV JR EDFN WR 3UHVHW ³´%HVW 6PDOO 6SDFHµ³ DQG SUHVV WKH IODVKLQJ {SELECT} EXWWRQ WR FRQILUP 3UHVV WKH {EDIT} EXWWRQ '.
:KHQ ZH ZDQW WR FKDQJH WKH HIIHFW XVHG E\ RQH RI WKH 8QLWV LQ D SUH H[LVWLQJ 8QLW 3UHVHW ZH VLPSO\ GLDO LQ D QHZ 8QLW 3UHVHW DV D VWDUWLQJ SRLQW 7KDW·V ZKDW ZH·UH GRLQJ QRZ
i flashing 7KLV LV WKH 'HFD\ WLPH VHWWLQJ IRU WKH UHYHUE LQ WKLV KDOI RI RXU 8QLW 3UHVHW 7KH WLPH ILHOG LV IODVKLQJ³DQG WKHUHIRUH VHOHFWHG 8VH WKH GDWD HQWU\ NQRE WR FKDQJH WKLV YDOXH LI \RX·G OLNH 7R ILQG WKLV HIIHFW·V RWKHU SDUDPHWHUV FRQWLQXH WR SUHVV WKH {>} EXWWRQ :KHQ D SDUDPHWHU LV IODVKLQJ \RX FDQ DOWHU LWV VHWWLQJ E\ XVLQJ WKH GDWD HQWU\ NQRE
Edit 2U PsetName Best Small Space $W WKLV SRLQW \RX FDQ QDPH WKH QHZ 8QLW 3UHVHW DQ\WKLQJ WKDW \RX ZDQW XS WR FKDUDFWHUV )RU RXU H[HUFLVH ZH·OO QDPH LW ´0\ )LUVW 8 3VHW µ 1RWLFH WKDW WKH ´%µ RQ WKH ERWWRP RI WKH GLVSOD\ LV XQGHUOLQHG :KHQ QDPLQJ 3UHVHWV LQ WKH '3 FKDUDFWHUV ZKLFK DUH XQGHUOLQHG PD\ EH FKDQJHG ZLWK WKH GDWD HQWU\ NQRE 7XUQ WKH GDWD HQWU\ NQRE FRXQWHU FORFNZLVH WR FKDQJH WKH ´%µ WR DQ ´0 µ 7KH GLVSOD\ ORRNV OLNH WKLV Edit 2U PsetNam
DQG WKHQ FKDQJLQJ LW ZLWK WKH GDWD HQWU\ NQRE³XQWLO \RX·YH VSHOOHG RXW Edit 2U PsetName My First 2U Pset Tip: 7XUQ WKH GDWD HQWU\ NQRE DOO WKH ZD\ FRXQWHU FORFNZLVH WR GLDO LQ WKH EODQN VSDFHV :KHQ \RX·YH ILQLVKHG SUHVV {WRITE} RQFH DJDLQ 7KH GLVSOD\ PRPHQWDULO\ IODVKHV *** WRITE *** *** OK **** DQG \RXU 8QLW 3UHVHW LV VDIHO\ VWRUHG DW WKH ORFDWLRQ \RX·YH FKRVHQ LQ WKH '3 ·V PHPRU\ :KHQ \RX VDYH D 8QLW 3UHV
Section 3 Quick-Starts 7KLV VHFWLRQ RI WKH '3 8VHU·V *XLGH FRQWDLQV VWHS E\ VWHS LQVWUXFWLRQV IRU D QXPEHU RI WDVNV WKH '3 FDQ SHUIRUP 7KH FKDQFHV DUH JRRG WKDW \RX·OO ILQG D 4XLFN 6WDUW WR VXLW \RXU QHHGV 'RQ·W EHOLHYH IRU D PRPHQW WKRXJK WKDW WKH IROORZLQJ 4XLFN 6WDUWV UHSUHVHQW DOO RI WKH WKLQJV D '3 FDQ GR 7KH\·UH MXVW PHDQW WR KHOS \RX JHW VWDUWHG ZLWK \RXU SRZHUIXO QHZ HIIHFWV SURFHVVRU Inside this Section $FRXVWLF *XLWDU³0LFURSKRQH
9RLFH 2YHU ZLWK 0XVLF %HG
Acoustic Guitar—Microphone 02765 E F 762765 E F #52 Hall Reverb 0276 E + #94. VanderPol Filter This Quick-Start provides a full-bodied reverb and a VanderPol filter, which helps bring out the real-life sound of your guitar. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug your guitar’s effect send from your mixer into the DP/2’s rear-panel input 1 jack.
Acoustic Guitar—Pickup 02765 E F 762765 E F #85. ~ Parametric EQ 0276 E #52 Hall Reverb This Quick-Start provides a full-featured parametric equalizer and rich reverb for your guitar. You can utilize the equalizer to shape the tonal characteristics of the guitar’s sound. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug your guitar cord into the DP/2’s front-panel input 1 jack.
Darth Meets Alvin 02765 E F 762765 E F Config Preset 60 Pitch Shift 2U 0276 E This Quick-Start provides an amusing audio transmogrifying effect. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Connect a CV foot pedal (such as ENSONIQ’s CVP-1) to the rear-panel CV•Pedal jack. Plug a microphone’s effect send from your mixer into the DP/2’s rear-panel Input 1 jack.
Drum Kit—Ballad Reverbs 02765 E F 762765 E F 0276 E #52 #54 Hall Reverb Large Plate Rev This Quick-Start describes how to set up the DP/2 as two complementary drum kit reverb devices, fed by two separate effect sends from your mixing console. Try using send 1 for your snare and toms, and send 2 for your bass drum and cymbals (including the hihat). 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. Connect your mixer’s two effect sends to the DP/2’s rear-panel Input 1 and 2 jacks.
Drum Kit—Dance Hard 02765 E F 762765 E F #60 #84 Non Lin Reverb 3 Phaser-Reverb 0276 E This Quick-Start describes how to set up the DP/2 as two complementary drum kit effect devices, fed by two separate effect sends from your mixing console. Try using send 1 for your drums, and send 2 for your cymbals (including hihat). 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. Connect your mixer’s two effect sends to the DP/2’s rear-panel Input 1 and 2 jacks.
Drum Kit—Dance Soft 02765 E F 762765 E F #53 #84 Small Plate Rev Phaser-Reverb 0276 E This Quick-Start describes how to set up the DP/2 as two complementary drum kit effect devices, fed by two separate effect sends from your mixing console. Try using send 1 for your drums, and send 2 for your cymbals (including hihat). 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. Connect your mixer’s two effect sends to the DP/2’s rear-panel Input 1 and 2 jacks.
Drum Kit—Gated Room Sound 02765 E F 762765 E F #51 ~ Large Room Rev 0276 E #86. EQ-Compressor This Quick-Start describes how to get a very popular big rock/pop drum sound. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Connect a mono effect send from your mixer to the DP/2’s rear-panel Input 1 jack. Use this send for mono drum sounds such as the snare and/or bass drum.
Drum Kit—General Purpose Reverbs 02765 E F 762765 E F #53 #52 Small Plate Rev Hall Reverb 0276 E This Quick-Start describes how to set up the DP/2 as two complementary drum kit reverb devices, fed by two separate effect sends from your mixing console. Try using send 1 for your bass drum and cymbals (including the hihat), and send 2 for your snare and toms. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. Connect your mixer’s two effect sends to the DP/2’s rear-panel Input 1 and 2 jacks.
Drum Kit—Rock Reverbs 02765 E F 762765 E F #51 #50 Large Room Rev Small Room Rev 0276 E This Quick-Start describes how to set up the DP/2 as two complementary drum kit reverb devices, fed by two separate effect sends from your mixing console. Try using send 1 for your drums, and 2 for your cymbals (and hihat). 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. Connect your mixer’s two effect sends to the DP/2’s rear-panel Input 1 and 2 jacks.
Electric Bass—Clean 02765 E F 762765 E F #86. ~ EQ-Compressor 0276 E #60. TunableSpeaker 2 This Quick-Start is designed for bassists recording directly into a mixing console. It provides both a compressor and a clean speaker simulation to make the direct sound a bit less studio-antiseptic. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug your bass into the DP/2’s front-panel input 1 jack.
Electric Bass—Funk 02765 E F 762765 E F #86. ~ EQ-Compressor 0276 E #78 Flanger This Quick-Start provides a compressor and a swirling flange effect. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug your bass into the DP/2’s front-panel input 1 jack. Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your stereo bass amplifier or mixing console.
Electric Bass—Rock 02765 E F 762765 E F #86. ~ EQ-Compressor 0276 E #55. Guitar Amp 4 This Quick-Start provides a compressor and an amplifier simulation for studio bassists. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug your bass into the DP/2’s front-panel input 1 jack. Connect cables from the DP/2’s back-panel Output 1 and 2 jacks to two inputs on your stereo bass amplifier or mixing console.
Electric Guitar—Chorused 02765 E F 762765 E F #65 ~ 8 Voice Chorus 0276 E #54 Large Plate Rev This Quick-Start sends your guitar through a rich chorus effect and then on to a large, clear reverb. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug your guitar cord into the DP/2’s front-panel input 1 jack.
Electric Guitar—Clean Amp 02765 E F 762765 E F #54 ~ Large Plate Rev 0276 E #60. TunableSpeaker 2 This Quick-Start is designed for guitarists recording directly into a mixing console. It simulates a clean amp set-up by routing the guitar first through a reverb and then into a clean amplifier effect. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise).
Electric Guitar—Clean and Dry 02765 E F 762765 E F #86. ~ EQ-Compressor 0276 E #60. TunableSpeaker 2 This Quick-Start is designed for guitarists recording directly into a mixing console. It provides both a compressor and a clean speaker simulation to make the direct sound a bit less studio-antiseptic. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise).
Electric Guitar—Rock 02765 E F 762765 E F #55. ~ Guitar Amp 4 0276 E #51 Large Room Rev This Quick-Start is designed for guitarists recording directly into a mixing console. It gets its big sound by sending your guitar through a rock amplifier simulation and then into a large room reverb. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug your guitar cord into the DP/2’s front-panel input 1 jack.
Instant Karaoke 02765 E F 762765 E F Config Preset 56 Vocal Remover 0276 E The DP/2 can remove the lead vocals from many recordings, allowing you to step right in as the lead singer. This Quick-Start shows how to do it. 1. 2. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Connect the left and right cables from a stereo source (a mixer, cd or cassette player, or turntable, for example) into the DP/2’s rear-panel Input 1 and 2 jacks. 3.
Keyboard—Electric Piano Panner 02765 E F 762765 E F #78 ~ Flanger 0276 E #76. EQ-Panner-DDL This Quick-Start makes your keyboard swing back-and-forth in the stereo field like an old electric piano. It also provides a flanging effect for an extra bit of swirl, lovely for ballads. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug your keyboard’s output cable into the DP/2’s front-panel input 1 jack.
Keyboard—Synth Fattener 02765 E F 762765 E F #65 ~ 8 Voice Chorus 0276 E #54 Large Plate Rev This Quick-Start is for processing a synthesizer with no built-in effects. It runs your dry keyboard through a rich chorus and then on to a large clean reverb to wake up its sound. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug your keyboard’s output cable into the DP/2’s front-panel input 1 jack.
MC Effects 02765 E F 762765 E F #75 + Flanger Reverb 0276 E #97 Pitch Shifter This Quick-Start provides MC’s and deejays with some special effects. There’s a flanger to make you sound like an alien and a pitch shifter to send your voice way down into the basement. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug a microphone’s effect send from your mixer into the DP/2’s rear-panel Input 1 jack.
Mixing in Mono 02765 E F 762765 E F #54 #87 Large Plate Rev Dual Delay 0276 E This Quick-Start describes how to set up the DP/2 as two separate effect devices, fed by two separate mono effect sends from your mixing console. It provides a reverb and a delay effect, but you can just as easily dial in any effect that you like at Steps 11 and 12. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. Connect your mixer’s two effect sends to the DP/2’s rear-panel Input 1 and 2 jacks.
Mixing in Stereo 02765 E F 762765 E F #54 #87 Large Plate Rev Dual Delay 0276 E This Quick-Start describes how to set up the DP/2 as two separate effect devices, fed by two separate mono effect sends from your mixing console. It provides a reverb and a delay effect, but you can just as easily dial in any effect that you like at Steps 11 and 12. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. Connect your mixer’s two effect sends to the DP/2’s rear-panel Input 1 and 2 jacks.
Public Speaking 02765 E F 762765 E F #94. + VanderPol Filter 0276 E #53 Small Plate Rev This Quick-Start provides effects to help public speakers sound more clear and natural. The VanderPol filter helps bring out the real-life sound of your voice, while the reverb offers a touch of ambience. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise).
Singer/Guitarist 02765 E F 762765 E F #60. #54 TunableSpeaker 2 Large Plate Rev 0276 E This Quick-Start is for singers who perform with a guitar which has a pick-up. It provides a clean and rich amp simulation for your guitar and a reverb for your voice. MIDI One-Person bands who are using a mono PA system can use this set-up as well, by plugging in their keyboard (or keyboard sub-mixer) into the front-panel input 1 jack. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17.
Solo Instrument—New Age 02765 E F 762765 E F #86 + Multi Tap Delay 0276 E #54 Large Plate Rev This Quick-Start is for solo wind and reed players performing in a New-Age style. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Connect your instrument’s effect send from your mixer to the DP/2’s rear-panel Input jack 1.
Solo Instrument—Rock 02765 E F 762765 E F #87 ~ Dual Delay 0276 E #51 Large Room Rev This Quick-Start is for solo reed and wind players performing rock. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Connect your instrument’s effect send from your mixer to the DP/2’s rear-panel Input jack 1.
Telephone Filter Effect 02765 E F 762765 E F #86. ~ EQ-Compressor 0276 E #85. Parametric EQ This Quick-Start describes the way to make a voice sound as if it’s being heard through a telephone handset. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. Turn the DP/2 input and output knobs down all the way (counter-clockwise). Plug a microphone’s effect send from your mixer into the DP/2’s rear-panel Input 1 jack.
Using Foot Switches The DP/2 allows you to use the ENSONIQ SW-10 Dual Foot Switch to turn the DP/2’s two effects processors on and off. To set up your foot pedal: 1. Connect the foot pedal to the Foot Switch 1 jack on the DP/2’s back panel. 116 9+6%* Eg 116 9+6%* Eg 2. Press the {SYSTEM/MIDI} button on the DP/2’s front panel. 3. Press the {<} or {>} button until the large red number reads “06” and the top line of the display shows “Unit A Bypass=.” 4.
Vocal—Ballad 02765 E F 762765 E F #94. + VanderPol Filter 0276 E #52 Hall Reverb This Quick-Start provides a VanderPol filter, for bringing out the real-life sound of your voice, as well as a large, rich reverb. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug your vocal’s effect send from your mixer into the DP/2’s rear-panel Input 1 jack.
Vocal—Duet 02765 E F 762765 E F 0276 E #52 #52 Hall Reverb Hall Reverb This Quick-Start provides two singer with their own reverbs. It employs the rich Hall Reverb effect, but you can dial in any other reverb you’d like at Steps 12 and 13. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug one vocal’s effect send from your mixer into the DP/2’s rear-panel Input 1 jack and the other’s into Input 2.
Vocal—Pop 02765 E F 762765 E F #94. + VanderPol Filter 0276 E #54 Large Plate Rev This Quick-Start provides a VanderPol filter, for bringing out the real-life sound of your voice, as well as a large, clear reverb. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug your vocal’s effect send from your mixer into the DP/2’s rear-panel Input 1 jack.
Vocal—Rock 02765 E F 762765 E F #87 ~ Dual Delay 0276 E #51 Large Room Rev This Quick-Start sends your voice through a short stereo delay effect and then on to a large room reverb. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug your vocal’s effect send from your mixer into the DP/2’s rear-panel Input 1 jack.
Vocal—Rockabilly 02765 E F 762765 E F #88 ~ Tempo Delay 0276 E #53 Small Plate Rev This Quick-Start provides a delay effect that sounds like the tape delay used on vocalists going back to the ‘50’s, as well as a touch of reverb. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Plug your vocal’s effect send from your mixer into the DP/2’s rear-panel Input 1 jack.
Vocoder 02765 E F 762765 E F Config Preset 55 Vocoder 2U 0276 E The vocoder is a special effect which first became popular in the 1970’s. With a vocoder, you can use your voice to shape sounds played on an instrument, making the notes sound as if they’re being spoken or sung. Typically, vocoders are used to shape keyboard sounds, but any sound is fair game, both as shaper and shapee. This Quick-Start will show you how to vocode a keyboard with your voice. 1. 2. 3. 4.
Voice-Over with Music Bed 02765 E F 762765 E F Config Preset 89 Ducker & EQ 0276 E With this Quick-Start, the DP/2 senses the presence of a voice-over announcer and automatically turns the music bed down when he/she is speaking. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. Tip: Turn the DP/2 inputs and outputs knobs down all the way (counter-clockwise). Connect your music source to the DP/2’s rear-panel Input 1 jack.