Manualshelf

Technical data

ManualsBrandselysia ManualsAudioalpha compressor
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27
18
1,5
3,0
5,0
12
16
20
1,0
2,0
4,0
6,0
8,5
9,5
11
14
7,5
1,0
1,5
2,0
16
18
20
3,0
4,0
5,0
6,0
7,5
8,5
9,5
11
12
14
Soft Clip
Gain Reduction
MS Mode Active Channel Link
Mix
Dir
10
%
20
30
60
70
80
90
Com
100
50
Gain
0
0,5
dB
1,5
2,0
4,5
6,0
8,0
10
12
11
3,5
EQ Freq
Hz
20
22
30
40
140 170
500
220
300
2k0
1k0
SC Gain
dB
LP
-12
-5
-2
-1
-0,3 -0,3
-2
-5
-12
HP
SC Freq
Hz
30
40
50
80
280
340
430
2k0
3k3
EQ Gain
Lo
2,7
2,2
1,6
1,0
0,3
1,6
2,2
2,7
Hi
dB
0,3
Auto FastFeed Forward
On
Auto Fast
x10
On
Transformer
Direct
Compressed
On
Thresh
+20
+18
dB
+15
+11
0
-3
-6
-9
-13
-12
+4
Attack
0,01
2,0
ms
7,0
13
28
50
70
110
150
130
24
Release
60
75
ms
100
150
430
570
800
1k1
1k8
1k5
300
Ratio
1,1
1,2
1:X
1,3
1,4
1,7
1,8
1,9
2,1
2,4
2,2
1,6
Soft Clip
25
24
dB
21
19
14
11
8,0
5,5
3,0
16
4,0
Mix
Dir
10
%
20
30
60
70
80
90
Com
100
50
Gain
0
0,5
dB
1,5
2,0
4,5
6,0
8,0
10
12
11
3,5
EQ Freq
Hz
20
22
30
40
140 170
500
220
300
2k0
1k0
SC Gain
dB
LP
-12
-5
-2
-1
-0,3 -0,3
-2
-5
-12
HP
EQ Gain
Lo
2,7
1,0
0,3
1,6
2,2
2,7
Hi
dB
0,3
Auto Fast
Feed Forward
On
Auto Fast
x10
On
Transformer
Direct
Compressed
On
Thresh
+20
+18
dB
+15
+11
0
-3
-6
-9
-13
-12
+4
Attack
0,01
2,0
ms
7,0
13
28
50
70
110
150
130
24
Release
60
75
ms
100
150
430
570
800
1k1
1k8
1k5
300
Ratio
1,1
1,2
1:X
1,3
1,4
1,7
1,8
1,9
2,1
2,4
2,2
1,6
Soft Clip
25
24
dB
21
19
14
11
8,0
5,5
3,0
16
4,0
SC Freq
Hz
30
40
50
80
280
340
430
2k0
3k3
500
800
SCENARIOS - Extreme Settings
Extreme Settings
Even though the main focus of the alpha compressor lies on mastering
applications, you can also use it to nd interesting and sometimes ex-
treme settings for single channels or subgroups.
Here is just one of many examples. It is especially suitable for processing
drum tracks eectively:
The time parameters with the additionally activated Auto Fast functions
are very fast. The high Ratio in Feed Forward mode causes an extreme
characteristic curve so that loud signals will be reduced signicantly. By
doing so, very high Gain reduction values of 20dB and more can occur
by all means.
The spatial elements now come into the foreground more articulately
– it somehow sounds as if the microphones had been placed a little bit
further away during recording.