Owner`s manual
30
Settings
110.0
100.0
dBSPL
90.0
80.0
70.0
60.0
10 20 50 100 200 500 1K 2K 5K 10K 20K
Hz
50.0
100.0
Ohm
30.0
20.0
10.0
0.0
10 20 50 100 200 500 1K 2K 5K 10K 20K
Hz
110.0
100.0
dBSPL
90.0
80.0
70.0
60.0
10 20 50 100 200 500 1K 2K 5K 10K 20K
Hz
420
C60
Room
Management
BA
420
C60
Room
Management
BA
420
C60
Room
Management
BA
420
C60
Room
Management
BA
420
C60
Room
Management
BA
B
A
Courbe de réponse en fréquences de la 4260 selon les réglages du ROOM MANAGEMENT
110.0
100.0
dBSPL
90.0
80.0
70.0
60.0
10 20 50 100 200 500 1K 2K 5K 10K 20K
Hz
50.0
100.0
Ohm
30.0
20.0
10.0
0.0
10 20 50 100 200 500 1K 2K 5K 10K 20K
Hz
110.0
100.0
dBSPL
90.0
80.0
70.0
60.0
10 20 50 100 200 500 1K 2K 5K 10K 20K
Hz
420
C60
Room
Management
BA
420
C60
Room
Management
BA
420
C60
Room
Management
BA
420
C60
Room
Management
BA
420
C60
Room
Management
BA
B
A
Courbe de réponse en fréquences de la 4260 selon les réglages du ROOM MANAGEMENT
➀
➁
110.0
100.0
dBSPL
90.0
80.0
70.0
60.0
10 20 50 100 200 500 1K 2K 5K 10K 20K
Hz
50.0
100.0
Ohm
30.0
20.0
10.0
0.0
10 20 50 100 200 500 1K 2K 5K 10K 20K
Hz
110.0
100.0
dBSPL
90.0
80.0
70.0
60.0
10 20 50 100 200 500 1K 2K 5K 10K 20K
Hz
420
C60
Room
Management
BA
420
C60
Room
Management
BA
420
C60
Room
Management
BA
420
C60
Room
Management
BA
420
C60
Room
Management
BA
B
A
Courbe de réponse en fréquences de la 4260 selon les réglages du ROOM MANAGEMENT
110.0
100.0
dBSPL
90.0
80.0
70.0
60.0
10 20 50 100 200 500 1K 2K 5K 10K 20K
Hz
50.0
100.0
Ohm
30.0
20.0
10.0
0.0
10 20 50 100 200 500 1K 2K 5K 10K 20K
Hz
110.0
100.0
dBSPL
90.0
80.0
70.0
60.0
10 20 50 100 200 500 1K 2K 5K 10K 20K
Hz
420
C60
Room
Management
BA
420
C60
Room
Management
BA
420
C60
Room
Management
BA
420
C60
Room
Management
BA
420
C60
Room
Management
BA
B
A
Courbe de réponse en fréquences de la 4260 selon les réglages du ROOM MANAGEMENT
➂ ➃
The 4260 offers settings that let you adapt the behavior
of the speaker to the conditions of the listening
environment. These settings are changed by moving
the jumpers on the rear terminal. It is recommended
that you begin by positioning the speakers correctly (cf
preceding chapter) before any attempt at adjusting the
settings. Correct placement is indispensable. Improper
positioning may not be completely rectied by these
setting changes.
Setting the C60 woofer
Changing the setting for lows lets you strengthen low
frequencies in a particularly large and light room.
•If listening conditions are normal, keep the low level on
A
➀
.
• It may be useful to reinforce the level of low, position B
➁
, in the following cases:
• Plaster slab walls or wood panels that absorb extreme
lows.
• Associated amplier with a low response that is set
slightly back.
• Very large listening environment.
Attention : the switch should follow the direction of
the chosen setting, it is very important to comply
with the orientation according to the direction A
or B, depending on the selected option.
Setting the 420 sphere
This setting allows you to adjust the level of highs
to compensate for an overly absorbent acoustic
environment.
• By default, remain at position I. This setting corresponds
to normal measures and is well-suited
for close-up listening.
➀
• Setting II corresponds to listening inside a semi-
reverberating room at a distance of about 4 meters.
➂
• If your listening zone is farther away and/or the location
is very sound-absorbing in the high register (as is the
case with fabric on the walls for example), you should
put the setting to III to compensate for losses on the high
register.
➃
Breaking the speakers in
The loudspeakers used in the 4260 are mechanical
assemblies made with the greatest possible care. You
should anticipate a break-in period of a minimum of 100
hours in order to release all the components that these
loudspeakers contain. This break-in can be done by
playing music or with track 11 of the ELIPSON break-in
CD supplied. After this period, your speakers will operate
with the desired volume and precision.