User Manual
Table Of Contents
- INTRODUCTION
- THE BACKGROUND OF THE ANALOG FOUR
- PANEL LAYOUT AND CONNECTORS
- ANALOG FOUR SIGNAL PATH
- OVERVIEW OF THE ANALOG FOUR STRUCTURE
- THE USER INTERFACE
- QUICK START
- PROJECTS
- KITS AND SOUNDS
- THE SEQUENCER
- CHAINS AND SONGS
- GLOBAL MENU
- EARLY STARTUP MENU
- MORE ON OSCILLATORS, FILTERS AND ENVELOPES
- SETUP EXAMPLES
- TECHNICAL INFORMATION
- CREDITS AND CONTACT INFORMATION
- Appendix A: SYNTH TRACK PARAMETERS
- Appendix B: FX TRACK PARAMETERS
- Appendix C: CV TRACK PARAMETERS
- Appendix D: MIDI
- Appendix E: ANALOG FOUR ARCHITECTURE
- INDEX

SETUP EXAMPLES
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6. Make a custom set of filtering, amplifier, envelope and LFO processing of the sound feed from the electric
guitar by setting the values of your choice on the corresponding parameter menu page, [PARAMETER] key
3-6. Remember to set the LEV to a high value on the AMP page.
7. Place a note trig on the first step of the sequencer for Track 1. This is required in order to start the envelope
processing of the feed from the electric guitar.
8. Press play on the Analog Four.
• The three main send effects are a perfect choice when performing at large arenas. Let your
sounds expand in all dimensions of the time-space continuum with the Wideshift Chorus, Satura-
tor Delay and Supervoid Reverb!
• Experiment with different filter and LFO settings when sending the guitar feed through one of the
synth tracks, as outlined in the second method above. Try setting the second filter type (TYP) to
BP or HP on the FILTERS page at mid-to high cutoff frequency (FRQ). Then, experiment with high
low-frequency oscillation speeds (SPD) and different distortion settings (DST) on the LFO page to
produce wildly flanging or cool robotic phaser effects.
• Check out Jam session #1 featuring the Analog Four, Monomachine, Machinedrum and Octatrack
at the www.elektron.se archives.