User Manual
Table Of Contents
- INTRODUCTION
- THE BACKGROUND OF THE ANALOG FOUR
- PANEL LAYOUT AND CONNECTORS
- ANALOG FOUR SIGNAL PATH
- OVERVIEW OF THE ANALOG FOUR STRUCTURE
- THE USER INTERFACE
- QUICK START
- PROJECTS
- KITS AND SOUNDS
- THE SEQUENCER
- CHAINS AND SONGS
- GLOBAL MENU
- EARLY STARTUP MENU
- MORE ON OSCILLATORS, FILTERS AND ENVELOPES
- SETUP EXAMPLES
- TECHNICAL INFORMATION
- CREDITS AND CONTACT INFORMATION
- Appendix A: SYNTH TRACK PARAMETERS
- Appendix B: FX TRACK PARAMETERS
- Appendix C: CV TRACK PARAMETERS
- Appendix D: MIDI
- Appendix E: ANALOG FOUR ARCHITECTURE
- INDEX

SETUP EXAMPLES
70
ANALOG FOUR WITH AN ELECTRIC GUITAR
In this setup example the Analog Four is used for proccessing the sound output from an electric guitar. The first,
most basic method uses the FX track to turn the Analog Four into an effects box sporting the Wideshift Chorus,
Saturator Delay and Supervoid Reverb effects. The second, more elaborate method routes the sound through
Track 1 and allows all the sound-shaping possibilities offered by the FILTERS, AMP, ENV and LFO.
1. Connect the electric guitar to the audio input of an amplifier using a standard mono phone cable.
2. Connect the audio out from the amplifier to the left audio input of the Analog Four.
3. First method: Select the FX track on the Analog Four with [TRACK] key 5.To make use of the Wideshift
Chorus, press [PARAMETER] key 3, CHORUS. Change the volume and other aspects of the effect using
the DATA ENTRY knobs. Use Saturator Delay and Supervoid Reverb effects in a similar manner by press-
ing [PARAMETER] key 4, DELAY and key 5, REVERB respectively.
4. Second method: Select Track 1 on the Analog Four by pressing [TRACK] key 1.
5. On the OSC1 menu page, set the WAV parameter to IN L using DATA ENTRY knob F. Set SUB, the sub
oscillator, to off. Turn the LEV all the way up.
REVERB EQ VOLUME GAIN
INPUT
OUTPUT