User Manual

15. SETUP EXAMPLES
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3. Set all other WAV parameters to OFF. Make sure all SUB parameters is set to OFF as well.
4. On the AMP page for all tracks, make sure ATK is 0, DEC 0, SUS 127 and REL INF.
5. On the FILTER page for all tracks, the DEP parameters should be set to 0.
6. Place note trigs on the first step of the sequencer. Trigging the amplitude envelope is necessary.
7. Press play on the Monomachine.
8. Press play on the Analog Four MKII. The filters of the synth tracks can now be used to shape the incom-
ing Monomachine sound.
For serial filtering, make either one or both oscillators of synth track 1 listen to the external
inputs. Set the WAV parameter of oscillator 2 to NEI on the other tracks. Turn o oscillator 1
on tracks 2-4. Turn down the track level to 0 for tracks 1-3.
Make the Analog Four MKII listen to MIDI clock and transport controls sent from the
Monomachine. When pressing play on the Monomachine sequencer, both units will start to
play at the same time and in the same BPM. Experiment with the tempo-synced LFOs of the
Analog Four MKII controlling the filter parameters.
Place other note trigs on the Analog Four MKII sequencer and experiment with the filter
envelope settings.
When using the Analog Four MKII as a stereo filter, let track 1-2 take care of the left signal
and track 3-4 take care of the right. Don’t forget to pan the synth tracks responsible for the
left and right channels hard left and right. If you wish to control the FRQ or RES parameters
of the left and right tracks simultaneously, you can use a performance macro.