User Manual

3
NOTES AND SPECIFICATIONS
• Audio input impedance for mono left input: 1M
• Audio input impedance for stereo left input: 2M
• Audio input impedance for right input: 2M
• Audio output impedance for each output: 550
• Current draw: 150mA
• Maximum input signal level: +11 dBu
• Bypass: high quality analog buffered bypass when TAILS mode
is disabled. DSP bypass when TAILS is enabled.
REVERB TYPES AND DESCRIPTIONS
REVERB
TYPE
DESCRIPTION
ROOM
Warm and versatile reverb algorithms modeled after a
lively room and a spacious performance hall.
SPRING
Vintage 1962 Fender® 6G15 reverb unit emulation and
the classic spring algorithm from the EHX Holy Grail.
PLATE
Two emulations of a smooth, bright metal plate reverb
commonly found in high-end recording studios during the
1960’s and 70’s.
REVERSE
A rendition of the reverse reverb trick commonly
performed in studios, as well as true reversed echoes.
ECHO
Simple digital delay which feeds into a plate reverb.
TREM
A classic, periodic volume envelope applied to both the
dry and wet mix of a hall reverb.
MOD
A lush combination of various modulations for creamy
rich reverb tails.
DYNA
A dynamic trio of experimental reverb algorithms: swell,
gate, and duck.
AUTO-INF
Auto infinite reverb, with optional chorus or flange, that
listens to your playing and crossfades to a new reverb
wash upon detection of newly-struck notes and chords.
SHIMMER
Two configurations of a rich octave-shifted wash of
harmony in a reverberant cloud.
POLY
Two configurable bidirectional pitch-shifts that add
startling dimensionality to the reverb tail.
RESONANT
Reverb excited by tunable resonators, and configurable
self-oscillating filters on the reverb tail.