User Manual

26
POLY
MODE: The mode button cycles through two sets of controls for the
mini knobs CTRL 1 and CTRL 2. In mode 1, POLY reverb is in Interval
Edit mode. In mode 2, POLY Reverb is in Mix Edit mode. See the mini
knob details below for descriptions of their functions.
CTRL 1: In Interval Edit mode (Mode 1), this knob controls the
semitone shift interval of the first pitch shifter. At noon, there’s no
shift. As you turn counter-clockwise, the shift decreases to -1 octave
at its minimum. As you turn clockwise, the shift increases to +1 octave
at its maximum.
In Mix Edit mode (Mode 2), this knob controls the volume balance of
the unshifted and shifted signals before they enter the reverb. A fully
counter-clockwise knob corresponds to a fully unshifted mix, while a
fully clockwise knob corresponds to a mix of only the shifted signals.
CTRL 2: In Interval Edit mode (Mode 1), this knob controls the
semitone shift interval of the second pitch shifter, over the same
range.
In Mix Edit mode (Mode 2), this knob controls the volume balance of
the two shifted signals. At noon, there’s an equal-power mix of the
two pitch shifters. The counter-clockwise extreme of the knob mixes
100% of the first pitch shifter and 0% of the second pitch shifter
output, while the clockwise extreme mixes the opposite: 0% of the
first pitch shifter and 100% of the second pitch shifter.
RESONANT
MODE: Selects between two resonant algorithms. Mode 1 inserts
pentatonically-tuned resonators in the reverb signal chain, allowing
notes to ring when their fundamentals and harmonics excite the
pitches of the resonators. Mode 2 applies resonant filtering with
configurable gain and center-frequency to the reverb algorithm,
gradually collapsing the reverb tail into a focused, narrow frequency
band.
AMOUNT: Controls the degree of the effect. In Mode 1, this knob
sets the volume of the tuned resonators. As AMOUNT is turned
clockwise, the ringing pitches get louder. In Mode 2, the AMOUNT
knob sets the feedback of the resonant filter. As AMOUNT is turned
clockwise, the filtered reverb tail builds more quickly, eventually
achieving unstable self-oscillation.
TUNING: Controls the tuning of the resonance effects. In Mode 1,
this knob selects the key of the resonators. When fully counter-
clockwise, the TUNING knob selects an A5 (880Hz) minor pentatonic
scale. Turning the knob clockwise increases the key in increments of