User Manual

4
- DESCRIPTIONS OF REVERB TYPES -
HALL – a warm and versatile reverb algorithm modeled after a spacious
performance hall.
SPRING – a newly developed reverb capturing the iconic drip of a vintage
1962 Fender® 6G15 reverb unit. TIME behaves like DWELL on the
Fender® unit, so infinite reverberation is unavailable.
PLATE – an emulation of a smooth, bright metal plate reverb commonly
found in high-end recording studios during the 1960’s and 70’s.
REVRS – Reverse reverb – a rendition of the reverse reverb trick
commonly performed in studios. TIME controls the length of time between
playing a note and hearing its reverse reverb fade in.
ECHO – Reverb plus delay – a simple digital delay which feeds into a plate
reverb. Both TIME and the footswitch can control the time between
echoes, and TONE controls the feedback of the echoes.
TREM – Reverb plus tremolo – a classic, periodic volume envelope applied
to both the dry and wet mix of a hall reverb. TIME controls the LFO rate,
and TONE controls the LFO depth.
MOD – Modulated reverb – a lush combo of various modulations for
creamy rich reverb tails. TIME and TONE behave differently in each mode.
See “Mode Button Functionality” on page 5.
DYNA – Dynamic reverb – a dynamic trio of experimental reverb
algorithms: swell, gate, and duck. TIME behaves differently depending on
the mode. See “Mode Button Functionality” on page 5.
AUTO-INF – Auto infinite reverb – an inventive reverb that listens to your
playing and crossfades to a new reverb wash upon detection of newly-
struck notes and chords. Works best with long decay times.
SHIM – Shimmer – a rich octave-shifted wash of harmony in a
reverberant cloud. TONE controls the frequency content of both the reverb
tail and octave-shifts.
POLY – Polyphonic reverb – two configurable bidirectional pitch-shifts
that add startling dimensionality to the reverb tail.