User Manual

9
MIX: CHORUS, FLANGE, TZF, PHASE, PITCH, and FILT all have a mix
control, assigned to the VOLUME/COLOR knob when in secondary knob
mode. At maximum (the default setting for all but PITCH) you hear the
classic effect. As you bring the mix down, more dry signal is added to the
signal and the effect becomes more subtle. At minimum you will hear just
your dry signal. In the TZF type this doesn’t work when using a barber-
pole shape (see page 12)
OVERDRIVE: UNI and ROTARY have an overdrive control, assigned to the
RATE knob in secondary knob mode. By default there is no overdrive, bring
this control up to add more overdrive. The exact sound/performance of
this will depend on the level of your input signal.
SECONDARY KNOB FUNCTIONS BY MODULATION TYPE
Below is a chart of the secondary knob functions for each modulation type.
After is a description of the handful of secondary functions not mentioned
in the common secondary knob functions section on the previous page.
TYPE
RATE
VOLUME/COLOR
TREM
LFO Shape
Envelope Factor
HARM
Crossover
Envelope Factor
VIBR
LFO Shape
Envelope Factor
UNI
Overdrive
--
CHORUS
--
Mix
ROTARY
Overdrive
Slow Speed/Env Factor
FLANGE
LFO Shape
Mix
TZF
LFO Shape
Mix
PHASE
LFO Shape
Mix
PITCH
LFO Shape/Scales
Mix
FILT
LFO Shape
Mix
CROSSOVER: In the HARM type, this sets the crossover frequency
between the high frequency and low frequency bands that are being
modulated between. By default it’s set towards the center of the knob,
about 550Hz.
SLOW SPEED: In the ROTARY type, in orange mode the VOLUME/COLOR
knob sets the Envelope Factor (see page 8), but in green mode it sets the
“slow speed.” When using an external switch plugged into the TAP IN jack
in this modulation type, tapping on the footswitch accelerates/decelerates
between fast and slow modulation speeds. The fast speed is the default,
set by the RATE knob. In secondary knob mode the VOLUME/COLOR knob