User Manual

6
- HOLY GRAIL EFFECT DESCRIPTIONS -
SPRING Reverb - The Spring Reverb effect is a simulation of the spring reverb
found in many classic guitar amps. In SPRING mode, the AMOUNT knob controls
the size of the spring reverb. The further you turn the AMOUNT knob clockwise,
the bigger the spring reverb will be. Set the AMOUNT knob to 12 o’clock to
obtain the Spring Reverb found in the Holy Grail.
HALL Reverb - Hall Reverb is a simulation of the reverb heard in a large space
In HALL mode, the AMOUNT knob controls the reverb time. The further you turn
the AMOUNT knob clockwise, the longer the reverb time and the larger the
reverb space. Using the AMOUNT control you can obtain reverb spaces from a
room to a large hall. To obtain the Hall Reverb sound found in the Holy Grail,
turn the AMOUNT knob to 1 o’clock.
ROOM Reverb - Room Reverb is a simulation of the reverb heard in a small
space. In ROOM mode, the AMOUNT knob controls the damping factor of the
reverb. As the AMOUNT knob is turned clockwise, the reverb will be less
damped. Set the AMOUNT knob to its minimum position (full counter-clockwise)
and the reverb will be heavily damped, sounding like a bathtub reverb. Turn the
AMOUNT knob to full clockwise and the reverb sounds like an open room with no
damping.
FLERB Reverb - The Flerb Reverb effect is made up of a reverb followed in
series by a flanger. In FLERB mode, the AMOUNT knob controls the rate of the
Flerb’s modulation. As you turn AMOUNT clockwise, the rate of modulation
increases. To obtain the Flerb sound found in the Holy Grail, turn the AMOUNT
knob to 8 o’clock.
ECHO (Shimmer engaged, set to FLERB) The Echo effect plays back a delayed
copy of the input signal. In ECHO mode, the AMOUNT knob controls the delay
time, ranging from 25ms to 590ms. The Micro POG’s knobs control the delay’s
feedback for each individual octave when the Micro POG is engaged. If the Micro
POG is not engaged, the echo effect will have just one repeat. As feedback is
increased on any octave, the Echo produces more repeats of that octave with
each cycle through the delay line going up or down an octave.