User manual
Eclipse User Manual 
Eclipse User Manual  Page 36 of 66  Release 4.0.1   
However, if you set (T_DELAY1) to off, then the actual delay time will 
be determined solely by (DELAY1) in terms of milliseconds. If you want 
all of the parameters in the Eclipse to ignore the tempo, set SETUP 
TEMPO (TAP SRC) to Off. 
Now that you have that straight, lets continue. The Eclipse can calculate 
delay times in terms of the tempo
, as described above, or it can calculate 
them as the absolute time between two taps of the 
TAP key (useful for 
live situations). Select PARAMETER page 2 <EDIT MOD> TTIME (MODE) 
to select between systemtempo and longdelaytap. With (MODE) set to 
systemtempo, everything behaves as we’ve described so far. 
On the other hand, with (MODE) set to longdelaytap, every “T_DELAY” 
and “T_LOOP” parameter derives its delay time from the interval be-
tween successive taps of the TAP key. 
With (TTYPE) set to update, the first of two taps marks the beginning of 
an interval, and the second tap defines the end of the interval. You can 
watch the interval grow between the taps at (RUN) and check out the re-
sulting delay time at (DELAY). A third tap starts the interval over at 0 and 
a fourth tap defines the end of the new interval. 
With (TTYPE) set to climb, the first of two taps begins increasing the 
existing interval from the point that it left off, and the second tap defines 
the end of the interval. Again, you can watch the interval grow between 
the taps at (RUN) and check out the resulting delay time at (DELAY). 
To reset the interval with (TTYPE) climb, select an external modulator 
such as pedal 1 under EXT_RESE. Turn to page 45 for details on setting 
up external controllers. 
Envelope-following Parameters: SENS, ATTACK, and DECAY 
Many algorithms involve parameter modulation via an “envelope follower.” An envelope follower tracks 
the level of the input audio and modulates some parameter according to that level. Envelope filters are a 
prime example of this sort of modulation: the envelope follower modulates the cutoff frequency of a reso-
nant filter. In the Eclipse, envelope followers frequently modulate LFO rates, so that as the input signal 
gets louder, the LFO rate speeds up. 
 (SENS) adjusts the sensitivity of the envelope follower. Use lower 
values for quieter input levels and higher values for louder input levels. 
Short values of 
(ATTACK) and (DECAY) track the envelope tightly, while 
longer values smooth out the response. 
LFO Parameters 
 LFOs (low-frequency oscillators) abound! An LFO produces a slowly 
alternating signal that modulates some parameter or another. 
(RATE) and 
(T_RATE) determine how fast the signal oscillates. (FMRATE) and 
(T_FMRATE) determine to what degree the speed of oscillation is af-
fected by the envelope follower (i.e., the loudness of the input audio). 
(SHAPE) determines the shape of 
the alternating signal. For shapes such as 
triangle and square the (DUTY) parameter “shifts” their shape. 
Via (DUTY), triangle waves can vary between sawtooth and ramp-shaped, and square waves can change 
their pulse length relative to the (RATE).  










