EQD Afterneath

Drag: This digital reverb is made up of a bunch of short delays. Drag separates the delay

lines creating a stuttering, pingy effect. This is the coolest control on the Afterneath. We

highly advise slowly turning (or modulating) this while you let notes ring out for a cool warped

speed effect. The effect is more delay-like as you turn it counter clockwise, and it is more

reverb-like as you turn it clockwise. You will achieve shorter delay times as you move the

control clockwise, and longer delay times when you turn the control counterclockwise. You

will notice a change in pitch when adjusting this control with sound present in the effects

buffer, or when the effect is self-oscillating.

Mode: Controls the behavior of the Drag control as well as how it responds to control voltage.

There are 9 different modes (see the following Modes section for explanations).

Diffuse: Smooths and diffuses the delay repeats. Sharper transients with more attack

counterclockwise, more ambient, reverb-like and washy as you turn it clockwise.

Length: Controls the decay length of the reverb.

Mode LED: Visually indicates the current mode.

Drag CV Inverting Attenuator: Attenuates or inverts the incoming CV. The CV is at unity

gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the

CV is completely attenuated when the attenuator is in the 12 o’clock position.

Mode CV Inverting Attenuator: Attenuates or inverts the incoming CV. The CV is at unity

gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the

CV is completely attenuated when the attenuator is in the 12 o’clock position.

Diffuse CV Inverting Attenuator: Attenuates or inverts the incoming CV. The CV is at unity

gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the

CV is completely attenuated when the attenuator is in the 12 o’clock position.

Length CV Inverting Attenuator: Attenuates or inverts the incoming CV. The CV is at unity

gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the

CV is completely attenuated when the attenuator is in the 12 o’clock position.

Drag CV Input: Allows modulation of the Drag control using external CV.

Mode CV Input: Allows modulation of the Mode control using external CV.

Diffuse CV Input: Allows modulation of the Diffuse control using external CV.

Length CV Input: Allows modulation of the Length control using external CV.

Audio Input: Accepts audio signals ranging from instrument-level to modular-level, using the

Input knob to adjust the level.

Reect Send: Allows external patching and processing of the Reect feedback path. Patching

from this output does not interrupt the internal feedback path.

Reect Return: Allows return of the externally patched and processed Reect feedback

path. Also, it can be used as an additional audio input if you wish to forgo the feedback.

The Reect knob acts as an attenuator for the audio that is patched to this input. Please

note that processing of the Reect feedback path can easily result in self-oscillation when

processing with effects such as distortion or a resonant lter. The Reect knob can be

used to compensate for this factor. Patching a cable to this input will disconnect the internal

feedback path, but the Reect Send will still be active.

Audio Output