User manual
Table Of Contents
- 1 Introduction
- 2 Controls, Indicators and Connections
- 2.1 Input Mono
- 2.2 Input Stereo
- 2.3 FX 1/2
- 2.4 AUX
- 2.5 MON
- 2.6 MASTER with GEQ
- 37 - USB 2.0 DIGITAL AUDIO INTERFACE
- 38 - MASTER LED-DISPLAY
- 39 - STANDBY
- 40 - MASTER L/R fader
- 41 - MASTER A OUT L/R
- 42 - POWER AMP INPUTS L/R
- 43 - MASTER B OUTPUTS L/R
- 44 - MASTER B
- 45 - PRE/POST of MASTER B
- 46 - STEREO/MONO of MASTER B
- 47 - PHONES
- 48 - PHONES
- 49 - REC SEND L/R
- 50 - REC SEND & USB OUT
- 51 - 9-BAND STEREO GRAPHIC EQUALIZER
- 2.7 DISPLAY with function keys
- 2.8 Stereo Power Amplifier
- 2.9 Rear panel
- 3 Display & functions
- 4 DIGITAL AUDIO INTERFACE
- 5 Setting up a standard PA
- 6 Master Patchbay and different setup alternatives
- 1 Einführung
- 2 Bedienelemente und Anschlüsse
- 2.1 Input Mono
- 2.2 Input Stereo
- 2.3 FX 1/2
- 2.4 AUX
- 2.5 MON
- 2.6 MASTER mit GEQ
- 37 - USB 2.0 DIGITAL AUDIO INTERFACE
- 38 - MASTER-Aussteuerungsanzeige
- 39 - STANDBY-Schalter
- 40 - MASTER L/R-Fader
- 41 - MASTER A OUT L/R-Buchsen
- 42 - POWER AMP INPUTS L/R-Buchsen
- 43 - MASTER B OUTPUTS L/R-Buchsen
- 44 - MASTER B-Regler
- 45 - PRE/POST-Schalter für MASTER B
- 46 - STEREO/MONO-Schalter für MASTER B
- 47 - PHONES-Buchse
- 48 - PHONES-Regler
- 49 - REC SEND L/R-Buchsen
- 50 - REC SEND & USB OUT-Regler
- 51 - 9-BAND STEREO GRAPHIC EQUALIZER
- 2.7 DISPLAY mit Funktions-Tasten
- 2.8 Stereo-Leistungsverstärker
- 2.9 Rückseite
- 56 - Netzbuchse
- Die Spannungsversorgung des PowerMate erfolgt ausschließlich mit dem mitgelieferten IEC-Netzkabel über eine verriegelnde Netzbuchse. Schließen Sie den PowerMate nur an eine geeignete Netzversorgung an, die den auf dem Typenschild angegebenen Anfor...
- 57 - Netzschalter (POWER)
- 58 - MIDI IN/OUT-Buchsen
- 59 - Speaker Outputs Right/Left
- 3 Display & Funktionen
- 4 DIGITAL AUDIO INTERFACE
- 5 Aufbau einer Standard-PA
- 6 Master Patchbay und verschiedene Aufbauversionen
- 7 Specifications
POWERMATE
3
19
47 - PHONES
Stereo phone jack (6.3 mm) for the connection of headphones with an impedance of 32 to 600 ohms. The audio signals
of the channels with PFL buttons engaged is outputted via this connector. The phones output presents the master L/R
signal when there is no PFL button engaged. As the output is protected against short circuit, headphones or in ear mon-
itor systems with an impedance below 32 ohms can be connected. In this case the maximum reachable volume is re-
duced.
48 - PHONES
This control sets the volume of the headphones connected.
CAUTION: Make sure to set the control to its minimum position before connecting headphones. Permanent hear-
ing loss may occur if headphones are used at high volume.
49 - REC SEND L/R
These RCA-type connectors carry the pre fader master L/R signal. The signal is not affected by the setting of the master
faders and therefore mostly used for the connection of MD or flash recorders for recording purposes. This connector
can be used for permanent installation purposes also. Use the REC SEND & USB OUT control to adjust the output level,
the maximum level is 20 dBu.
50 - REC SEND & USB OUT
This control allows adjusting the volume at the REC SEND outputs or, when used, the level of the DIGITAL AUDIO IN-
TERFACE output channels.
51 - 9-BAND STEREO GRAPHIC EQUALIZER
The master channel employs a 9-band stereo equalizer. The EQ’s insert point is post master fader and pre power ampli-
fier. Nine frequency bands offering 10 dB amplification/attenuation allow shaping the overall sound to meet your per-
sonal preferences or to optimally match it to the acoustic conditions of different locations.
GEQ setting instructions:
The frequency ranges as well as the characteristics of the EQ faders are very praxis-oriented. In case you want to have
a clear and highly intelligible sound, which, as a side effect, provides the cymbals with more crisp, you should raise the
levels of the 12 kHz or 6.3 kHz band a bit. If the MIDs are nasaling you should attenuate the mid range (500 Hz to 2 kHz)
by some decibels. To provide the kick drum with more punch you have to boost the low frequency range, using the 63 Hz
or the 125 Hz controls. In case the overall sound is undefined with too much bass, lowering the levels of these two fre-
quency bands will solve the problem.
However, especially with equalization you should be aware of the fact that in most cases less adjustments provide better
results. Thus, your first choice should be to establish the mix using only the input channel controls and see if you get a
satisfactory result.
2.7 DISPLAY with function keys
52 - DISPLAY WITH FOUR FUNCTION KEYS
Effect mode
In effect mode the display indicates the selected preset number of each effect unit. Use the four function keys below
the display for selecting the preset number.










