User Manual

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DR AWM ER
Listening in mono also highlights problems with the stereo width and balance of
the mix and is more apparent when you use a lot of stereo-widening or width-
enhancing techniques and tools. Switching mono in and out fairly quickly may
make it apparent that the centre of the mix is shifting to the left or right, something
that may go unnoticed if only working in stereo.
T r ue Mono
As a mono signal would normally originate from a single source it would be wrong
to simply activate the mono switch - as both left and right speakers are still active.
When you listen to a mono signal on two speakers, you hear a false or 'phantom'
image which is derived mid way between th e speakers, but because both speakers
are contributing to the sound, the level of the bass seems to be over-inflated. To
truly hear a monogised signal via one speaker (the way everyone else will hear it)
the mono switch should be active but also either Left Cut or Right Cut should also
be activated (depending on preference/location) to derive the signal from a single
location.
Listen to the ‘Stereo difference’ or side signal
A very useful facility of the MC2.1 is the ability to listen to the ‘stereo difference’ or
side signal, very quickly and easily. The side signal is the difference between the
two channels, and describes those elements that contribute to the stereo width.
Hearing the stereo difference is so simple using the MC2.1: with the stereo signal
playing, activate the Phase Reverse switch, a nd then sum the lef t and r ight cha nnels
using the Mono switch (in other words Left-Right). It’s that simple.
Being able to audition the ‘side’ signal is particularly useful for judging the quality
and quantity of any ambience or reverberation in a stereo mix. It is also an invaluable
facility if the stereo recording has timing differences between channels (such as
caused by an a zimuth e rror on a tape machi ne), or for aligning a pa ir of desk cha nnels
for use with X-Y stereo mic pairs. In both cases, listening for a deep cancellation
null, as the two signals cancel each other out, is a very fast and accurate way of
matching levels in each channel, which is the basis of accurate alignment.