EX Version 1.
WARNING FOR YOUR PROTECTION, PLEASE READ THE FOLLOWING: Water and Moisture: Appliance should not be used near water (e.g. near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc). Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings. The symbols shown above are internationally accepted symbols that warn of potential hazards with electrical products.
TABLE OF CONTENTS AC Power & Safety Warnings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .inside cover Program List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Introduction ........................................................5 Setup Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Back Panel . . . . . . . . . . . . . . . . . . . . .
Studio Vocalist EX Program List # Program Name 1 2 3 4 5 6 7 8 SILKY THICKENER STEREO DOUBLER MONO DOUBLER GROUP DOUBLER VOICE THICKENER JUST THE GALS JUST THE GUYS GUYS AND GALS Auto Doubling Sing or play a vocal track.
# Program Name Program Type Hints 51 52 53 54 55 56 57 58 59 60 PCorr 1 Hit a note PCorr 2 Major scale PCorr 3 Minor scale PCorr 4 Nearest semi PCorr 5 1 semi bend PCorr 6 2 semi bend PCorr 7 Instant porta PCorr 8 Fast porta PCorr 9 Med porta PCorr 10 Slow porta Pitch Correction Hit a note from the front panel or a MIDI keyboard while singing.
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INTRODUCTION Congratulations and thank you for purchasing the DigiTech Studio Vocalist EX. This product is the flagship of the DigiTech Vocalist line of products. It offers a clean and quiet audio path, excellent real time harmony voice generation and sturdy hardware design to provide years of trouble-free service. Digitech Vocalist products have been used worldwide by virtually every segment of the audio recording and live performance areas.
SETUP Front Panel 1 2 5 6 3 4 7 8 9 1) LCD display Provides visual feedback of all operating modes including performance, editing and utility modes. 2) LED displays The Input LED monitors the incoming signal from the Mic and Line inputs. The 0dB LED lights 3 dB before the onset of clipping. The MIDI LED indicates that the Studio Vocalist EX is receiving MIDI. The Overflow LED indicates an overload of the digital signal processor. If it lights, reduce the input gain or front panel mixer faders.
6) Edit mode group The Edit button presents the parameter editing screens from within Factory, User and Song modes. The Exit button backtracks through successive menu layers in all editing and programming modes. The Store button offers the option of saving an edited program in the User bank. For more information on editing Programs, see the Editing chapter. 7) Keyboard This one-octave keyboard allows you to input musical information such as Key and Chord root note.
3) Effects Send and Return These jacks allow an external processor such as a compressor, equalizer, exciter or de-esser to be inserted in the signal path between the mic preamp and the harmony circuitry. The Send is “normalled” meaning that if a jack is inserted, the signal path from the mic preamp is broken and must be returned through some device. 4) “Dry” audio output This is the direct, unprocessed vocal signal after it has been amplified by the Mic preamp. No harmonies are produced from this output.
Audio Connection Examples Basic Audio Setup The drawing at left represents the simplest audio setup. You would most likely use this in live performance or if you are recording with a mixer that has a limited number of inputs. Connect as follows: • Connect the microphone to either the front or back Mic input. Press the "Mic" button on the front panel to enable. • Connect audio outputs 1 and 2 to the inputs of your mixer. Ensure that the audio output mode is set to stereo.
MIDI Connection Examples Basic MIDI Setup This setup could be used for a live performance or live recording situation. The Studio Vocalist EX can recognize the chords you play and output the appropriate harmony or you could use a Vocoder preset to play the exact harmony notes you need. These concepts are explained in greater detail later on in this manual. Connect as follows: • Connect the output of your controller keyboard to the MIDI in of the Studio Vocalist EX.
PERFORMANCE This chapter discusses the main operating features of the Studio Vocalist EX. It begins with setting the correct levels and proceeds with discussions of the different harmony modes and their uses. We assume that you have connected your Studio Vocalist EX according to the diagrams on the previous pages and that you are familiar with the other devices in your system. Setting the Input and Output Levels First, move the input and output level controls down to the bottom position.
Loading Programs The Studio Vocalist EX is shipped from the factory with the first factory program selected once it is powered up. Turn the Data Wheel knob to scroll through the different factory programs. Programs are loaded automatically as you turn the wheel. Programs can also be loaded via MIDI program change. There are two banks of programs to choose from with 50 programs in each. The “Factory” or “User” button will light up when either of these banks are chosen.
The style naming conventions are are described in the “Understanding the Five Harmony Types” section. The Harmony Controls For musically correct harmonies to be generated automatically, you must provide the Studio Vocalist EX with some musical information. It’s just like when you are playing with other musicians; they need to know what chords you’re playing in order to stay “in key” with you. You can use either a MIDI keyboard or the one-octave keyboard and eight softkeys to provide this information.
• Chromatic • Pitch Correct These two Harmony types are for more specific uses. Chromatic doesn't require any special musical control. Used in Unison presets to thicken the sound of the Lead vocal. Pitch Correct can take input from a pitch bend wheel, front panel keyboard or a MIDI note. Chordal You can tell a program is based on Chordal harmony when the upper right hand character of the display shows “:C”. You will also see first letter of the harmony style name shown in lower case letters (e.g.
Note: Scalic harmony programs that generate a single 3rd interval generally work for more songs than programs with a combined 3rd and 5th. Programs based on Scalic harmony have a selection of different scales you can choose from by pressing the softkeys. For example, the “Everlys” program (#41) has 3 different major scales and two minors as do many of the other Scalic-based programs. The major scales differ only on the harmony note generated on the fifth note of the scale i.e.
Chromatic Chromatic mode does not require the Studio Vocalist EX’s intelligent harmony because the harmony notes always remain a fixed interval away from the input note. This harmony type is used in programs that feature unison, octave, or fifth interval harmonies. You do not need to enter key information when you load Chromatic harmony programs.
EDITING This chapter describes the general principles of editing in the Studio Vocalist EX and the individual editing modes in detail. To reduce the amount of redundant information, the general procedures, menu system and controls are described at the beginning of the chapter followed by detailed discussions of each of the edit parameters. The Harmony editing screens are split up in successive layers of complexity. This is done to make this section easier to understand.
The Edit Button When pressed from Factoryor User Programs mode, the Edit button presents the Parameter/Style Select screen. Once a parameter is selected, another press of the Edit button enters the Style Modify screens. When pressed from Songs mode, the Edit button presents the Arrangement screen. An additional press of the Edit button presents the Section editing screen. See page 54 in the Songs mode section for further details.
The Store Button The Store button allows you to save any changes you have made to a program or style. You can also use it to copy programs and styles to other locations. Store can be pressed in any Studio Vocalist EX mode except for Utilities. Refer to the section on “Storing Your Edits” at the end of this chapter to save your changes. The Exit Button This button presents the previous menu layer screen. Pressing it repeatedly will backtrack through the menu layers to the last used mode.
6. Press the Right Arrow button to go to the Gender settings screen. You will see the settings for Gender #1 on the left and #2 on the right. 7. Select which Gender setting you want to change with the softkeys and turn the Data Wheel to make the changes. Detune The Detune styles add a subtle “out-of-tuneness” to the harmony voices. Because human voices are never perfectly in tune, this function can “humanize” your harmonies.
6. To edit the amount of Pitch Randomization, press the Right Arrow button. Turn the Data Wheel to adjust to the desired value. Vibrato Adding Vibrato to the Studio Vocalist EX’s harmonies is another way of adding realism. Vibrato is the regular modulation of a voice’s pitch that lends interest to an otherwise static note. You can edit five different vibrato parameters for each voice allowing you to construct the most realistic vibrato performance possible.
other voices for editing. The softkeys are also be used to raise or lower values. 5. To edit the Vibrato Rate, press the Right Arrow button to move to the next edit screen. Select one of the voices with the softkeys and use the Data Wheel to edit the value. 6. To vary the Vibrato Delay, press the Right Arrow button to move to the next edit screen. Select one of the voices with the softkeys and use the Data Wheel to edit the value. 7.
To edit the Scoop parameters: 1. Use the Data Wheel to select the program you want to edit and press the Edit button. 2. Press the softkey that corresponds to Scoop. (Scp) 3. Select a different style preset using the Data Wheel. If you are satisfied with loading a different style, refer to the “Storing your Edits” section on page 30.
when no harmony is heard and you might want to soften the jump from silence to the harmony voices. If you sing a sustained note and then press a key on your keyboard, a slower Attack makes the harmony voices fade in a bit more gradually. The Release parameter adds a slight sustain effect to the harmony voices that is only audible if you release the keyboard note while you are still singing. The Attack and Release parameters modify all 4 voices simultaneously and are set in 10 ms steps from 0 to 2.
Harmony/Lead Mix This parameter varies the mix between your uneffected input voice and the sum of the harmony voices. Both settings are interactive, that is, setting either sets both. The relative levels are displayed in percent. Harmony Voice Levels The volume of each of the four voices are adjusted independently. The levels are edited in 1 dB increments between 0 dB (full volume) and off.
Harmony Editing The Studio Vocalist EX has automatic functions capable of producing musically correct harmonies and a large number of factory programs crafted to fit many performance situations. There may be, however, instances where the factory harmonies need to be edited to to suit your requirements.
6. When you are satisfied, press Store once to save your changes. See “Storing Your Edits” at the end of this chapter for more details on saving. Level 2: Editing Individual Harmony Styles If you can’t find the harmony style you need from the pre-programmed harmony styles, you can enter the next editing level and create or modify one for yourself.
Because they are corrected, the harmony notes “step” up and down even when your voice is sliding between notes. When you want the harmonies to follow your exact pitch, out-of-tune notes and all, you can set this parameter to “Smooth” bending. Smooth harmonies sound more natural and allow you to perform “Blue” notes but you must be accurate with your pitch for the harmonies to sound acceptable.
To edit the harmony style parameters: 1. Use the Data Wheel to select the program you want to edit and press the Edit button. 2. Press the softkey that corresponds to the Harmony parameter. The LCD shows the the current softkey selected by an arrow, its harmony style in quotation marks, and the other softkey assignments. 3. Press the softkey you wish to edit. The style display show this key’s assignment. 4. Press the Edit button. The Harmony Type selection screen is displayed.
Custom harmony variations are used in the Everlys program and many of the other Scalic harmony programs. These harmony styles are based on a major or minor Scalic harmony that has been edited so that certain input notes produce different harmonies from those in the strict definition of a these scales. Once you have customized a harmony, the Voicing edit screen disappears and is replaced by the Customize Voicing screens.
Naming Your Programs and Styles When you have completed your editing you have the option of modifying or creating a 16 character name for the program. Fifteen character style names are available for harmony styles as well. The humanizing styles can also be named but with 10 character names only. You may use a mixture of upper and lower case letters, numbers and symbols for naming. If you want to enter a letter in a blank space, the default assignment is from the lower case alphabet.
3. Press Store again to accept the default name and destination. If you want to, you can change the destination with the Data Wheel. To store styles to the user bank: (Style Store) Note: Once you have built up your own library of new styles, keep in mind that when you modify a style that is shared by more than one program, you are making changes to all of these programs. When you choose to edit and store a user style, the store screen will tell you whether other programs are sharing this style. 32 1.
UTILITIES Overview The Utilities mode allows you to make global (affecting all programs) configuration changes to the Studio Vocalist EX, including MIDI channel assignments, audio configurations, program, song and style initialization and user preferences. To enter and exit Utilities mode: Press the Utilities button in any of the other operating modes including Programs, Edit, and Songs modes.
Note: If you decide to use the option of accessing styles by MIDI program changes, the key and harmony channel should be set to a different channel than the system channel to avoid conflicts between loading programs and loading harmony styles. The Key & Harmony channel allows you to select different keys or chords (depending on the harmony type) and any of the eight different harmony styles assigned to a program via MIDI.
MIDI Selection of Key & Harmony Controlling your harmonies can be done through MIDI as an alternative to using the front panel. You have the option of independently selecting key or chord root and style. There are several ways in which this can be done to provide you the most flexibility in live performance or sequencing.
Controller 16 is a MIDI continuous controller that can be used to select key and harmony together. The Studio Vocalist EX’s front panel keyboard and softkeys transmit this information over MIDI when you press them and can be recorded and played back from a sequencer. Each button has its own CC16 value and is shown in the following graphic: MIDI Notes give you another way to combine program changes and key and harmony changes into one MIDI channel.
Program Change messages can also be used to select key and harmony simultaneously. The following table shows how they are assigned. The top row represents the softkeys, the keyboard represents the chord root or key and the table shows the resulting program change number.
blow into a breath control device. It is with CC’s that you introduce dynamics and emotion into your harmony performance. Note: All CC’s except Volume (CC7) reset to their default values when a MIDI program change message is received.
To set the Vocoder mode split point: Note: The split point is only available for the single channel Vocoder modes. 1. Press the Utilities button from any mode; this presents the UTILITIES main menu. 2. Press the MIDI softkey; this presents the MIDI Utilities sub-menu. 3. Press the softkey corresponding to Voco. 4. Use the softkeys to select either the above/below or note number fields. Use the Data Wheel to modify the settings. 5.
This utility can also control the reception and transmission of program changes. This is handy if you want the Studio Vocalist EX to retransmit any program remappings you have created.
Any incoming Song Select command can be: • Mapped to the same song number in the Studio Vocalist EX • Mapped to any other song number • Ignored by the Studio Vocalist EX (no change from previously loaded song) To edit the MIDI Song mapping: 1. Press the Utilities button from any mode; this will present the UTILITIES main menu. 2. Press the MIDI softkey; this will present the MIDI Utilities submenu. 3. Press the softkey corresponding to Song. 4.
5. Use the Data Wheel to select the desired Song Step option. 6. Press the Utilities button once again to exit; this returns you to the mode from which you entered. Song Step Direction can be controlled in various ways. The Studio Vocalist EX’s Song Step Forward messages can be assigned to MIDI Continuous Controller number 17, or any MIDI note from C -1 to G 9. Song Step Backward messages can be assigned to MIDI Continuous Controller 18, or any MIDI note from C -1 to G 9.
To dump a single program to an original Studio Vocalist (non-EX): 1. Press the Utilities button from any mode; this presents the UTILITIES main menu. 2. Press the MIDI softkey; this presents the MIDI Utilities sub-menu. 3. Press the softkey corresponding to Dump. 4. Press the Right Arrow button once. The display will read “ Press [Store] to dump SV V1.0 program. 5. Use the Data Wheel to select the desired program to dump 6.
To dump all songs to another Studio Vocalist EX: 1. Press the Utilities button from any mode; this presents the UTILITIES main menu. 2. Press the MIDI softkey; this presents the MIDI Utilities sub-menu. If you are dumping all programs to a sysex librarian, ensure that the librarian is ready to receive a sysex dump. 3. Press the softkey corresponding to Dump. 4. Press the Right Arrow button four times. 5. Press the Store button to dump all songs; the unit will display “Dumping...
I/O Utilities (Input /Output) Quad or Stereo Mode The Output Mode selector lets you choose between stereo or quad output modes. The stereo mode assigns all outputs (dry voice plus harmony voices) to the left and right rear-panel outputs, with the associated pan values defined in the current program’s Mix setting. The quad mode assigns all voices to individual rear-panel outputs, resulting in maximum flexibility for the recording studio.
Pressing the Init softkey from within the Utilities mode presents the Initialize Utilities sub menu. From the Init screen you can choose to initialize: • a user Program • any Song • all unused styles • all programs, styles and songs (factory restore) To initialize (clear) a user program: 1. Press the Utilities button from any mode; this presents the UTILITIES main menu. 2. Press the Init softkey; this presents the Initialize Utilities sub-menu. 3. Press the softkey corresponding to Programs. 4.
To initialize all programs, styles and songs (factory initialization): 1. Press the Utilities button from any mode; this presents the UTILITIES main menu. 2. Press the Init softkey; this presents the Initialize Utilities sub-menu. 3. Press the softkey corresponding to All. 4. Press the Store button. A warning tells you that all user programs, songs and styles will be lost. To cancel the factory initialization, press the Exit button; otherwise, press the Store button to perform the initialization.
4. Use the Data Wheel to select the desired footswitch action. 5. Repeat steps 3 and 4 for other button assignments, if desired. 6. Press the Utilities button once again to exit; this will return you to the mode from which you entered. User Utilities The User Utilities allow you to select between eight different levels of LCD display contrast, and to enable or disable voice editing of harmony intervals.
cue-in note will be produced at the outputs. This feature is only available within Utilities mode. When you set the internal synthesizer to On, you can return to Programs mode and press any note on the front panel keyboard to play the note through the Studio Vocalist EX’s pitch shifters. This will allow you to hear the harmonies currently defined for that note within the current program. You can also adjust the output volume of the synthesizer if desired. The default volume level is -12 dB.
Ess Sensitivity The Ess Sensitivity adjustment allows you to decrease the amount of sibilant energy (i.e. “ess”, “tee” and “ch” sounds) presented to the input of the Studio Vocalist EX’s pitch recognition circuitry. An increase in the Ess Sensitivity parameter increases the Studio Vocalist EX’s ability to “ignore” sibilant sounds, thereby minimizing the chance of pitch tracking errors. This setting can need to be adjusted to accommodate different singers. It is easily modified while the singer sings.
added to the dry voice in the audio outputs. Once the input level again drops to less than -20 dB, the harmonies will be disabled and removed from the audio outputs. To adjust the Harmony Gating Threshold: 1. Press the Utilities button from any mode; this presents the UTILITIES main menu. 2. Press the Audio softkey. 3. Press the Right Arrow button twice. 4. Use the Data Wheel to increase or decrease the Harmony Gating Threshold as desired. 5.
SONG MODE The Song mode is a handy and effective tool for live performance that enables you to switch harmony styles “on the fly”. Song mode also provides a convenient way to select key or chord change sequences from a Digitech FS300 footswitch. Choose different Styles, scales or special effects by entering them into a list that can be stepped through, almost like a manual sequencer.
which demo song you have chosen, you may see the program change also. Creating Your Own Songs The arrangement and section editing screens in Song mode make it easy to create your own songs for non-MIDI performance. Each song in the Studio Vocalist EX is made up of up to 16 different sections with a choice of preset names such as Verse, Chorus etc.. Each section can consist of up to 32 different steps and these are the actual chord, key or program changes that make up a song.
Section Letter Step Number Program Number Step Insert/Delete Key or Chord Program Name Name Editor 6. Press the Insert softkey to add a new step to your section. This presents the Step Insert screen. In this screen you can choose a different chord root or key, harmony style and program for each step in this section. 7. Turn the Data Wheel to select the program you want for this step.
4. Use the Data Wheel, softkeys and keyboard to enter the new information. The Arrow buttons are still active so you can make changes to additional steps. 5. Press the Exit button twice to exit and store your changes if you decide to keep them. Naming Songs and Sections Naming your song is important for your reference but not required by the Studio Vocalist EX. If you plan to use the Arrangement editing feature you should assign each section a name such as verse, chorus etc..
If, however, you have other parts of your song you would like harmonies in, you will probably want to create some more sections and then piece them together in the Arrangement editing screen. To create more sections: 1. Repeat steps 1 to 4 above. Make sure to load the song you have just started even though it may still be called “Blank song #”. 2. Press the Insert softkey to add another section. 3. Turn the Data Wheel one notch to the right.
Changing Song Keys (Transposing) If you want to change the key of your song to accommodate a different singer or a sore throat, you can do so with the Song Transpose feature. All of the chords in your songs will automatically shift to the new key and you can decide whether to temporarily change the key or make the change permanent. To change the key of your song: 1. Press the Songs button to enter Songs mode, and use the Data Wheel to select the desired song. 2. Press the Edit button once. 3.
BASIC HARMONY CONCEPTS Overview A well-crafted vocal harmony can do a great deal towards enhancing a musical selection. The contrast between a lone singing voice and a group of voices signing together makes the music that much more interesting. But harmonies can be somewhat difficult to understand, so in this chapter, we will try and demystify this process.
The opposite of a diatonic harmony is chromatic. A chromatic scale is defined as: a scale type that uses all 12 semitones. Notice that the previous scale example had 8 notes. The chromatic scale uses all the sharp and flat notes in between as well. There are 12 of each of the major, minor, etc. scales; there is only one chromatic scale. To illustrate a chromatic harmony, see the following example of a chromatic 3rd above harmony on our C major scale. The sharps show the non-scale notes.
The word “scalic” has at its root the word “scale” and this is important. To the Studio Vocalist EX, a scale is: a group of notes within one octave that falls in one of the following scale types; Chromatic, Major, Minor, Harmonic Minor, Melodic Minor, Wholetone, Diminished, Dorian and “Blues”. In the previous example showing the principle of diatonic harmony, we were showing a scalic harmony. That is, one whose harmony notes only fall within the notes that belong to that particular scale.
SPECIFICATIONS Microphone Input Balanced XLR, 1 KOhm impedance, cardoid (directional) type preferred Line Input Balanced or unbalanced 1/4" TRS, +4/-10 dB level (switchable), 10 KOhm impedance Microphone Input Range @ 150 Ohm source impedance: minimum -35 dBu, maximum +1.5 dBu Line Input Range Balanced input @ 50 Ohm source impedance: maximum +14.
MIDI Implementation Chart IVL Technologies Ltd. Studio Vocalist EX Function Basic Channel Date: February 1998 Version: 1.
.6=edit MIDI MESSAGES } MIDI PARAMETER EDIT format: format (edit buffer) : Example: procedure number 5Dh procedure number 60h 60 PACKED { effect number 01 query type (1=edit buffer) style number 01 data size hi parm number 01 data size lo value MSB (0,0,0,0,0,0,value lo.7,value hi.
MIDI EDIT BUFFER EDIT format: procedure number 5Ch PACKED { edit buffer data } Example: F0 00 00 10 00 37 5C ... packed edit buffer data ...
MIDI SYSEX Dump 1 Studio Vocalist EX Program Formats SYSEX Header (7 bytes) { F0h - Beginning of SYSEX Message 00h 00h 10h - DigiTech Product Identifier xxh - Channel # 37h - Studio Vocalist EX Device ID 42h - Procedure number (Dump 1 Program) Number of Styles (1 byte) { 1bh - number of styles Style Header (2 bytes) { Style ID Style Version (see note #2 below) Style Data (xx bytes) { # of data bytes = xxh style data bytes EOX { F7h - End of SYSEX Message see note #1 below Repeated for total
MIDI SYSEX Dump All Studio Vocalist EX Program Formats SYSEX Header (7 bytes) { F0h - Beginning of SYSEX Message 00h 00h 10h - DigiTech Product Identifier xxh - Channel # 37h - Studio Vocalist EX Device ID 42h - Procedure number (Dump 1 Program) { 1 - number of styles (dumped one Style at a t { Style ID Style Version (see note #2 below) Number of Factory Styles (2 bytes) Number of User Styles (2 bytes) see note #1 below Number of Styles (1 byte) Repeated for total number of Styles (see note #2) Sty
MIDI SYSEX Dump 1 Studio Vocalist (non EX) Program Formats (Note: this dump will also be accepted by a Vocalist Workstation (non-EX version)) SYSEX Header (7 bytes) { F0h - Beginning of SYSEX Message 00h 00h 10h - DigiTech Product Identifier xxh - Channel # 24h - Studio Vocalist Device ID 42h - Procedure number (Dump 1 Program) Number of Styles (1 byte) { 18h - number of styles Style Header (2 bytes) { Style ID Style Version Style Data (xx bytes) { # of data bytes = xxh style data bytes EOX {
MIDI Sysex Parameters 13 delay 0 0 to 250 (for 0 to 2.50) 14 delay 1 0 to 250 (for 0 to 2.50) PARAMETER EDITS 15 delay 2 0 to 250 (for 0 to 2.50) 16 delay 3 0 to 250 (for 0 to 2.
VARIATION STYLE: (EFFECT: 1 STYLES: 7-14) Style 7 = Variation 0 Style 8 = Variation 2 and so on up to Style 14 = Variation 7 0 protected 1 harmony type 23 MIDI current CCparm 0 to 15, 20 to 119, 120=aftch, 121=none 24 MIDI current CCpol 0=-, 1=+ 25 MIDI KVS mode 0=program change, 1=notes, 2=chords and CC 16 26 MIDI KVS comm 0=off, 1=receive, 2=transmit, 3=receive + transmit 0=Chromatic, 1=Scalic, 2=Chordal, 3=Vocoder, 4=PitchCorr 2 protected 3 scale type 0=Major, 1=Minor, 2=Whole, 3=Dimin, 4=Bl
50 USER uservoiceedit 0=OFF, 1=ON 51 USER footsw1 0=BypL, 1=BypM, 2=Pgm down, 3=Pgm up, 4=Sng down, 5=Sng up, 6=Stp down, 7=Stp up, 8=Dat down, 9=Dat up 52 USER footsw2 0=BypL, 1=BypM, 2=Pgm down, 3=Pgm up, 4=Sng down, 5=Sng up, 6=Stp down, 7=Stp up, 8=Dat down, 9=Dat up 53 USER footsw3 0=BypL, 1=BypM, 2=Pgm down, 3=Pgm up, 4=Sng down, 5=Sng up, 6=Stp down, 7=Stp up, 8=Dat down, 9=Dat up CONTROLLER SWITCHES AVAILABLE THRU MIDI SYSEX 1 NOTE KEY use controller absolute and note key values 2 ARROW con
Decimal / Hexadecimal /Binary Table Decimal Hexadecimal Binary 0 0 0000 1 1 0001 2 2 0010 3 3 0011 4 4 0100 5 5 0101 6 6 0110 7 7 0111 8 8 1000 9 9 1001 10 A 1010 11 B 1011 12 C 1100 13 D 1101 14 E 1110 15 F 1111 16 10 0001,0000 17 11 0001,0001 18 12 0001,0010 19 13 0001,0011 20 14 0001,0100 21 15 0001,0101 22 16 0001,0110 23 17 0001,0111 24 18 0001,1000 25 19 0001,1001 26 1A 0001,1010 27 1B 0001,1011 28 1C 0001,1100 2
8760 South Sandy Parkway Sandy, Utah, 84070 Telephone (801) 566-8800 Fax (801) 566-7005 International Distribution: 7 Farmington Road Amherst, New Hampshire 03031 U.S.A. Fax (603) 672-4246 DigiTech is a registered trademark of DOD Electronics Corporation Copyright 1998 DOD Electronics Corporation Studio Vocalist EX VERSION 1.
