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DECLARATION OF CONFORMITY Manufacturer’s Name: Manufacturer’s Address: declares that the product: Product Name: Product Options: Digitech Electronics 8760 S. Sandy Parkway Sandy, Utah 84070, USA RP21, RP21D All (requires a Class II power adapter that conforms to the requirements of EN60065, EN60742, or equivalent.
We at Digitech are very proud of our products and back-up each one we sell with the following warranty: 1. The warranty registration card must be mailed within ten days after purchase date to validate this warranty. 2. Digitech warrants this product, when used solely within the U.S., to be free from defects in materials and workmanship under normal use and service. 3.
Table of Contents Safety Information....................................................................................................I Declaration of Conformity ......................................................................................II Warranty ..................................................................................................................III Table of Contents ....................................................................................................
RP21D User’s Guide Section One - Introduction Section-1 Introduction Congratulations on your purchase of the Digitech RP21D! The DigiTech RP21D is one of the most powerful preamp processors in the world. The exclusive dual preamp paths, and palette of great digital effects, combined with the flexible routing and a digital output make the RP21D an extremely versatile sound shapingtool for your music in the studio or on stage.
RP21D User’s Guide Section One - Introduction Quick Start The RP21D comes with 128 pre-programmed factory presets, and 128 user presets. You will find that from the factory, the user presets are exact duplicates of the factory presets. This allows you to experiment without running the risk of losing any of the original sounds contained in the RP21D. For those of you who prefer to burn now and read later, we’ve included this Quick Start section to get you up and running.
RP21D User’s Guide Section One - Introduction A Guided Tour of the RP21D The Front Panel D 1. Footswitches - The footswitches are used to call up Programs, change banks, access the tuner, bypass all effects, turn individual effects on and off, or change the value of a specific parameter. 2 Display - The display provides all information regarding the current Program, parameter edit functions, utility set up, and tuning indications. 3.
RP21D User’s Guide Section One - Introduction 6c. Utility Button - This button will provide access to the utility functions in the RP21D. This button will light when you are in the Utility menu.Once in the Utility menu, you may use the Previous Page and Next Page buttons to select any of the 15 pages of Utilities. The Utility menu includes Output mode, MIDI functions, System Exclusive dumps, Bank Names, Reinitialization menu, and Expression Pedal Calibration menu. 6d.
RP21D User’s Guide Section One - Introduction 6. Left/Mono Output - This output should be used for all stereo and mono applications. Connect from this jack to the input of your amplifier, or the left input of a stereo power amp. If the RP21D is to be used in a mono application, set the Output Mode to mono in the utility menu. 7. Headphone Output - This jack delivers a speaker compensated, stereo signal. Connect stereo headphones to this jack.
RP21D User’s Guide Section One - Introduction Stereo For stereo operation connect the guitar to the input of the RP21D. Connect from the RP21D’s Left/Mono output to the input of one amplifier or channel of a power amp. Connect from the Right output of the RP21D to a second amplifier, or to a second channel of a power amp. Input D Right output Left Mono output Right input Left input Stereo 100 Power Amp NOTE: The RP21D is a preamp.
RP21D User’s Guide Section One - Introduction Powering the RP21D Once the audio connections have been made, connect the 4 pin connector of the power adapter to the power jack on the back of the RP21D and the other end to an AC outlet. Begin to play your guitar while adjusting the Input Level on the back panel of the RP21D. The Input Level should be adjusted so the clip LED lights occasionally on the strongest peaks of your signal.
RP21D User’s Guide Section One - Introduction The Programs Programs are named and numbered locations of sounds that have been programmed into the RP21D. Programs can be recalled with the footswitches or the Data Wheel. The RP21D comes with 128 factory and 128 user Programs available. The factory Programs will not allow you to store any changes to them. The user Programs are locations where your creations may be stored.
RP21D User’s Guide Section One - Introduction Preamp/Analog Modules Access to all of the preamp modules is accomplished by pressing the Preamp button. Once pressed, an effect module in the preamp section of the display will begin to flash indicating which module you have accessed. Successive presses of the Preamp button will advance to the next module in the preamp section. Each module will have various parameters available for editing.
RP21D User’s Guide Section Two - Editing Functions Section Two - Editing Functions Selecting a Program When creating or editing a sound, you must first start by choosing a Program. The Program number does not necessarily need to be the location which you intend to have the sound reside, as you can save your creation to any user Program number during the store process. You do have to start with one of the user or factory Programs. It is not possible to start with a completely empty Program.
RP21D User’s Guide Section Two - Editing Functions Compressor Compression is a tool that sets boundaries for the strength of your guitars signal. A bi-product of containing a signal within these boundaries is long lasting sustain, as well as a tight, smooth texture. Selecting the Compressor is done by pressing the Preamp button until the Compressor module is flashing in the display.
RP21D User’s Guide Section Two - Editing Functions 3. This is the Compressors Attack Time parameter. The Attack Time parameter adjusts the length of time that it takes the compressor to reach the full Ratio once the Threshold has been exceeded. The number 3 icon is telling you that in order to access the Attack Time parameter, you must press the number 3 button. Then you can adjust the Attack Time value by rotating the Data Wheel. 4.
RP21D User’s Guide Section Two - Editing Functions Wah Wah The RP21D includes an analog Wah effect which can be assigned to the expression pedal and controlled just like a stand alone Wah pedal. You access the Wah by pressing the Preamp button until the Wah module in the display is flashing.
RP21D User’s Guide Section Two - Editing Functions Once you have accessed page 2 of the Tube Distortion, the display will look something like this: 1 3 4 FACTORY USER BANK PAGE OF 2 2 2 Type: Dirty Tube 1 %kHz msdB LINK CHANGED %kHz %kHz msdB 3msdB 32 LINK CHANGED COMP WAH SEAMLESS TUBE EQ DIST EQ b LINK Gain 4 45 %kHz msdB LINK GATE # DIGITAL CLIP L/R OUTS The display it now telling you three more things about the Tube Distortion parameters. 1.
RP21D User’s Guide Section Two - Editing Functions Solid State Distortion In addition to the Tube Distortion, the RP21D also includes a solid state Distortion. Both the tube and solid state Distortions may be run simultaneously or separately. Each Distortion has a separate 10 band Equalizer. To access the solid state Distortion module, press the Preamp button until the Dist module is flashing.
RP21D User’s Guide Section Two - Editing Functions 10 Band Graphic Equalizer The RP21D includes two 10 band Graphic Equalizers in the preamp section, one for each of the distortion paths. To access either one of the Graphic Equalizer modules, press the Preamp button until the desired EQ module is flashing.
RP21D User’s Guide 4 FACTORY USER BANK PAGE OF 3 5 80Hz 1 140Hz 250Hz 450Hz %kHz 3msdB 3 msdB 2 0%kHz LINK CHANGED LINK CHANGED COMP Section Two - Editing Functions WAH SEAMLESS %kHz 2%kHz msdB 4 msdB LINK TUBE EQ DIST EQ b LINK 1 %kHz %kHz msdB msdB GATE # DIGITAL CLIP L/R OUTS As in all other editing functions, the display is telling you that each parameter shown is accessable by using the 1-4 buttons which will select the frequency corresponding to the 1-4 icons in the display
RP21D User’s Guide Section Two - Editing Functions 1 3 4 FACTORY USER BANK PAGE OF 1 3 2 Noise Gate LINK CHANGED LoThresh %kHz msdB 1 On %kHz msdB 2 %kHz msdB LINK CHANGED COMP WAH SEAMLESS LINK TUBE EQ DIST EQ b 4 F 1%kHz msdB LINK GATE # DIGITAL CLIP L/R OUTS The Display is now telling you three things about the Noise Gate 1. This is showing that the type of effect you are about to edit is the Noise Gate, and that the effect is on.
RP21D User’s Guide Section Two - Editing Functions 1. This parameter is the Gate Threshold which adjusts the signal strength required to open or close the gate. The number 1 icon is telling you that in order to access the GAte Threshold, you must press the number 1 button. You can then adjust the Gate Threshold by rotating the Data Wheel. 2. This is the Attenuation parameter. Attenuation is the amount of cut applied to the signal when the Gate is closed.
RP21D User’s Guide Section Two - Editing Functions 2. This parameter is the Distortion Pan. The pan is the left/right positioning of the Distortion. The number 2 icon is telling you that in order to access the Distortion Pan, you must press the number 2 button. You can then adjust the Pan of the Distortion by rotating the Data Wheel. 3. This is the Mix parameter. It controls the overall strength of signal being fed into the digital effects from both distortion paths.
RP21D User’s Guide Section Two - Editing Functions 1. This parameter is telling you that you are editing the parameters of the Distortion when it is bypassed. You can also edit the on parameters of the Distortion. The number 1 icon is telling you that in order to access the status of editable Distortion parameters, you must press the number 1 button. You can then select the on Distortion parameters by rotating the Data Wheel. 2. This is the Volume Level of the Distortion.
RP21D User’s Guide Section Two - Editing Functions 1. This is the current name of the default. There will be a cursor under one of the characters of the name. This indicates which character has been selected. Rotating the Data Wheel will change the character. The next and previous page buttons will move the cursor right or left. 2. The number 1 icon is indicating that pressing the number 1 button will select a letter, change from upper case to lower case, or lower case to upper case. 3.
RP21D User’s Guide Section Two - Editing Functions 23
RP21D User’s Guide Section Two - Editing Functions Digital Effects There are literally dozens of digital effects available for you to choose from. The Digital Effects can be placed in any order that you choose, and you may even run redundant effects. Up to four Digital Effects can be used simultaneously in the RP21D. The Digital Effects are accessed by using the Effects button. The first press of the Effects button will take you to the Configuration page.
RP21D User’s Guide 1 4 4 FACTORY USER BANK PAGE OF 1 1 2 3 FX:Thru Module %kHz 1 On %kHz 2 4thmsdB msdB 2 LINK CHANGED WAH SEAMLESS TUBE EQ DIST EQ b Center %kHz msdB LINK CHANGED COMP Section Two - Editing Functions LINK 4 F 1%kHz msdB LINK GATE # DIGITAL CLIP L/R OUTS The display is now telling you four things about the digital effect. 1. The effect module is on.
RP21D User’s Guide Section Two - Editing Functions Once the second page of parameters has been accessed, the display will look something like this: 1 4 4 FACTORY USER BANK PAGE OF 2 5 2 FX:Lvl Dry:Lvl Balance %kHz msdB 1 50 %kHz 2 msdB 2 LINK CHANGED 3 100%kHz msdB 4 LINK CHANGED COMP 3 WAH SEAMLESS LINK TUBE EQ DIST EQ b LINK 0 %kHz msdB GATE # DIGITAL CLIP L/R OUTS The display is now telling you four more things about the Chorus parameters. 1.
RP21D User’s Guide 1 3 4 FACTORY USER BANK PAGE OF 4 5 Section Two - Editing Functions 2 DlyA DlyB Balance %kHz msdB 1 50 %kHz 2 msdB 2 LINK CHANGED 3 100%kHz msdB 4 LINK CHANGED COMP WAH SEAMLESS LINK TUBE EQ DIST EQ b 0 LINK %kHz msdB GATE # DIGITAL CLIP L/R OUTS The display is now telling you three more things about the Chorus parameters. 1. The Dual Chorus has two delay circuits. This is the delay time of the first delay in the Chorus effect.
RP21D User’s Guide Section Two - Editing Functions Effect Types Pressing the Effects button will advance you to the next module in the Digital Effect chain. The procedure for editing each module will be the same as the procedure previously described with the chorus. The only exception being that different effects will have different parameters, and some may have a different number of pages. The following is a list of the types of effects available with the RP21D, and a definition of the parameters.
RP21D User’s Guide Section Two - Editing Functions to create an incredible ensemble of sound. Aside from the more obvious speed and depth parameters (which adjust respectively how fast and far the sound goes out of tune), the RP21D allows you to use different waveforms. The waveform defines how it will move in and out of tune. The triangle waveform is very popular for slow, shallow chorus settings, while the sine waveform works nicely for faster, deeper settings.
RP21D User’s Guide Section Two - Editing Functions Pan A - B Controls the placement of chorus voice A or B. Ranges from -99 to 99. Out C - D Adjusts the overall level of chorus voice C or D. Ranges from Off to 100%. Pan C - D Controls the placement of chorus voice C or D in the stereo image. Ranges from -99 to 99. Out LA - LB Adjusts the left-side level of chorus voice A or B. Ranges from Off to 100%. Out RA - RB Adjusts the right-side level of chorus voice A or B. Ranges from Off to 100%.
RP21D User’s Guide Section Two - Editing Functions Out A - B Adjusts the overall level of flange voice A or B. Ranges from Off to 100%. Pan A - B Controls the stereo soundfield placement of flange voice A or B. Ranges from -99 to 99. Out L - R Controls the output level of the left or right side of the flanger. Ranges from Off to 100%. Phasers The Phaser or “Phase Shifter” as it is sometimes called, is a classic effect from the 70's that uses phase cancellation to create a warm sweeping effect.
RP21D User’s Guide Section Two - Editing Functions Depth This parameter controls the amount of modulation depth in the phaser. Range is 0 to 100%. Feedback This parameter controls amount of feedback in the phaser effect. Range is 0 to 100%. Output A-B This parameter sets output of the pedal phaser effect. Range is from 0 to 100%. Pan A-B This parameter sets pan of the pedal Phaser Range is from 0 to 100%.
RP21D User’s Guide Section Two - Editing Functions Tremolo The word tremolo actually has several definitions in the music world. It basically means that a sound is being modulated in amplitude (the volume is beating or pulsing). It could be emulated by turning a volume knob up and down. But you probably have better things to do than turn a volume control up and down throughout a whole song, so let the RP21D do it for you.
RP21D User’s Guide Section Two - Editing Functions When do I use delay? When you’re the lone guitarist in a band, the Delay can be your best friend. The Delay repeats can create the illusion that there is more than one guitar being played. One trick to using delays effectively is setting the delays to fall in time with the music. This used to mean grabbing a calculator, dividing 60 by the tempo (beats per minute), then dividing that answer by the desired sub-beats . . .
RP21D User’s Guide Section Two - Editing Functions Pan Controls the stereo soundfield placement of the delay. Ranges from -99 (all left) to 99 (all right). Out L - R Adjusts the left or right output level of the Delay. Ranges from Off to 100%. Out A - B Adjusts the output level of delay voice A or B. Ranges from Off to 100%. Pan A - B Controls the stereo soundfield placement of delay voice A or B. Ranges from -99 (all left) to 99 (all right).
RP21D User’s Guide Section Two - Editing Functions C/F: Delay Controls the delay time of the Chorus or Flanger voice. Ranges from 0 to 40 milliseconds. Delay Time Sets the delay time for the delay tap. Ranges from 0 to 300 milliseconds. Feedback Controls the fade time of the delay repeats. Higher settings take longer to fade out, while a setting of zero will limit the delay to one repeat. Ranges from 0 to 99%.
RP21D User’s Guide Section Two - Editing Functions Loop This parameter will engage, or disengage the loop function. With the loop function engaged, the sampled signal will automatically continue to repeat. Range on and off. Over Dub This parameter allows you to play one passage in to the sampler, and then layer another passage over the top of the first one. In other words, the two samples will combine. Ranges on and off.
RP21D User’s Guide Section Two - Editing Functions Reverb Real life reverberation is the result of sound reflecting off surfaces in a room or hall. It can best be described as millions of small echoes that decay over a period of time. The size of the room, the surface type of the walls, or the carpet on the floor all contribute to the way real reverberation behaves and sounds. When do I use Reverb? When recording in the studio, nearly always.
RP21D User’s Guide Section Two - Editing Functions Dispersion Controls the distance (time) between the echoes set by DENSITY. If DENSITY is set low and DISPERSION is set high, the initial room echoes. Dispersion can be heard as discrete echoes followed by smoother room reverberations. Set DISPERSION low for a dense cluster of reflections during the early portions of DECAY. Ranges from 1 to 5.
RP21D User’s Guide Prim & Secd Size Section Two - Editing Functions Changes the relative room size of the Primary and Secondary reverb stages. Ranges from 1 to 5. Controls the simulation of energy loss of sound each time it is reflected. Hard, smooth materials like glass and wood have more reflectivity that softer, more porous materials. This control can be thought of as determining the “liveness” of the room. Ranges from 1 to 10.
RP21D User’s Guide Section Two - Editing Functions Detuner Parameters FX: Lvl Controls the signal input level fed to the Module. Ranges from Off to 100%. Dry: Lvl Controls the level of the dry (uneffected) signal. Ranges from Off to 100%. Balance Controls the positioning of the dry signal in the stereo soundfield. Ranges from -99 (all left) to 99 (all right). Dtn A - B Dtn C - D Controls the detuning amount for detuner voices A and B. Higher detune settings produce a more dissonant sound.
RP21D User’s Guide Section Two - Editing Functions Pitch Shifters Parameters Note: not all of the parameters listed below are available in all Pitch Shifter modules. 42 FX: Lvl Controls the signal input level fed to the Module. Ranges from Off to 100%. Dry: Lvl Controls the level of the dry (uneffected) signal. Ranges from Off to 100%. Balance Controls the positioning of the dry signal in the stereo soundfield.
RP21D User’s Guide Section Two - Editing Functions Out L - R Adjusts the left or right output level of the pitch-shifted voice. Ranges from Off to 100%. Out LA - LA Adjusts the left-side level of pitch-shifted voice A or B. Ranges from Off to 100%. Out RA - RB Adjusts the right-side level of pitch-shifted voice A or B. Ranges from Off to 100%. Spread Controls the width of the effect’s stereo imaging.
RP21D User’s Guide Section Two - Editing Functions Auto Wah Effect Parameters Auto Wah On/Off Turns the Auto Wah module on or off. When the module is turned off, the signal will continue to pass through the module. FX Level This parameter lets you select the overall FX level mix of the Auto Wah Effect module. Ranges from: Off to 100%. Sensitivity This parameter adjusts the sensitivity of the detection of the automatic wah. The higher the sensitivity is set, the wider the Wah range will be.
RP21D User’s Guide Phase L - R Freq Section Two - Editing Functions Inverts the phase of the left or right side of the stereo source signal. Can be set either IN or OUT of phase. Controls the amount of boost / cut applied to the selected frequency. The GEQ 8 uses 1-1/3 octave ISO standard frequency centers, (Hz) while the GEQ15 and GEQ31 use 2/3 octave and 1/3 octave frequencies. Boost/cut range for each band is from -12 to 12.
RP21D User’s Guide Section Two - Editing Functions Master Mix The Master Mix is found at the end of editing your Digital Effects. After you have edited the last Digital Effect module in your configuration, press the Effects button again.
RP21D User’s Guide Section Two - Editing Functions Storing/Copying Programs Any time that you make a change to a Program, the store button will light indicating that in order to retain the changes, you have to store your changes to a Program. If you switch Programs, or turn the power off to the RP21D without storing your changes, the RP21D will revert to the last stored version of that Program erasing all the changes that you had made.
RP21D User’s Guide Section Three - Advanced Topics Section Three - Advanced Topics Foot Controller Functions The 10 numbered footswitches can perform a variety of different functions of the RP21D. You can use them to select specific Programs, turn effects on and off, and change to a specific value for any of the effect parameters. The Bank Up and Bank Down switches will increment and decrement through the 19 different Banks contained in the RP21D.
RP21D User’s Guide Section Three - Advanced Topics 3. This is the minimum value that the parameter will change to. In our example this is the status when the light on the footswitch is out. 4. This is the maximum value that the parameter will change to. In our example this is the status when the light on the footswitch is on. There are parenthesis in between the words Min and Max. These parenthesis will show the value as it changes in real time. 5.
RP21D User’s Guide Section Three - Advanced Topics Assigning the Wah As you can see, assigning the Expression Pedal to control a parameter is a very simple process. The most common mistake made when assigning the expression pedal is failing to access the specific parameter before pressing the Assign button. If for instance you want to assign the pedal to control the Wah, Step number 1 listed above is to press the Preamp button until you have accessed the Wah effect module.
RP21D User’s Guide Section Three - Advanced Topics Parallel In a Parallel configuration, the left and right outputs of the Tube and Solid State Distortions are summed together at the output of the morphing section. A monaural signal is then fed into both of the Digital Effects chains. The Digital Effects will provide the stereo imagine. Split/Parallel In a Split Parallel configuration, the left and right outputs of the Tube and Solid State Distortions are kept discrete.
RP21D User’s Guide Section Three - Advanced Topics 4. The Display is telling you that the RP21D is ready to link the FX Level but that the link is turned off. Rotate the Data Wheel to turn the link on.
RP21D User’s Guide Section Three - Advanced Topics 3. This is the minimum value that the parameter will change to. The number three icon is indicating that you must press the number three button to access the minimum value parameter. You can then rotate the Data Wheel to change the minimum value. 4. This is the maximum value that the parameter will change to. The number four icon is indicating that you must press the number four button to access the maximum value parameter.
RP21D User’s Guide Section Four - Utilities Section Four - Utilities The Utility section of the RP21D is where you will find general assignments that affect the Outputs, Cabinet Emulator, MIDI Functions, Pedal Board Settings, Bank Naming, Factory Reset, and Pedal Calibration menus. To access the utility functions, press the utility button once. Then use the Next or Previous Page buttons to select the Utility menu that you wish to access.
RP21D User’s Guide 2 MIDI: RcvChnl %kHz msdB LINK CHANGED 1%kHz msdB 2 COMP WAH TUBE 3 LINK CHANGED EQ FACTORY USER BANK PAGE OF TransChnl %kHz msdB LINK CHANGED 1 4 LINK CHANGED GATE L/R OUTS # 15Ł Section Four - Utilities L/R OUTS 2. The number two icon indicates that you must press the number two button to access the MIDI Receive Channel. You can then rotate the Data Wheel to change the MIDI Receive Channel 3.
RP21D User’s Guide Section Four - Utilities 3. The number three icon is indicating that you must press the number three button in order to access the outgoing MIDI Program number. You can then rotate the Data Wheel to select MIDI Program 1 through 128 that you want to send from the RP21D when you select the Program shown next to the number four icon. 4. The number four icon is indicating that you must press the number four button in order to access the RP21D Program that you intend to remap.
RP21D User’s Guide Section Four - Utilities To Perform either a Bulk Dump or a System Dump, do the following: 1. Press the Utility button once. Use the Next or Previous Page buttons until you reach page 7. The Display reads: 2 SysExDump: %kHz msdB 1 LINK CHANGED Bulk LINK CHANGED COMP WAH TUBE LINK CHANGED EQ USER BANK PAGE System %kHz 3 Yes%kHz msdB 4 yesmsdB 2 LINK CHANGED GATE L/R OUTS # 7 OF 15 b DIGITAL 2.
RP21D User’s Guide Section Four - Utilities 2 UsrDflt:Preamp %kHz --msdB 3 1 Yes%kHz msdB 2 LINK CHANGED LINK CHANGED COMP WAH TUBE EQ FACTORY USER BANK PAGE OF 9 User 1 %kHz msdB LINK CHANGED 4U 1 LINK CHANGED GATE L/R OUTS # 15 b 2. Press the number two button and rotate the Data Wheel to select the Effect Module whose Default you want to dump. 3. Press the number four button and rotate the Data Wheel to select the User Default you want to dump. 4.
RP21D User’s Guide Section Four - Utilities Bank Names You can assign custom names to every Bank in the RP21D. The Procedure for naming your Banks is as follows: 1. Press the Utility button once. Use the Next or Previous Page buttons until you reach page 12 of the utilities. The Display reads: FACTORY PAGE 2 Bank: Showcase 1 1 2 LINK CHANGED LINK CHANGED COMP WAH USER 3 Name? 1 LINK CHANGED TUBE EQ DIST EQ 15 b 12 OF 4 Yes LINK CHANGED GATE L/R OUTS DIGITAL CLIP L/R OUTS # 2.
RP21D User’s Guide Section Four - Utilities FACTORY PAGE 2 Are you sure ? 1 1 2 LINK CHANGED 3 Yes 1 LINK CHANGED COMP WAH USER LINK CHANGED TUBE EQ DIST EQ 14 OF15 b 4 no LINK CHANGED GATE L/R OUTS DIGITAL CLIP L/R OUTS # 3. This is your last chance to change your mind. If you want to abort the Reset procedure, press the number four button. If you are sure that you want to reset all user settings, press the number three button. The display will briefly show “Resetting...
RP21D User’s Guide Section Five - Appendix Section Five - Appendix RP21D Factory Program List Showcase 1. Dry Saturated Tube 2. Series Chorus/Detune 3. Warm Sweet Solo 4. Phaser in Space 5. Power Wah Signature 6. Cliff Notes of Dover 7. Run Like Heck 8. Big Band Rockabilly 9. Live Strikes 10. Angus in the House Pseudo Seamless 11. Clean Funk}}{{Big Solo 12. Dirt Phase}}{{EasternDly 13. Ping Pong Clean}}{{Dirty 14. Lead Over Chord 15. Seamless Delay Morph 16. Clean Chorus>>DistOctav 17.
RP21D User’s Guide Section Five - Appendix Specifications Input Section Connector: Nominal Value: Maximum Level: Impedance: 1/4” Unbalanced -8 dBu +10 dBu 470 ohms Output Section Connector: Nominal Level: Maximum Level: Impedance: (2) 1/4” TRS Impedance Balanced +4 dBu +18 dBu 50 ohms Digital Section A/D Converter: D/A Converter: Sampling Rate: Output: 20 bit 128x Oversampled 20 bit 128x Oversampled 44.1kHz.
RP21D User’s Guide Function...
8760 S. Sandy Parkway Sandy, Utah 84070 Telephone 801-566-8800 Fax 801-566-7005 International Distribution: 8760 S. Sandy Parkway Sandy, Utah 84070, USA Telephone 801-568-7638 Fax 801-568-7642 DigiTech, RP21D, and S-DISC are trademarks of the Harman Music Group Incorporated Copyright 1999 the Harman Music Group Incorporated Printed in USA 3/99 Manufactured in the USA RP21D 18-6319 Please Visit DigiTech on the World Wide Web at http://www.digitech.
