IMPORTANT SAFETY INSTRUCTIONS WARNING FOR YOUR PROTECTION PLEASE READ THE FOLLOWING: KEEP THESE INSTRUCTIONS HEED ALL WARNINGS FOLLOW ALL INSTRUCTIONS DO NOT USE THIS APPARATUS NEAR WATER The symbols shown above are internationally accepted symbols that warn of potential hazards with electrical products. The lightning flash with arrowpoint in an equilateral triangle means that there are dangerous voltages present within the unit.
IMPORTANT SAFETY INSTRUCTIONS LITHIUM BATTERY WARNING CAUTION! This product may contain a lithium battery.There is danger of explosion if the battery is incorrectly replaced. Replace only with an Eveready CR 2032 or equivalent. Make sure the battery is installed with the correct polarity. Discard used batteries according to manufacturer’s instructions. U.K. MAINS PLUG WARNING A molded mains plug that has been cut off from the cord is unsafe. Discard the mains plug at a suitable disposal facility.
Warranty We at DigiTech are very proud of our products and back-up each one we sell with the following warranty: 1.The warranty registration card must be mailed within ten days after purchase date to validate this warranty. 2. DigiTech warrants this product, when used solely within the U.S., to be free from defects in materials and workmanship under normal use and service. 3.
Table of Contents Introduction . . . . . . . . . . . . . . . . . Included Items . . . . . . . . . . . . . . . . . . Quick Start . . . . . . . . . . . . . . . . . . . . Make Connections . . . . . . . . . . . . . Speaker Compensation . . . . . . . . . Apply Power . . . . . . . . . . . . . . . . . Select an Output Setup Mode . . . . Select a Preset . . . . . . . . . . . . . . . . A Guided Tour of the GNX4 . . . . . . The Front Panel . . . . . . . . . . . . . . . The Rear Panel . . . . . . . . . . . . . . . .
Table of Contents Save the HyperModel™ . . . . . . . . . . . . . Select Models for the Preset’s Channels Edit the Presets Effects . . . . . . . . . . . . Select the Pickup Type . . . . . . . . . . . Turn the Compressor Off . . . . . . . . Turn the Whammy™/IPS/Talker™ Off . Turn the Stompbox Modeling Off . . . Adjust the Noise Gate . . . . . . . . . . . Select and Adjust the Chorus . . . . . Turn the Delay Off . . . . . . . . . . . . . . Select and Adjust the Reverb . . . . . . Store the Preset . . . . . . .
Table of Contents Computer Recording via USB . . . . . . . . . . . . . .92 USB Recording Introduction . . . . . . . . . . . . . . . . . .92 Installing the GNX4’s Software Suite . . . . . . . . . .92 Connecting the GNX4 to the Computer . . . . . .92 Using Pro Tracks Plus™ . . . . . . . . . . . . . . . . . . . . . .93 Installing Pro Tracks Software . . . . . . . . . . . . . . . .93 Setting Up the GNX4 MIDI Device . . . . . . . . . . .93 Setting up the GNX4 for Hands-Free Recording .
Introduction Introduction Congratulations on your purchase of the GNX4 Guitar Workstation™. The GNX4 is the most advanced product of its kind, delivering an award-winning GeNetX™ multi-modeling guitar processor, onboard 8-track digital recorder, General MIDI drum machine, MP3 player, and USB audio/MIDI interface in a single integrated package.
Introduction Quick Start This Quick Start section is included for those of you who would rather play now and read later. Make Connections 1. Connect your instrument to the GUITAR/INSTRUMENT INPUT jack on the GNX4’s rear panel. 2. Connect either the 1/4” or the XLR LEFT/RIGHT OUTPUTS to the input(s) of your amplifier(s), power amp, or mixer. Speaker Compensation The GNX4 is equipped with SPEAKER COMPENSATION filtering that can be used with its 1/4”, XLR, and HEADPHONE OUTPUTS. 1.
Introduction A Guided Tour of the GNX4 The Front Panel 2 3 4 5 6 7 8 a AMP CHANNEL 9 10 11 12 13 14 15 b CONTROL A CONTROL B CONTROL C TAP TEMPO 1 1. Footswitches 1-5 Depending on the selected mode, these 5 footswitches select presets, change amp channels, turn individual effects on and off, control drum machine operations, control playback of MP3 files, and give you hands-free operation of the GNX4’s onboard recorder.
Introduction edit row selected, the Status button turns Channel Two’s EQ on and off. With the TONE (Silver) edit row selected, the Status button selects between Channel One Amp,Warped Amp, and Channel Two Amp. The Amp Gain, Bass, Midrange,Treble, and Amp Levels alternate between editing Channel One’s (lit green) or Channel Two’s (lit red) amp settings as the status button is pressed.
Introduction OUTPUT SETUP - This button selects one of the GNX4 Output Setups: Stereo All, Mono All, Mono 1/4”, Mono XLR, Split 1 and Split 2. Stereo and Mono All have all the input sources (guitar, mic, line, drums, onboard recorder playback and audio playback from USB) routed to both output pairs in either stereo or mono respectively. Split 1 routes the guitar signal to just the 1/4” outputs while all other sources are routed out the XLR outputs.
Introduction The Rear Panel 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 1. Guitar/Instrument Input Connect your guitar/instrument to this jack. 2. Mic Level Controls the gain of the mic input preamp. 3. Microphone Input Connect a low impedance microphone to this jack for recording vocals or acoustic instruments into the GNX4’s Recorder. It can also be used for the Talker™ Vocoder effect (see Talker on page 37).
Introduction 11. Left/Right XLR Balanced Outputs Connect these outputs to your power amplifier/speaker system or to a mixing console that accepts XLR balanced connections. 12. Speaker Compensation Switch (XLR and Headphone Outputs Only) This switch enables Speaker Compensation on the XLR and Headphone Outputs for when they are connected to a full-range speaker system. This switch should be set to the off position when the XLR outputs are connected to a power amp/guitar cabinet system. 13.
Introduction 20. Power Input Connect only the provided DigiTech PSS3 power supply to this jack. 21. Compact Flash Memory Card Slot (Optional ) Insert an optional Compact Flash (CF) card in this slot for use with the GNX4’s on board recorder. Songs, Presets, MIDI files, and MP3 files can be saved and retrieved from the CF card as well. The GNX4 can also function as a Compact Flash card reader by using a Compact Flash card (inserted into this slot) and connecting the GNX4 to your computer via the USB port.
Audio Routing Setups Setups Introduction The GNX4 is equipped with four inputs and four outputs that can be configured several different ways for both live and recording applications. These settings determine which pair of outputs the mic, line, and guitar processing are routed to and how the mic or line inputs are routed through the GNX4’s effects processing. Output Setups and Speaker Compensation The GNX4 features both 1/4” and XLR outputs on the rear panel.
Audio Routing Setups mono all - All input sources (guitar, mic, line, drums, onboard 8-track recorder playback and USB playback) are routed to both output pairs in mono. Speaker Compensation can be turned on and off independently for either the 1/4" or XLR outputs using the Speaker Compensation switch associated with each pair on the rear panel.
Audio Routing Setups The SPLIT1 Output mode routes guitar signal to the 1/4” outputs while the mic, line input sources, drums, and audio playback from the onboard 8-track recorder and the computer are routed out the XLR outputs. SPLIT2 is the same as SPLIT1 but the guitar signal with Speaker Compensation is also routed out the XLR outputs. SPLIT1 - Stereo guitar processing is routed to the 1/4” outputs. Audio playback from the computer, mic, and line sources are routed to the XLR outputs.
Audio Routing Setups Mic and Line Setups The Mic and Line Setups are configurations for the mic and line inputs designed for both live performance and recording applications. The GNX4 acts as a mixing device for mic and line sources, and can eliminate the need for a mixer when the GNX4’s outputs are to be plugged directly into a full-range powered speaker system.
Audio Routing Setups Optimizing the Mic Input Level To adjust the microphone input level for optimal use, you must first setup the GNX4’s Record Level meter located on the Recorder Control and USB/Signal Routing Panel to monitor the live microphone signal. To do this, follow these steps: 1. Press the SHIFT button located on the Recorder Control and USB/Signal Routing Panel and then press the CF/USB 1-2 SRC button. 2.
Making Connections For Live Performance The GNX4 was designed to be extremely flexible to meet any of your application needs. For many GNX4 users, its primary purpose will be for use in live performances. Whether you are a solo performer who spends weekends playing at a small club or the power-user playing the largest venues each night, the GNX4 has just what you need to do the gig right. The following diagrams show examples of how to utilize the GNX4 in typical live performance applications.
Making Connections Large Stage Setup (Stereo Amp/Cabinet Rig) PA Speaker (Left) PA Speaker (Right) Stereo Power Amp 2- Speaker Cabs Guitar Mixer 4 6 4 2 0 1/4" Balanced Outputs XLR Balanced Outputs 0 6 0 6 -1 0 0 +1 -2 -1 +2 Pan Pan Pan 0 -1 +2 Pan Pan 0 -1 +2 Pan 8 -1 +2 +3 L/R Pan L/R +10 +10 +10 +10 +10 +10 +5 +5 +5 +5 +5 +5 +5 0 0 0 0 0 0 -5 -5 -5 -5 -5 -5 -5 -5 -10 -10 -10 -10 -10 -10 -10 -10 -20 -20 -30 -∞ -30 -∞ -20 -20 -30 -
Making Connections Talker™ Performance Setup Microphone Guitar Amplifier Microphone Input Guitar Input Left 1/4" Balanced Output Speaker Compensation Switch (1/4" Outputs) The GNX4’s built-in Talker effect creates a talk box effect. To create this effect you must plug a microphone into the GNX4’s mic input and select one of the five Talker types in the Whammy™/IPS/Talk module of a preset. Then as you play your guitar talk into the microphone to emulate the talk box effect.
Making Connections Coffee House/Solo Performance Setup PA Speaker (Right) Powered Monitor PA Speaker (Left) Microphone CF Card Mic Input Left 1/4" Output ® CompactFlash 256 MB Guitar Guitar Input XLR Balanced Outputs Speaker Compensation Switch (XLR Outputs) As a solo performer, we all know how important it is to minimize the amount of gear we have to cart to a gig. For the more elaborate system, this may include electronic keyboards, a CD player, and a mixer.
Making Connections For Recording The GNX4 also offers great flexibility for recording applications. Listed below are a couple typical recording setups.
Making Connections Computer Recording Application Computer Powered Studio Monitor Powered Studio Monitor USB Cable Microphone Audio MIDI MIDI Keyboard Mic Input XLR Balanced Outputs CF Card ® CompactFlash 256 MB 4 6 0 6 +5 +5 4 +5 6 4 +5 4 Mute +5 4 +5 4 +3 +10 +10 +10 +10 +10 +10 +5 +5 +5 +5 +5 +5 +5 0 0 -5 0 -5 -10 0 0 0 0 0 -10 -20 -30 -∞ 7 -5 -10 -20 -30 -∞ 6 -5 -10 -20 -30 -∞ 5 -5 -10 -20 -30 -∞ 4 -5 -10 -20 -30 -∞ 3 -5 -10
Making Connections Applying Power Before applying power to anything, set your amp(s) to a clean tone and set the tone controls to a flat EQ response (on most amps, this would be 0 or 5 on the tone controls). Then do the following: 1.Turn your amp volume all the way down. 2. Pull the mixer’s master faders all the way down. 3.Turn the GNX4’s Output Level knobs all the way down (fully counter-clockwise). 4. Connect the plug of the PSS3 power supply to the GNX4’s Power Jack.
About the GNX4 Presets A preset is a named and numbered location of a programmed sound that resides in the GNX4. Presets can be recalled with the Footswitches or the DATA WHEEL. The GNX4 comes with 80 Factory and 80 User presets. The Factory Presets do not let you store changes to them. The User presets let you store changes. From the factory, the 80 User presets are exact duplicates of the 80 Factory presets. This lets you create your own presets without worrying about losing any of the original presets.
About the GNX4 Preset Bounceback If you would rather not bypass individual presets in Preset Mode by pressing their footswitches repeatedly, you can enable the Preset Bounceback function in the Utility menu. For example, let’s say you select Preset 1 using FOOTSWITCH 1 as your rhythm tone. Then you select Preset 4 using FOOTSWITCH 4 as your solo tone. You can now press FOOTSWITCH 4 again and Preset 1 will be selected again. Pressing FOOTSWITCH 4 repeatedly will bounceback between Preset 4 and Preset 1.
About the GNX4 Bypass The GNX4 presets can be bypassed for a clean, unprocessed guitar tone. Bypass turns off all effects and modeling. To bypass the GNX4 in Preset Mode, press the active preset’s Footswitch (the 1-5 footswitch that is lit), or press Footswitches S 2 and 3 simultaneously. To bypass the GNX4 while in Stompbox/Control or Recorder Mode, press Footswitches 2 and 3 simultaneously. When the GNX4 is bypassed, the display reads BYPASS and all LEDs in the Matrix are off.
GNX4 Matrix Functions The GNX4 Matrix Amp Control Buttons AMP/CABINET SECTION Status Button Effect Select Buttons Knobs EFFECTS SECTION The main panel of the GNX4 is the Matrix. The Matrix is comprised of two main sections, Amp/Cabinet and Effects. It is used to navigate through the GNX4’s amp/cabinet modeling and effects parameters.
GNX4 Matrix Functions Status Button Effect Select Buttons Knobs EFFECTS SECTION Viewing/Editing Effect Parameter Values To view or edit an effect parameter’s current value, you must first select the row in which the desired parameter resides by using the Effect Select Buttons. They are located to the left of the Status Button. After selecting the desired effect, use the Status Button and Knobs to adjust the effect’s individual parameters. Parameter adjustments will show in the displays as edits are made.
GNX4 Matrix Functions GENETX Row GENETX ROW STATUS KNOB BUTTON 1 KNOB 2 KNOB 3 KNOB 4 KNOB 5 The GENETX row is where amp and cabinet models are selected for the current preset. It is also where the Warp function resides allowing GeNetX™ warping between the two amp models.
GNX4 Matrix Functions CHAN ONE EQ and CHAN TWO EQ Rows CHAN ONE EQ & CHAN TWO EQ ROWS STATUS KNOB BUTTON 1 KNOB 2 KNOB 3 KNOB 4 KNOB 5 The CHAN ONE EQ and CHAN TWO EQ rows are used for modifying the center frequencies of the Bass, Midrange, and Treble controls of that reside within the TONE Row. A Presence control is available here for editing amp tone as well. There is also a Cabinet Tuning control for changing the tuning of a selected channel’s cabinet resonance.
GNX4 Matrix Functions Here is an example of how the CHAN ONE EQ row would function when the button is pressed: Warped Amp Sound being heard: If the sound being heard is a Warped sound of both amp models, pressing the CHAN ONE EQ button selects the knobs to control the CHAN ONE EQ’s row of parameters. The STATUS button LED will light yellow, indicating a Warped sound is being heard, and the knobs will all light green. You can modify the CHAN ONE EQ row parameters which will be heard as the knobs are turned.
GNX4 Matrix Functions TONE Row TONE ROW STATUS KNOB BUTTON 1 KNOB 2 KNOB 3 KNOB 4 KNOB 5 The TONE row is where the amp tone controls are located for Channel 1 or Channel 2. The sound that you hear while adjusting these parameters will depend on the channel status (see chart below). TONE control row parameters are Channel, Amp Gain, Bass, Midrange,Treble, and Amp Level.
Amp/Cabinet Modeling Amp/Cabinet Modeling The GNX4 was designed to make sound processing easy and intuitive. Because the GNX4 provides both Amp Modeling and Effects Processing, the editing functions are divided into two sections: the Amp/Cabinet Modeling section and the Effects section. The GeNetX™ technology contained in the GNX4 lets you go much further than mere Amp Modeling. GeNetX lets you create your own Amp/Cabinet HyperModel™ and store this custom creation to a User Amp/Cabinet location.
Amp/Cabinet Modeling Cabinet Types Direct Guitar Cabinets Bass Cabinets User direct amer2x12 brit4x12 vntg4x12 brit2x12 twed1x12 blnd2x12 fane4x12 grnb4x12 botq4x12 amer4x10 65 1x12 jazz1x15 bass1x15 bass4x10 bass2x15 fold1x18 hart1x15 basic 15h vntg8x10 ash 4x10 glth4x10 hart4x10 empty 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 U1 to U9 Turns the cabinet modeling off Based on an American 2x12 Based on a British 4x12 Based on a Vintage 30 4x12 Based on a British 2x12 Based on an Ameri
Amp/Cabinet Modeling Selecting Amp Models and Cabinet Types The first step to editing an Amp, Cabinet Type, or creating your own HyperModel is to select the Amp and Cabinet types for Channel 1 and Channel 2 in your preset. The procedure for selecting Amps or Cabinets is as follows: 1. Press the GENETX Amp Control button. 2. Use Knob 1 to select the Amp for Channel 1. The Amp name appears in the display. (See page 30 for a complete list of Amp Models.) 4. Use Knob 2 to select the Cabinet for Channel 1.
Amp/Cabinet Modeling Storing Amp Parameter Edits Once you are satisfied with your amp edits, these changes need to be stored so that they can be recalled later. See page 58 for more information on storing changes to a preset. Creating HyperModels™ Creating new, unique HyperModels is what GeNetX™ is all about. Once both channels Amps and Cabinets are selected and the Amp Parameters and Cabinet Tunings have been adjusted, GeNetX technology lets you do something amazing.
Effects and Parameters Effects and Parameters The GNX4 features a comprehensive set of effects for creating just the sound you need for any musical application. These effects are connected in a standard effects chain with pickup simulator, wah, compressor, Whammy™/IPS, and distortion stompbox effects placed before the amps. Effects placed post amp are those that typically sound best when heard in stereo like modulation effects, delay and reverb.
Effects and Parameters Effect Definitions Each Effect within the GNX4 is fully programmable. Understanding how these effects modify the sound, and how each parameter alters the effect will help you achieve the sound you are looking for. The following overview outlines how each effect and parameter in the GNX4 works. Preset Levels The GNX4 presets each have an independent level control for quick balancing of the levels between presets.
Effects and Parameters better dynamics. Ratio settings are: 1.2:1 (¡2-1), 1.5:1 (¡5-1), 1.8:1 (¡8-1), 2:1 (™0-1), 2.5:1 (™5-1), 3:1 (£0-1), 4:1 (¢0-1), 5:1 (∞0-1), 8:1 (•0-1), 10:1 (10-1), 20:1 (20-1), and Infinity:1 (INFnty-1). Threshold - Knob 3 selects the Threshold (threshld). The Threshold is the level a signal is allowed to reach before the compressor begins to work. Low Threshold settings activate the compressor with weaker signals. Higher settings require a stronger signal to activate compression.
Effects and Parameters Intelligent Pitch Shifting (IPS) Intelligent Pitch Shifting makes a copy of the incoming signal, and then changes the pitch of the copied note to a diatonically correct interval specified by the Amount parameter. An Intelligent Pitch Shifter sharpens or flattens the shifted pitch in order to keep the specified interval within the selected key and scale creating a true harmony. Parameter 1 - Knob 2 selects the Amount or harmony interval for the Intelligent Pitch Shifter.
Effects and Parameters Type - Knob 1 is used to select one of the 5 Talker types. Talker types range from talker 1 (deep tonal characteristics), to talker 5 (bright tonal characteristics). Sensitivity - Knob 2 adjusts the sensitivity of the microphone level (MIC LEVL). The input level from your microphone must be loud enough for the Talker to work properly. If the microphone input is too weak, the Talker will have trouble tracking.
Effects and Parameters Noise Gate A Noise Gate is designed to eliminate hiss and ambient noise while you are not playing. A Noise Gate can also be used to create an automatic swell in volume. The GNX4 includes two different types of Noise Gates: Silencer™ and Pluck.The Silencer™ operates as a standard Noise Gate.The Pluck feature is designed to close after every note (depending on the Pluck Sensitivity).This allows automatic volume swells to occur on a note by note basis.
Effects and Parameters Flanger A Flanger uses the same principle as a Chorus but has a shorter delay time and adds regeneration (or repeats) to the modulating delay. This results in an exaggerated up and down sweeping motion to the effect. Parameter 1 - Knob 2 adjusts the rate (Speed) of the modulation. Ranges from 0 to 99. Parameter 2 - Knob 3 adjusts the intensity (Depth) of the Modulation. Ranges from 0 to 99. Parameter 3 - Knob 4 adjusts the amount of feedback (Regen) added to the Flanger delay.
Effects and Parameters Parameter 3 - Knob 4 selects the Phaser sweep starting point (LFO STrt). Ranges from 0 (bottom of the sweep point) to 99 (top of the sweep point). Mod Mix - Knob 5 controls the mix (mod mix) of wet and dry signal. Ranges from 0 (all dry) to 99 (all wet). Tremolo A Tremolo effect modulates the volume of the signal at an even rate. Parameter 1 - Knob 2 adjusts the rate (Speed) at which the volume modulates. Ranges from 0 to 99.
Effects and Parameters AutoYa™ An AutoYa combines the characteristics of a Wah and a Flanger together creating an almost human vowel sound as if the guitar were saying “Yah.” The AutoYa automatically provides this animation by modulating the sound at an even rate. Parameter 1 - Knob 2 adjusts the rate (Speed) of the AutoYa. Ranges from 0 to 99. Parameter 2 - Knob 3 adjusts the intensity (Depth) of the AutoYa effect. Ranges from 0 to 99.
Effects and Parameters Detune A Detuner makes a copy of your incoming signal, takes the copied signal slightly out of tune from the original, and mixes the two signals together. The result is a doubling type of effect as if two guitars were playing the same part together. Parameter 1 - Knob 2 selects the Amount (AMouNT) of detuning applied to the copied pitch in cents (100 cents equals 1 semitone). Ranges are from 24 cents below (-24) to 24 cents above (24).
Effects and Parameters Reverb Reverb gives the listener a sense that the music is being performed in various acoustical environments. It can provide the tight acoustics of a small room, or the ambience of a huge arena. Reverb On/Off - The Status button turns the Reverb (reverb) on and off. Reverb Type - Knob 1 selects the type of Reverb or acoustic environment.
Expression Pedal Assignment The GNX4 has several options for real-time control over effects parameters in each of its presets. Parameters can be modified during performance both manually and automatically by several methods. These are referred to as expression controllers and include the following: the built-in Expression Pedal, Internal LFOs (low frequency oscillators), and the Control Footswitches.
Expression Pedal Assignment Amp Channel Footswitch From the factory, the Amp Channel Footswitch selects between the Channel 1 Amp, Channel 2 Amp, and the Warped Amp state when the GNX4 is in Stompbox/Control mode. However, you can configure the function of the Amp Channel Footswitch within a preset. The procedure for assigning the function of the Amp Footswitch is as follows: 1. Press either EFFECT SELECT button until the Expression Assign row is selected. 2.
Expression Pedal Assignment The procedure for assigning the Control Footswitches in the GNX4 is as follows: 1. Press either EFFECT SELECT button until the Expression Assign row is selected. 2. 2. Press the Status button until the display reads CNTRL A1 (Control A1), cntrl a2 (Control A2), CNTRL A3 (Control A3), CNTRL B1 (Control B1), cntrl B2 (Control B2), CNTRL B3 (Control B3), CNTRL C1 (Control C1), cntrl C2 (Control C2), CNTRL C3 (Control C3). 3. Rotate Knob 1 until the Parameter is displayed.
Expression Pedal Assignment Expression Parameter Assignment List The following parameters can be assigned to any of the 3 Expression Pedal, Control A, B, C footswitches, or LFO 1 and LFO 2.
Expression Pedal Assignment gatonoff (Noise Gate On/Off) gatthres (Noise Gate Threshold) gatattak (Noise Gate Attack) PLucksNS (Noise Gate Pluck) fx onoff (Chorus/Mod On/Off) Turns the Noise Gate on and off Controls the Noise Gate’s Threshold Controls the Noise Gate’s Attack time Controls the Noise Gate’s Pluck Sensitivity Turns the Chorus/Mod module on and off Modulation Effects Parameters Active Effect Chorus (Chorus) Speed Flanger (Flanger) Speed Phaser (Phaser) Speed Trigflng (Trig. Flngr.
Creating a Preset Suppose you wanted to create your own HyperModel™ that incorporates the sweet tones of a vintage Tweed using an American 2x12 cabinet, and the ripping distortion of a Rectified Amp with a British 4x12 cabinet.
Creating a Preset Adjust the Channel 1 Parameters The Tweed amp that we selected for our Channel 1 assignment uses the factory default settings for the Gain, EQ, and Level Parameters.Therefore, you may want to change the settings. To access the Parameters for Channel 1, do the following: 1. Press the TONE Amp Control button. 2. Press the STATUS button three times to select Channel 1’s Parameters.
Creating a Preset 1. Press the Status Button Until Display Reads CH2 AMP and All LEDs Light Red 2, 3, 4, Rotate Parameter Knobs to Adjust 5, 6. Channel 2's Gain, EQ Level, and Amp Level Adjust the EQ/Tune the Cabinets As an option, you may also want to modify each channel’s EQ center frequencies (Bass, Midrange, and Treble found in the TONE row) and adjust the resonance for the American 2x12 and the British 4x12 Cabinets. To access the EQ center frequency settings and Cabinet tuning, do the following: 1.
Creating a Preset Warping Amp Channels Together When the Amps and Cabinets in Channel 1 and Channel 2 are dialed in to suit your taste, we can Warp their characteristics together to create a new HyperModel. To warp the amps do the following: 1. Press the GENETX Amp Control button. 2. Rotate Knob 3 (Warp) knob to blend the Amps and Cabinets together to create a new unique amp. 1. Press the GENTEX Amp Control Button 2.
Creating a Preset Select Models for the Preset’s Channels In the previous steps, we selected a Tweed amp model for the Channel 1 amp and a Rectified amp model for the Channel 2 amp. Then we warped the two together to create our HyperModel™. This HyperModel is saved as an amp type that we named Rectweed, but it is not currently part of our preset. In this example preset, we need to be able to toggle between an acoustic guitar simulation and our new HyperModel.
Creating a Preset Select the Pickup Type In our example preset we use a single coil pickup, but want it to sound like a double coil humbucker. 1. With the Wah-Pickup LED lit, rotate Knob 3 until the display reads SC>Humb. This makes a single coil pickup sound like a humbucker. sc>humb 1. Rotate Knob 3 until the display reads SC>HUMB Turn the Compressor Off We don’t use compression in our preset so, we need to turn the Compressor off. To turn the Compressor off, do the following: 1.
Creating a Preset Adjust the Noise Gate For our example, we want our Noise Gate to open quickly with a relatively weak signal. This type of gate uses the Silencer™ with a low threshold and short attack time. To create this type of Noise Gate, do the following: 1. Press the AMP FOOTSWITCH to select the Channel 2 Amp (CH2 AMP), our high gain model. (The GNX4 must be in Stompbox/Control mode to complete this function.) 2. Press the EFFECT SELECT DOWN button and the Noise Gate’s LED lights. 3.
Creating a Preset Select and Adjust the Reverb In our example preset we wanted a little bit of Hall Reverb to provide some ambience. To add the reverb, do the following: 1. Press the EFFECT SELECT DOWN button until the LED in the Reverb row lights. 2. If the display reads off (Of), press the STATUS button until the display reads on (On). 3. Rotate Knob 1 to select Hall (Hall) for the Reverb Type. 4. Rotate Knob 2 to set the Reverb Predelay to 2. 5. Rotate Knob 3 to set the Reverb Decay to 15. 6.
Storing/Copying a Preset Storing a Preset Once you have modified the Amp Models, Cabinet Types, and Effect Parameters, the Store Button LED flashes indicating you have changed a parameter and need to store the changes to a User Preset location or to a Compact Flash Card Preset location in order to recall them later. The following steps outline the procedure for storing a preset: 1. Press the STORE button.The first letter of the preset name begins flashing. 2.
Footswitch Functions for Modes The GNX4’s Footswitches perform different functions specific to the Mode that has been selected. Listed below are descriptions of each footswitch’s function within each of the three Modes. Preset Mode - Green Bank Up Footswitch - Selects the next bank of presets. Pressing and holding this footswitch scrolls up through banks. When a new bank is selected the 1 through 5 footswitch LEDs will strobe left to right prompting the user to select a preset.
Footswitch Functions for Modes Stompbox/Control Mode - Yellow Preset Up Footswitch - Selects the next preset. Pressing and holding this footswitch scrolls up through presets. After releasing, the preset that is landed on is loaded and becomes active. Pressing and holding both the Preset Up and Preset Down Footswitches together will temporarily enable both footswitches to navigate through the GNX4’s drum patterns or user MIDI files and MP3s stored on an optional CF card.
Footswitch Functions for Modes Recorder Mode - Red Song Up Footswitch - Selects the next song. Pressing and holding both the Song Up and Song Down Footswitches simultaneously will temporarily enable these footswitches to navigate through the GNX4’s drum patterns or user MIDI files and MP3s stored on an optional CF card. Song Down Footswitch - Selects the previous song.
Drum Machine/MP3 Player The GNX4 is equipped with a Built-in General MIDI Drum Machine and MP3 Player. You can select from a variety of Factory and User created MIDI drum patterns and drum kits or your own MP3s to play along with. The GNX4’s Drum Machine/MP3 Player can be set up in different ways as shown below: Control Panel - Drum Machine/MP3 Player Buttons (STOP/PLAY) Press this button to start or stop the drum machine or MIDI File/MP3 playback.
Drum Machine/MP3 Player Footswitch Operation When the GNX4 is in Recorder Mode, FOOTSWITCH 1 and 5 control drum machine operations. AMP CHANNEL Drums/MP3 Stop/Play Footswitch - Starts and stops playback of drum patterns or user MIDI files and MP3s in the drum machine file list. Pressing and holding Footswitches 1 and 2 simultaneously will enable or disable the Drums/MP3 Sync button in the Recorder Panel.
Audio Routing for Recording This section will cover the GNX4’s inputs and how they are routed for recording internally using Compact Flash memory and recording on your computer via USB. GNX4 Inputs and Recorder Routing The GNX4’s has four audio inputs, the Guitar Input, Mic Input, and Left/Right Line Inputs. It also has a MIDI input. Each of these inputs can be used to record audio and each has multiple different routing configurations available.
Audio Routing for Recording dry line - Dry Line Left signal is sent to one available track of the onboard recorder or up the USB 1 channel. Dry Line Right is sent to the other available track of the onboard recorder or up the USB 2 channel. dryguitr - Dry Guitar signal is sent to an available track of the onboard recorder or up the USB 1 channel. Nothing is sent up the USB 2 channel. dry mic - Dry Mic signal is sent to an available track of the onboard recorder or up the USB 1 channel.
Audio Routing for Recording The following diagrams outline how the different input signals are routed through the GNX4 and out to both the Compact Flash and computer (USB) for recording: Guitar Signal Routing The guitar signal is routed from the input through the GNX4’s effects processing and then to the pairs of outputs. The signal sent to the onboard recorder and up USB can be tapped off either at the input (CF/USB Send Path A), or at the end of the effects chain (CF/USB Send Path C).
Audio Routing for Recording The mic signal, as can be seen in the previous Mic Signal Routing diagram, has two paths in which it is routed to the onboard recorder and up the USB port to the computer. Path E taps the mic signal off at the mic input and sends unprocessed signal up to the USB port. Path C taps the signal at the output of the GNX4 and can include any effects processing that may be used.
The GNX4’s 8-Track Recorder The GNX4’s on-board 8-track digital recorder is the easiest, friendliest multi-track recorder you have ever used. Rather than having to understand all the mechanics of recording, the GNX4’s recorder is designed to be virtually hands-free, meaning all you have to do is press a footswitch to get your ideas recorded.
The GNX4’s 8-Track Recorder 3. TRANSPORT – The 6 transport buttons just below the displays are used for the record, playback, and search functions of recorded material. They include STOP, RECORD, PLAY, REWIND, FAST FORWARD, and UNDO. 4.TRACKS – A Track is an individual memory location in a song that you record audio to. The GNX4 has eight individual tracks that can be recorded to. 5. DRUMS/MP3 – This button is used to start the GNX4’s drum machine when the recorder begins playing.
The GNX4’s 8-Track Recorder Song Setup Before you begin recording your first song, you will want to become acquainted with the recorder Setup functions. Setup functions include: Drums-MP3 (Pattern/File), Drum/MP3 Level,Tempo, Drum Kit, Click Track, Pre Roll, Song Repeat, Auto Stop, Quantize, and Format. These functions dictate how the recorder works for each song. Each song can have these functions setup in different ways so that you can customize how the recorder works depending on your needs.
The GNX4’s 8-Track Recorder 1. Press the SONG SETUP button until the GNX4’s main display reads drum lvl. 2. Use the DATA WHEEL to adjust the output level of a Drum Pattern or MP3 file. 3.When finished, press EXIT. Song Tempo The Song Tempo setup sets the tempo used by the recorder’s Click Track and the GNX4’s drum machine during the recording and playback of a song. This tempo should be set before any audio is recorded if the Click Track or drum machine is to be used as a metronome during recording.
The GNX4’s 8-Track Recorder Drum Kit The Drum Kit setup selects the drum kit that the Drum Pattern will use during playback. The Drum Kit setup has no function if an MP3 is selected. To select a Drum Kit, follow these steps: 2. Use the Data Wheel to select a Drum Kit 3. When finished press Exit KIT 1. Press the Song Setup button Begin with the recorder stopped. 1. Press the SONG SETUP button until the GNX4’s main display shows the currently selected drum kit being used by the drum machine. 2.
The GNX4’s 8-Track Recorder Pre-Roll Pre-Roll is an amount of time you can have the recorder count off before it actually begins recording. Pre-Roll can also be used as a count in cue, indicating when the very beginning of the song starts. The GNX4’s Pre-Roll has five settings Off, 3, 4, 8, or 16 counts. To setup the Pre-Roll function, follow these steps: 2. Use the Data Wheel to turn the Pre Roll on and off 3. When finished press Exit Pre-ROll 1.
The GNX4’s 8-Track Recorder Auto Stop When trying to conserve recording memory, or to help automate the recording process, you can use the recorder’s Auto Stop feature. Begin by recording your longest track first in a new song. Then enable the Auto Stop feature in the recorder Setup menu. The recorder will now automatically stop at the end of playback of the longest recorded track while recording new tracks. To enable the Auto Stop follow these steps: 2.
The GNX4’s 8-Track Recorder Format To quickly erase and format a Compact Flash memory card, the GNX4’s setup menu provides a format function. If a Compact Flash memory card is not present in the Compact Flash memory card slot, the format function is not available. To format a Compact Flash memory card, follow these steps: 1. Press the SONG SETUP button until the display reads format?. The recorder’s RECORD button will begin flashing prompting the user to press it to begin formatting. 2.
The GNX4’s 8-Track Recorder Let’s Start Recording! The GNX4’s recorder can record one or two tracks simultaneously. You can operate the GNX4’s recorder manually using the Recorder Panel’s buttons, or record hands-free using the GNX4’s footswitches or a GNXFC (optional). Selecting an Input Source To begin recording on the GNX4, it is important to select the source input using the CF/USB 1-2 SRC button.
The GNX4’s 8-Track Recorder Using the GNX4’s Recorder Panel for Recording Recording a Track When the GNX4 is powered up and you have installed a Compact Flash card, select the Recorder mode (Red) using the MODE button found on the Control Panel or by pressing Footswitches 4 and 5 simultaneously. Now the recorder is ready to use. The Song display will read 1, indicating the first song is selected to record. To begin recording a track, follow these steps: 1. Press the Record button 2.
The GNX4’s 8-Track Recorder Playing Back a Recorded Track After a track is recorded, playing it back is simple. If you are at the end of the track or the song, press the PLAY button. The recorder automatically begins playing back the track/song from the very beginning. If you want to start playback at the beginning of a track or song but are someplace other than the end of the song, follow these steps: 2. Press the Play button 1. Press the Rewind button Begin with the Recorder stopped. 1.
The GNX4’s 8-Track Recorder Trak lvl 50 Setting Each Track’s Playback Level: 1. Press the REWIND button once to return the song to the beginning. 2. Enable any track(s) you want to playback by pressing their TRACK buttons until they are lit green. 3. Press the PLAY button. Playback of the tracks begins. 4.To adjust the playback level of the tracks, press the LEVEL button once. 5. Press any track button that is playing back.
The GNX4’s 8-Track Recorder Undoing/Erasing a Track Every track you record may not be a take you want to keep. The GNX4’s recorder features an UNDO button, that erases the contents of a track. You can undo a track even while recording is in progress, thus eliminating having to stop and start all the recording procedures again. WARNING: Deleting a track is permanent and once it is deleted it cannot be retrieved. Please use the UNDO button with caution.
The GNX4’s 8-Track Recorder Changing Track Status Each recorded track can be in 1 of 4 states; playback, record, merge, or off. Tracks with recorded material can be turned on for playback (TRACK button is lit green), armed for recording (TRACK button is lit red), armed for merging other recorded tracks to it (TRACK button is lit yellow) or turned off (button is not lit). If a track does not have material recorded on it, it can only be enabled for recording, merge, or turned off.
The GNX4’s 8-Track Recorder Re-Amping Using the GNX4’s Recorder Re-amping is a feature that allows you to record a dry, unprocessed guitar track and then play it back through the GNX4’s effects afterward. This allows you to record a part just once and then experiment with different amp/cabinet/effect combinations until the sound fits well in the mix.
The GNX4’s 8-Track Recorder Hands-Free Recording The GNX4’s footswitches can perform different functions depending on the mode. (See the Footswitch Functions for Modes section on page 59 for more information.) When Recorder mode is selected, the UP/DOWN footswitches are used to select Songs. The 5 numbered footswitches are used to Play Drum Patterns/MIDI files/MP3s, Stop/Undo, Record, Play, and set Drum Pattern Tempo.
The GNX4’s 8-Track Recorder Using the UNDO Footswitch to Erase a Track If you are not happy with a track you just recorded, no problem. You can easily delete, or Undo the last recorded track using the GNX4’s footswitches. To Undo a track that was just recorded, follow these steps: Using Undo While the Recorder is Stopped 1. Press and hold the STOP/UNDO footswitch once. The GNX4’s main display reads del trkx, indicating the last recorded track will be deleted. 2.
The GNX4’s 8-Track Recorder Hands-Free Recording with the GNXFC The GNX4 is equipped with a footswitch jack that allows you to connect an optional GNXFC for controlling the GNX4’s recorder. This 3-button footswitch features functions for STOP/UNDO, RECORD, and PLAY.
The GNX4’s 8-Track Recorder Using the GNXFC to Undo/Erase a Track If you are not happy with a track you just recorded, no problem. You can easily delete, or Undo the last recorded track using the GNX4’s footswitches. To Undo a track that was just recorded, follow these steps: Using Undo While the Recorder is Stopped 1. Press and hold the STOP/UNDO footswitch once. The GNX4’s main display reads del trkx, indicating the last recorded track will be deleted. 2.
The GNX4’s 8-Track Recorder Using the GNX4’s JamMan™ Delay Looper The GNX4’s recorder also doubles as a JamMan Delay Looper. The JamMan is used to create a recording loop that you can playback with. The JamMan functions are accessed using the GNX4’s footswitches while they are in Recorder mode. The only difference between regular multi-track recording and looping is the way you use the footswitches after recording your first track.
The GNX4’s 8-Track Recorder Recording Layered Overdubs to your Loop Adding overdubbed layers to your first loop is easy. After recording your first track and pressing the PLAY footswitch,TRACK 2 is already armed for recording. To add overdubs to the current loop, follow these steps: 1. Press the RECORD footswitch. The TRACK 2 button lights solid red and begins recording on this track. 2.
The GNX4’s 8-Track Recorder Using the GNXFC for Looping Recording a Loop To begin recording a loop is no different than when you are doing multi-track recording. You must begin with a new song in order to create a loop. Press the GNX4’s UP Footswitch (the GNX4’s footswitches must be in Recorder mode first) or the FFWD button on the Recorder Panel to select a new song that has not been recorded on. Here are the steps for creating a loop: 1. Press the RECORD footswitch.
The GNX4’s 8-Track Recorder Drum Machine Recorder Operation The Drum Machine can be assigned to play a particular pattern, MIDI file, or an MP3 in any song when the DRUMS/MP3 button on the Recorder panel is enabled. This button will light green if an internal drum pattern or MIDI file has been selected for playback, or it will light yellow if an MP3 file has been selected.
The GNX4’s 8-Track Recorder 3. Select one of the following recording input sources: STEROALL, MONOALL, DRUMS ST, or DRUMS MN. 4. Press the EXIT button. 5. Press the DRUMS/MP3 button on the Recorder Panel until it lights red. When recording begins using either the GNX4’s recorder or while recording to the computer, the drum machine audio will be captured on the recorded tracks. MIDI and Recording The GNX4 features MIDI In and Out jacks which serve several purposes: 1.
Computer Recording via USB USB Recording Introduction The GNX4’s USB connection provides 4 channels of audio streaming into the computer and 2 channels of playback from the computer simultaneously. Recording has never been easier thanks to the hands-free tracking environment that the GNX4 and the Pro Tracks Plus™ software provide.
Computer Recording via USB Using Pro Tracks Plus™ When Pro Tracks Plus is first launched after installation, you will have to configure the MIDI device and Audio settings to recognize the GNX4 as the hardware you want to use. These procedures must be followed to ensure you will be able to record audio through all of the GNX4’s inputs and to enable the hands-free recording capabilities the GNX4 offers.
Computer Recording via USB Setting up Pro Tracks Plus™ for GNX4 Audio 1. From the Pro Tracks Plus menu bar, select Options>Audio. The Audio Options window will appear. Click the Drivers tab. 2. Under the Input Drivers settings, select DigiTech USB 1-2 In/Out and DigiTech USB 3-4 In Only and deselect all other options. 3. Under the Output Drivers settings, select DigiTech USB 1-2 In/Out and deselect all other options. 4. Click the OK button. 5.
Computer Recording via USB Using the GNX4’s Footswitches for Hands-Free Computer Recording Functions The GNX4’s footswitches are capable of controlling the Pro Tracks Plus™ recording software, creating a hands-free recording interface. To do this, the GNX4 must be connected to the computer via the included USB cable and the Pro Tracks Plus application must be installed and open.
Computer Recording via USB Using the UNDO Footswitch to Erase a Track You can undo the last take or previous tracks using the GNX4’s footswitches. To undo tracks, follow these steps: 1. Press and hold the STOP/UNDO footswitch. The GNX4’s display reads undo, indicating the last recorded track(s) are being deleted. Using the GNXFC for Hands-Free Computer Recording Functions The GNX4 is equipped with a footswitch jack that lets you connect an optional GNXFC for controlling the GNX4’s recorder.
Computer Recording via USB Re-Amping a Guitar Track Using one of the Dry Guitar configurations for recording gives you the opportunity of playing a dry take back into the GNX4 for re-processing. The advantages of having this feature are you can experiment playing the dry guitar take back through different amp models, effects, or entirely new presets once you have your other tracks recorded.
Computer Recording via USB 11. Press the SHIFT and CF/USB 1-2 SRC buttons, then use the DATA WHEEL to select reamPusb. This configures the recording software to playback audio through the GNX4’s effects processing. 12. Press the PLAY footswitch then put the GNX4 into to Preset Mode by pressing the MODE button located on the Control Panel or by pressing FOOTSWITCHES 4 and 5 simultaneously until the display flashes Preset. You can now audition presets until you find one you like.
Computer Recording via USB USB Playback Mix The DATA WHEEL is an easy way to balance the GNX4’s processing with playback from the Pro Tracks Plus software using a single control. This function is only available when the GNX4 is connected to the computer via USB and Pro Tracks Plus is up and running. To change the USB Playback mix, follow these steps: 1. Start playback of a session from Pro Tracks Plus. 2. Press the SHIFT button then press the USB PLAY MIX button (both are located in the Recorder Panel). 3.
Computer Recording via USB Using BIAS® Deck™ SE You must read the Software Installation Guide that came packaged with the GNX4 before connecting it to your Mac®’s USB port and using BIAS Deck SE. Configuring the Audio Settings for BIAS Deck SE Once you have installed BIAS Deck SE and launched the program, you will have to configure the Audio Settings to recognize the GNX4 as the hardware you want to use. To configure BIAS Deck SE’s Audio Settings for use with the GNX4 follow the steps outlined below: 1.
Compact Flash File Functions Compact Flash File Structure The GNX4 requires a specific file structure for organizing the different file types it uses. To utilize a Compact Flash memory card in the GNX4 it must be formatted using the FAT16 File format. DigiTech recommends that you format your card in the GNX4 using our internal format routine. Our internal format routine will configure the card as FAT16.
Compact Flash File Functions Compact Flash Storage/File Transfer Since the GNX4 is equipped with both a compact flash (CF) d USB, it can act as a card reader for transferring any files that may reside on a card to and from any USB equipped computer. To enable the card reader function, follow these steps: 1. Place a CF card in the GNX4’s memory card slot. 2.
Compact Flash File Functions Memory Card/Computer File Format The GNX4 uses a specific song and track file naming convention that needs to be maintained when exchanging files with a computer. When a card is inserted into the GNX4, the songs appear in the Songs folder named: SONG01, SONG02, etc… The number of songs can change depending on how many songs or loops are saved on the memory card. Inside each of the song folders are the separate audio tracks which will be named TRAK01.wav,TRAK02.wav, up to TRAK08.
Utilities The Utility section contains all of the menus for assigning global functions to the GNX4. Global functions affect the GNX4 in its entirety rather than on a per preset basis.The Utility menus include: Volume Pedal Update,V-Switch Threshold, Expression Pedal Calibration, Bounce-Back, Bank Naming, MIDI Channel, MIDI Sysex Dumps, Amp Dumps, MIDI Mapping, MIDI Merge, and Factory Reset. To enter the Utility section, press the UTILITY button.
Utilities Preset Bounceback If you would rather not bypass individual presets in Preset Mode by pressing their footswitches repeatedly, you can enable the Preset Bounceback function in the Utility menu. For example, let’s say you select Preset 1 using FOOTSWITCH 1 as your rhythm tone. Then you select Preset 4 using FOOTSWITCH 4 as your solo tone. You can now press FOOTSWITCH 4 again and Preset 1 will be selected again. Pressing FOOTSWITCH 4 repeatedly will bounceback between Preset 4 and Preset 1.
Utilities MIDI Channel The GNX4 MIDI channel is only used for receiving incoming MIDI data. The GNX4 does not send MIDI program change commands or CC data.The procedure for selecting the MIDI channel is as follows: 1. Press the UTILITY button. The button will light indicating you are in the Utility menu. 2. Use the PREV or NEXT buttons to select the midichnl (MIDI Channel). The numeric display show the selected MIDI channel. 3. Rotate the DATA WHEEL to select the MIDI channel.
Utilities 2. Press the UTILITY button.The Utility button’s LED lights. 3. Use the PREV or NEXT buttons to select AMP DuMP (Amp Dump). 4. Use the DATA WHEEL to select the Amp number you want to dump. 5. Press the STORE button. The display will read SND TO. 6. Use the DATA WHEEL to select the destination User Amp number. 7. Set the MIDI recording device to record. 8. Press the STORE button again. The display will read send amp until the dump is complete at which time the display returns to AMP DuMP. 9.
Utilities 1. Press the UTILITY button. The button will light indicating you are in the Utility menu. 2. Use the PREV or NEXT buttons to select DRUMMIDI (Drum MIDI). The red display reflects the current Drum MIDI status On or OF. 3. Use the DATA WHEEL to enable or disable transmission of the drum pattern MIDI messages. 4.When finished, press EXIT. Default Drum Kit Each drum machine pattern in the GNX4’s drum machine has a default drum kit assigned to it when the pattern is played.
Trouble Shooting Guide My computer does not recognize my GNX4. • If after turning on and initializing the GNX4 the USB Active led does not stay lit, the computer may not have correctly enumerated the GNX4 USB connection. The computer may give you message stating that a USB Device is not recognized. If this happens reboot your computer. • If you are using Windows 2000, you must first install drivers from the X-Edit™ Editor/Librarian and USB Drivers CD before connecting the GNX4 to your computer.
Trouble Shooting Guide Pro Tracks Plus intermittently locks up. • Close any other open programs besides Pro Tracks Plus check "task manager" to make sure there are no hidden programs running. • Try reducing the number of plug-ins and soft-synths. • Increase the amount of memory in your system. • Get a faster hard drive. • Put your audio data on a different hard drive from your OS and applications. • Get a faster computer. • Please refer to the system requirements section. • Run chkdisk on your drive.
Trouble Shooting Guide Pro Tracks Plus Plus won’t launch. • This was probably caused by interrupting the USB connection while in a previous Pro Tracks Plus session. You must reboot your system to fix this problem. • There is a conflict with your computer’s video card. By disabling the theater audio driver in the video card, the software should work. I don’t hear playback from USB 3-4. • Playback is only available on USB 1-2. USB 3-4 is used for additional track recording – like dry guitar, mic, drums, etc.
Appendix Preset List BANK 1 SHOWCASE 1. HYBRID 2. CLNCHRS 3. DUAL AMP 4. BAD BASS 5. GREASER BANK 5 BASS AMP 21. MOD BASS 22. GTR>BASS 23. ROCKIN 24. GRUVIN 25. GRINDER BANK 9 COUNTRY 41. PICKEN 42. PDLSTEEL 43. A MIXLDN 44. HODOWN 45. ROTARY BANK 13 AMPS 2 61. TWEEDY 62. MDRNBRIT 63. JC-JAZZ 64. TWINVERB 65. BOOGEY BANK 2 STARS 1 6. STEVERAY 7. SATCH 8. JIMIHAZE 9. RANDY 10. MAYQUEEN BANK 6 METAL 26. RECTIFY 27. SOLO 28. WHAMMY 29. RAT FINK 30. DUCKSOLO BANK 10 JAZZFUSN 46. DRIVIN 47. CHIMES 48.
Appendix MIDI CC List Parameter Pickup Type/On/Off Pickup Type/Type Expression Pedal Volume Post Volume Pre Wah On/Off Wah Type Wah Pedal Compressor On/Off Compressor Attack Compressor Ratio Compressor Threshold Compressor Gain Whammy/IPS On/Off Whammy/IPS Type Whammy/IPS Level Whammy/IPS Parameter 1 Whammy/IPS Parameter 2 Whammy/IPS Parameter 3 Stompbox On/Off Stompbox Type Stompbox Gain Stompbox Level Stompbox Param1 Stompbox Param2 Stompbox Param3 Stompbox Param4 Amp Channel Ch 1 Amp Type Ch 1 Amp Gain C
Appendix General MIDI Drum Sample List Sample Name Acoustic Bass Drum Bass Drum 1 Side Stick Acoustic Snare Hand Clap Electric Snare Low Floor Tom Closed Hi-Hat High Floor Tom Pedal Hi-Hat Low Tom Open Hi-Hat Low-Mid Tom Hi-Mid Tom Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Bell Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap 114 # 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 Sample Name Ride Cymbal 2 Hi Bongo Low Bongo Mute Hi Conga Open Hi Conga Low C
Appendix Specifications General Specifications A/D Converter: D/A Converter: Sampling Frequency: DSP Section: Preset Memory: Digital Connections: Footswitch: MIDI In: MIDI Out/Thru: Universal Serial Buss (USB): Compact Flash Memory Card Interface: Analog Input Connections: Guitar Input: Input Impedance: Mic Preamp Input: Phantom Power: Input Impedance: Maximum Input Level: Line Inputs: Input Impedance: Maximum Input Level: Analog Output Connections: Line Outputs: Output Impedance: Maximum Output Level: Bal
Appendix Analog Inputs to Analog Outputs: Guitar Input to 1/4” Outputs S/N ratio: > 106 dB A-weighted; ref = max signal @ 1kHz, 22kHz measurement bandwidth Frequency Response: 20 Hz - 17 kHz (+0 / - 3 dB) THD+N: < 0.0018% typical at -4 dBu, 1 kHz, 0 dB input gain Guitar Input to XLR Outputs S/N ratio: > 106 dB A-weighted; ref = max signal @ 1kHz, 22kHz measurement bandwidth Frequency Response: 20 Hz - 17 kHz (+0 / - 3 dB) THD+N: < 0.
Appendix GNX4 On-board Digital Recorder: General Specification: 16-bit, 44.1 kHz (CD quality) GNX4 USB Recording Specifications: Bit depth: supports 16-bit or 24-bit (depends on setup in Recording Software) Sample Rate: 44.
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