User Manual
30
GTR TREM 12A
Demonstrates a guitar tremolo effect with reverb. Play around with
the speed and feedback parameters to customize your sound. The
harmony has unison, octave down and octave up voices.
12B
The same as Part A but with a 2 unison harmony on the lead vocal.
BLIND
BOYS
13A
Very gospel-like, and utilizes a 5th down, 3rd down, 3rd up and 5th
up. Including your voice, you have 5 part harmony. The lead vocal
ef fect is a bigger persona to give you a huskier older male vocal.
13B
Same as Part A but with a smaller persona.
TAKE 5 14A
Feels like a jazzy vocal group. Uses a 5th down, 3rd down, 3rd up,
and 5th up plus your voice to create 5 part harmony. It also uses
the musIQ Alt harmony variation feature to sound jazzier.
14B
The harmony changes to use a 3rd down, Unison and 3rd up plus
your voice. It keeps the musIQ Alt harmony variation as above.
BASS
ALTOS
15A
Covers the lower ranges of male vocals with an Octave down, 5th
down and a 3rd down from the melody vocal (your voice). Also
uses a stereo chorus effect on the guitar.
15B
Same as Part A only without the chorus effect on the guitar.
TENORS 16A
Covers the middle and higher ranges of male vocals with a 5th
down, 3rd down and a 3rd up from the melody vocal. Also uses a
mono chorus effect on the guitar.
16B
Same as Part A only the 3rd above harmony changes to a Unison.
LITE
WORLD
17A
Utilizes three part harmony (3rd above / 5th above) with a unison
vocal to help thicken your voice. Also uses a stereo chorus effect on
the guitar. Chromatic pitch correction is used.
17B
Uses a 3rd down and 5th above harmony with similar settings in
Part A.
CAN WE
STL
18A
This preset uses female backing vocals, a 3rd down (doubled) and
a 3rd above (doubled), and a stereo chorus effect on the guitar. Try
using it on the verses of a song. Chromatic pitch correction is used.
18B
Covers a higher vocal range with a 3rd above, 5th above and an
oc tave above. Also uses a stereo chorus effect on the guitar. Try
using this preset on the “la la la” part of a song.
ALT HRMNY 19A
Uses the ALT variation again with a 5th below, 3rd below, 3rd above
and 5th above, and some pitch and timing variations.
19B
Also uses the ALT variation but with 3rd below (doubled) and 3rd
above (doubled) for a thicker sound.
BIG
GOSPEL
20A
Offers a different variation of gospel backgrounds than the BLIND
BOYS preset. It doubles the 3rd below and 3rd above to fatten up
your sound. It also uses the bigger persona to give you a huskier
older male lead vocal. Chromatic pitch correction is used and a
tremolo effect is used on the guitar.
20B
Same as Part A but with a chorus effect on the guitar instead of
tremolo.