OWNER’S MANUAL
WARRANTY We at DigiTech® are very proud of our products and back-up each one we sell with the following warranty: 1. Please register online at digitech.com within ten days of purchase to validate this warranty. This warranty is valid only in the United States. 2. DigiTech warrants this product, when purchased new from an authorized U.S. DigiTech dealer and used solely within the U.S., to be free from defects in materials and workmanship under normal use and service.
TABLE OF CONTENTS Introduction ������������������������������������������������������������������1 Using Alternate Time & Adjusting Song Tempo ����27 Features �������������������������������������������������������������������������2 Using Alternate Time ��������������������������������������������������������������������������27 Adjusting Song Tempo ���������������������������������������������������������������������27 Quick Start ���������������������������������������������������������������������3
INTRODUCTION Thanks for choosing the DigiTech® TRIO+ Band Creator™ + Looper pedal. The TRIO+ is a simple-to-use guitar pedal that listens to the way you play and automatically generates bass and drum parts that match your song. Just plug your guitar into the TRIO+, press the BAND footswitch to teach the TRIO+ your chords and rhythm, then press the BAND footswitch again to start playing with your own personal band! Bass and drum levels can be adjusted for the perfect mix using the BASS and DRUMS knobs.
FEATURES • 12 Music Genres To Choose From • 12 Styles Selectable Per Genre • Can Learn Up To 5 Different Parts Per Song • Programmable Song Part Intensities For Creating Song Dynamics • Programmable Song Part Sequencer • 3 Bass Line Modes • Built-in Looper With Unlimited Overdubs & 1 Layer Of Undo/Redo • Adjustable Tempo With Audiolastic™ Time Stretching & Quick Selection Of Alternate Time Interpretation • Independently Adjustable Level Controls For Bass, Drums, & Loops • Built-In Guitar Effects Designed Fo
QUICK START To get up and running quickly with the TRIO+, see the TRIO+ Quick Start Guide that was included in the box or visit http://digitech.com/en-US/products/trio-plus#documentation.
MICROSD CARD INFORMATION The TRIO+ autosaves your work onto the microSD card so you don’t need to worry about remembering to save parts and songs. To ensure that you don’t unexpectedly lose data, always stop the TRIO+ playback and wait at least 5 seconds without making changes to your songs before ejecting the microSD card or removing power to the pedal.
CONNECTORS & USER INTERFACE Connectors 1 2 3 4 5 6 7 8 1. FX SEND Jack Connect this output to the input of an external guitar effect stomp box or pedalboard. See 'Using External Effects Connected To The FX Loop' on page 16 for more information. 2. FX RETURN Jack Connect the output of an external guitar effect stomp box or pedalboard to this input. See 'Using External Effects Connected To The FX Loop' on page 16 for more information. 3.
2 4 6 8 9 10 8. HEADPHONE OUT Jack Connect a pair of headphones to this 1/8” (3.5 mm) mini jack. This output is optimized for headphones having an impedance of 60 Ohms or less. Note that the output jacks are auto-sensing and the AMP and MIXER outputs will be muted when a plug is connected to the HEADPHONE OUT jack. See 'Output Jack Operation' on page 15 for more information. 9. VOLUME Knob Adjusts the volume of the headphone output. 10.
1 User Interface 2 3 4 5 6 7 9 8 10 11 12 13 14 15 1. SEQUENCE Button Press this button to program the song sequence. Once a sequence is programmed, pressing this button will turn Sequence mode on or off. For more information on programming a song sequence, see 'Programming A Song Sequence' on page 21. 2. PART Buttons The TRIO+ can learn up to 5 different song parts (for example, an intro, verse, chorus, bridge, and outro). The PART 1-5 buttons are used to select between these 5 parts.
5. TEMPO Knob & AUDIOLASTIC™ LED The TEMPO knob adjusts the TRIO+'s global playback tempo and was designed to adjust the tempo of a song after it is complete. See 'Adjusting Song Tempo' on page 27 for more information on adjusting the tempo of songs. NOTE: The AUDIOLASTIC LED must be off to record into the looper. See 'Adjusting Song Tempo' on page 27 for more information. 6. STYLE Knob Selects between the various styles available for each genre.
9. LOOP Knob Adjusts the level of your recorded loop and overdubs in the mix. When set to the 12 o'clock position, loop playback level will match the guitar input level (unity gain). 10. DRUMS Knob Adjusts the level of the drums in the mix. 11. BASS Knob Adjusts the level of the bass in the mix. 12. SIMPLE BASS Button Enabling this button will select a simpler bass line.
14. LOOPER Footswitch & LED Press this footswitch to record loops and overdubs. For more information on using the looper, see 'Recording Loops & Overdubs' on page 22. The LOOPER LED indicates the status of the looper for the selected song part. The following table describes the available states of the LOOPER LED. LOOPER LED State Description Off Loop Hasn't Been Recorded No loop has been recorded for the selected part and the looper is not armed for recording.
15. BAND Footswitch & LED Pressing this footswitch changes the TRIO+'s state. It is used to teach the band, start and stop band and loop playback, and clear the band. See 'Teaching The TRIO+ Band' on page 17 for more information. The BAND LED indicates the status of the band for the selected song part. The following table describes the available states of the BAND LED.
MAKING CONNECTIONS/APPLYING POWER To connect the TRIO+ pedal: 1. Turn down the guitar amp or headphone volume. If connecting to a mixer, turn down the gain/trim control and lower the fader on the channel you’re connecting to. 2. Make all connections to the TRIO+ as shown in 'Connection Diagrams' on page 13. 3. Connect the included HARMAN power adapter to the TRIO+ POWER input connector then connect the other end to an available AC outlet and wait for the TRIO+ to boot. 4.
CONNECTION DIAGRAMS Amplifier Setup HARMAN PS0913DC (9VDC) Power Adapter IN Guitar Effects OUT Amp OUT IN OUT IN OUT IN IN TRS CABLE FS3X Footswitch Optional Use only unbalanced TS instrument cables for audio connections. NOTE: When only the AMP OUT jack is used, an inverse cabinet emulation is added to the bass and drums signal. See 'Output Jack Operation' on page 15 for more information.
Amplifier + Mixer Setup HARMAN PS0913DC (9VDC) Power Adapter IN OUT Amp IN Guitar Effects OUT IN OUT IN OUT IN IN TRS CABLE Mixer FS3X Footswitch Optional Use only unbalanced TS instrument cables for audio connections. NOTE: When connected to both the MIXER and AMP OUT jacks, the guitar signal will be fed to the AMP output and the bass and drum parts will be fed to the MIXER output. See 'Output Jack Operation' on page 15 for more information.
OUTPUT JACK OPERATION The output jacks have an auto-sensing feature which allows the TRIO+ to automatically optimize the outputs for the application. The chart below describes how the TRIO+ will operate depending on which outputs are connected. Operation Description Speaker cabinet emulation will be applied to the guitar signal, including loops, and a mono mix of the bass, drums, and guitar will be sent to the MIXER OUT jack. A mono mix of the bass, drums, and guitar signal will be sent to the AMP OUT jack.
USING GUITAR EFFECTS The TRIO+ provides two ways to add effects to your guitar signal: you can use the built-in effects and/or connect your favorite outboard effects to the FX Loop. Whichever way you decide to work, the effects will be applied to your guitar signal when playing or while recording loops and overdubs. The TRIO+ will "listen" to the clean guitar signal at the GUITAR IN jack when learning your songs, so you don't have to worry about disabling effects when teaching the TRIO+.
TEACHING THE BAND & WORKING WITH SONG PARTS The TRIO+'s five song parts are ideal for playing songs with an intro, verse, chorus, bridge, and outro. Each part has the capability to be programmed for higher intensity, perfect for adding song dynamics to a chorus or bridge. Learned song parts will automatically be saved in memory until cleared, even after a power cycle. Song parts cannot exceed 48 bars, but for optimal results it is recommended to keep your song parts to 32 bars or less.
TIP: When completing the learning phase, press the LOOPER footswitch instead of the BAND footswitch to immediately begin recording your loop. Press the LOOPER footswitch again when done recording or wait for the song part to reach its end. TIP: If you make a mistake and want to immediately clear the part and re-teach the band, rather than pressing and releasing the BAND footswitch upon completion of the learning phase, hold it for 2 seconds then repeat steps 4-6 above. 8.
Clearing The TRIO+ Band Clearing a song part allows you to re-teach the TRIO+ the part — for example, if you made a mistake during the last pass or wish to play something different for the part. NOTE: If a loop has been recorded with the band, the loop will be cleared and restored along with the band part. To clear/restore a song part: 1. Press the BAND footswitch to stop band playback. 2. Select the part you want to clear using the PART buttons (the brightest button is the selected part). 3.
Programming Song Part Intensities Each song part can be programmed for normal intensity (PART button is green — this is the default) or high intensity (PART button is red). Programming the chorus or bridge of your songs with a higher backing band intensity can help add dynamics, making your songs more exciting. Song part intensity can be selected before or after teaching the TRIO+ a song part. To change song part intensity: 1. Press the BAND footswitch to stop band playback. 2.
Programming A Song Sequence Playback of the various parts that make up a song can be ordered and automated by creating a song sequence. This allows you to focus on your playing rather than manually switching song parts. To program a song sequence: 1. Press the SEQ button (the button will begin flashing). 2. Press each PART button in the desired sequence order.
RECORDING LOOPS & OVERDUBS The TRIO+'s built-in looper can be used as a traditional looper (with no backing band) or loops can be recorded with the backing band. Once the initial loop has been recorded, an unlimited number of overdubs can be recorded on top of it. Recorded loops and overdubs can easily be cleared, so you can quickly try again if you make a mistake. And if the last recorded loop or overdub is cleared by mistake, the TRIO+ allows you to restore it.
6. When the part ends, the LOOPER LED will light solid green and the loop you just recorded will begin playing along with the band. If your guitar part ends before the song part, press the LOOPER footswitch to stop loop recording or keep your guitar silent until the part ends. TIP: To clear the loop so you can re-record it, follow the instructions described in 'Clearing Loops' on page 25.
Recording Overdubs Overdub recording can be initiated while a loop is playing or from a stopped state. To record an overdub while a loop is playing: 1. Press the LOOPER footswitch once to enable overdub recording (the LOOPER LED will turn solid amber). You can begin playing your overdubbed parts over the loop. 2. When you are done overdubbing, press the LOOPER footswitch to stop overdub recording (the LOOPER LED will turn green and the looper will stop recording the overdub and resume playback).
Undoing/Redoing The Last Recorded Loop/Overdub The last recorded loop/overdub can be undone during playback. This provides a quick method for re-recording a loop or overdub on-the-fly. If a loop/overdub is undone by accident, it can be restored using the redo feature. To undo the last recorded loop/overdub: 1. During playback, press and hold the LOOPER footswitch for 2 seconds until the LOOPER LED flashes briefly.
Recording Loops To An Entire Song Sequence It is possible to record all the initial loops to a song in one pass after all the song parts have been learned by the TRIO+ and a song sequence has been programmed. This can provide a more realistic experience and organic feel during the loop recording process. This technique works best if you have familiarized yourself with TRIO+ operation, have already worked out all the song parts, and are confident you can record the entire song without mistakes.
USING ALTERNATE TIME & ADJUSTING SONG TEMPO Using Alternate Time Pressing the ALT TIME button selects an alternate interpretation of the selected song part's tempo — usually this is either double or half the current tempo. If the TRIO+ can't find a suitable tempo and number of bars by halving or doubling, the alternate time will remain the same as the original timing. The ALT TIME button has the following states: • Off — Indicates the selected part has not yet been learned.
ADVANCED FEATURES Enabling A Drum Stick Count-In The TRIO+ has a drum stick count-in feature that can be used to perform the following functions: • Provide a 1-bar count-in before playing a song. • Record loops with the band that start on the first downbeat of a part. The count-in feature is a one-time operation, so it must be enabled each time you want to use it. It can be enabled by pressing and holding the selected PART button for 2 seconds.
guitar part ends before the song part, press the LOOPER footswitch to stop loop recording or keep your guitar silent until the part ends. When the part ends, the LOOPER LED will light solid green and the loop you just recorded will begin playing along with the band. TIP: To clear the loop so you can re-record it, follow the instructions described in 'Clearing Loops' on page 25.
To match a new part's tempo to the previous part using the metronome: 1. If the band is playing, press the BAND footswitch to stop band playback. 2. Using the PART buttons, select the part to which you want to teach or record the loop. 3. If you're recording a loop, ensure the AUDIOLASTIC™ LED is off. If it isn’t, adjust the TEMPO control and set it to the 12 o'clock position — the AUDIOLASTIC LED should now turn off. 4.
MANAGING SONGS Storing Songs The TRIO+ autosaves all songs and loops on the included microSD card. Up to 12 songs (each with up to 5 parts with loops) can be stored to an installed microSD card. See 'microSD Card Information' on page 4 for information on compatible microSD cards. NOTE: To ensure that you don’t unexpectedly lose data, always stop the TRIO+ playback and wait at least 5 seconds without making changes to your songs before ejecting the SD card or removing power to the pedal.
USING AN FS3X FOOTSWITCH An optional DigiTech FS3X Footswitch can be connected to the CONTROL IN jack for additional hands-free control. A TRS (tip-ring-sleeve) 1/4” cable must be used when connecting the FS3X to the TRIO+. TRS Cable When using an optional FS3X Footswitch for control, there are 3 modes of operation to select from. The table below shows the 3 modes and the functions controlled by each of the FS3X footswitches in each mode.
THE GENRES & STYLES The DigiTech TRIO+ was designed to create the impression of playing with an actual rhythm section — a feeling that is very different than playing to static backing tracks. The styles will follow your own chord progression and transition between chords using an understanding of musical theory. The choice of bass notes is dynamic and will vary both within a part, as well as each time through the part.
Genre-Based Styles Genre Blues Blues Blues Blues Blues Style Knob Position 1 2 3 4 5 Time Signature 4/4 4/4 4/4 4/4 4/4 Feel Style Description Even 8ths Mid tempo jazz blues. Sounds best at tempos between 65-120. Bass walks slowly between chords. More sparse style with little decoration. Simple beat with straight kick and snare. Hats in the normal intensity section, switching to cymbals in the high intensity section. Even 16ths Smooth jazzy blues with a poppy rhythm.
Genre-Based Styles Genre Blues Blues Blues Blues Blues Blues 35 Style Knob Position 6 7 8 9 10 11 Time Signature 4/4 4/4 4/4 4/4 3/4 3/4 Feel Style Description Swing 8ths Slow Chicago-style blues. Sounds best at tempos between 60-115. Bass arpeggiates chords on 8th notes with the occasional busy fill. Simple swung beat with brush snare action. Swing 8ths Lo-fi blues band. Sounds best at tempos between 110-140. Staccato walking blues bass.
Genre-Based Styles Genre Blues R&B R&B R&B R&B R&B Style Knob Position 12 1 2 3 4 5 Time Signature 3/4 4/4 4/4 4/4 4/4 4/4 Feel Style Description Swing 8ths Blues waltz. Sounds best at tempos between 50-130. Bass rhythm is similar to blues style #11 with alternating root, 5th up, and 2nd down. Snare and hats in normal intensity section switching to snare and ride in the high intensity section. Even 16ths R&B rock with slow soulful rhythm. Sounds best at tempos between 55-80.
Genre-Based Styles Genre R&B R&B R&B R&B R&B R&B R&B 37 Style Knob Position 6 7 8 9 10 11 12 Time Signature 4/4 4/4 4/4 4/4 3/4 3/4 3/4 Feel Style Description Even 16ths Electric funk. Sounds best at tempos between 70-125. Funky syncopated bass with lots of chromatic walking and octave jumps. Straight funk drumming with brush snare in normal intensity section. Even 8ths '60s soul with tambourine. Sounds best at tempos between 90-130. Funky bass line with a blues feel.
Genre-Based Styles Genre Rock Rock Rock Rock Rock Rock Style Knob Position 1 2 3 4 5 6 Time Signature 4/4 4/4 4/4 4/4 4/4 4/4 Feel Style Description Even 16ths Classic rock. Sounds best at tempos between 60-110. Bass similar to rock style #2 but slightly more spacious. Classic rock drums, with hats changing to cymbals and busier kick in the high intensity section. Even 16ths Driving British rock. Sounds best at tempos between 80-130.
Genre-Based Styles Genre Rock Rock Rock Rock Rock Rock 39 Style Knob Position 7 8 9 10 11 12 Time Signature 4/4 4/4 4/4 3/4 3/4 3/4 Feel Style Description Even 8ths British invasion. Sounds best at tempos between 100-140. Slightly bluesy bass with lots of motion in transition bars. Straight rock beat with steady snare and tight 16th note hats in the normal intensity section, changing to 8th note cymbals in the high intensity section. Swing 16ths Swung British rock.
Genre-Based Styles Genre Alternative Rock Alternative Rock Alternative Rock Alternative Rock Alternative Rock Alternative Rock Style Knob Position 1 2 3 4 5 6 Time Signature 4/4 4/4 4/4 4/4 4/4 4/4 Feel Style Description Even 16ths Jazz funk pop. Sounds best at tempos between 65-130. Grooving bass with small embellishments. Funky drums switching between tight hats and snare in the normal intensity section to a looser hat and higher intensity snare in the high intensity section.
Genre-Based Styles Genre Alternative Rock Alternative Rock Alternative Rock Alternative Rock Alternative Rock Style Knob Position 7 8 9 10 11 Time Signature 4/4 4/4 4/4 3/4 3/4 Feel Style Description Even 8ths Classic reggae. Sounds best at tempos between 75-100. Sparse bass sits on root and leaves a lot of room. Drums are carried by hat groove and snare/side-stick pattern in the normal intensity section. Intensity increases in the high intensity section.
Genre-Based Styles Genre Metal Metal Metal Metal Metal Metal Metal Metal Metal Style Knob Position 2 3 4 5 6 7 8 9 10 Time Signature 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 3/4 Feel Style Description Even 8ths Classic galloping metal drum pattern with heavy cymbal work in the high intensity section. Energetic bass locks in with the kick and hi-hat patterns. Even 8ths '90s metal feel with hip-hop influence and flying cymbals.
Genre-Based Styles Genre Metal Metal Pop Pop Pop Pop 43 Style Knob Position 11 12 1 2 3 4 Time Signature 3/4 3/4 4/4 4/4 4/4 4/4 Feel Style Description Even 16ths 6/8 blast style. The high intensity section double-times the hats and snare with the kick for a bomb blast feel. Bass line is slower, with a simple groove. Even 8ths Heavy swung 3/4 style with a big splashy hat sound. The high intensity section adds intricate double kick work and tightens up the hats slightly.
Genre-Based Styles Genre Pop Pop Pop Pop Pop Style Knob Position 5 6 7 8 9 Time Signature 4/4 4/4 4/4 4/4 4/4 Feel Style Description Even 8ths Praise and worship-style pop. Sounds best at tempos between 55-110. Bass pins down the root of the chord on even 8ths with some octave jumps. Steady rock beat with hats and snare in the normal intensity section, cymbals added in the high intensity section. Even 8ths Island band. Sounds best at tempos between 90-150.
Genre-Based Styles Genre Pop Pop Pop E-Pop E-Pop E-Pop 45 Style Knob Position 10 11 12 1 2 3 Time Signature 3/4 3/4 3/4 4/4 4/4 4/4 Feel Style Description Even 8ths Straight pop waltz. Sounds best at tempos between 80-150. Slow bass plays the root and walks between chords with occasional large jumps. Sparse drum beat alternates tight hat and steady brush snare in the normal intensity section with ride cymbal and snare in the high intensity section. Even 8ths Pop waltz.
Genre-Based Styles Genre E-Pop E-Pop E-Pop E-Pop E-Pop E-Pop E-Pop Style Knob Position 4 5 6 7 8 9 10 Time Signature 4/4 4/4 4/4 4/4 4/4 4/4 3/4 Feel Style Description Even 8ths Modern indie synthpop from the US, light drum machine style disco beat with a looser open-hat feel switching to a tight groove in the high intensity section. Bass alternates between short 8th notes and held notes.
Genre-Based Styles Genre E-Pop E-Pop Hip-Hop Hip-Hop Hip-Hop Hip-Hop Hip-Hop 47 Style Knob Position 11 12 1 2 3 4 5 Time Signature 3/4 3/4 4/4 4/4 4/4 4/4 4/4 Feel Style Description Even 8ths Modern '80s retro style with a fractured 6/8 feel. Arpeggiated bass and sparse electronic drum pattern with tight kicks and syncopated hi-hat patterns becoming more driving in the high intensity section. Swing 16ths Modern Scandinavian synth pop in 3/4.
Genre-Based Styles Genre Hip-Hop Hip-Hop Hip-Hop Hip-Hop Hip-Hop Hip-Hop Hip-Hop Style Knob Position 6 7 8 9 10 11 12 Time Signature 4/4 4/4 4/4 4/4 3/4 3/4 3/4 Feel Style Description Even 16ths Percussion-heavy, slightly off-kilter drum groove with slowly walking bass. The high intensity section has a heavier downbeat, with the hats pushing the beat forward more. Even 8ths Tight, modern funk style beat with layered snare and clap and slightly shuffling hats.
Genre-Based Styles Genre Country Country Country Country Country 49 Style Knob Position 1 2 3 4 5 Time Signature 4/4 4/4 4/4 4/4 4/4 Feel Style Description Even 8ths Fast country ballad. Sounds best at tempos between 90-120. Bass on 1/2 notes playing root/5th/octave. Simple beat driven by slightly loose hats and rimshot or brush snare in the normal intensity section with cymbal and snare in the high intensity section. Even 8ths Acoustic country. Sounds best at tempos between 60-90.
Genre-Based Styles Genre Country Country Country Country Country Style Knob Position 6 7 8 9 10 Time Signature 4/4 4/4 4/4 4/4 3/4 Feel Style Description Swing 8ths Western swing bebop. Sounds best at tempos between 60-110 or 160-200. Sparse bass sitting on the root with occasional 5ths and octaves and short walks between chords.
Genre-Based Styles Genre Country Country Folk Folk Folk Folk Folk 51 Style Knob Position 11 12 1 2 3 4 5 Time Signature 3/4 3/4 4/4 4/4 4/4 4/4 4/4 Feel Style Description Straight 8ths Country rock waltz. Sounds best at tempos between 50-110. Bass plays the root on the one with simple rhythmic embellishments.
Genre-Based Styles Genre Folk Folk Folk Folk Folk Folk Folk Latin Style Knob Position 6 7 8 9 10 11 12 1 Time Signature 4/4 4/4 4/4 4/4 3/4 3/4 3/4 4/4 Feel Style Description Swing 8ths Steady swung beat with tambourine and brush snare beats. Tambourine switching to hats at higher tempos in the high intensity section. Bass on octave and 5ths, and walking between chords.
Genre-Based Styles Genre Latin Latin Latin Latin Latin Latin Latin 53 Style Knob Position 2 3 4 5 6 7 8 Time Signature 4/4 4/4 4/4 4/4 4/4 4/4 4/4 Feel Style Description Even 8ths Tango performed on snare and shaker in the normal intensity section with a slightly higher intensity in the high intensity section with some percussive flourishes, and a subtle kick drum. Bass arpeggiates the chords in rhythm with the snare.
Genre-Based Styles Genre Latin Latin Latin Latin Jazz Jazz Style Knob Position 9 10 11 12 1 2 Time Signature 4/4 3/4 3/4 3/4 4/4 4/4 Feel Style Description Swing 8ths Although there aren't jazz-style swung rhythms in traditional Latin styles, this style option was added for people who want some latin vibe to go with their swung rhythms. It's a loping groove. Try the high intensity section for extra timbale. Even 16ths A jazzy waltz with a bossa feel.
Genre-Based Styles Genre Jazz Jazz Jazz Jazz Jazz Jazz 55 Style Knob Position 3 4 5 6 7 8 Time Signature 4/4 4/4 4/4 4/4 4/4 4/4 Feel Style Description Even 16ths Smooth jazz with poppy rhythm. Sounds best at tempos between 70-130. Sparse staccato bass groove with octave jumps. Grooving drums, moving from tambourine and side-stick in the normal intensity section to hats and snare in the high intensity section. Swing 8ths '40s jazz boogie. Sounds best at tempos between 140-190.
Genre-Based Styles Genre Jazz Jazz Jazz Jazz Style Knob Position 9 10 11 12 Time Signature 4/4 3/4 3/4 3/4 Feel Style Description Swing 8ths Slow swing ballad. Sounds best at tempos between 70-120. Bass walks up and down each chord with short transition fills. Shuffling brush snare/side-stick and pedal hat keeping time in the normal intensity section. Increased intensity in the high intensity section. Even 8ths Straight jazz waltz. Sounds best at tempos between 70-150.
TRIO MANAGER SOFTWARE/FIRMWARE UPDATES The TRIO Manager Software can be used to backup and manage all your TRIO+ song data using a computer. It can also be used to update firmware. For the latest information on the TRIO Manager Software, please visit http:// digitech.com/en/products/trio-plus.
SPECIFICATIONS Interface Controls: Backlit Buttons: Footswitches: LEDs: Jacks: Other: TEMPO, GENRE, STYLE, LOOP, BASS, DRUMS, HEADPHONE VOLUME GUITAR FX, SEQ, PART 1-5, ALT TIME, SONG, SIMPLE BASS LOOPER, BAND GENRE types, STYLE 1–12, AUDIOLASTIC, LOOPER, BAND POWER, CONTROL IN, GUITAR IN, FX RETURN, FX SEND, AMP OUT, MIXER OUT, HEADPHONE Mini USB port, microSD card slot Inputs Guitar Input: FX Return: Control Input Type: Type: Unbalanced, 1/4" TS Impedance: 1 MΩ Type: Unbalanced, 1/4" TS Impedance: 1 MΩ
Looper Bit Depth: Sample Rate: Maximum Recording Time: 24-bit 44.1 kHz 230 seconds per song part — based on a minimum 50 BPM and 48 bars per part USB Type: Mini-B SD Card Requirements Type: Min/Max Storage Size: microSDHC, Class 10 8 GB/32 GB Physical Dimensions: Weight: 5.4” (L) x 4.25” (W) x 2.5” (H) 137.2 mm (L) x 108 mm (W) x 63.5 mm (H) 1.46 lbs. 0.66 kg Power Power Requirements: Power Consumption: Current Draw: 9 VDC external power adapter 7.
PHONE: (801) 566-8800 WEB: digitech.com SUPPORT: digitech.com/en-US/support TRIO+ Owner's Manual 5064509-B © 2017 HARMAN. All rights reserved. DigiTech is a registered trademark of HARMAN. Some TRIO+ styles licensed from PG Music Inc ®, makers of Band-in-a-Box ®. To learn more about Band-in-a-Box, visit http://pgmusic.com. Drum kit and acoustic bass recordings by Digital Sound Factory®.
