User Manual

27
18 EAGLETS 2 Reminiscent of 2-part 70s country-rock vocals. Try singing with your
best country vocal. Utilizes a 3rd above. A mono chorus effect is
used on the guitar.
19 EAGLETS 3 Reminiscent of 3 part 70s country-rock vocals. Utilizes a 3rd above
and a 5th above as well as a unison to help thicken the lead vocal. A
mono chorus effect is used on the guitar.
20 DUST WIND A 2-part harmony good for well-known acoustic duet hits from the
70s and 80s. Utilizes a timing variation on the 3rd above harmony.
21 GOLD CHAN A smooth, fat 3-part vocal sound using a 3rd above, 5th above and an
octave above. A stereo chorus effect is used on the guitar.
22 KISS Perfect for singing falsetto parts while still maintaining a male vocal
sound. Try singing in falsetto for the verse and singing the chorus in
full voice. 3 part harmony (3rd and 5th above and an octave above) is
used. A stereo chorus effect is used on the guitar.
23 ALT GOSPEL Similar to the BIG GOSPEL preset, but uses the musIQ
TM
Alt har-
mony style to get slightly different voicings. Also, there is no tremolo
on the guitar this time.
24 GTR CHORUS Demonstrates a nice stereo guitar chorus effect with reverb. Try
experimenting with the speed and feedback parameters to get the
sound you’re looking for. The harmony is a single unison voice that is
chromatically pitch corrected to give an interesting doubled sound.
25 GTR TREM Demonstrates a guitar tremolo effect with reverb. Play around with
the speed and feedback parameters to customize your sound. The
harmony has unison, octave down and octave up voices.
26 GTR FLANGE Demonstrates a guitar flange effect reverb. The harmonies are unison
plus 3rds and 5ths up.
27 7 BRIDGES Excellent for songs with multi-layered a cappella harmonies. Features
3rd down, 3rd up and 5th up, as well as some fairly strong harmony
voice decoupling.
28 OCTAVES Uses octave doubling for the harmonies. The unison voice is com-
bined with the lead vocal shifted up and down one octave.
29 GALS DUET Makes a male lead singer sound female. The harmony voice sounds
like a female singer singing up one octave from the lead.
30 LOOSE DBLS Creates a fat doubling by combining 4 unison voices with lots of
decoupling.
31 TUBE GOLD Models a studio vocal channel using the tube amp, compressor and
EQ to create a sound that will sweeten any vocal.
32 PC A MAJOR Demonstrates major-scale pitch correction that can make even the
most vocally-challenged singers sound good. Set the key and scale in
the pitch correction row to match your song (this preset is set to A
Maj). The faster you set the rate, the harder it will be to sing off key!
33 BANDERO Provides a band limited voice that is often heard as a vocal effect.
34 RADIO Combines a tube preamp with band limiting to create an old radio
lead vocal effect.
35 BORG Creates a metallic sounding lead effect.
36 BIGGER Makes your lead voice sound larger. Try playing with the “amount”
parameter in the Lead Effects row to become just the size you want.