Specifications

Synchronic Plug-in Guide38
Filter Mode
The Filter effect provides seven different types of
filters: Lowpass Filter (1–5), Highpass Filter, and
Ring Modulation.
LPF1 Is a 6 dB per octave lowpass comb filter.
LPF2 Is a 12 dB per octave lowpass filter with no
resonance.
LPF3 Is a 12 dB per octave lowpass filter with a
small amount of resonance.
LPF4 Is a 12 dB per octave lowpass filter with a
moderate amount of resonance.
LPF5 Is a 12 dB per octave lowpass filter with a
high amount of resonance.
HPF Is a 12 dB per octave highpass filter.
Ring Mod Is a ring modulator. Ring Modulation,
also known as Amplitude Modulation (AM), re-
sults in the sum and difference tones between
the input signal and the modulating signal.
Delay Effect
The Delay effect processes the post-Filter signal
with modulating delay that synchronizes to the
Pro Tools MIDI Beat Clock.
BEG and END Range (0–100%) Use the BEG and
END parameters to control the amount of delay
(which is a combination of delay level and feed-
back level). At 0% there is no delay. At 100% the
delay forms and “infinite” feedback loop. Use
the Range controls to set the amount of delay ef-
fect that will be modulated by the LFO1 and
LFO2 waveshapes.
LFO Set the Waveshape and Duration for dy-
namic delay effects. For static delay effects, set to
Off.
Selecting Filter Mode
Delay effect
LFO Waveshapes and Durations options
are the same as those provided in the Play-
back module. See “Low Frequency Oscilla-
tor (LFO)” on page 33.
Delay Enable
Delay Select
button
LFO Waveshape
selector
Beginning Delay
amount (%)
End Delay
amount (%)
LFO Duration
selector
button
Delay Mode