Specifications
Table Of Contents
- Contents
- Welcome to Mbox 2
- Windows Configuration
- Macintosh Configuration
- Installation Overview
- Apple System Settings for Mac OS X
- Installing Pro Tools LE
- Connecting Mbox 2 to the Computer
- Optional Software on the Pro Tools Installer CD-ROM
- Launching Pro Tools LE
- Configuring Pro Tools LE
- Audio MIDI Setup (AMS)
- Hard Drive Configuration and Maintenance
- Removing Pro Tools on Mac OS X
- Mbox 2 Hardware and Connections
- Working with Pro Tools LE
- Windows System Optimizations
- Configuring Midi Studio Setup (Windows Only)
- Configuring AMS (Mac OS X Only)
- Index
Getting Started with Mbox 254
10 With the new region still selected, choose
Edit > Repeat.
11 In the Repeat dialog, enter a number of re-
peats, and click OK.
You now have a new rhythm track with a
“looped” (repeated) phrase. You can use these
editing tools to do much more advanced and in-
volved editing of regions. For example, you
could separate beats or “hits” into individual re-
gions and rearrange them in Grid or Shuffle
mode as a way of coming up with new and in-
teresting rhythms.
Mixing
The Pro Tools mix environment provides many
familiar channel strip controls for setting vol-
ume, pan, solo, and mute. Mixer and I/O con-
trols can be shown in both the Mix and Edit
windows.
To view the Mix window:
■ Select Windows > Show Mix.
Using Channel Strip Controls
Volume Increase or decrease the track level by
dragging its Volume fader up or down.
Pan Pan a track left or right in the mix by drag-
ging its Pan slider left or right.
Solo Solo a track (muting all other tracks) by
clicking its Solo button.
Mute Mute a track by clicking its Mute button.
Basic Signal Routing
Signal routing is accomplished by assigning
track inputs and outputs. Audio track inputs can
be from any hardware input or bus path. Once
recorded, an audio track’s input is its audio file
on disk. Auxiliary Inputs can be any hardware
input or internal bus path. For all types of audio
tracks, outputs can be routed to any hardware
output or internal bus path.
Together, these signal routing features let you
set up virtually any mixer architecture for your
projects, including sends and returns for effects
processing and submixing.
Send and Return Submixing for Effects
Processing
When you are submixing for reverb, delay, and
similar effects processing, you can use sends and
Auxiliary Inputs to achieve traditional send/re-
turn bussing. You can use a real-time plug-in
(see “Plug-Ins” on page 56) as a shared resource
for all tracks included in a submix. The wet/dry
balance in the mix can be controlled using the
track faders (dry level) and Auxiliary Input fader
(wet, or effect return level).
Repeat dialog
Press Control+Equals (=) in Windows or
Command+Equals (=) on Macintosh to
switch between the Edit and Mix windows.