Specifications

Chapter 6: DigiRack AudioSuite Plug-Ins 63
Mix Adjusts the balance between the effected
signal and the original signal and controls the
depth of the effect. Mix is adjustable from 0% to
100%.
High-Pass Filter Controls the cutoff frequency of
the High-Pass Filter. Use this to attenuate the
frequency content of the feedback signal and
the frequency response of the flanging. The
higher the setting, the more low frequencies are
removed from the feedback signal.
LFO Rate Adjusts the rate of the LFO (low fre-
quency oscillator) applied to the delayed signal
as modulation. The higher the setting, the more
rapid the modulation. You can select either a
sine wave or a triangle wave as a modulation
source, using the LFO Waveform selector.
LFO Width Adjusts the intensity of the LFO ap-
plied to the delayed signal as modulation. The
higher the setting, the more intense the modu-
lation.
Feedback Controls the amount of feedback ap-
plied from the output of the delayed signal back
into its input. Negative settings provide a more
intense effect.
LFO Waveform Selects a sine wave or triangle
wave for the LFO. This affects the character of
the modulation. The sine wave has a gentler
ramp and peak than the triangle wave.
Multi-Tap Delay
The Multi-Tap Delay adds up to four indepen-
dently-controllable delays or taps to the original
audio signal. Use the Multi-tap delay to add spa-
tialization or complex rhythmic echo effects to
audio material. You can individually control the
delay time and number of repetitions of each of
the four taps.
Gain The Gain slider for each of the Multi-Tap
delay’s four delay lines controls the input level
of that individual delay tap. Adjust Gain to pre-
vent clipping or increase the level of the pro-
cessed signal.
The Multi-Tap Delay plug-in was formerly
called D-fx Multi-Tap Delay. It is fully
compatible with all settings and presets cre-
ated for D-fx Multi-Tap Delay.
Multi-Tap Delay plug-in