Specifications

DigiRack Plug-Ins Guide16
Editing Plug-In Controls
You can adjust plug-in controls by dragging the
control’s slider or knob, or by typing a value into
the control’s text box.
To adjust a plug-in control:
1 Begin audio playback so that you can hear the
control changes in real time.
2 Adjust the controls of the plug-in for the effect
you want.
3 Closing the plug-in will save the most recent
changes.
Keyboard Shortcuts
For finer adjustments, Control-drag (Win-
dows) or Command-drag (Macintosh) the con-
trol.
To return a control to its default value, Alt-
click (Windows) or Option-click (Macintosh)
the control.
Keyboard Input for Plug-In
Controls
You can use your computer keyboard to edit
plug-in controls.
If multiple Plug-In windows are open, Tab and
keyboard entry remain focused on the plug-in
that is the target window.
To adjust controls from a computer keyboard:
Click in the control text field that you want to
edit to activate the field. Type an appropriate
value.
In fields that support values in kilohertz, typ-
ing “k” after a number value will multiply the
value by 1,000. For example, type “8k” to en-
ter a value of 8,000.
•To increase a value, press the Up Arrow on
your keyboard. To decrease a value, press the
Down Arrow on your keyboard.
Press Enter on the numeric keyboard after typ-
ing a value to input the value (without leaving
the selected control field).
Press Enter on the alpha keyboard (Windows)
or Return (Macintosh) to enter the value and
leave keyboard editing mode.
•To move forward through the different con-
trol fields, press the Tab key. To move back-
ward, press Shift+Tab.
Using a Key Input for Side-
Chain Processing
Some plug-ins, such as the Compressor, Limiter,
Gate, and Expander/Gate, feature side-chain
processing capabilities. With side-chain process-
ing you can trigger a plug-in from a separate ref-
erence track or external audio source. The source
used for triggering is referred to as the Key Input.
Key inputs are monophonic.
A typical use for this feature is to control the dy-
namics of one audio signal using the dynamics
of another signal (the Key Input). For example, a
kick drum track could be used to trigger gating
of a bass track to tighten it up, or a rhythm gui-
tar track could be used to gate a keyboard pad.
RTAS plug-ins do not provide side-chain
processing when used on TDM-based sys-
tems. If you want to use side-chain process-
ing, use the TDM versions of plug-ins on
TDM-based systems.