Command|8™ Version 7.
Legal Notices This guide is copyrighted ©2007 by Digidesign, a division of Avid Technology, Inc. (hereafter “Digidesign”), with all rights reserved. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of Digidesign.
Communications & Safety Regulation Information Canadian Compliance Statement: Compliance Statement The model Command|8 complies with the following standards regulating interference and EMC: • FCC Part 15 Class B • EN55022 • EN55024 • AS/NZS 3548 Class B • CISPR 22 Class B This Class B digital apparatus complies with Canadian ICES003 Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada Australian Compliance Radio and Television Interference This equipment has been tested and f
contents Chapter 1. Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Command|8 Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Command|8 Components . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 System Requirements and Compatibility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Transport, Navigation, and Zoom Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Control Room Monitor Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Modifier Switches . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Stand-Alone Switch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
chapter 1 Introduction Welcome to the Command|8™ control surface, developed in collaboration between Digidesign® and Focusrite. Command|8 is a compact and flexible control surface for Pro Tools|HD®, Pro Tools LE®, and Pro Tools M-Powered™ systems, and supported Avid® systems.
System Requirements and Compatibility Command|8 can be used with any supported Pro Tools HD or Pro Tools LE system for tactile control of recording and mixing. Command|8 can also be used in Stand-Alone mode and mapped to control most digital audio workstations or devices that support MIDI. For complete system requirements, visit the Digidesign website (www.digidesign.com).
MIDI Control Surface Terms About This Guide Here are a few terms that apply to the use of a MIDI control surface with Pro Tools. This guide assumes you have installed Pro Tools, and that you have an understanding of its features and operating conventions as explained in the Pro Tools Reference Guide. Bank A group of similar controls (such as faders, rotary controls, or switches) that are arranged in discrete channel strips. With Command|8, you can operate one bank of controls at a time.
The following symbols are used to highlight important information: User Tips are helpful hints for getting the most out of Command|8. Important Notices include information that could affect the performance of Command|8 hardware or Pro Tools session data. Shortcuts show you useful keyboard or mouse shortcuts. Cross References point to related sections in this guide and other Digidesign guides.
chapter 2 Installing and Configuring Command|8 Installation Guidelines • Pro Tools software includes drivers for Command|8. Make sure Pro Tools is correctly installed and operating before using Command|8. • Make sure not to block the back, sides, or front of Command|8 to maintain proper ventilation. If you are mounting Command|8 in studio furniture, be sure to leave adequate space around the vents at the back and front. • Pro Tools does not support the use of more than one Command|8 at a time.
Example Setups Command|8 with Pro Tools Figure 1 shows Command|8 connected for use with Pro Tools, acting as a control surface, MIDI interface, and monitor controller. MIDI sound module main monitors MIDI in/out MIDI synth audio in/out headphones USB to computer 96 Pro Tools CD player Figure 1. Connecting Command|8 as a Pro Tools control surface, MIDI interface, and monitor controller USB Connection The Command|8 USB port is connected to the host computer.
Command|8 with Other Control Surfaces 003 or Digi 002 and Command|8 When used as a MIDI control surface with a supported 003 or Digi 002® system, the faders on Command|8 function as additional faders (9–16). Figure 2 shows fader mapping when Command|8 is used with a 003. (Plug-ins cannot be edited on Command|8 when used with a 003 or Digi 002.) You can use Command|8 for expanded fader control, or for remote transport control and monitoring. 003 Faders 1–8 Command|8 Faders 9–16 Figure 2.
Command|8 Back Panel Figure 4 shows the Command|8 back panel connectors and switches. Punch In +4/–10 switches USB MIDI In Main Monitor Inputs Ext Source Monitor Inputs Speaker Outputs MIDI Out 1&2 Power socket Power switch Figure 4. Command|8 back panel Connecting Command|8 to Pro Tools and Your Computer This section lists the basic steps required to connect Command|8 to a Pro Tools system. Instructions for each step can be found later in this chapter.
Connecting AC Power Connect power using the included external power supply and cable. Command|8 is not powered through its USB connection. The Command|8 power supply is available in three configurations (90– 120V for Japan and USA, 220–230V for Europe, and 220V for UK). If travelling or ordering a replacement unit, be sure to specify the country in which you plan to use Command|8. To connect the Command|8 to your computer: 1 Start up your computer, logging in as Admin- istrator.
To install Command|8 software on Windows: Mac Software for Command|8 1 Start up your computer, logging in as Admin- istrator. 2 Make sure Command|8 is powered on. 3 Connect one end of the included USB cable to the USB port on the back panel of Command|8. 4 Connect the other end of the USB cable to an available USB port on your computer. 5 When the Found New Hardware Wizard ap- pears, leave the Found New Hardware Wizard dialog open on-screen. Do not click Next.
Monitoring Overview Output Connections Command|8 provides the following analog audio connectors. To connect Command|8 to your monitoring system: Input 1 Be sure to mute, turn down, or power off your • Two pairs of balanced, TRS inputs, labeled Main and Ext Source on the back panel of Command|8. Each input pair is switchable between –10 dBV or +4 dBu operation. Output • Two channels of balanced, TRS output to connect to powered speakers, a monitor amplifier or other monitor equipment.
Connecting a Footswitch (Optional) The Punch In connector on the Command|8 back panel supports footswitch control of TrackPunch and QuickPunch audio punch-in and punch-out recording features. Both continuous on/continuous off and instantaneous on/off pedals with a 1/4-inch TRS connector are supported. To connect a footswitch: Connect the footswitch jack to the Punch In connector.
2 Click Create. 3 In the Instrument Name field, type a name for the MIDI port and press Enter. The following table shows how AMS lists Command|8 MIDI ports: Command|8 port equivalents in AMS 4 If the MIDI Out of the device is connected to AMS (in/out) Command|8 back panel ports the MIDI In port of Command|8, choose “C|8 MIDI In” from the Input Port pop-up menu.
Enabling Command|8 in Pro Tools To enable Command|8 in Pro Tools: 1 Make sure your computer, Pro Tools hard- ware, and Command|8 are powered on and operating correctly. 2 Launch Pro Tools. 3 Choose Setup > Peripherals and click the MIDI Controllers tab. 4 Select Command8 from the Type pop-up menu. 5 Select C|8 Surface (Windows) or Command8, Port 1 (Mac) in both the Receive From and Send To selectors. MIDI Out 1 and MIDI Out 2 are the back panel 5-pin MIDI connectors.
4 Configure the Mic Preamp window by doing the following (see the Digidesign PRE Guide for details). • On Windows, choose Command|8 MIDI Out and In 1 for the Receive From and Send To ports. • On Mac, choose Port 2 Out and In. • For each port, choose the MIDI channel appropriate for your PRE and channel. 3 Click OK. If Command|8 is not listed, check that it is still enabled (see “Enabling Command|8 in Pro Tools” on page 14).
Troubleshooting If your system does not seem to be responding correctly, check all MIDI connections and settings. If there is still a problem, repeat the installation and configuration steps. Once enabled in the Peripherals dialog, Command|8 will be available every time you launch Pro Tools until you deselect it in the MIDI Controllers page of the Peripherals dialog. Lost Communication To re-establish communication, repeat the instructions in “Enabling Command|8 in Pro Tools” on page 14.
chapter 3 Command|8 Overview This chapter introduces the Command|8 control surface and its main control sections, and describes the Command|8 operating modes. Command|8 Operating Modes When powered on, Command|8 enters Standby mode. Command|8 also has three operating modes: Pro Tools mode, Avid mode, and StandAlone mode. Standby Mode Command|8 enters Standby mode when it is first powered on, waiting for you to either launch Pro Tools (or a supported Avid system) or enter Stand-Alone mode.
Command|8 Control Surface Figure 1 identifies each of the main Command|8 control sections. LCD Display Meters Control Room Monitor controls Console/Channel View controls Stand-Alone switch USB and MIDI Activity LEDs Modifiers Navigation and Zoom controls Transport controls Fader Strips Figure 1.
LCD Display The LCD is a large, two-row display that shows up to six characters per fader strip. The LCD displays track, insert, send, and other parameters depending on the current view, as selected by the Channel/Console switches. Views in Pro Tools Mode When Command|8 is used with Pro Tools, many of its controls perform more than one function, depending on which of three primary views you are in: Home View, Console View or Channel View.
To display inserts or plug-in names in the LCD: 1 Make sure the Insert switch is lit in the Con- sole section. Master Faders. In Flip mode, the faders control send levels and plug-in parameters. For more information about Fader Gain (+12 dB and +6 dB sessions) see the Pro Tools Reference Guide. 2 Hold the Display Mode switch. The lower row of the LCD displays the insert or plug-in name.
Channel Select Switch Channel Meter LEDs Each channel has a Channel Select switch that performs several functions, depending on the view: Each channel includes a five-segment LED meter, scaled at 0, –3, –6, –12, and –42 dBFS. Home View The Channel Select switches select the corresponding track (indicated on-screen by a highlighted track name) for record enabling, grouping, and other channel-related commands in Pro Tools.
Console and Channel View Controls for Pan, Sends, and Inserts The Console and Channel View sections give you control over many on-screen elements in Pro Tools. Plug-in Bypass Console View switches Display Mode Channel View switches Plug-in Page switches Escape/Cancel Insert/Send Position selectors Select switches Figure 2. Command|8 Console and Channel View controls Both Console and Channel views let you view and access pan, sends, or plug-ins for editing, and automation.
Insert/Send Position Indicators A–E Select the send or insert position to display. These switches determine which of the ten available sends (A–J in Pro Tools) or five available insert positions (A–E in Pro Tools) are displayed in Console View. The five Console View switches are dual-function (A/F, B/G, C/H, D/I, E/J). Sends F–J are accessed with the Shift key. Default Resets a fader to its default setting (only applies to fader-mapped parameters). Display Mode Selects display mode options.
Pan/Send/PRE Identifies channels with sends assigned to them by illuminating their Channel Select switches. If no sends are present, no Channel Select switches will be lit. When you press an illuminated Channel Select switch, the LCD and the first rotary encoder show track pan position for that track. (If the track is a stereo track, you can toggle between left and right pan by pressing the Pan/Meter switch immediately to the right of the encoders.
Transport, Navigation, and Zoom Controls These controls mirror the operation of on-screen transport and navigation controls in Pro Tools. In addition, the Function/Utility switches let you invoke special control surface commands. Fader Bank, Nudge, and Display Zoom switches Fader Flip switch Function/Utility switches Master Faders switch Navigation and Zoom keys Windows Show/Hide switches Record/Playback Mode switches Transport controls Figure 3.
Navigation and Zoom Section Function/Utility Switches These multi-purpose switches control the display of Pro Tools tracks on the Command|8 control surface, on-screen zoom functions, and other Pro Tools navigation functions. See “Navigating” on page 30. F1 Utility Enters Utility mode. This is where you set control surface and input preferences, as well as run pre-programmed diagnostic tests.
Control Room Monitor Controls Command|8 provides a Control Room section for control over monitor and headphone level. Headphones The Headphone Level adjusts only the output of the Headphone jack (located to the right of the headphone Level control). To adjust headphone level: Main/External Source switch Mute switch Adjust the Headphone level control. Headphone Output Headphone output is not affected by status of the monitor Mute switch, but does follow status of the Mono switch.
USB and MIDI Activity LEDs The USB and MIDI Activity LEDs indicate USB and MIDI communication status. USB LED Stays lit when Command|8 is in Pro Tools mode. In other operating modes, the USB LED will flash when controls are moved MIDI LED Indicates MIDI activity at each of the Command|8 MIDI ports.
chapter 4 Using Command|8 with Pro Tools This chapter explains how to use Command|8 in a Pro Tools session for recording and mixing. PLAY Begins playback from the current cursor position. REC (Record) Arms Pro Tools for recording. Controlling the Transport Use the controls in the Transport section to play, stop, record, and cue Pro Tools. Record/Playback Mode Switches Use the additional Transport switches to enable Loop Playback, Loop Recording, and QuickPunch modes.
Navigating Command|8 lets you select windows, bank other tracks to its faders, and zoom in and out using the controls in the Navigation/Zoom section. To scroll tracks across the faders one at a time: 1 Press Nudge. When enabled, its LED is lit. 2 Press the Left or Right Arrow keys in the Nav- igation section to nudge one track to the left, or one track to the right. To manage banking, rearrange tracks in the Mix and Edit windows.
Zooming To mark a selection by dropping In and Out points: 1 Make sure the Edit cursor is in the track in To zoom in using Command|8: 1 Press Zoom. When enabled, its switch is lit. which you want to select material, and begin playback. 2 Press the appropriate Arrow key in the Naviga- 2 At the desired in point, press the Down Arrow tion section to zoom in or out: Press the Right arrow key to zoom in; Press the Left arrow key to zoom out. key.
Memory Locations Recording Pro Tools Memory Locations (markers) can be created directly from Command|8 during playback or while stopped. To create a Memory Location: 1 Cue Pro Tools to the desired location, or begin playback. 2 At the desired location, press Enter (located among the switches above and to the left of the Navigation keys). Command|8 lets you record audio and MIDI, with support for QuickPunch and TrackPunch recording modes, Loop Recording, and TrackInput monitor switching.
To take tracks out of record enable: 1 Press the Rec switch. When the Record Enable function is active, the Record Enable switch flashes. QuickPunch Recording Command|8 supports QuickPunch recording. For more information on QuickPunch, see the Pro Tools Reference Guide. 2 Press the Channel Select switch on any track whose Record Ready indicator is flashing to disarm the track for recording. Press the Record Enable switch a second time to exit Record Enable mode and return to the previous Command|8 view.
TrackPunch and Record Enabling Tracks Before tracks can be punched in and out using TrackPunch, they must first be TrackPunch enabled as well as record enabled. Command|8 features for TrackPunch provide convenient and flexible control of TrackPunch and record enable status. To TrackPunch enable and record enable tracks: 1 Make sure TrackPunch mode is enabled. 2 Press the Rec switch to enter Record Enable mode. 3 Press the channel Select switch for each track you want to TrackPunch enable.
To punch multiple tracks simultaneously using TrackPunch: TrackInput Monitor Switching (Pro Tools|HD Systems Only) 1 Enable TrackPunch mode. 2 Press the Rec switch, then press the channel To use TrackInput monitoring: Select switch to TrackPunch enable and record enable tracks. 1 Press Opt/Alt All+Mon/ø (Windows) or 3 Begin playback. 4 Press the Transport Record switch to punch all TrackPunch and record enabled tracks in and out simultaneously.
MIDI Recording MIDI tracks can be record enabled using the same techniques as with audio tracks. See “Basic Audio and MIDI Recording” on page 32. On Mac systems using the Command|8 MIDI ports as a MIDI interface, make sure no MIDI tracks are assigned to “Port 1.” This port is reserved for Command|8 control surface communication. Use Port 2, or Port 3, depending on which port is connected to your MIDI device as explained in “Configuring Command|8 MIDI Interface Connections” on page 14.
To view and adjust sends on a single track (Channel View): Sends Command|8 lets you adjust Pro Tools send level, pan, pre/post fader tap, and send mute. (You cannot assign or remove sends from Command|8; use Pro Tools onscreen controls and the mouse instead.) Sends can be displayed and accessed in either Console or Channel View modes. The F5 Focus switch toggles between the current and previous Console or Channel view. See “Function/Utility Switches” on page 26.
Muting Sends To mute a send: Press a/CTL+Select on the channel containing the send you want to mute. The switch LEDs light red to indicate muted, green to indicate in (not muted), and alternating red and green to indicate mixed states of muted and un-muted sends. Send Flip Mode Send Flip mode lets you flip control of send level to the touch-sensitive faders.
Target Plug-ins and Plug-in Windows Opening Plug-ins Command|8 can select, target, and open the window of a plug-in. Whenever you open a plug-in using Command|8, that plug-in becomes the control surface target window and is the focus of Command|8 faders, switches, and rotary encoders (as available). Plug-ins can selected in Console or Channel View modes. Selecting a plug-in for editing makes it the Command|8 target. Pro Tools 6.4 and higher supports multiple target windows.
2 Press the channel Select switch for the track containing the plug-in you want to edit. The selected track name appears in the upper row of the LCD. The lower row shows the name of any plug-ins assigned in that track above channels 1–5 (channel 1 shows insert A, channel 2 shows insert B, and so on). Inserts with no plug-in or hardware insert assignments are indicated with a straight horizontal line. To check the selected track name, press and hold Display Mode. Release to return to the previous view.
Navigating Plug-in Pages To access an EQ or Dynamics plug-in: 1 Press the EQ or Dynamics switch in the Chan- To show other plug-in control pages: nel View section. Any currently banked tracks containing EQ or Dynamics plug-ins are indicated by their Select switches flashing. Multi-Mono Plug-ins 2 Press a flashing Select switch to open the first EQ or Dynamics plug-in on that track, or the most recently edited EQ or Dynamics plug-in if more than one.
Automation Functions AutoMatch Function During playback, you can stop writing of automation on Write-enabled or Latch-enabled tracks and return automation to previously written levels by ramping up or down according to the AutoMatch time. To end an automation pass on all tracks with AutoMatch: During playback, at the point where you want to stop writing automation, hold Ctrl/Clutch and press the F4 switch on the Command|8.
chapter 5 Using Stand-Alone Mode This chapter explains how to configure and operate Command|8 in Stand-Alone mode. Overview of Stand-Alone Mode In Stand-Alone mode, Command|8 can be used with other (non-Pro Tools) software and hardware MIDI devices. Each of the Command|8 faders, encoders, and switches in the fader strips (four per channel strip or 32 total) can be custom programmed to control any compatible parameter.
3 Programming Command|8 faders, encoders, and switches for the device you are controlling, if necessary, with custom naming options (see “Editing MIDI Maps” on page 46. 4 Naming, saving, and recalling presets (see “Presets to Save and Recall Maps” on page 49). Selecting Stand-Alone Mode To place Command|8 in Stand-Alone mode: 1 Press the Stand-Alone switch, next to the Sta- tus LEDs. Stand-Alone switch Move any fader to see its position displayed in the lower row of the LCD.
4 To select the currently displayed preset, select Recall by pressing the channel 7 Select switch. The LCD prompts you to confirm that you want to recall and load the selected preset from internal flash memory. Mapping 5 To confirm, press the channel 7 Select switch (OK). The selected preset is loaded and displayed across the LCD. Command|8 faders, encoders, and 24 of its switches can be programmed, or mapped, to CC values required to control other devices.
Switches In Stand-Alone mode, 32 of the Command|8 switches are available in both pages of each preset. Programmable switch rows Transport Switches The Transport switches are permanently mapped to standard MMC (MIDI Machine Control) messages. (The RTZ switch does not support MMC.
3 Press F2/MIDI Edit. The F2 switch LED flashes, and the LCD display shows parameters similar to the following tables (which show default assignments for Fader 1 as an example): F2 MIDI Edit display, channels 1–4 Select control Chan 5 Press F2/MIDI Edit to exit MIDI Edit mode. If you have changed any settings, you will be prompted to save before exiting. Follow the instructions onscreen. The F2 switch LED should stop flashing.
To set the CC#: Rotate the channel 4 encoder for CC# until the desired value is displayed. To set a Lo or Hi MIDI Value: 1 Rotate the channel 5 encoder to set a MIDI Lo Value (0–127). 2 Rotate the channel 6 encoder to set a MIDI Hi Value (0–127). To program a switch for momentary or latching: 1 Select the switch to edit. 2 Rotate the channel 7 encoder (Mode) to Programming Faders Each fader can be mapped to any MIDI continuous controller.
Presets to Save and Recall Maps Presets are snapshots of MIDI mapping assignments that can be saved and recalled. You can store up to eight presets to save custom mapping and MIDI channel assignment for a variety of devices, with custom names. Presets can be recalled at any time to instantly switch to a different device mapping.
Loading and Saving Presets with SysEx Command|8 supports SysEx to store and recall presets into and out of Pro Tools or any compatible device. SysEx provides a standard and reliable way to quickly archive, and later retrieve entire sets of Command|8 presets. To save the current presets to SysEx: 1 If not already opened and displayed, press F3 PRE MIDI Recall to select the desired preset.
Naming Presets Naming Controller Assignments You can save custom names for presets, making it easier to manage multiple presets for different devices. You can give each programmable control its own custom name. Some people get by with the default controls and their own memory.
52 Command|8 Guide
appendix a Utility Functions Command|8 Utility functions include the following: • Viewing software and firmware versions • Calibrating faders • Testing of faders, encoders, LEDs, switches, and the LCD Accessing Utility Mode Viewing Command|8 Version Data This Utility function lets you check the current firmware version and other statistics useful when upgrading, or when contacting technical support. To display Command|8 version data: 1 Access Utility mode.
Fader Utilities Fader Calibration Fader Test Use this test to troubleshoot the mechanical elements of the Command|8 faders. Use this routine to return the motorized, touchsensitive faders to their factory calibration setting. To test fader resolution: To reset the faders: 2 Press the Channel Select switch that corre- 1 Press the F1 Utility switch to enter Utility mode. 2 Press the Channel Select switch that corre- sponds to Fader. 3 Press the Channel Select switch that corre- sponds to Fadcal.
LED Tests LCD Display Test Use this test to check all LEDs of similar color simultaneously. Use this test to assess the performance of the LCD display. To test LEDs: To test the LCD display: 1 Press the F1 Utility switch to enter Utility 1 Press the F1 Utility switch to enter Utility mode. mode. 2 Press the Channel Select switch that corre- 2 Press the Channel Select switch that corre- sponds to LED. sponds to Disp.
Switch Test Burn-In Test Use this test to evaluate the performance of Command|8 switches. Use this test to activate all of the indicators and controls on Command|8 simultaneously. To test switches: To run the Burn-In Test: 1 Press the F1 Utility switch to enter Utility 1 Press the F1 Utility switch to enter Utility mode. mode. 2 Press the Channel Select switch that corre- 2 Press the Channel Select switch that corre- sponds to Switch. sponds to BurnIn. 3 Press any Command|8 switch to test it.
index Symbols D @ (inactive send or insert) 37 dBFS 21 A E AC power 9 Arrow keys defining selections 31 moving selections up and down 31 audio connections 6, 10 Audio MIDI Setup (AMS) (Mac) 12, 13 AutoMatch function 42 automation AutoMatch function 42 Snap Back function 42 Avid mapping 17 mode for Command|8 17 supported applications 17 Edit switch (window display) 30 Ext Source 11 B Bank switch 30 banking tracks 3, 30 bypassing inserts 38, 39 bypassing plug-ins 38, 39, 40 C CC# (Stand-Alone mode)
I In and Out points 31 inactive display of plug-in status 40 display of send status 37 inserts 39 Instrument tracks 30 K knobs (see rotary encoders) L LED MIDI 28 USB 28 Live (Ableton) 43 Loop Record 35 lost communication 16 M Main 11 Master Faders 21 meters channel LEDs 21 pre and post fader 24 using the rotary LEDs 21 mic-pre (see PRE) MIDI CC (Continuous Controller) 43 connections 12 continuous controller 43 editing maps in Stand-Alone mode 47 Instrument tracks 30 LED 28 recording 36 selecting ports 1
Q T QuickPunch mode 33 target and control surfaces 3 and plug-in windows 39 testing faders 54 LCDs 55 LEDs 55 rotary encoders 56 switches 56 TrackInput monitoring 35 TrackPunch 34 TrackPunch mode 33, 34 tracks metering 21 scrolling 30 Transport 29 and MMC 46 switches in Stand-Alone mode 46 troubleshooting 16 R Reason (Propellerhead) 43 recording Loop mode 35 MIDI 36 monitor modes 35 QuickPunch mode 33 TrackPunch mode 33, 34 ReWire 43 see Stand-Alone mode S scrolling tracks (see Nudge) 30 Select switch
www.digidesign.com DIGIDESIGN 2001 Junipero Serra Boulevard Daly City, CA 94014-3886 USA Tel: 650.731.6300 Fax: 650.731.6399 TECHNICAL SUPPORT (USA) Tel: 650.731.6100 Fax: 650.731.6384 PRODUCT INFORMATION (USA) Tel: 800.333.
