MULTIBAND DYNAMICS S-Series S21 & S31 Awesome Specification. Exceptional Performance. Stunning Value.
Re-writing S21 the rule book S31 Stealth Digital Processing™ has From the beginning, DiGiCo has been at the been particularly instrumental technological forefront with its products to in the SD-Range which, according stay ahead of the game in both flexibility and to a recent independent survey, audio quality. It's impossible to wrap that played a pivotal role in eight of the evolution up in words, but to summarise, top ten international grossing tours.
DiGiCo’s high standards in not only audio quality but roadworthy mechanical design, have limited its ability to release an affordable introductory product. These values have required the same pioneering approach to design: not to follow the Making trend, but to deliver the flagship at an attractive price point and change expectations. DiGiCo’s S-Series does exactly that.
When audio engineers first see the S-Series, they gravitate towards it. It really is remarkably inviting. This level of connection with the audio sources and their manipulation is something the world's leading audio engineers experience when they harness DiGiCo's super-powerful SD7.
Touch the EQ screen, and you can choose to pinch, touch and drag your curves or for a more old school experience, just use the touch sensitive rotary encoders to finetune your frequencies, and press to change function or switch on or off. It’s the same philosophy for all other processing functions within the console.
Virtual Soundcheck 'Aux to Faders' Mode It was back in 2002 when DiGiCo first introduced the Touring Dynamics Each Input, Aux, Group, and Matrix world to ‘Virtual Soundcheck’ on the D5 console, and it's been benefits from full processing at a key feature on DiGiCo consoles ever since, including all times: there's a user-definable S-Series.
Console Layout Spill Set Due to the complexities and layers within digital consoles today, it's crucial for any engineer to be able to assign What if you need a specific type of layout, but only intermittently? Enter Spill Set, which allows banks, channels, and busses to wherever they feel most comfortable.
Dynamic EQ Presets Dynamic EQ is an advanced tool for fixing frequency specific problems; a tool that no Presets allow users to create and save their favourite channel settings. These can even engineer should be without. Offered on any channel type, Dynamic EQ gives S-Series users be exported to an external USB stick so that you can load your own personalised presets the tools needed to get the best sound possible. The simple, intuitive interface is also a whenever and wherever you are.
Macros Snapshots DiGiCo appreciates that many engineers require quick access to key Snapshots have always been a major part of DiGiCo’s design, and allow total recall of every parameter of the console. Most users functions, and that's why a set of factory Macro buttons were created. won't want this for all parameters, so the Global Recall Scope function lets you decide which ones to recall. Furthermore, the Recall For example; Safe function offers even more manipulation.
Gain Tracking™ Waves SoundGrid In a complete house-and-monitor DiGiCo system, Gain Tracking™, a world first for DiGiCo, allows the console operator to change any input gain without affecting the sound balance on Using the Waves DMI card, you can connect to an external server/computer to uncover a plethora of Waves and other SoundGrid Plugins via Multirack and SuperRack. either console - Gain Tracking™ is selectable on each channel independently on each console.
S31 Specification 1023mm / 40.3” 951mm / 37.
S21 Specification 763mm/30.
DMI Cards The S-Series comes complete with dual DMI (DiGiCo Multichannel Interface) option card slots, perfect for expandability, as it can interface with industry formats be it Analogue expansion, MADI, Dante, Waves, or Calrec’s Hydra 2 Network. All bases are covered.
Using FPGA technology, the DMI-AMM offers two independent 48 channel automatic microphone mixers with low latency, that can be inserted into any input channel on the console. The beauty of having two independent AMMs is that two separate events can run at the same time on a single console. It was also tested with multiple languages, ensuring that it will work efficiently in any dialogue situation.
There are many packages and rack systems available for the S-Series. Whether it be for Theatre, Concert Sound or HOW, with CAT5E or BNC connections, there will be a specific system and price to suit every need. Please contact your local distributor or dealer for more information. The D-Rack comes complete with CAT5E SD Rack audio as standard and can run sample SD-MINI Rack rates up to 96kHz.
With DiGiCo's first dive into the world of AV install, the 4REA4 introduced some new stage boxes to the DiGiCo rack family, 116.0 along with a new audio protocol. STAGE 48 194.3 165.0 The A168 is a 96kHz floor or rack mountable rack (rack ears available) with 16 analogue inputs and 8 analogue outputs.
Audio Processing Channel Specification Ratio; 1:1 – 50:1 Gain; 0 to +40dB Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz Knee : Hard, Med, Soft Input Name User-Defined Channel Selection Mono / Stereo Specification Sample Rate 48kHz, 96kHz Processing Delay 2ms Typical @ 48k (60 Stereo Channels, Stage Input Through L-R Buss to Stage Output) Input Routing Main Input Dynamics 2 Analogue Gain -20 to +60dB Phase Normal / Reverse Digital Trim 40 to +40dB Delay 0 - 682ms DiGi
Company Profile The Ultimate in Digital Consoles DiGiCo’s digital evolution really feel, with the ultimate in digital they all pack a similar punch. Be it from an SD console, but at an Processing and True Solo, the began with the release of the D5 processing. a bar or club gig, a stadium world unbelievable pricepoint.
