User's Manual

16
Before You Start to Play
6
Connecting the AC Adaptor
1. Rotate the [VOLUME] the knob toward the left position to
minimize the volume.
2. Connect the included power cord to the AC adapter.
The indicator will light once you plug the AC adaptor into a wall
outlet.
Power cord
AC Adapter
To an AC outlet
NOTE
Depending on your area, the included power cord may dier
from the one shown above.
NOTE
Be sure to use only the AC adaptor (DEXIBELL DYS602-240250W)
supplied with the unit. Also, make sure the line voltage at the
installation matches the input voltage specied on the AC
adapter body. Other AC adapters may use a dierent polarity, or
be designed for a dierent voltage, so their use could result in
damage, malfunction, or electric shock.
NOTE
If you won’t be using the VIVO S7/S3 for an extended period of
time, disconnect the power cord from the electrical outlet.
NOTE
To avoid malfunctions, never disconnect the AC/DC adapter
while the instrument is turned on.
3. Connect the AC adaptor to VIVO S7/S3’s DC IN jack
positioned to the rear bottom panel.
Connecting the Pedals
REAR SIDE
Expression Pedal
Foot-switch
Sustain Pedal
1. Connect to the DAMPER (HOLD) socket a sustain pedal.
This is the most commonly used pedal in a digital piano. When
pressed, all notes played will continue to sound until the vibration
naturally ceases.
A MOST IMPORTANT THING TO KNOW
To have a complete simulation of damped strings of an acoustic
piano appreciating all the musical nuances, we suggest to
connect, at the DAMPER (HOLD) socket, a continuous pedal
controller instead of an on/o pedal.
NOTE
The DAMPER (HOLD) socket accepts both types of pedals,
continuous or foot-switch (ON/OFF type).
2. Connect to the PEDAL ASSIGN 1 socket a foot-switch.
This pedal is useful to control many functions by foot. You can
assign one of the available functions. See "PEDAL ASSIGN 1" (p.
50).
NOTE
The PEDAL ASSIGN 1 socket accepts only foot-switch (ON/OFF
type).
3. Connect to the PEDAL ASSIGN 2 socket an Expression
pedal.
This pedal is useful to control dierent aspects of the sound,
commonly volume. It's used for organs, strings sounds, etc.